Entertainment
Jet Li’s New Martial Arts Epic Is Like Mad Max On Horseback, Incredible
By Chris Sawin
| Published
Blades of the Guardians is a martial arts film adaptation of a 12-volume manhua (Chinese manga), Biao Ren (Guardian), which was also adapted into a 15-episode donghua (Chinese anime) in 2023. The film is directed by Yuen Woo-ping, who is one of the most well-known Hong Kong action film directors and action choreographers, and has been an active filmmaker for the past five decades.
Some of Yuen Woo-ping’s directing credits include Drunken Master, Iron Monkey, and Tai Chi Master. Some of his action choreography credits include Fist of Legend, the original Matrix trilogy, Kill Bill, Unleashed, The Grandmaster, and Ip Man 3 & 4.
The film follows a bounty hunter named Dao Ma (Jing Wu, the Wolf Warrior films) traveling with a little boy named Xiao Qi (Charles Ju). In the opening of the film, Dao Ma becomes the second most wanted fugitive in the land. The leader of the flower rebellion, Zhi Shilang (Sun Yizhou), is the most wanted fugitive. Dao Ma is entrusted with an escort mission to take Zhi Shilang to Chang’an. They must travel across the desert as every clan and bounty hunter wants a piece of Zhi Shilang’s gargantuan bounty.
As a general rule, you never go into a martial arts epic with the expectation that the story will be well thought out or even coherent. Blades of the Guardians has this Journey to the West meets Mad Max-on-horseback kind of ambiance that generally works. At just over two hours, the film feels a little long in places, especially in the second half. It feels like the story purposely stalls as well to cram in a few more action sequences and leave room for a potential sequel if the film does well enough to become a franchise.
The general idea is that the story is always moving. These characters are constantly traveling and encountering a plethora of other eccentric characters along the way. The action isn’t a detour where everything stops as it’s purposely intertwined into the narrative. The action is meant to emphasize a character’s motivation or alliance, as each punch, kick, and weapon swing carries meaning.
Every shot of Blades of the Guardians is gorgeous thanks to cinematographer Tony Cheung Tung-Leung (14 Blades, Drunken Master II). The film has a $100 million budget, and it shows. Visual effects are extraordinary throughout, but the way Blades of the Guardians makes desert terrain look so colorful is even more wondrous. The film was shot in the real desert regions of western China, so most of the environments are genuine and not green-screen. Taking place in the desert, you’d expect Blades of the Guardians to be a dull kind of tan throughout, but it’s surprisingly lush-looking with nearly every color you can think of.
The action is interesting, not just because it’s visually impressive, but the training and preparation for Blades of the Guardians sounds rigorous and extensive. Actors performed their own stunts whenever possible and constantly trained in horseback riding, weapon handling, and hand-to-hand combat. Most of the cast brought their own experience in martial arts, sports, and even opera, but the training continued even after shooting began.
Blades of the Guardians is being touted as a film reviving wuxia (a genre of Chinese fiction). However, the longer action sequences float and fly in the air, the more of a turnoff it is. Wirework should be used to enhance the action while remaining as grounded as possible. Blades of the Guardians is a great balance, as most of the more superhuman moments revolve around the impact of a punch or kick, trailing behind or on the side of a horse while it’s running, and a spectacular move or two.
Jet Li’s introduction in the film shows him using a sheath to catch a sword thrown at him from across the room, without looking. The two-on-one action sequence that he’s a part of shows that the 62-year-old actor can still go, which should be incredibly exciting for anyone who’s a fan of Hong Kong cinema.
Yuen Woo-ping’s action sequences are of another breed compared to American or other Hong Kong action films. Every sequence is perfectly framed, not too close and not too far away, with everything you need to see in precise view. It’s amazing that Yuen Woo-ping has come up with such fresh ideas after doing this since the early 1970s. There’s a crucial one-on-one fight that takes place in a sandstorm, a fight in the snow while someone is holding a baby, and weapons covered in fire being swung around so beautifully it’s as if you’ve never seen anything like it before.
The film doesn’t shy away from blood either. Limbs and heads are cut off regularly, as blood is splattered in every direction in every fight. Dao Ma is a character who will kill, but prefers not to. He shows mercy more often than not throughout the film. However, there’s one sequence where he swings an axe into the side of someone’s neck, and they fall to their knees before he roundhouse kicks their head off their shoulders.
Blades of the Guardians is one hell of an action film and easily a contender for one of the best films of the genre in the first part of the year. Yuen Woo-ping continues to showcase his legendary talent as a director while four generations of Hong Kong action cinema deliver nonstop badassery over two relentless hours of pure, uncut awesomeness.
Blades of the Guardians is now playing in select theaters.