Robert Carradine
Actor Was MIA on Current Film, Director Says

Published
February 24, 2026
9:23 AM PST

When The Princess Bride was released in 1987, it quietly rewrote the rules of romantic fantasy. It proved that a love story could be sweeping without being saccharine, ironic without being cynical, and adventurous without losing emotional sincerity. Since then, filmmakers have chased that same 1980s alchemy—the delicate balance of magic, humor, danger, and devotion. And luckily, some have found it.

Many would argue that the best romantic fantasy films released in its wake understand one crucial thing: spectacle alone is not enough. Whether told through animated kingdoms, time-traveling meet-cutes, or sky-bound ships, these stories endure because they treat love as transformative. They remind us that romance, at its best, feels both impossible and inevitable (like destiny, but still chosen). And in a genre built on magic, that sincerity is the most powerful spell of all.

8

‘Tangled’ (2010)

Image via Walt Disney Studios Motion Pictures

After a magical flower grants her healing powers, baby Princess Rapunzel is stolen from the palace by the vain and manipulative Mother Gothel (Donna Murphy), who locks her away in a hidden tower for 18 years. Now, on the brink of adulthood, Rapunzel (Mandy Moore) finally seizes her chance at freedom when charming thief, Flynn Rider (Zachery Levi), stumbles into her tower, and promises to escort her to see the floating lanterns she’s long dreamed of.

Tangled feels like a direct descendant of The Princess Bride in the best way: it gives us swashbuckling adventure, razor-sharp banter, and a romance that builds through shared danger. The lantern sequence alone solidifies itself in the Disney hall of fame as it’s not only visually stunning, but emotionally significant as it showcases a true moment of vulnerability. Throughout the film, Flynn’s bravado softens, Rapunzel finds her courage, and the fairy-tale becomes deeply human. It’s a classic romance polished with modern wit, and a true underrated addition to Disney’s animated collection.

7

‘Edward Scissorhands’ (1990)

Image via 20th Century Studios

In a pastel suburban town, an unfinished artificial man named Edward (Johnny Depp) is discovered living alone in a gothic mansion. Taken in by a well-meaning family, Edward struggles to adapt to suburban life, all the while forming a tender connection with their daughter, Kim (Winona Ryder). Unfortunately for him, his scissor-bladed hands and gentle strangeness quickly make him both a fascination and target to others.

Tim Burton’s melancholic masterpiece transforms a simple love story into something hauntingly tragic. Like in The Princess Bride, Edward and Kim’s romance is defined by distance—physical, emotional, and societal. It’s a story about loving someone you can never quite hold. However, where many fantasy romances promise happily-ever-afters, Edward Scissorhands lingers in the longing. Its bittersweet devotion, quiet sacrifice, and gothic atmosphere give it the emotional weight of a modern myth made legendary in the 90s.

6

‘Howl’s Moving Castle’ (2004)

Image via Studio Ghibli

When Sophie (Chieko Baishô), a shy young woman working in her family’s hat shop, is cursed by a jealous witch and transformed into an elderly woman, she has no means to tell anyone of her plight. So, seeking a way to break the spell, she finds refuge in the magical, ever-shifting castle of the mysterious wizard Howl (Takuya Kimura). But as war looms and curses intertwine, Sophie and Howl slowly unravel each other’s defenses.

From the brilliant minds at Studio Ghibli and famed director Hayao Miyazaki, this romance is whimsical, strange, and yet still profoundly tender. Sophie learns confidence in a body she doesn’t recognize, while Howl learns bravery in a world he’s been avoiding. Together, their love unfolds through quiet acts of protection rather than grand speeches. In many ways, the magic externalizes their insecurities, making their emotional growth feel even more profound. Howl’s Moving Castle is fantasy at its most poetic.

5

‘Big Fish’ (2003)

Image via Sony Pictures Motion Picture Group

As Edward Bloom (Albert Finney) nears the end of his life, his estranged son Will (Billy Crudup) attempts to separate fact from fiction in the fantastical stories his father has told for years—those being tales of witches, giants, mermaids, and impossible adventures. Threaded through every outlandish anecdote, however, is Edward’s unwavering devotion to his wife, Sandra (Jessica Lange), whom he claims to have loved from the very first moment he saw her.

While Big Fish operates as a father-son drama, its most enduring thread is romantic devotion. Edward’s love story unfolds like folklore—exaggerated, stylized, larger than life—yet grounded in something deeply sincere. Whether every detail happened exactly as told almost becomes irrelevant. What matters is that Edward’s love for Sandra feels mythic in its consistency. For many, this movie highlights how romance isn’t just about how love begins, but how it is remembered and retold. And in that sense, it’s one of the grandest love stories of all.

4

‘Enchanted’ (2007)

Image via Walt Disney Studios Motion Pictures

When animated fairy tale princess Giselle (Amy Adams) is banished by an evil queen into live-action modern-day New York City, she finds herself navigating a world without talking animals or instant happily-ever-afters. Taken in by pragmatic divorce lawyer Robert (Patrick Dempsey) after an accidental stumble, Giselle’s unwavering optimism begins to disrupt his carefully ordered life—especially when people (and creatures) from her world begin to creep in.

There’s no doubt that Enchanted thrives on its playful collision between sincerity and skepticism. Giselle’s belief in true love initially seems naive, but the film gradually proves that romance can survive even outside storybook rules. The love that develops between Giselle and Robert surely isn’t instant magic—instead, it’s built through partnership and growth. By lovingly poking fun at classic tropes while still embracing them, the film becomes both parody and love letter to the genre.

3

‘Shrek 2’ (2004)

Image via DreamWorks Pictures

After returning from their honeymoon, Shrek (Mike Myers) and Fiona (Cameron Diaz) are invited to return to the Kingdom of Far Far Away to meet her royal parents. The only problem: they don’t know that she’s married to an ogre, nor that she’s fully become one. Throw in a scheming Fairy Godmother (Jennifer Saunders), a swoon-worthy (and deeply smarmy) Prince Charming (Rupert Everett), and one unforgettable potion mishap, and you have a sequel that goes bigger in every possible way.

Underneath the meme-worthy one-liners and iconic needle drops lies a romance that feels shockingly grounded. Indeed, Shrek 2 dares to ask whether love should be reshaped to meet the world’s expectations—or whether the world should adjust instead. Fiona choosing Shrek again and again, even when offered conventionally “perfect” versions and alternatives, makes their relationship one of the most affirming in animated history. There’s no doubt that it’s truly one of the best movies (and sequels) to ever be made.

2

‘About Time’ (2013)

Image via Universal Pictures

When Tim Lake (Domhnall Gleeson) learns from his father that the men in his family have the ability to travel through time, he decides to use his newfound ability to improve his life—starting with finding love. Lucky for him, after a series of awkward first encounters, Tim finally meets Mary (Rachel McAdams), and their relationship unfolds with a mixture of do-overs, missteps, and small triumphs.

Directed by Richard Curtis, About Time transforms a high-concept premise into something incredibly intimate. In this world, time travel isn’t about spectacle, but about presence. Tim slowly realizes that perfection isn’t the goal—appreciation is, leaving the fantasy element to reinforce the film’s central truth: love lives in the ordinary days, messy conversations, and feeling moments you can’t rewind forever. It truly is romance in the most grounded way possible.

1

‘Stardust’ (2007)

Image via Paramount Pictures
 

In the quiet village of Wall, Tristan Thorn (Charlie Cox) promises the woman he adores that he will retrieve a fallen star for her birthday. Needing to cross into a magical realm, Tristan soon discovers that the star is not a stone at all, but a woman named Yvaine (Claire Danes). But as dangerous forces close in, a reluctant partnership develops, alongside an unexpected love story.

Based on the famed Neil Gaiman novel, Stardust easily earns the crown in this list as it most faithfully channels the spirit of the grand, unabashed romantic fantasy. Between sword fights, sky pirates, wicked witches, and declarations that make your heart lurch—it never undercuts its own sincerity. Tristan begins the film by chasing the fantasy of love and ends it by choosing real partnership, while Yvaine proves she’s not a mere prize to be won, but a force in her own right. It’s funny, bold, and deliciously ridiculous in the best way. For any Gen Z, this is our Princess Bride.

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Stardust

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Release Date

August 10, 2007

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Runtime

127 minutes

Director

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Matthew Vaughn

Writers

Jane Goldman, Matthew Vaughn, Neil Gaiman

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Next: 10 Fantasy Movie Flips That Are Actually Misunderstood Masterpieces

On 90 Day Fiance, Lisa faces scrutiny from an Igbo king and makes it worse by laughing at the wrong moment. Ziad El Yahyaoui leaves Emma Perry high and dry in the Moroccan desert. Forrest pulls off a romantic yet sweaty proposal but not everyone shares the joy. And Aunt Spring brings the receipts backing Stig Da Artist into a corner. Buckle up and lets take a closer look in this recap of Season 8, Episode 11 Use Caution When Opening Overhead Bins.

90 Day Fiance: Lisa’s Nervous Laugh Ruins a Royal Moment

On 90 Day Fiance, Lisa is prepping her wig for a big day on 90 Day Fiance. She squeals to the cameras that she’s meeting a real life king! And fears she could lose control of her bladder or worse during her royal moment. Daniel dons his long tassel cap to represent his tribe and she tells him he looks like Santa. Daniel helps her tie her hefty bag headdress again and Lisa holds her breath imagining the palace she’s about to visit.

But there is no palace. Just a regular neighborhood with laundry hanging out to dry. Lisa’s visions of sharply dressed palace guards and high tea and crumpets give way to a different type of royal experience. The “king” dons a carnival plush lion around his neck and a faux fur cap decorated with pooka shells. He’s flanked by some people in tribal body paint. It looks like a community theatre production of The Lion King.

Lisa kneels before the king and he shakes a box of small trinkets to channel his ancestors. He wants to know if she will take care of Daniel. Lisa spits out “yes my king” on 90 Day Fiance. But the king calls her out. And she laughs nervously. This doesn’t go over well with the lion king. He scolds her laughter and Daniel must explain her nervousness. King Don Sylvester Nweke (yes that’s his name) softens and accepts Lisa and her wig into the fold. He even encourages her to laugh and dance.

90 Day Fiance: Emma’s Truth Sends Ziad Running

Emma Perry our other wig master of this season of Before The 90 Days, isn’t faring well in the desert. After she got off the camel, things have gone straight downhill. Grumpy that her birthday party didn’t end in a proposal, she decides to make things worse with her confession. Ziad El Yahyaoui, who doesn’t seem to be the least bit interested in Emma seems relieved when she admits she’s been lying about everything.

Ziad tells Emma she’s just not good. For hiding a previous engagement to a different Moroccan man. Emma doesn’t see the big deal. Thinking that her Kardashian inspired looks and sweet talk would overrule any blatant dishonesty. Emma thinks it’s Ziad who has been unfaithful for chatting up girls online. Ziad leaps up, packs his stuff and calls for a car to get him the heck out of there and away from Emma Perry, who sobs chasing after him yelling about how they had sex.

It seems like it’s over for this 90 Day Fiance couple. Of course, Emma is shocked that he would break up with her and leave her in the desert declaring him an a-hole. Ziad is long gone while Emma whines in the desert winds about the unfairness of it all. She doesn’t think she did anything wrong. In all honesty, Ziad probably was tired like the rest of us of hearing the words babe and cute at the end of every sentence.

TLC Couple Forrest and Sheena Get Engaged

Forrest’s mom Molly and stepfather Dev enjoy local fruits haggled from the market by Sheena. It’s a nice morning in the Philippines. And Forrest and Sheena have big plans to hit the Venice mall on 90 Day Fiance. A taste of Italy in the Philippines complete with water ways and gondolas. Molly and Dev wish them well. And the two lovebirds hit the mall excited. First up is a dress up shop. Forrest is proud to dress as her king. And she chooses a princess dress in red.

The pair have some serious talk while in costume. Sheena admits some of her behavior comes from betrayal. Including a cheating ex. Forrest vows to treat her with respect. And proposes after a gondola ride. She says yes and he is overjoyed. However his mom is sarcastic and livid when they share their happy news. She goes off on Sheena for supporting Forrest. And even goes as far to say that Forrest’s life is over.

Before The 90 Days: Stig Blames It All on Super Fans

Auntie Spring sees right through Stig Da Artist on 90 Day Fiance. Of course, it’s not her first Belize rodeo. And she’s got her niece digging up all the dirt on the charming crooner. He can’t lie that it’s clearly him in a photo planting a kiss on a young lady. And there are some texts that suggest he also told this particular girl that he will love her forever. There may have even been heart emojis involved. Stig lies and denies and suggests it was just another encounter with a super fan.

But Spring’s niece claims she’s tight with the girl in question. And that she’s indeed been hooking up with Stig. She cites specific dates she knows he was with her. Ultimately Aunt Spring gives Stig the chance to come clean to Aviva Duhamel or she will. Aviva sulks and has an uneasy feeling. Stig Da Artist tries to worm out of the accusations by using the super fan excuse. And claims the texts aren’t his. However, Aviva isn’t sold and rules out any physical contact for the night.

90 Day Fiance: Laura Nevenner Seeks Comfort from Home

Laura Nevenner is starry eyed after her sea cruise with Birkan. But she’s not completely blind to the many red flags that surfaced. First off the debt. Secondly the gambling problem and lack of a job. She asks Birkan for some alone time to catch up with family and friends back home. Birkan is fine granting her the time and heads out to the shisha cafe. Laura beams while she rings up her bestie and pickle ball partner Michal.

Michal claims he’s only “wellish” in Laura’s absence. Nevertheless, Laura misses Michal too. But when he asks how things are going in Turkey, she admits there’s some concerns. But also paints Birkan out to be thoughtful and sweet. Of course Michal sees through her BS. He tells her she’s “emotionally compromised” if she can forgive the red flags over a boat ride. He wants to come to Turkey and make sure she’s okay. Laura waffles and says she has to clear it with Birkan first.

90 Day Fiance: Elise Makes a Late Season Appearance

Fresh off showing her a*s on 90 Day: Hunt For Love, Elise Benson rolls up on Before The 90 Days. She’s late to the party, this time bragging about her boobs. She wishes she could flash production but fears getting in trouble. We get some back story on Elise. She visits her parents and admits she envies their relationship. Ultimately her last relationship was full on disaster as he stole her identity and took her for a half a mil. And her investment banker dad bailed her out.

Back in Miami she prepares to travel to Australia to meet her new prospect Josh Lawson. Of course, they met online and Elise Benson is smitten. He’s ripped, a single dad and lives with his parents at 39. She lives in a sparkling condo with her gender confused cat Stella. On a night out with friends Elise defends Josh not having his own place or money. She says she can deal with all that as long as he’s nice. Yet teases that he sent an ominous text that has her freaked out on the eve of her trip down under. Till next time!

By Chris Snellgrove
| Published 26 seconds ago

Buffy the Vampire Slayer is an insanely popular television show for many reasons, including its stellar writing and top-notch performances from some of Hollywood’s best actors. Beyond all this, though, the show is celebrated for being a feminist masterpiece that centers on a powerful young woman fighting against powerful men who try to keep her down. In this way, Buffy succeeds as both an entertaining urban fantasy series and a provocative exploration of sex, power, and gender roles in modern society.

However, many modern critics and fans have been re-evaluating Buffy and have come to a wild conclusion: that this girl-power cornerstone may actually be a shockingly bad portrayal of women. These arguments typically claim that the show is secretly misogynistic despite its surface-level message about fighting the patriarchy. While this has changed how some fans view their favorite show, defenders of Buffy maintain that the more problematic plotlines and portrayals in the series are just a side effect of having flawed and complex characters.

The Fall Of A Feminist Icon

It’s almost impossible to discuss a critical reframing of Buffy the Vampire Slayer without discussing franchise creator Joss Whedon; after this show’s success, he became a major comic book movie director, helming two Avengers movies as well as the lackluster Justice League film. However, his career came to a screeching halt after his ex-wife Kai Cole published a letter alleging that he had cheated on her numerous times, including with unnamed actresses on Buffy. In her brutal missive, she also called Whedon out for the “hypocrisy” of his “preaching feminist ideals” while allegedly lying to his wife for a decade and a half.

Towards the end of that letter, she said that she wants “the people who worship [Whedon] to know he is human, and the organizations giving him awards for his feminist work, to think twice in the future about honoring a man who does not practice what he preaches.” Obviously, Buffy the Vampire Slayer remains Whedon’s greatest work, a work designed to be the greatest feminist show ever made. Now that its creator has seemingly been revealed as a hypocrite (one who also faced allegations of abuse on the set of Justice League), many have been re-evaluating Buffy and how its characters and plotlines may be surprisingly harmful to women.

Critics Claim Buffy Secretly Reinforces A Status Quo

On paper, a big part of Buffy’s charm is that the titular character is a rebel: she is constantly defying Giles, her stodgy watcher, with the same sass that she tosses at various evil demons. Buffy is a troublemaker who clashes with corrupt cops and an evil mayor, and she never really respects authority. This is especially true when she puts the Council of Watchers (basically, her boss’s boss) in their place, reminding them that without the Slayer, their job literally has no meaning.

However, some critics believe that Buffy actually exemplifies a status quo established largely by and for men. After all, as a sexy, thin, heterosexual blonde, the Slayer is an exemplar of what most men consider conventionally attractive. To impressionable young girls watching the show in the ‘90s, Buffy the Vampire Slayer ironically reinforced some of the lopsided beauty standards expected of women, arguably continuing a very problematic tradition perpetuated by the patriarchy this show was designed to skewer.

Does This Show Secretly Hate Powerful Women?

Additionally, beyond her surface-level rebellion, Buffy’s character is presented as the safe and palatable alternative to other women who are presented as dangerously transgressive. For example, Faith is a fellow Slayer who loves sex and partying, and the show inevitably transforms her into a murderous enemy. Willow comes out as both gay and a witch, and when she really delves into her powers, she suddenly becomes a skin-flying Big Bad that can only be talked down from mass murder by a fairly useless man (sorry, Xander fans, you know it to be true). 

What these other cases have in common is simple: women begin by embracing a hidden power that men disapprove of. They then act in selfish ways before they are vilified and then humbled: Faith serves prison time and then comes back to follow Buffy’s orders, whereas Willow rejects dark magic and becomes a loyal little Scoobie again. Each of these women is deliberately contrasted with Buffy, who constantly puts her own needs to the side for the sake of others.

Fans typically view this as a noble attribute, the same one that causes the X-Men to fight for a world that hates and fears them. But Buffy arguably spends most of the TV show named after her as a doormat for the Watchers, a group of men who essentially force her to do what they want until she finally stands up to them. In this sense, the majority of the show presents Buffy as a feminine ideal for being subservient to men and preserving their preferred status quo; Faith and Willow must eventually be fought by Buffy, someone whose line of work conveniently has her keep other women from ever getting too powerful.

Long story short? The claim is that Buffy is a show where rebellious women are tamed: Buffy by the Council, Faith by prison, and Willow by  Xander. Heck, even vengeance demon Anya is tamed by her obsession with a man, ultimately trading all of her considerable mystical abilities for a life of domestic submission.

The Argument Against Buffy’s Men

One of the things Buffy the Vampire Slayer is very good at is creating villains that fans love to hate. These foes were almost always men, which helps reinforce the feminist theme of the show: the fellows would mouth off and insult the female protagonist before she killed them. This is all part of why the show feels so empowering: what woman watching wouldn’t enjoy having the power to fight off the toxic men who are always making her uncomfortable?

The essential problem with Buffy as a character, though, is that she keeps falling in love with the most messed-up men of all. The vampiric Angel is already a redeemed mass murderer when Buffy begins dating him, and she takes him back even after he temporarily loses his soul and tries to destroy the entire world. The same goes for Spike, a notorious serial killer whom she begins secretly shagging; he goes to get his own soul back after intimately assaulting Buffy, and she proceeds to welcome him back just as she did with Angel.

There’s a rather ugly subtext here that Buffy is uncontrollably attracted to notorious murderers just because they are hot, and she takes them back after these characters commit the worst atrocities against her and her friends. Rather than painting our titular protagonist as a hero, Buffy is presented as a doormat who doesn’t hesitate to take her abusers back. This arguably sends the worst possible message to abused women who are watching the show, hoping to gain the strength to escape the people who are hurting them.

Why They’re All Wrong: It’s Complicated

Those are just a few of the reasons why many modern critics are reevaluating Buffy the Vampire Slayer. Heck, we barely touched on Xander, the problematic proto-incel that Joss Whedon wrote to be his class clown self-insert character. However, there is one ironclad defense of the show and its characters that fans continue to embrace: namely, that Buffy is stronger for having flawed and complex characters.

Most of the complex aspects of Buffy herself are arguably part of the character’s evolution. Sure, she falls in love with a couple of hot murderers, but she eventually breaks up with both of them. The Slayer works for a patriarchal group of old farts, but after a few years, she makes it clear that they now have to work for her. Heck, she even bounces back from the worst self-destructive streak in human history to save the entire world from the first evil it had ever known.

If Buffy didn’t start out as such a flawed character, such evolution would have been impossible; plus, it’s worth noting that we shouldn’t hold the Slayer to higher standards than we do popular male characters. Does anyone think Walter White or Don Draper are bad characters because they are selfish and self-destructive? No, we understand that these flaws simply make them human, and that humanity makes the characters all the more compelling.

In this sense, Buffy’s flaws make her show that much more relevant: Buffy the Vampire Slayer may be a silly comedy show from the ‘90s, but it has the epic stakes and realistically damaged characters of modern prestige TV. It’s a wild combo that has helped the Slayer’s show remain a fan-favorite for decades. Now that a Buffy revival is around the corner, we can only hope the new show retains the complex characters and murky morality that made the original series such a groundbreaking pop culture phenomenon.

Reader, they cast her. The White Lotus‘ Aimee Lou Wood is set to star in a new adaptation of Charlotte Brontë‘s classic novel Jane Eyre. Wood will play the title role in the TV miniseries, which is currently being shopped to broadcasters and streamers by production company Working Title. In the novel, which is considered one of the most influential romances ever published, Jane Eyre is a woman with an unhappy past who becomes a governess for the mysterious Mr. Rochester, and gradually falls in love with him.

According to reports, the series will be adapted by Miriam Battye, who recently won a WGA Award for her work on Apple’s mind-bending hit Succession. It’s the latest in a series of high-profile projects for Wood, who earned Emmy and Golden Globe nominations for her role as the naive bride of Walton Goggins in the third season of The White Lotus. Next up, she’s set to star alongside Angelina Jolie in the comedy Anxious People, and with Johnny Flynn in the historical drama The Idiots. She’s also signed to portray Pattie Boyd, the English model and photographer who married George Harrison at the height of Beatlemania in Sam Mendes‘ wildly ambitious The Beatles – A Four-Film Cinematic Event.

Has ‘Jane Eyre’ Been Adapted for the Screen?

As one of the most famous novels in the history of the English language, Jane Eyre has been adapted for both the big and small screens repeatedly. Notable silver screen adaptations include the 1943 version, with Joan Fontaine, Orson Welles, and a young Elizabeth Taylor; Franco Zeffirelli’s 1996 version, with Charlotte Gainsbourg and William Hurt; and the most recent version, directed by Cary Fukunaga and starring Mia Wasikowska and Michael Fassbender. The BBC has adapted it for television repeatedly, dating back to 1956; the most recent adaptation was broadcast in 2006, with Ruth Wilson and Toby Stephens in the lead roles. It has also served as the framework for a number of indirect adaptations and inspirations, including Val Lewton‘s 1943 horror classic I Walked With a Zombie and Wide Sargasso Sea, a novel written from the perspective of Mr. Rochester’s first wife, which has been filmed twice.

The new adaptation comes on the heels of Emerald Fennell‘s successful adaptation of Wuthering Heights, the only novel by Charlotte’s sister, Emily Brontë. There’s no word yet whether an adaptation of the works of Anne Brontë is in development to complete the trifecta.

A new TV adaptation of Jane Eyre is in development; no release date has yet been announced. Stay tuned to Collider for future updates.

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Release Date

January 20, 1996

Runtime

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112 minutes

Writers

Franco Zeffirelli

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Producers

Bob Weinstein, Dyson Lovell, Guy East, Harvey Weinstein

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Team USA Star Jack Hughes
Downplays Trump Call Backlash
… We Love The Women’s Team!!!

Published
February 24, 2026
7:42 AM PST

Jaidyn Alexis has broken her silence and reacted to Blueface and Nevaeh Akira’s recent pregnancy announcement.

RELATED: New Addition! Karlissa Saffold Harvey Reacts To Blueface & Nevaeh Akira’s Apparent Pregnancy Announcement

Jaidyn Alexis Breaks Silence & Reacts To Blueface & Nevaeh Akira’s Pregnancy Announcement

On Monday, February 23, Jaidyn Alexis took to a Twitch stream to show off her cooking skills for viewers. Apparently, amid the stream and her chat with viewers, Alexis addressed Blueface and Nevaeh Akira’s recent pregnancy announcement.

“I don’t feel no type of way,” Alexis explained. “One: because I’m not the one that has to take care of the baby… Amen. Thank you! Two: I’m so stable up here, down here, right here, like, it don’t matter to me, like, do your thing. I wish nothing but the best — to anybody, to everyone involved.”

Ultimately, Alexis explained that she’s “cool,” knows that what’s for her will be for her, and is happy that she already has her boy and her girl.

“There’s nothing outside of this house that will ever affect inside of this house,” she reiterated.

Social Media Weighs In On Jaidyn Alexis’ Reaction

Social media users reacted to Jaidyn Alexis’ reaction to Blueface and Nevaeh Akira’s pregnancy announcement in TSR’s comment section.

More On Blueface & Nevaeh Akira’s Pregnancy Announcement

As The Shade Room previously reported, on Sunday, February 22, Blueface and Nevaeh Akira took to a Twitch livestream to share the results of Akira’s pregnancy test. Ultimately, Blue ended up congratulating Akira, telling her, “Congratulations, you’re having a Blueface baby!” To note, Blue and Akira’s forthcoming baby will be her second child and Blue’s fourth.

Afterward, Karlissa Saffold Harvey took to her Instagram Story to share her reaction to the news, per The Shade Room.

“Kids are a blessing if he happy I’m happy [heart hands emoji] congratulations to them both and may God bless the baby,” she wrote at the time.

Since then, Nevaeh Akira has shared her excitement about her and Blue’s new chapter. On Monday, February 23, she took to her Instagram Story to share a few messages, expressing her bliss.

RELATED: In Bliss! Nevaeh Akira Shares A Few Messages After She & Blueface Reveal They’re Expecting A Baby

If you need a quick rich mom getup, Margot Robbie‘s latest outfit is the only inspiration you need. Her sporty half-zip pullover proves that the right sweater and jeans outfit can make you appear instantly put together. We found a similar knit style on major sale on Amazon, and it channels the same preppy-luxe vibe.

For a casual outing with friends in Paris, Robbie dressed like a French local in head-to-toe designer. She wore a black Chanel sweater, baggy jeans and pumps, along with an oversized Hermès tote bag that added an elevated twist. The outfit was understated yet undeniably classy, and it couldn’t be easier to recreate. You’ll rock this Amazon twin for errands, brunches and even Fridays at the office.

Like Robbie’s pick, this on-sale sweater features a chic quarter-zip design, ribbed material and a relaxed silhouette — three elements that make you look polished without trying too hard. Additionally, the loose fit and high neckline quietly lengthen the torso, making this sweater a flattering basic in your closet.

Related: Katie Holmes Proved It! This Edgy Shoe Trend Is Much Classier Than Boots

Tired of boots? So is Katie Holmes. The Alone Together actress actually ditched clunky kicks for elevated slippers that have an edgy yet incredibly polished look — and we found her $920 look for much less. They’re destined to replace your winter boots, sneakers and maybe even your sandals this spring. Holmes was spotted in Los […]

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Made with a comfortable cashmere blend, this oversized sweater is buttery soft, stretchy and lightweight enough to keep you temperate during school pick-ups and grocery store runs. The medium thickness makes it ideal for year-round wear, but it’s especially perfect to throw on now as we go from winter to spring. Don’t be surprised if you live in this sweater!

Shoppers rave about this quiet luxury staple, highlighting the cloud-like comfort, flattering fit and expensive look. One wrote, “I normally shop at designer and higher-end retailers. This was as good, or better than many of them . . . looks and feels much more expensive.” They went back for other colors, and we see why!

Cashmere-blend sweaters are rarely under $50, so we see it as a sign to snag this Robbie-inspired option in black (plus a bright color for spring). Score your new everyday sweater before it sells out!

Get the Suuksess Oversized Cashmere Pullover for $38 (was $57) on Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Not what you’re looking for? Shop other sweaters on Amazon and don’t forget to check out Amazon’s Daily Deals here!

Related: Pamela Anderson‘s Trendy, Light Blue Puffer Is Unexpectedly Flattering

In case you missed it, everyone’s wearing baby blue right now. The latest star to embrace the trend? Pamela Anderson, who recently rocked the chicest blue coat that, unlike many puffers, is unexpectedly flattering. The key lies in the cut, which hits right at the waist without overpowering her frame. A similar cropped style will […]

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