Entertainment

Jennifer Morrison Officially Knew ‘Once Upon a Time’ Was a “Slam-Dunk” From the Pilot [Exclusive]

Published

on

To say that transformation occurred on Once Upon A Time is a major understatement. On screen, the ABC series was known for reinventing itself and putting its iconic characters through numerous wild scenarios and twisted storylines. Off screen, the actors who brought those characters to life were also changing and growing. In an interview with Perri Nemiroff for Collider Ladies Night, Jennifer Morrison talked about what first drew her to Once Upon a Time and how being on the long-running show was its own Disney-adjacent hero’s journey.

Once Upon A Time took us to Storybrooke, Maine, where fairy-tale characters like Snow White (Ginnifer Goodwin), Prince Charming (Josh Dallas), the Evil Queen (Lana Parrilla), Belle (Emilie de Ravin), Little Red Riding Hood (Meghan Ory), Rumpelstiltskin (Robert Carlyle), and more lived normal lives, with no happy endings, thanks to a petty curse. It’s up to Emma Swan (Morrison) to be their savior. First, of course, she has to learn how to believe in magic.

“I was really moved by the pilot,” Morrison told Nemiroff. “I was really, really blown away by the pilot. I thought it was such a slam-dunk idea. It was just one of those concepts. The familiarity of all these fairy-tale characters mixed with this concept of them all knowing each other, and somehow having their lives overlap, felt so universally exciting.” She went on to praise showrunners Eddie Kitsis and Adam Horowitz, who also wrote the pilot, saying they “had done such an incredible job of also infusing it with a tremendous amount of psychology and metaphor. You could feel the richness of what they were approaching it with, so I was very excited about that.”

Advertisement



















































Advertisement
Collider Exclusive · TV Medicine Quiz
Which Fictional Hospital Would You Work Best In?
The Pitt · ER · Grey’s Anatomy · House · Scrubs

Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.

🚨The Pitt

🏥ER

💉Grey’s

Advertisement

🔬House

🩺Scrubs

Advertisement

01

A critical patient comes through the door. What’s your first instinct?
Medicine under pressure reveals who you actually are.





Advertisement

02

Why did you go into medicine in the first place?
The honest answer says more about you than the one you’d give in an interview.





Advertisement

03

What do you actually want from the people you work with?
Who you want beside you under pressure is who you are.





Advertisement

04

You lose a patient you fought hard to save. How do you carry it?
Every doctor who’s worked a long shift has had to answer this question.





Advertisement

05

How would your colleagues describe the way you work?
Your reputation on the floor is usually more accurate than your self-image.





Advertisement

06

How do you feel about hospital protocol and procedure?
Every institution has rules. What you do with them is a choice.





Advertisement

07

What does this job cost you personally?
Nobody works in medicine without paying a price. What’s yours?





Advertisement

08

At the end of a long shift, what keeps you coming back?
The answer to this question is the most honest thing about you.





Advertisement

Your Assignment Has Been Made
You Belong In…

Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.

Advertisement


Pittsburgh Trauma Medical Center

The Pitt

You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.

Advertisement
  • You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
  • You find purpose inside the work itself, not in the chaos surrounding it.
  • You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
  • Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.


County General Hospital, Chicago

ER

You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.

Advertisement
  • You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
  • You care about patients as individual human beings, not as cases to solve or dramas to live through.
  • You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
  • ER is television about endurance. You have it.


Grey Sloan Memorial Hospital, Seattle

Grey’s Anatomy

You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.

Advertisement
  • You feel things fully and form deep attachments to the people you work with.
  • Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
  • You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
  • It’s messy at Grey Sloan. You would not have it any other way.


Princeton-Plainsboro Teaching Hospital, NJ

House

You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.

Advertisement
  • You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
  • You work best when the stakes are highest and the standard answer is wrong.
  • Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
  • The only way forward here is to think harder than everyone else in the room. That is exactly what you do.


Sacred Heart Hospital, California

Scrubs

You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.

Advertisement
  • You are warm, self-aware, and funnier than most people in your field.
  • You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
  • You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
  • Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.

Advertisement

Morrison Spent Her “Whole Life” Preparing for the ‘Once Upon a Time’ Pilot

Morrison also admired the Once Upon a Time pilot’s director, Mark Mylod, and came from a Disney-loving family. “I may not have realized this in the moment,” she continues, “but I grew up in a family that really loves Disney.” Morrison explained that her parents would find ways to bring magic into her life growing up, budgeting road trips from Chicago to Orlando on schoolteacher salaries. “So, I think that there was also a lot of that Disney mythology that lived in my bones in a way that I got very excited at the idea of being the new person in that mythology,” she told Nemiroff. “‘What does it mean to be the invention that’s dropped into that world?’ I think without realizing it, I’d spent my whole life doing research to be that person, so there was something very familiar about it that kind of called to me, as well.”

Her character Emma Swan might not be a Disney fairy-tale fan, but she was living the ultimate fan experience as an audience surrogate in a fantasy world. In that pilot, we meet Emma in Boston, where she works as a bounty hunter/bail bonds person with no friends, no family, and no faith in humanity. She receives a call to adventure right from a young boy named Henry (Jared Gilmore) claiming to be her son. Henry takes her to his hometown in Maine, which he’s convinced is not only populated by the archetypal fairytale characters that the Brothers Grimm and Walt Disney made popular, but under a spell that’s made them forget who they are.

A New Disney Classic Reminded Morrison of Her Time on ‘Once Upon a Time’

Once Upon A Time ran for seven seasons on ABC, and in today’s television landscape, very few actors get to spend that long on one job. You’re evolving as the character you play, but also as yourself. The actors who played Emma’s parents, Goodwin and Dallas, got married in real life and had two real children in that time. Reflecting on that experience, Morrison finds an apt metaphor that happens to unfold in a newer Disney movie. “There’s so much in literature about going to the Enchanted Forest and it changing you. I mean, I’ve also now watched Frozen 2 18,000 times with my child, and there’s the whole sequence where Olaf is talking about how enchanted forests are meant to change you, and that’s all based on psychology and all this stuff. So, I think Once Upon a Time sort of was my Enchanted Forest.”

Advertisement

The scene she’s referring to happens right as Anna (Kristen Bell), Elsa (Idina Menzel), Olaf (Josh Gad), Sven, and Kristoff (Jonathan Groff) go into the woods again. The snowman asks the group, “Did you know that an enchanted forest is a place of transformation? I have no idea what it means, but I can’t wait to see what it’s gonna do to each of us.” Towards the end of the film, he admits that he still doesn’t know what transformation means, but feels changed. Sadly, Once Upon a Time never got to tell the story of Frozen 2, but it did cover the original Frozen in the show’s fourth season.

“I went in with a lot of excitement and a lot of passion, and I feel like what I didn’t expect coming out of it was some of the challenges and the things that were harder for me,” Morrison explained, “in terms of being away from my family, being away from my home for so long, the sheer hours worked, and expectations and demands of a show like that, at that age, at that point in my life. Because I wasn’t yet married, and I didn’t have my partner yet, and so to do all of that and sort of still be alone, it really challenged me. It really, really challenged me. I think it forced me to wake up to needing to know myself better.” She went on to say that spending 17 years collectively on network television never left her much time to be herself. ” I’m not method. I don’t take the character home or anything like that,” she told Nemiroff, “but if, for 14 to 16 hours a day, you’re sort of more in the skin of someone else than in your own skin, you don’t have a lot of time to know yourself.”

“So, I think the awakening for me in my, like, ‘Enchanted Forest time’ was that I have to know myself as well as I know these characters, if not better. So it forced me to start prioritizing, taking care of myself differently, and knowing myself differently. And it was in that awakening that I realized that I had, at one point, had two burgeoning careers, which was that I was directing theater alongside being an actor, and I was really craving telling the whole story, and I was really missing that part of myself that could create without giving up myself. So, in that realization, I started directing a lot sooner than I think I would have because I was like, ‘I have to do this now.’ And so that’s how the whole show itself sort of became my Enchanted Forest.”

While Morrison did not direct any episodes of Once Upon a Time, she has gone on to direct episodes of Euphoria, Tracker, Yellowjackets, and The Five-Star Weekend, all after her first short film Warning Labels, and feature Sun Dogs both in 2017. You can stream Once Upon a Time on Hulu and Disney+, and watch Morrison’s full episode of Collider Ladies Night below.


Advertisement


Once Upon A Time

Advertisement


Release Date

2011 – 2018-00-00

Advertisement

Showrunner

Adam Horowitz

Directors
Advertisement

Ralph Hemecker, Ron Underwood, Dean White, Romeo Tirone, Billy Gierhart, Gwyneth Horder-Payton, Alrick Riley, David Solomon, Eagle Egilsson, Milan Cheylov, David Barrett, Geofrey Hildrew, Guy Ferland, Mario Van Peebles, Paul A. Edwards, Jon Amiel, Mick Garris, Sharat Raju, Morgan Beggs, Adam Horowitz, Alex Zakrzewski, Andy Goddard, Anthony Hemingway, Antonio Negret


Advertisement

  • Andrew Kavadas

    Baron Danglars

    Advertisement
  • Mr. Gold / Rumplestiltskin / Weaver

Advertisement


Advertisement

Source link

Advertisement

You must be logged in to post a comment Login

Leave a Reply

Cancel reply

Trending

Exit mobile version