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20 Greatest Fantasy Movie Masterpieces of All Time, Ranked

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The Green Mile

Fantasy films are irresistible. These tales of magic, fascinating fictional worlds, and scary mythical creatures have fascinated movie-goers since the dawn of the art form, and as such, it’s no surprise that several of the most beloved and acclaimed films ever made just happen to be fantasy. Whether it’s high or low fantasy, these movies prove that there’s an inimitable charm to these kinds of stories.

Only a handful of fantasy films made throughout history, however, can genuinely be called masterpieces—films that are so strongly without significant flaws that they can reasonably be counted among the best movies ever made. From international classics like The Seventh Seal to modern Hollywood hits like the Lord of the Rings trilogy, these are the biggest fantasy masterpieces in fantasy’s history.

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20

‘The Green Mile’ (1999)

The Green Mile

Tom Hanks and Michael Clarke Duncan in ‘The Green Mile’

Image via Universal Pictures

Stephen King is best known for his horror stories, but he has stepped out of that comfort zone on quite a few noteworthy occasions—one of the most magical being The Green Mile, which Frank Darabont turned into one of the most enchanting low fantasy films of the ’90s. It’s one of the most unforgettable drama movies of all time, led by Tom Hanks and Michael Clarke Duncan at the top of their games.

This is what low fantasy is all about: using magic to elevate beautiful stories that make important comments on the real world. Green Mile‘s profound themes of justice and compassion make for a story that’s as gorgeous as it is bittersweet, one whose 3+-hour runtime flies right by thanks to the phenomenal writing and wonderful performances.

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19

‘About Time’ (2013)

Tim (Domhnall Gleeson) and Mary (Rachel McAdams) looking happy and in love at the end of their wedding in About Time.
Tim (Domhnall Gleeson) and Mary (Rachel McAdams) looking happy and in love at the end of their wedding in About Time.
Image via Universal Pictures

About Time is one of the most underappreciated fantasy films of the 2010s, the kind of genre film that works on multiple different levels equally well. It works as a hilarious rom-com, it works as a beautiful drama about a boy and his dad, and it works as a wonderfully fresh and inventive time travel flick that does all sorts of fun things with the subgenre’s usual tropes.

All of this makes About Time one of the most rewatchable romance movies of all time, also thanks to the marvelous performances offered by Domhnall Gleeson, Rachel McAdams, and Bill Nighy. It’s a deeply moving and sweepingly romantic dramedy, one full of memorable emotional scenes and irresistible moments of laughter in equal measure.

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18

‘The Lord of the Rings: The Fellowship of the Ring’ (2001)

J.R.R. Tolkien achieved something so unparalleled with his Legendarium—his Lord of the Rings trilogy in particular—that, for a long time, it was believed to be impossible to do the author’s enrapturing Middle-earth justice on the big screen. Even with said doubts, Peter Jackson achieved something so equally unparalleled with his Lord of the Rings trilogy that it virtually needs no introduction.

The Fellowship of the Ring may arguably be the weakest of the trilogy, but it’s still one of the greatest films ever made; which, if anything, speaks volumes about the quality of this film series. The world-building is wonderful, the character work sets a perfect basis for what the two sequels will do, and the number of unforgettable scenes of emotion, excitement, and magical wonder is too large to count. There’s a reason this is remembered as one of the most perfect and timeless fantasy movies ever.

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17

‘The Lord of the Rings: The Two Towers’ (2002)

Liam Cuningham under the rain in The Lord of the Rings_ The Two Towers Image via New Line Cinema

Ever-so-slightly above its predecessor lies The Lord of the Rings: The Two Towers, yet another one of the greatest works of art ever committed to celluloid. It’s not just the Battle of Helm’s Deep, which makes for one of the most thrilling third acts in cinema’s history: The Two Towers is a “complete package” kind of fantasy flick, a three-hour-long epic without equal.

Gripping character arcs? Check. Jaw-dropping action sequences aplenty? Check. Romance, excitement, humor, and magic? All check. There’s something here for every category of fantasy movie fan, and that’s precisely why The Two Towers is one of the biggest masterpieces in the history of genre filmmaking in general, let alone fantasy.

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16

‘Monty Python and the Holy Grail’ (1975)

A group of knights in Monty Python and the Holy Grail
A group of knights in Monty Python and the Holy Grail
Image via EMI Films

While every fantasy fan enjoys a serious epic or a hard-hitting drama that shows the full dramatic extent of the genre, they all get a craving to wind down with a comedy every now and then as well. And as far as fantasy comedies go, it has rarely ever gotten any better than Monty Python and the Holy Grail, the British comedy troupe’s best and most iconic cinematic outing.

The film is absolutely hysterical, packed with not just one, but several of the funniest and most memorable scenes of any ’70s comedy movie. It’s incredibly creative, full of the group’s signature timeless sense of humor, and even occasionally brilliantly surreal, making for a comedic masterpiece that’s still the gold standard for laugh-out-loud fantasy.

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15

‘Angel’s Egg’ (1985)

A woman drinking from a spherical glass in Angel's Egg
A woman drinking from a spherical glass in Angel’s Egg
Image via Studio Deen

There are several anime movies that can be considered perfect, but even though perfection is something that you can’t really quantify, it’s hard not to be tempted to refer to Angel’s Egg as one of the most perfect anime movies ever. Mamoru Oshii‘s surrealistic masterpiece proves that it’s not all Ghibli in the world of anime film, delivering a hard-hitting tale of parenthood, femininity, and religion.

Angel’s Egg is packed with thought-provoking symbolism and allegories, making re-watches pretty much obligatory. Its breezy 71-minute runtime certainly helps in that endeavor. The animation is some of the most gorgeous in the history of the medium, the sound design is some of the most engrossing of any animated film, and though the story may not be the easiest to get a grasp of, it’s nevertheless fascinating.

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14

‘The Holy Mountain’ (1973)

A witch and two women in a white room with black patterns in 'The Holy Mountain'
A witch and two women in a white room with black patterns in ‘The Holy Mountain’
Image via ABKCO Films Inc.

Angel’s Egg isn’t the only surrealist fantasy film in town. For that, one needn’t look much further than the magnum opus of one of the most important and groundbreaking surrealist filmmakers in history: Alejandro Jodorowsky, whose legendary The Holy Mountain is one of the best surreal masterpieces of all time.

The avant-garde masterpiece of this notorious Chilean-French auteur is one of the greatest Mexican films ever made, with some of the most profound symbolism and most provocative imagery of any surrealist film ever made. Its exploration of themes of spirituality, religion, and power is incredibly layered and complex, and it makes for a deeply fascinating experience that demands several rewatches in order to be fully appreciated.

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13

‘The Seventh Seal’ (1957)

The Seventh Seal characters doing the dance macabre
The final scene of The Seventh Seal, depicting the Danse Macabre
Image via AB Svensk Filmindustri

Sweden has never put out a greater or more important filmmaker than Ingmar Bergman, who made some of the best—and most depressing—movies in history over the course of his illustrious career. Of these many masterpieces, however, there’s perhaps none as iconic as The Seventh Seal, one of the most philosophically complex dramas ever made.

This is arthouse fantasy at its very best, and easily one of Bergman’s greatest movies. Whether it’s Max Von Sydow‘s career-best lead performance, the deeply humanist story, or Bengt Ekerot playing one of the best portrayals of Death in movie history, there’s nothing not to love about The Seventh Seal if you love classic artful fantasy.

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12

‘Macario’ (1960)

Death stands in a cave surrounded by mist and candles in Macario. Image via Azteca Films Inc.

Mexican cinema is filled to the brim with underrated gems, and during its Golden Age (which roughly coincided with Hollywood’s, between the early ’30s and late ’50s), it produced several of the greatest films of the era. This includes fantasy pictures, and there’s no better Mexican fantasy picture from the 20th century than Macario.

This beautiful supernatural drama was the first Mexican film to be nominated for an Academy Award for Best Foreign Language Film, and deservedly so. Imaginative, class-conscious, and with a deeply humanist heart that’s impossible to resist, it’s an all-Mexican fable that every fan of fantasy cinema—regardless of where they’re from—should be able to enjoy.

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11

‘Ugetsu’ (1953)

Woman and child from Ugetsu Image via Daiei Film

Magical by nature, Japanese cinema is also full of fantasy masterpieces that have defined and re-defined the genre over the years. Ugetsu is right up there as one of the highest-rated fantasy movies on Letterboxd, a thought-provoking period piece about the destructive potential of unchecked ambition, greed, and ravaging war.

Critic Donald Richie called it “one of the most perfect movies in the history of Japanese cinema,” and it’s hard to disagree with him. Ugetsu is richly atmospheric, powerfully poignant, and beautifully profound, an amazing artistic achievement with some of the most memorable images from the era. It’s difficult to find fault with this engrossing ghost story.

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Steve Guttenberg broke into elderly couple's home and carried them out during Palisades fire: 'They hated me'

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The “Police Academy” star, whose home in the Los Angeles suburb survived the 2025 blaze, previously told EW about some of his heroics during its height.

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General Hospital Early Spoilers April 20-24: Valentin Stuns Nina with Shocking News – Danger Strikes [SPOILER]!

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General Hospital Spoilers: Valentin Cassadine (James Patrick Stuart) - Nina Reeves (Cynthia Watros)

General Hospital early weekly spoilers for April 20th through the 24th shock as Valentin Cassadine (James Patrick Stuart) stuns Nina Reeves (Cynthia Watros) and danger is lurking.

As we always do on early edition day, we start with what’s coming the rest of this week and then we talk about what is happening next week.

General Hospital Spoilers Wednesday, April 15th: Curtis Supports Jordan

On Wednesday, April 15th, we have Curtis Ashford (Donnell Turner) there supporting Jordan Ashford (Tanisha Harper). She is reeling with guilt over her distracted driving. Now, both of them are bothered that the other driver didn’t stop. But that doesn’t mean the other driver actually knew that they crashed. They were really, really to blame. They should be feeling bad about being road hazards, acting like teenagers.

Plus, Dante Falconeri (Dominic Zamprogna) tells Justine Turner (Nazneen Contractor) they might have a suspect. But is it in Jordan’s accident? Is it in Ross Cullum’s (Andrew Hawkes) shooting or is it in Marco Rios‘ (Adrian Anchondo) stabbing? Because there is a lot of cases on his plate right now. And Dante has a tip that he gives to Laura Spencer (Genie Francis). And I wonder if this is to do with the suspect that he’s telling Justine about.

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GH Spoilers: Sidwell Threatens & Tracy Horrified

Plus, Ava Jerome (Maura West) tells Laura that Jenz Sidwell (Carlo Rota) is going to get what he wants. So, I’m very curious what exactly the topic of the conversation is. And Sidwell is impressed by Ava, but not so much by one of his pet politicians because he is making threats.

On Wednesday, Sidwell tells Ezra Boyle (Daniel Cosgrove) that if he cannot do that, he is of very little use to him. And when people are not of use to Sidwell, he puts a bullet in them like he did to Hank Dalton (Daniel Goddard).

So, Sidwell may be pushing Ezra to also use some of his city council influence to push the Marco investigation towards Sonny Corinthos (Maurice Benard). Meanwhile, Tracy Quartermaine (Jane Elliot) is in crisis mode.

So, it looks like Brook Lynn Quartermaine (Amanda Setton) is going to tell Granny Tracy that she may have caused Jordan’s accident. Tracy tells Brook Lynn she can never ever breathe a word of this to anybody.

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We also have Josslyn Jacks (Eden McCoy) poking around and I think this ties back to the who shot Cullum case. And who Jason Morgan (Steve Burton) is covering for. And Cassius Faison (Ryan Paevey) asks somebody up at the yoga studio why they are so curious about Cesar Faison (Anders Hove).

So, this may be Joss asking more questions like when she was quizzing Emma Scorpio-Drake (Brayden Bruner) about Anna Devane (Finola Hughes) and Faison. And this could put Joss right onto Cullum’s radar if Cassius reports that Joss is asking questions because, you know, she doesn’t know it, but she’s talking to not Nathan West.

General Hospital Spoilers Thursday, April 16th: Lucas Stands Firm

On Thursday, April 16th, we have got Lucas Jones (Van Hansis) standing firm on something and it may be about him staying at Wyndemere. Now, Carly Spencer (Laura Wright) and Joss might be trying to get Lucas to move out, but he is sticking around to try to help Britt Westbourne (Kelly Thiebaud) and get a lead on her meds while he’s telling people other things to cover.

This week, Joss is over at Carly’s house. She’s with her mom and with Valentin, and their chat seems to alarm Carly. And this may be about Cullum’s shooting and about Jason. We could see Joss bringing Valentin into the loop and telling him that she and Britt think Jason is protecting somebody because Joss might want Valentin’s opinion on this since it is WSB related. Somebody raises Joss’s suspicions on Thursday. So, could be Lucas or it could be from her chat with Valentin and her mom.

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GH Spoilers:

Also, Sidwell is thinking really hard after talking to somebody. We know he’s talking to Ava. We know he is talking to Ezra. So, could be them, could be Lucas, maybe Britt, although I think she’s going to avoid him like the plague.

And speaking of her, she hits a setback. So, it may be on the Cold Fusion Project or it may be her Huntington’s symptoms. Plus, Carly is really rattled by something and it may be the visit from Josslyn.

Friday, April 17th: Ethan Lovett Returns on General Hospital!

On Friday, April 17th, there is a confrontation between Willow Corinthos (Katelyn MacMullen) and Jacinda Bracken (Paige Herschell). And I could see Willow chewing her a new one about Michael Corinthos (Rory Gibson) exposing their kids to a former prostitute.

And of course, the Wylie Corinthos (Viron Weaver) hooker incident that nearly cost Brook Lynn and Chase Harrison (Josh Swickard) the chance to foster Phoebe. I don’t think that Michael’s going to like this. And I kind of hope Jacinda gives it all back to her. Plus, Ethan Lovett (Nathan Parsons) is back in Port Charles. Lulu Spencer (Alexa Havins) is going to be stunned to see her other big brother.

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And with Nathan Parsons back to General Hospital, watch for Ethan to partner with Sonny to take Sidwell down. Ethan is gonna want Sidwell to pay after he tried to kill both Holly Sutton (Emma Samms) and Sasha Gilmore. And I am super excited to see Ethan back. I love Nathan Parsons.

GH Spoilers: Valentin Shocks Nina

Plus, somebody takes Kristina Corinthos (Kate Mansi) by surprise. And it may be her former crush, Ethan, whom she really betrayed back in the day when she falsely accused him of abuse. And somebody has an interesting offer for Nina. And it looks like it is Valentin because he shows up to see Nina out of the blue.

I wonder if he’s got some advice and some information on how to handle Jack Brennan (Chris McKenna). And Nina may tell him she already threatened Jack with tattling to Carly because. But, of course, Nina has no idea that Carly is covering for and conspiring with Valentin.

Laura considers an alliance with somebody. Could be Ethan, could be her and Ezra working together against Sidwell because now that he’s threatened Ezra, he might be scared and ready to try and get rid of the threat.

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General Hospital Spoilers: Valentin Cassadine (James Patrick Stuart) - Nina Reeves (Cynthia Watros) General Hospital Spoilers: Valentin Cassadine (James Patrick Stuart) - Nina Reeves (Cynthia Watros)
General Hospital Spoilers: Valentin Cassadine – Nina Reeves

Week of April 20th-24th on GH: May Sweeps Kicks Off

The week of April 20th through the 24th, by the way, is when May sweeps kicks off. It runs April 23rd to May 20th. So, we’re going to find out more on Jordan’s car crash. Of course, Brook Lynn was blinded by a car driving into her lane, but that doesn’t necessarily mean it was Jordan’s car.

It could have been Danny Morgan (Asher Antonyzyn) and Charlotte Cassadine‘s (Scarlett Fernandez) car since they crashed, or it could have been Isaiah Gannon (Sawandi Wilson) because he was in a big rush. And there might have been somebody else out on that road as well. So, I’m wondering if Tracy is going to get the scrape on Brook Lynn’s car secretly repaired.

We’ll see more of Dante working his three big cases, the Cullum shooting, the Marco stabbing, and Jordan’s crash. And I wonder if he’s going to get credible leads on any of them because his son Rocco Falconeri did the shooting. Cullum did the stabbing and the car crash remains a mystery despite Brook Lynn’s guilty conscience. So, don’t decide yet that she did this deed. That’s way too obvious.

General Hospital Spoilers: Molly & Cody Get Closer

Molly Lansing (Kristen Vaganos) gets in deeper with Cody Bell (Josh Kelly) as she recovers and Alexis Davis‘ (Nancy Lee Grahn) anxiety about Danny accelerates. Kristina and Ethan are going to reconnect and we’ll need to wait to see if there are sparks. Britt is hurrying to complete the Cold Fusion project to save herself.

But honestly, they’re probably planning to kill her anyway because why not snip that loose end? Fortunately for her, Cassius is watching out for her. However, if Lulu reports back to not Nathan, that Britt warned her away from him, I think Cassius may lose his temper with Britt. Plus, Lucas has not given up on helping her and is going to be poking around.

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But you know, Pascal (Mark Forget)  is going to be watching. Valentin and Carly continue to struggle with their feelings for each other. And more people know about Valentin now because Curtis and Nina are both aware he’s in town. Curtis isn’t going to talk because he helped save Jordan. And I bet Nina won’t either.

But with Willow blackmailing her, anything is possible. Rocco is still struggling with the aftermath of shooting Cullum. And Britt and Joss may figure out soon that he is the shooter, but that will leave their hands tied because they’ll understand totally why Jason is protecting him.

Nina may become embroiled in the Carly, Joss, and Valentin’s scheme, and Jacinda is going to tell Michael about her run-in with Willow. Sidwell keeps scheming for revenge. Things may get violent soon, and Ethan gets busy on the plan he came to town to enact.

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Nicole Kidman’s Sexy, R-Rated Satire On Netflix Is A Masterclass In Manipulation

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Nicole Kidman’s Sexy, R-Rated Satire On Netflix Is A Masterclass In Manipulation

By Robert Scucci
| Published

After watching Nicole Kidman’s Before I Go To Sleep on Netflix a couple weeks ago, I needed something that didn’t completely waste her talent. My search led me to 1995’s To Die For, which has such a stacked cast you’d think I was exaggerating if you didn’t check IMDb or Wikipedia yourself. Going as pitch black as a Gus Van Sant comedy can get, To Die For showcases Joaquin Phoenix, Casey Affleck, Kurtwood Smith, Wayne Knight, Matt Dillon, and even David Cronenberg in a brief appearance.

It’s a fourth-wall-breaking film that works as a thriller, comedy, drama, and mockumentary all at once, rolled into a murder mystery centered on Nicole Kidman’s Suzanne Stone, a woman so obsessed with fame and fortune that she throws her entire life away when nobody around her sticks to the script.

Multiple Timelines Effortlessly Intersect

To Die For 1995

There are two narratives in To Die For that strip away any real sense of mystery from the premise. Through television interviews, we’re introduced to Suzanne Stone, who got off scot-free after her husband, Larry Maretto (Matt Dillon), was murdered. We know she’s involved, maybe even directly responsible, right off the rip, but that’s not what the film is interested in. Instead, we get a full character breakdown of Suzanne and her sociopathic commitment to becoming a TV star. We know Larry is dead, and we know she had something to do with it. The story then rewinds to show us how everything led up to those interviews, introducing everyone she crossed paths with along the way.

Desperate to become a world-famous TV correspondent, Suzanne grows resentful of her husband Larry, despite the fact that he gives up his band and focuses on work so he can support her dreams. The guy does a complete 180, even though he comes from a mob-connected family running multiple successful businesses. In other words, Larry was never a screwup, but he still buckles down when he falls in love with Suzanne because he wants the best for her. That contrast exists purely to show just how unhinged Suzanne is when it comes to chasing clout.

To Die For 1995

While Larry works his ass off, occasionally hinting that he’d like to start a family, Suzanne takes a job at WWEN, a local cable network, under the supervision of Ed Grant (Wayne Knight), who we learn through interviews is absolutely terrified of her. It’s one thing to be ambitious, but Suzanne is aggressively so, making most people rightfully suspicious of what she’s capable of, including Larry’s sister Janice (Illeana Douglas).

While working her way toward a weather girl position, Suzanne recruits naive high school students for a “Teens Speak Out” documentary she hopes will launch her career. She pulls in a troublemaker named Jimmy (Joaquin Phoenix), who immediately falls under her spell, along with Lydia (Alison Folland), who admires her, and Russell (Casey Affleck), who was basically forced to participate. With three teenagers eating out of the palm of her hand, Suzanne starts plotting how to get rid of Larry, who she believes is holding her back because he wants a traditional life she finds completely suffocating.

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A Masterclass In Manipulation

To Die For 1995

If I had to compare Nicole Kidman’s Suzanne to anybody, it would be Reese Witherspoon’s Tracy Flick from Election. She’s beautiful, driven, and easily the most dangerous person you could cross paths with if you happen to be in her way of her goals. Suzanne’s ruthlessness is initially softened by how charming and driven she is when she makes her first impressions. When you apply that level of manipulation to a group of teenagers, it’s only a matter of time before they start doing exactly what you want. This dynamic comes to a head when Suzanne fully sinks her hooks into Jimmy.

But nobody here is innocent. Suzanne may be the mastermind who sets everything in motion, but everyone else is self-aware enough to know better. That’s where half the fun comes from. Jimmy might be infatuated, but he still makes his own choices. Suzanne sizes him up, offers him a version of the life he thinks he wants, and he goes along with it despite the consequences because he’s short-sighted and naive. It’s fascinating to watch because at any point, anyone in Suzanne’s orbit could have just said “nah” and walked away. But they don’t.

One of the more uniquely structured black comedies I’ve seen in a while, To Die For is equal parts morbid and hilarious. Every character is painfully short-sighted, and they all become worse versions of themselves the moment they fall for Suzanne’s tricks. And while you should hate Suzanne for being an objectively terrible person, you still end up rooting for her because she’s living life on her own terms, just in the most antisocial way possible.

To Die For is currently streaming on Netflix.

To Die For 1995


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Ridley Scott’s Best Sci-Fi Franchise Hit With Uncertain Update [Exclusive]

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01834561_poster_w780.jpg

Over the past two years, Alien fans haven’t wanted for Xenomorph action. 2024 saw the Ridley Scott-created sci-fi horror franchise return to the big screen for the first time in seven years with Alien: Romulus, a new, standalone film helmed by The Evil Dead remake helmer Fede Álvarez. Just one year later, FX followed up on the small screen with Noah Hawley‘s excellent Alien: Earth, which brings the universe’s greatest threat directly to the blue planet. Their respective successes also earned both of them follow-ups, but while the latter has been gathering steam, even adding Peter Dinklage as a new star for Season 2, it hasn’t been as smooth sailing for the former.

A Romulus sequel was in the works right away in late 2024 after the Cailee Spaeny and David Jonsson-led affair raked in $350 million globally at the box office and earned the best reviews for the franchise in years. Álvarez and co-writer Rodo Sayagues quickly penned a script that would take the series to new places, with survivors Rain (Spaeny) and Andy (Jonsson) both likely returning. However, everything ground to a halt after the director, despite initially hoping to return and begin filming last year, departed the project back in September and vowed to help find his replacement at the helm. He’s still on board as a producer, but it was undoubtedly a big momentum killer after he seemed poised to be the next figurehead breathing new life into Alien. Since then, we still haven’t learned much about the follow-up or who will be taking the reins, and, from the sound of it, most of the cast and crew haven’t either.

In an interview with Collider’s Perri Nemiroff for his upcoming new film Wasteman with Tom Blyth, Jonsson could only offer more of the same after similarly not having much to say at the Toronto International Film Festival. “Hey, Perri, you know I absolutely adore you,” he said. “I think you’re brilliant, but whatever it is and whenever it happens, I can’t quite say.” When asked about the franchise as a whole, though, he did take an opportunity to celebrate what has been accomplished with both Romulus and Earth in the years since Scott first had viewers screaming with his 1979 classic. Romulus was a breath of fresh air for audiences, turning the attention towards a younger, less experienced group of space colonizers coming face to face with the Xenomorphs for the first time. Whatever happens with its sequel and with Andy, Jonsson is excited about the world of possibilities that has since opened up in the aftermath of that return to form.

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“Well, because it’s a world with brilliant characters. It’s a world that is thrilling on camera, thrilling on screen, and in my opinion, and I say this having done Romulus, which is a project that I’m really proud of, Cailee [Spaeny]’s really proud of, and everyone who worked on it is really proud of, is that those projects that help reinvent what cinema is and what it can be are the ones I always want to be involved in, and I think that this is one. With us being a predominantly younger cast, it’s completely changed what the Alien universe was, and opened up the possibility for what it could be. I think that that’s quite exciting. I think that that’s what Earth did, as well, and ours.”



















































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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

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🏜️Dune

🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

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  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.


The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

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  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.


Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

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  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.


Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

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  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.


A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

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  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.

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What Is Jonsson’s New Film ‘Wasteman’ About?

Beyond Romulus, Jonsson’s star has been rising quickly in Hollywood, as he also recently co-starred in Francis Lawrence‘s acclaimed adaptation of Stephen King‘s The Long Walk. Wasteman will be another dramatic affair for the star as he plays Taylor, a man nearing the end of his prison sentence. Having already served 13 years, his hard work as a cook is about to pay off as he’s nearing release on good behavior. However, his chance at freedom and the opportunity to see the son he’s never met are put in jeopardy by his new cellmate, Dee (Blyth), who isn’t just a drug dealer but is hell-bent on controlling the entire illicit drug trade within the facility. Directed by Cal McMau from a screenplay by Hunter Andrews and Eoin Doran, it’ll follow Taylor’s desperate struggle as a man with everything left to lose tied to another who is all too ready to risk what little he has left.

Wasteman premiered at TIFF last year to widespread acclaim and has only continued to wow critics with its release in the U.K. earlier this year through Lionsgate. It currently holds a perfect 100% score on Rotten Tomatoes, with praise for both the intensity of the film and the chemistry between the two leads. Corin Silva, Alex Hassell, Neil Linpow, Layton Blake, Paul Hilton, and more round out the cast.

Stay tuned here at Collider for more updates on the next Alien movie. In the meantime, Wasteman will hit theaters in the U.S. this Friday, April 17.


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Release Date

February 20, 2026

Runtime
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90 minutes

Director

Cal McMau

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Writers

Eoin Doran, Hunter Andrews

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Producers

Sophia Gibber

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Chris D’Elia Under Fire For Mocking #MeToo

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Katy Perry at the 2024 Baby2Baby Gala

Chris D’Elia is once again at the center of controversy, following comments that many say cross a serious line.

The comedian is facing widespread backlash after sharing what appears to be a text exchange in which he mocked the #MeToo movement. Ironically, the move has only served to reignite criticism tied to past allegations against him.

The latest uproar also comes just months after he publicly called out the comedy industry for distancing itself from him in the wake of the allegations.

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Chris D’Elia Mocks #MeToo Slogan

Katy Perry at the 2024 Baby2Baby Gala
Xavier Collin/Image Press Agency / MEGA

Chris D’Elia is facing a fresh wave of criticism after comments many are calling tone-deaf and provocative. The comedian drew criticism online after appearing to mock the central slogan of the #MeToo movement in a recent social media post.

The controversial performer took to his Instagram Story to share a screenshot of a private conversation reacting to Ruby Rose‘s claims that singer Katy Perry sexually assaulted her.

“They’re eating each other now,” the other person wrote alongside the link.

D’Elia responded by taking a sarcastic jab at one of the movement’s widely recognized phrases. “Believe all women,” he wrote. “Believe both of them. They’re saying different things but believe all women.”

Cassi Colvin and Chris D'Elia at the 'Fist Fight' world film premiere
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D’Elia’s alleged text has sparked outrage online, with some critics pointing to his past accusations of sexual misconduct as they reacted to the post.

“What possessed him to post this? What a loser,” a Reddit user wrote.

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Another commenter slammed his tone, saying, “So he’s one of those guys that leaned hard into being an -sshole misogynist after getting called out.”

Others were even more scathing, calling out what they saw as a pattern of behavior. “His smugness here is almost as disgusting as everything he’s been accused of,” one person wrote, while also questioning how he continues to maintain a public platform.

Chris D’Elia Faced Serious Allegations Of Sexual Misconduct

Back in 2023, multiple women came forward with sexual assault accusations against D’Elia.

In interviews with Rolling Stone, at least ten women accused him of exhibiting predatory behavior, with four alleging they were teenagers at the time of their interactions with him.

Some of the accusers claimed D’Elia solicited explicit content, made sexual demands in exchange for show tickets, and engaged in manipulative behavior.

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The actor broadly denied the allegations. However, according to the report, he did not directly respond to several detailed requests for comment on specific claims, instead questioning the credibility of some of the women who came forward.

D’Elia Claimed His Escapades Were Consensual

Chris D'Elia at the Los Angeles premiere of 'Bad Moms'
Lumeimages / MEGA

After the accusations against him, D’Elia pushed back. He insisted that his past relationships were both legal and consensual. The comedian first faced widespread scrutiny in 2020 when several women shared screenshots in which he made sexual advances.

The fallout was swift.

His talent agency dropped him, collaborators distanced themselves, and Comedy Central removed his special “White Male. Black Comic” from streaming platforms. He was also recast in a film project at the time.

In 2021, D’Elia addressed the controversy in a video statement, acknowledging personal failings but maintaining that his encounters were consensual.

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“It became a lifestyle that I didn’t know how to stop,” he said, per the L.A. Times. “That’s not the guy I want to be… It makes me feel shameful, and it makes me feel bad.”

Earlier this year, D’Elia hit out at fellow comedians, accusing them of abandoning him during the height of allegations against him.

Speaking on the “Trying Not to Die” podcast with Jack Osbourne and Ryan Drexler, “The Good Doctor” star said he was stunned by how quickly people he’d known for years distanced themselves in 2020.

“It blew my mind,” D’Elia said, per Fox News, adding that he once believed the comedy world was built on a strong sense of community. “Most comedians are just pretty spineless.”

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He went on to say the experience reinforced his belief that people are eager to tear others down.

“I was surprised by a few people,” he continued. “You really realize that people can’t wait to hate you. It blew my mind, and it still kind of does.”

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Bold and Beautiful Early Spoilers April 20-24: RJ Goes Completely Unhinged – Ridge Issues Brutal Warning!

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Bold and the Beautiful Spoilers: RJ Forrester (Brayan Nicoletti) - Ridge Forrester (Thorsten Kaye)

Bold and the Beautiful early weekly spoilers for April 20th through the 24th reveal RJ Forrester (Brayan Nicoletti) being totally unhinged and Ridge Forrester (Thorsten Kaye) warning his son.

As we always do on early edition day, we start with what’s coming the rest of this week, then we dive into next week.

Bold and the Beautiful Spoilers Wednesday, April 15th: Will Apologizes

So, on Wednesday, April 15th, we’ve got Will Spencer (Crew Morrow) doing the right thing. He talks to Brooke Logan (Katherine Kelly Lang) and Ridge and Steffy Forrester (Jacqueline MacInnes Wood). And Will says he knows that there is a lot of drama surrounding him and Electra Forrester (Laneya Grace) and RJ.

And Will apologizes to the leadership team of the company he’s working at. I give him full credit for this. Steffy says that they appreciate the apology. And then Brooke asks, “What if it’s too late for the two of you?” Meaning Will and Electra. Brooke is obviously pushing for RJ to win this. And Will says there is no way this is the end for him and Electra.

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B&B Spoilers: Brooke Sticks by RJ

Now, I feel like RJ is not going to be as mature about this because he gets a warning from his dad, Ridge, that he doesn’t need to bring his personal stuff in and let it interfere with the workday. So, it looks like during Ridge and RJ’s talk, Steffy may be there as well. I’m sure if Brooke is, she will defend anything that RJ does. This is how she operates. So, understandably, that’s her kid.

And in separate scenes, Will and Ivy both tell Electra what they think. I’m guessing Will tells Electra that Dylan is indeed taking her first paycheck, packing up, and moving out. So, Will has met the ultimatum that Electra hands him, but Ivy is not going to tolerate this. She despises Will.

And again, I think this is back to him being a Spencer and her having frustrating past where she didn’t win either Wyatt or Liam in the end. So Ivy tells Electra, “I want you to say, I’m with RJ now.” And then she’s, you know, turning on her bully personality and says, “I repeat, I am with RJ,” trying to force her to say this. And poor Electra, I say poor Electra, she’s pushy when it comes to other people, but I do feel bad for her in this instance.

Bold and the Beautiful Spoilers: Ivy Bullys Electra

Electra is looking super sad and really stressed because her aunt Ivy is absolutely bullying at her and turning her horrible behavior onto her niece who she claims to love. And so Daphne Rose (Murielle Hilaire) may overhear this or see Electra upset and that could be what prompts her to finally tell the terrible truth about what Ivy has done.

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Meanwhile, one of the models says to RJ that they know he’s off the market because he only wants Electra. And then RJ says what he wants is to save Electra from any more heartbreak at the hands of Will Spencer.

B&B Spoilers Thursday, April 16th: Daphne Asks Carter For Advice

Thursday, April 16th, we’ve got Daphne asking for Carter Walton‘s (Lawrence Saint-Victor) advice. She’s frustrated that Ivy is lying and scheming and broke up Will and Electra and Ivy hurt her niece with her manipulations. Now, Carter told Daphne before to stay out of it before.

But because it’s still weighing on her, Carter may tell her, you know, do what you think is right. Follow your conscience. RJ and Ivy form an alliance. I mean, they’ve already been cooking up schemes together on Bold and the Beautiful.

They both want Electra to forget about Will and start something with RJ, so we could have Ivy continuing to pressure Electra and RJ also doing a hard sell on her choosing him.

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Friday, April 17th: Ivy Exposed on Bold and the Beautiful

Friday, April 17th, we are gonna find out finally why RJ dislikes Will so much and the root of his bad attitude. Now, I’m betting that RJ’s dislike has more to do with Bill Spencer (Don Diamont) and his history with Ridge. But when RJ first came to town, remember, he and Will made a gentleman’s agreement to not carry over the rivalry from their dads.

And frankly, RJ isn’t even making an effort. So, he’s upset about Bill calling him, you know, dirty dollar bill. And then there was the Eric Forrester (John McCook) design stuff. So, honestly, I feel like RJ’s really a chip off the old Ridge block because he’s pushy, he’s aggressive, and thinks he’s right about everything.

Bold Spoilers: Daphne Tells Electra the Truth

Plus, Daphne finally tells Electra that she needs to know what really happened to her relationship with Will. That happens on Friday. Ivy is finally exposed. Of course, Electra is going to be devastated when Daphne explains that Ivy swiped the letter that she left for Will.

And on top of that, replaced it with the broken necklace, which was an accident, not some sort of vandalism breakup sign. And she did it to mislead Electra into thinking that Will had dumped her.

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With tears in her eyes, Electra is going to demand Ivy tell her where is her letter. Now, if Electra and Will had just had some plain language communication, this could have all been sorted out already.

Bold and the Beautiful Spoilers: Electra & Will Rage at Ivy

Plus, by Friday, Electra and Will confront Ivy together, and she looks quite taken aback. Chances are that she’s going to defend her actions, saying she was looking out for Electra, doing what’s best, because Will’s not good enough for her. I expect Ivy to throw blame at Dylan and Will, the not proper stuff, you know. And I do wonder if Dylan’s gonna tell Will that Ivy bullied her and then encouraged her to use their split to take advantage and snatch Will for herself.

So, Electra and Will are going to be fuming at Ivy. And I really want Will to tell Electra he saw her kissing RJ because she was just doing it again this week. And this is all being set up to facilitate Ivy’s exit because Ashleigh Brewer is out on maternity leave. So we’re going to say goodbye very soon to Electra’s meddlesome aunt.

Bold and the Beautiful Spoilers: RJ Forrester (Brayan Nicoletti) - Ridge Forrester (Thorsten Kaye) Bold and the Beautiful Spoilers: RJ Forrester (Brayan Nicoletti) - Ridge Forrester (Thorsten Kaye)
Bold and the Beautiful Spoilers: RJ Forrester – Ridge Forrester

Week of April 20th-24th: May Sweeps Begins on B&B

Then the week of April 20th through the 24th. We have the beginning of May sweeps. It starts on Thursday, April 23rd and carries all the way through May 20th. Ridge and Steffy are fretting over Taylor Hayes (Rebecca Budig) as she and Deacon Sharpe (Sean Kanan) get closer and make plans for their future. Now, what I’m worried about is Sheila Carter (Kimberlin Brown) in light of May sweeps coming and I don’t put anything past her.

The launch of Logan is going to also come in May sweeps, which again starts on Thursday. So, we should see Eric back on screen for that as well. I expect Brooke to continue harassing Katie Logan (Heather Tom) over the designs that Logan paid for. And I know fans are heavily divided on this. But Katie was stating legal truths to Brooke. So, I don’t think in any court of law that they would prevail. Possibly in the court of public opinion, though.

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Bold and the Beautiful Spoilers: Dylan Moves On

We’re going to see Dylan moving on with her life. I wonder if she might wind up being Deke Sharpe’s (Harrison Cone) roommate. That would be kind of cute, at least in the short term, because you can’t find an apartment in LA in a day. But they may gloss over that. And speaking of Deacon, Christian Weissmann is back as his ex Remy Pryce.

We’ve seen him already this week and he is on contract status now at Bold and he has a secret connection to somebody who is already on the screen and given some hints that the actor dropped in an interview basically that the person he’s connected to is also kind of diabolical. My guess is that he is either Sheila’s grandson or maybe a secret son of Bill. He hasn’t had a fully grown adult child show up in a little while. He’s overdue, right?

RJ’s about to find out he’s got no chance with Electra. Sheila is still heartbroken. She’s down but not out. Will and Electra’s heads are spinning from the reveal of Ivy’s scheme, and they should be on the path to reconciliation. And we’re going to see if the reveal of what Ivy did improves or worsens RJ’s attitude towards Will.

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Apple TV Confirms Major Casting Move for New Film From ‘Ozark’ Creator

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Apple TV logo 2026

Created by Peter Craig and based on the 2009 book by Dennis Tafoya, there are few crime dramas on Apple TV better than Dope Thief. This thought-provoking series follows Philly friends Ray (Brian Tyree Henry) and Manny (Wagner Moura) as they pose as DEA agents to commit crimes, only for their actions to catch up to them. Exactly one year ago, the series was a dominant force on the streaming charts, eventually becoming one of the best binge-watches on the platform with eight one-hour episodes available.

After starring in Dope Thief and partnering with Jennifer Lawrence in the underrated Causeway, it’s now been confirmed that Spider-Man: Into the Spider-Verse star Henry will return for another collaboration with Apple Studios, this time leading the sports drama Running opposite Alien: Romulus alum Spike Fearn, which hails from The Way Back director Gavin O’Connor. Based on an original story by O’Connor and Bill Dubuque, with the latter best known for his co-creation of the hit series Ozark, Running will follow the ups and downs in the life of a high school running prodigy, who is “on the hunt for greatness as he uses his gifts to outrun his past and find a family.”

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“I started thinking about building a story around a homeless kid who doesn’t have a place in the world. No love. No friends. No family. The only home he knows is the streets,” O’Connor said previously about creating the story. “It felt like a great place to begin a character’s journey and tell an underdog story about the human spirit.” Joining Apple Studios in producing the project are Makeready and Nike, a perfect pairing for a series about running.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

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☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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One of Apple’s Recent Hits Was an Oscar Winner

Apple and sports dramas seem to be a fruitful combination, that’s if 2025’s F1 is anything to go by. Director Joseph Kosinski‘s fast-paced blockbuster was an enormous hit, becoming Apple Original Film’s highest-grossing theatrical release of all time and going on to earn an impressive four Academy Award nominations. At the most recent 98th ceremony, the film earned a nod in the coveted Best Picture category and even won the Oscar for Best Sound. Earning a huge $633 million from an eye-watering budget between $200 million and $300 million, Running will be dreaming of similar success.

Brian Tyree Henry is starring in Apple’s next project, Running. Stay tuned to Collider for more stories, and check out Henry in Dope Thief on Apple TV now.


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Release Date

2025 – 2025-00-00

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Apple TV+

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Why Meghan Markle Refused Having Archie And Lillibet On Tour

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Prince Harry and Meghan Markle

Prince Harry and Meghan Markle made their return to Australia; however, their children were noticeably absent, with a source citing “security” and the duchess putting her foot down on the matter.

The trip marks the Sussexes’ first visit since 2018 and follows their decision to step back as working royals in 2020.

During the visit, Prince Harry will participate in mental health-focused engagements, while Meghan is set to host a luxury retreat for women.

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Why Prince Harry And Meghan Markle Made An Australia Trip Without Their Kids

Prince Harry and Meghan Markle
ZUMAPRESS.com / MEGA

According to insiders, Harry had hoped to bring Prince Archie and Princess Lilibet along with him and Meghan to Australia, inspired by the way his mother, Princess Diana, once included her young sons on royal tours.

However, the duchess is said to have taken a different stance. Sources claim she “wasn’t comfortable” with the idea, particularly due to concerns around security and maintaining a stable environment for the children.

“Security is always her number one concern,” one insider shared with journalist Rob Shuter’s #ShuterScoop, noting that “She wants them in a controlled environment, and that’s California.”

They further noted that while Meghan hates being away from her kids, it was necessary for them to stay behind in Montecito while she and Harry focus on work.

“She hates being away from them,” the source said. “Even short separations are hard for her, but she’s a working mother and has to pay the bills.”

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The Duke ‘Pushed’ For The Kids To Join Them On Tour, But Meghan Said ‘No’

Prince Harry and Meghan Markle courtside
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While the couple is said to discuss most decisions together, insiders suggest Meghan tends to take the lead when it comes to matters involving their children.

“Harry pushed for it,” the source continued. “But Meghan said no — and that was the end of it. They discuss everything, but on the kids, Meghan leads.”

They further noted that Harry’s idea of a family-focused trip was ultimately set aside in favor of what Meghan felt was best for them.

“He wanted a family moment,” the insider stated. “She wanted control — and she won.”

Prince Harry Champions Mental Health And Modern Fatherhood During Australia Visit

Prince Harry, Duke of Sussex at Wheelchair Rugby in Vancouver Convention Centre
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So far, the Aussie trip has seen Harry focus on causes close to his heart. During engagements in Australia, the Duke combined his advocacy for mental health with his passion for sport.

In Melbourne, he spoke at the launch of a Movember report on the mental health of fathers, reflecting on his own experience as a parent.

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He emphasized the evolving nature of parenting, suggesting that each generation should strive to improve on the last.

“Even if you had the best upbringing in the world, the best parenting in the world, there’s still room for improvement,” he said.

While referencing his relationship with King Charles III, Harry shared his belief that children should grow to become “upgrades,” shaped by a rapidly changing world. He also encouraged fathers to speak openly about their struggles, challenging the long-held idea that vulnerability is a sign of weakness. 

He explained: “For so many years, it has been seen as a weakness to stick your hands up. I find it’s the opposite. The more grief I get for talking about it, the more I want to stand up and talk about it. I know if I go quiet about it – what does that say to everyone else?”

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Prince Harry And Meghan Blend Charity And Business On Low-Key Australia Return

Prince Harry and Meghan Markle Attend Project Healthy Minds 3rd Annual Gala
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Alongside his advocacy work, Harry took part in a training session with the Western Bulldogs and visited the Australian War Memorial in Canberra.

There, he honored fallen service members, participating in a traditional smoking ceremony and paying tribute to troops, including those who died in Afghanistan.

Meanwhile, Meghan focused on her own professional interests during the trip, including filming a guest appearance on “MasterChef” Australia and reportedly exploring opportunities to expand her lifestyle brand in the region.

She is also set to appear at a women-only retreat in Sydney, where attendees have paid premium prices for the experience, including opportunities to meet her.

The trip marks the couple’s first visit to Australia since 2018, when they toured the country shortly after their wedding and drew large public crowds.

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This time, however, the tone is noticeably different. Now operating as private citizens after stepping back from royal duties in 2020, their visit combines charitable engagements with personal and commercial ventures.

Meghan Markle Turns Royal Style Into Shoppable Looks With New Partnership

Meghan Markle attends Variety Power of Women 2023
Lisa OConnor/AFF-USA.com / MEGA

Meanwhile, Meghan is reportedly turning her fashion choices into a new business opportunity, partnering with an AI-driven styling platform called OneOff.

The collaboration allows fans to shop pieces inspired by outfits she has worn, particularly during her recent visit to Australia.

During a stop at the Royal Children’s Hospital, Meghan wore a designer dress by Karen Gee, paired with accessories and heels from high-end labels. According to the Daily Mail, the items were quickly featured on OneOff, complete with direct shopping links for users interested in recreating the look.

At another engagement at the Australian National Veterans Arts Museum, she stepped out in a coordinated suede outfit from St Agni, styled with additional designer pieces, many of which were also highlighted on the platform.

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However, not every item made the list. Notably absent were sentimental accessories like jewelry linked to Princess Diana, which Meghan has often been seen wearing

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The Best Nearly Naked Looks of All Time: Marta Pozzan, More

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Everything to Know About RHOSLC Alum Jen Shah's Legal Drama

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J.J. Abrams’ Sleek Sci-Fi Blockbuster Is No Match for ‘Project Hail Mary’ at the Box Office

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Having completed nearly a month in theaters worldwide, Project Hail Mary recently passed the coveted $500 million milestone at the global box office. The movie is on track to overtake its spiritual precursor, The Martian, in the coming days after having already surpassed the title domestically. Both sci-fi epics were based on bestselling novels by Andy Weir and scripted by Drew Goddard. The Martian received a Best Picture nod at the Oscars a decade ago, after grossing $630 million worldwide. Project Hail Mary has maintained an even higher Rotten Tomatoes score than that film, and is poised for awards season success as well. It’s now sitting at a 94% score on Rotten Tomatoes, compared to the 91% of The Martian. Over the course of its run, Project Hail Mary has overtaken several past sci-fi epics, many of which were equally well-received.

For instance, this past weekend, it overtook the lifetime worldwide box-office haul of War for the Planet of the Apes, directed by Matt Reeves. It had previously passed Christopher Nolan‘s Interstellar and the Will Smith-led dystopian epic I Am Legend. In its fourth week of release, Project Hail Mary overtook one of the best-reviewed sci-fi franchise-starters of the last two decades. The movie in question was released in 2009, but we aren’t talking about James Cameron‘s Avatar. That year saw the release of another sci-fi hit that coincidentally featured Zoe Saldaña in the cast.











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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars
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Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

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🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.

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The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.

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Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.

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Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.

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A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.
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Here’s How Much ‘Project Hail Mary’ Has Grossed at the Domestic Box Office

We’re talking, of course, about J.J. AbramsStar Trek. The film grossed $257 million at the domestic box office, but it underperformed overseas for a worldwide haul of approximately $390 million. Project Hail Mary‘s domestic haul currently stands at $258 million. Directed by Phil Lord and Christopher Miller, the movie stars Ryan Gosling as the lead. Star Trek, on the other hand, starred Chris Pine, Zachary Quinto, Karl Urban, Simon Pegg, John Cho, and the late Anton Yelchin alongside Saldaña. The movie was followed by two sequels, Star Trek Into Darkness, also directed by Abrams, and Star Trek Beyond, directed by Justin Lin. The movies were simply not successful enough in international markets to justify the long-rumored fourth installment. However, a sprawling new television universe overseen by Alex Kurtzman is thriving on Paramount+.

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Stay tuned to Collider for more updates.


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Release Date
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March 15, 2026

Runtime

157 minutes

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Director

Christopher Miller, Phil Lord

Writers
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Drew Goddard, Andy Weir

Producers

Aditya Sood, Amy Pascal, Andy Weir, Christopher Miller, Phil Lord, Rachel O’Connor, Ryan Gosling

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