By Chris Snellgrove
| Published 22 seconds ago

Like many fans, I burned out on the Marvel Cinematic Universe after 2019’s Avengers: Endgame. That film felt like the natural culmination and conclusion of something the franchise had been building toward since 2008. After losing their glorious purpose, though, Kevin Feige and crew have seemingly been stuck going through the motions. Marvel movies have become tired and predictable, and superhero fatigue has set in as fans realize that the same generic storytelling blueprint is being used film after film. The Marvel TV shows on Disney+ are even worse, with most of them feeling like homework for a class that general audiences have long since dropped out of.

Because of this, I hesitated to watch Daredevil: Born Again, and I feared that Disney would completely neuter everything that made the earlier Daredevil series on Netflix so compelling. However, the news that Krysten Ritter would be reprising Jessica Jones (one of my favorite characters long before she joined the MCU) for Season 2 made me cave in and watch the new show. To my shock, I really loved the first season, in large part because it felt like nothing else in today’s superhero media. That’s when it hit me: Daredevil: Born Again is successful specifically because it breaks all the storytelling rules of modern Marvel media.

Not Exactly Kid-Friendly

Modern Marvel media has often tried to walk a tightrope between appealing to adults and appealing to the youngsters they are trying to sell toys to. The Thunderbolts is a great example of this. As a movie where the real Big Bad is crippling, soul-destroying depression, this film has a core message that an older audience can really vibe with. Because it’s meant to be a blockbuster superhero movie, though, we also have to get a steady stream of bad jokes, most of them courtesy of David Harbour’s insanely over-the-top Red Guardian character.

Daredevil: Born Again embraces its TV-MA rating to tell a story by adults and for adults. There’s no real push to sell toys (or, for that matter, Marvel Rivals skins), so the writers can focus on telling a story that is centered on trauma. The first episode begins with one of Matt Murdock’s closest friends getting shot by Bullseye, leading to the show’s first real balls-to-the-wall action scene. When he hears that friend’s heartbeat stop, Matt does two things that once seemed impossible: he tries to kill the attacker and subsequently hangs up the horns for good.

The story that unfolds doesn’t feature any Spider-Man-like quips from our hero. For that matter, nobody utters any of those Whedon-esque lines like “Well, that just happened.” Instead, the narrative focuses on the guilt that our protagonist feels over his life as a superhero, ultimately getting his best friend murdered by a costumed villain. Everything (including a horrifically honest portrayal of police brutality and a serial killer subplot straight out of Hannibal) feels refreshingly mature. The TV-MA rating isn’t just about letting Daredevil drop f-bombs. Instead, it’s a license to, like the earlier Marvel shows on Netflix, return to telling rich stories rather than selling cheap toys.   

The Return Of The King

Unsurprisingly, Charlie Cox does an amazing job as the titular hero of Daredevil: Born Again, and he injects his tortured character with so much pathos that you’ll stay invested in his every move, whether he makes them in a courtroom or on a rooftop. But the primary reason to watch this show is the triumphant return of Vincent D’Onofrio as Wilson Fisk, better known to friends and foes alike as the Kingpin of Crime. In the original Daredevil show, the actor pulled off the impossible by showing us tantalizing glimpses of the vulnerability hidden behind Fisk’s mask of violence and domination. Incredibly, he doubles down on all of this with his showstopping Born Again performance. 

In this newer show, Kingpin becomes the mayor of New York City in an attempt to improve lives, but he can’t shake the criminal nature that made him infamous in the first place. D’Onofrio helps to sell the fact that his character does not see this as a contradiction or a sign of hypocrisy. Rather, he sees a city spiralling into chaos, and he believes costumed vigilantes are a symptom of the larger problem rather than a solution. Accordingly, he runs the city with the same ruthlessness that he ran his criminal empire, with the ultimate goal of restoring order.

Daredevil: Born Again’s ambitious plot works on several levels, with Kingpin’s government (complete with ICE-like enforcers) serving as a clear parallel to Donald Trump’s government. Thanks to D’Onofrio’s performance, though, Kingpin always comes across as a complex character rather than a political parody, which gives all of this strident social commentary a downright electrifying frisson of tension. As with Cox, D’Onofrio isn’t here to sell toys, and he’s not here to be a mustache-twirling farce. Unlike most Marvel villains, he’s in this show to illustrate how the banality of evil will always be wrapped in a cult of personality and the best suits that money can buy.

Law & Order: MCU

Aside from his fun cameo in Spider-Man: No Way Home, Charlie Cox’s most substantial Marvel role before Born Again was his cameo in She-Hulk: Attorney at Law. That series did a good job at bringing the funny, and its lighthearted approach to storytelling (despite what the haters would tell you) often felt like a breath of fresh air. However, She-Hulk suffered in one major regard: its courtroom scenes. It was a show about a lawyer-turned-superhero, and unfortunately, nobody involved with the show could write a compelling courtroom scene if their lives depended on it.

Fortunately, Daredevil: Born Again delivers an ongoing legal plot (Matt Murdock must defend a costumed vigilante accused of killing a corrupt cop) worthy of the best Law & Order episode. This plot drives many of our heroes’ actions and makes for one of the most compelling aspects of Season 1. It felt like a magic trick, really. In a season that brought back both Jon Bernthal’s Punisher and the franchise’s killer action scenes, nothing kept me on the edge of my seat more than when I was waiting for the jury’s verdict with bated breath.

Forgive Marvel, For They Have Sinned

Obviously, the quality of Daredevil: Born Again doesn’t make up for modern Marvel mostly being a disappointment. Furthermore, it’s entirely possible that Season 2 (which is still ongoing as of this writing) will manage to drop the ball. But if you’re like me and have been burned out on what the MCU has to offer, it’s worth checking out this sequel series. If nothing else, additional audiences tuning in may let Disney know exactly what we want from superhero movies and shows: mature writing, deep characterization, and the intersection of several killer plots.

You don’t need superpowers to know where to find Daredevil: Born Again. Like all things Marvel, it can be streamed today on Disney+. That streamer is also the home of the earlier Marvel movies that once premiered on Netflix. When Born Again inevitably makes you nostalgic for the days of exciting Marvel TV shows, you can always go back and watch the original Daredevil. Just do what I did and try to ignore that you’re watching it on the same streamer that brought you stinkers like Secret Invasion and Iron Fist.   

Daredevil: Born Again SCORE

By TeeJay Small
| Published 1 hour ago

If you’ve got your finger on the pulse, you’ve probably already heard of Apple TV‘s Shrinking. The series, which just wrapped its third season, is the latest venture from Scrubs creator Bill Lawrence.

It’s packed with star-power, loaded with toxic positivity, and feels like a warm, cozy blanket if you’re spending a night inside, reminiscing about the times your tight-knit group of friends razzed each other over dinner and drinks. Despite some of the show’s major highlights, I’ve got extremely mixed feelings about Shrinking, and I can’t quite place how I’d rank it overall.

Shrinking Should Be Top Tier

For starters, Shrinking has a top-tier premise. A Southern California-based therapist grapples with the death of his wife, all while managing clients, a teenage daughter, and a growing group of supportive pals. Also, his gravelly boss is Indiana Jones.

The show features leading performances from Jason Segel, Jessica Williams, Lukita Maxwell, Christa Miller, and Harrison Ford. Rising star Luke Tennie also takes center stage in the series, which might leave you with your jaw agape if you just finished watching him on Abbott Elementary and The Pitt.

A Therapist Jimmying His Clients

Segel’s Jimmy Laird opens the series by coming out of an almost year-long fog. In the immediate aftermath of his wife’s untimely passing, he indulged in alcohol, drugs, and parties with hired women. As he tries to return to the reality of his daily grind, he struggles to reconnect with his daughter before she leaves for college. Meanwhile, Jimmy takes his therapeutic practice to bold new places by ‘Jimmying’ his clients, pushing them to make big choices both inside and outside of his office.

Former Daily Show correspondent Jessica Williams is my personal highlight of Shrinking, as she brings an undeniable charisma to the show. Harrison Ford is also a major bright spot, serving as Jimmy’s boss, and a reluctant mentor to pretty much every other person on screen at any given time. Some fans have suggested that this role will be Ford’s last, and if that’s the case, I couldn’t ask for a better career send-off.

A Flippant Disregard For Therapist Boundaries

Shrinking has its flaws. The most glaring issue is the show’s flippant view on the relationship between a therapist and their client.

For Jimmy, violating the ethical practices laid out for a shrink is kind of the whole point. But beyond that, the series seems to think therapy functions more like a boozy brunch than a years-long discipline. Throughout the whole series, therapists hang out with clients in social settings, offer straight-up illegal advice in place of coping mechanisms, and bring their personal problems into sessions, taking up valuable time gossiping instead of focusing on the patients.

I understand that a straightforward and realistic show about therapy would be very boring, but it just feels a little too over the top for a show with such deep themes.

The Unbearable Stench Of Wealth

The other major flaw with Shrinking is the unbearable stench of wealth. The main characters live in a very affluent neighborhood in Pasadena, where they seemingly spend every waking moment getting wine drunk, planning spur-of-the-moment vacations, driving pristinely restored classic cars, and never worrying about money at all. The least wealthy character is Luke Tennie’s Sean, and even he gets to live in Jimmy’s pool house for free.

Again, I’m not suggesting that characters on Shrinking need to be hyper-realistic or descend into abject poverty in order to be entertaining. I’m just saying, sometimes I have to grit my teeth as the characters decide on a whim to buy a car they don’t need, or give away a rental property that would cost me $4,500 per month before utilities.

Some weeks, I catch Shrinking the moment that new episodes hit Apple TV. Other times, I have to decide whether to spend my money on groceries or on paying down high-interest debt. When those weeks rear their head, the very last thing I can tolerate is a show about a wealthy man crying in his mansion.

Shrinking Will Never Be A Prestige Show

If you’re in the market for a feel-good show and don’t mind it getting occasionally so saccharine that your blood sugar spikes, Shrinking might be exactly what you need. There’s also a pretty massive How I Met Your Mother reunion couched within the second and third seasons, so it’s worth watching if you’re a longtime fan of that sitcom.

Still, Shrinking will never be a prestige show on the level of Breaking Bad, Severance, or even Curb Your Enthusiasm. It’s the kind of show you throw on when you’re homesick and looking for some empty comfort. Shrinking is currently streaming on Apple TV.

SHRINKING SERIES REVIEW SCORE

There’s no shortage of competition shows right now, but Netflix’s latest unscripted pickup sounds like it’s aiming for something a little meaner, rougher, and a lot less polished. This one isn’t about baking, bluffing, or making a fortune in a mansion. It’s about stripping people down to the basics and seeing what’s left when the comforts of modern life disappear. And with a concept like that, it makes sense that Netflix went looking for someone who actually looks like he could survive the end of the world.

That someone is Alan Ritchson, who is officially bringing a new survival competition series to the streamer. The currently untitled show comes from Bunim/Murray Productions and will test the grit, resilience, and instincts of a group of high-profile influencers and headline-makers as they’re pushed far outside their comfort zones. With their usual luxuries gone, the contestants will have to rely on determination, survival skills, and each other to make it through the experience.

The series will ask whether these carefully curated public figures can actually endure life in the wilderness when there’s no fame, no followers, and nowhere to hide. Ritchson will, of course, need to fit this in alongside numerous big projects and, of course, shooting Reacher, the fourth season of which is set to premiere later this year.

What Can We Expect From ‘Reacher’ Season 4?

Ritchson has already hinted that this season is the most action-heavy yet. In his earlier comments to ScreenRant, he said the show may include roughly 30 fight sequences across its eight episodes, while also admitting he worried about “fight fatigue” if the action did not serve the story. He stressed that the team was not just adding fights for the sake of it.

“We shot… God, I don’t even know, man. 30? We’ve never shot this many fights. There’s so many. And it’s not just that we’re just going for the sake of it. I worry about fight fatigue for audiences. I watch my wife watch Game of Thrones, and I am yawning my way through it, and then the fights start. I’m like, ‘Now it’s getting good.’ The fights start, and she’s like, ‘Oh, wake me up when the fights are done.’ And I’m like, ‘What is that?’ I don’t ever want somebody to disengage because they’re just seeing all the fights in the world thrown on screen.”

Stay tuned to Collider for more updates on Alan Ritchson.

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Release Date

February 3, 2022

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Network

Prime Video

Showrunner

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Nick Santora

Directors

Omar Madha, Carol Banker, Julian Holmes, Lin Oeding, M.J. Bassett, Norberto Barba, Stephen Surjik, Thomas Vincent

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Writers

Cait Duffy

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Internet users are swarming Emily Huff‘s social media accounts amid her liking a comment that asked if she “beat” Jayda Cheaves.

RELATED: Yaya Mayweather Reacts After Viral Footage Shows Jayda Cheaves & Dess Dior In Nightclub Altercation (VIDEOS)

Internet Users Swarm Emily Huff’s Social Media Amid Her Liking A Comment That Asked If She “Beat” Jayda Cheaves

Emily Huff’s social media has been a gathering spot for social media users. On Instagram, her latest post, shared over the weekend, showed her standing on a beach while carrying a Black Goyard bag.

“Let’s take a trip bae 🫢,” she had captioned the photo.

Then, in her comment section, the reactions rolled in.

Here’s Why Internet Users Are Speculating About Altercation Between Emily Huff & Jayda Cheaves

As The Shade Room previously reported, over the weekend, footage surfaced of Jayda Cheaves and Dss Dior being involved in a physical altercation while at a club. At the time, details about the altercation remained scarce. However, the footage went viral and caught Yaya Mayweather’s attention.

Then, on Sunday, April 12, a tweet was shared that showed another angle of the altercation. Subsequently, fans began speculating that the footage showed Jayda Cheaves tussling with Emily Huff. To add, Huff even liked a comment which asked her if she “beat jayda or what.”

Swipe below to see the comment, and Huff’s like.

Why Might The Women Have Beef?

As The Shade Room previously reported, in January, Supa Peach alleged that Emily Huff dated Lil Baby before Jayda Cheaves. However, she added that at the time, Huff and Cheaves were friends. Around the time of Peach’s revelation, Huff appeared to confirm her recollection of events.

RELATED: Whew! New Angle Of Dess Dior & Jayda Cheaves’ Fight In Club Has Social Media Users Speculating It Involved Her Former Friend Emily Huff

When it comes to fantasy series, George R. R. Martin’s adaptations continue to dominate the genre, having started with Game of Thrones, which ran from April 17, 2011, to May 19, 2019. The tremendous success of the HBO show led to its spin-offs, House of the Dragon and A Knight of the Seven Kingdoms, both of which premiered on the network in 2022 and 2026, respectively. However, before any of these came to life, a forgotten fantasy series was all the rage, garnering positive attention throughout its run and still regarded as one of the greatest of this century.

Loosely inspired by British legends from medieval literature, the action-packed series aired for five seasons on BBC One between September 20, 2008, and December 24, 2012. In the US, it was broadcast on NBC from June 21, 2009, for a short while before moving to Syfy for Season 2, running through the final season in 2013. Merlin, also known as The Adventures of Merlin, is the fantasy masterpiece in question, created by Julian Jones, Jake Michie, Johnny Capps, and Julian Murphy for the BBC.

Eighteen years after the adventure series premiered, it is much easier to stream in the US without paying a penny. As reported, all five seasons of Merlin are currently streaming for free on Tubi, which won’t be the first time the fantasy drama was made available for free. Back in 2023, the free streaming service Plex launched a Merlin channel for US viewers, in addition to another channel airing on Amazon Prime Video’s Freevee.

How Well Do You Remember ‘Merlin’?

The acclaimed British show is a reimagining of the Arthurian legends, focusing on Prince Arthur and his manservant, Merlin, as ambitious young men struggling to understand their destinies. After saving Arthur’s life in the first episode, Merlin becomes the prince’s manservant. He soon learns that the reason for his magic is to protect the prince, but Merlin must hide his powers because magic was banned in Camelot by Arthur’s father, King Uther Pendragon, and those caught practicing are executed. Merlin starred Colin Morgan, Bradley James, Katie McGrath, Angel Coulby, Richard Wilson, Anthony Head, and John Hurt.

You can now stream Merlin on Tubi. Follow Collider for the latest entertainment updates.

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Release Date

2008 – 2012

Network

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BBC One

Showrunner

Julian Jones

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Directors

Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Alex Pillai, James Hawes, Metin Hüseyin, Ed Fraiman, Stuart Orme

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Writers

Julian Jones, Jake Michie, Howard Overman, Ben Vanstone, Richard McBrien

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By TeeJay Small
| Published 16 seconds ago

Kanye West is probably one of the most controversial figures in all of entertainment, second only to a few elected heads of state. Despite years of antics tarnishing his artistic legacy, the 48-year-old rapper has seen a major resurgence in popularity in recent months. His latest album, Bully, was finally released on streaming services at the end of March. He played a pair of sold-out shows at Los Angeles’ SoFi Stadium to the tune of over $33 million in gross revenue shortly thereafter.

Just as it seemed like Ye was back on the path to superstardom, however, he was barred entry to the entire nation of the United Kingdom, forcing him to miss his headlining act at Wireless Festival.

According to the trades, Kanye’s travel ban resulted in the entire festival being canceled, with all ticket holders receiving refunds. It seems as though Kanye was only barred from the country due to outrage from advertisers and corporations.

Despite this turn of events, organizers claim that the rapper’s initial booking was cleared well in advance, with little issue. In a statement to the press, the organizers explained “As with every Wireless Festival, multiple stakeholders were consulted in advance of booking YE and no concerns were highlighted at the time.”

Even in a career mired with petty controversies, Kanye’s extracurriculars from 2022 through late 2025 have seen him taking on a dark turn that fans couldn’t have anticipated. During this time, the rapper seemingly embraced a loud-and-proud identity as a rampant anti-semite, which included selling merchandise with swastika icons, pushing antisemitic conspiracy theories online, and taking to Alex Jones’ InfoWars program to espouse support for Adolf Hitler.

Is Kanye West Being Punished For Apologizing?

If Kanye’s antisemitism is truly the basis for him being banned from the U.K., that makes perfect sense. Of course, it raises a number of questions, given that the rapper was free to move around the country during the height of his poor behavior.

West disavowed his previous remarks in January of this year and has taken several steps to minimize the backlash he faced over his actions at that time. Obviously, nobody is required to forgive and forget, but it does seem odd that he was allowed to do anything he wanted in the midst of his Nazi breakdown, only to face backlash after the fact. In a sense, it almost feels like he’s being punished for apologizing.

Once Ye was announced as a headliner for Wireless Festival, numerous sponsors began withdrawing. The event lost contracts with Pepsi, Diageo, Rockstar Energy, and more before the U.K. government stepped in to shut the entire affair down.

Kanye then responded with a statement published in Billboard, which includes the following: “My only goal is to come to London and present a show of change, bringing unity, peace, and love through my music. I would be grateful for the opportunity to meet with members of the Jewish community in the U.K. in person, to listen. I know words aren’t enough – I’ll have to show change through my actions. If you’re open, I’m here.”

In the previously mentioned statement from Wireless Fest, promoters articulated, “Antisemitism in all its forms is abhorrent, and we recognize the real and personal impact these issues have had. As YE said today, he acknowledges that words alone are not enough, and in spite of this still hopes to be given the opportunity to begin a conversation with the Jewish community in the U.K.”

I don’t mean to be a conspiracy theorist here, but something feels extremely off. If the event organizers are to be believed, each sponsor agreed to have Ye headline the event without issue, only to make a big show of withdrawing their support once the announcement went public. The U.K. government then follows the same trend, plainly ignoring active instances of bigotry and hatred, and only stepping in when financial interests become significant. The end result in this case is a multi-million dollar loss for London, since the city would have attracted millions of tourists and visitors over the course of the three-day festival.

Virtue Signaling Gone Wild

To me, this scans as nothing more than flippant virtue signaling. Whether you love Kanye West, hate him, or feel ambivalent to his existence entirely, it seems clear that he posed no threat to the people of London. In fact, his sold-out shows at SoFi Stadium seem to indicate that he’s still a major financial draw.

If the free market regulated the controversial artist out of rotation organically, I could understand pulling him from the headlining slot. Instead, it seems government entities are more concerned with playing catch-up than with letting people vote with the power of their dollar. Or rather, the power of their pound, in this case.