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‘Marshals’ Can’t Escape Its ‘Yellowstone’ Roots As It Sets Up a Colossal New Rivalry

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Randall Clegg (Michael Cudlitz) confronts Andrea Cruz (Ash Santos) and Belle Skinner (Arielle Kebbel) in the 'Marshals' episode "The Gathering Storm"

Editor’s Note: The following contains spoilers for Marshals Episode 4.This week, Marshals takes another leap into the greater world of Yellowstone as fallout from Kayce Dutton’s (Luke Grimes) past follows him to the present. “The Gathering Storm” has many meanings in this episode, which is chock-full of enough Yellowstone references and revelations to keep you on your toes. With more packed into this episode than the last few put together, Marshals continues to teeter the line between being a direct Yellowstone sequel and a spin-off that pushes to forge its own path and identity.

‘Marshals’ Sets the Stage for a Coming Storm Against Kayce Dutton

“The Gathering Storm” begins at Yellowstone East Camp as Kayce Dutton answers the door armed. As usual, Tate (Brecken Merrill) is at his maternal grandfather’s house, and so conveniently written out while Kayce deals with the aftermath of the bullet-on-the-doorstep threat from the end of last week’s episode. Thankfully, there’s no threat at all. It’s just Pete “Cal” Calvin (Logan Marshall-Green) with some security equipment to help Kayce prepare for whatever threat is coming. While Cal thinks Randall Clegg (Michael Cudlitz) is the man behind the threat after they killed his kin in combat, Kayce knows it could be anyone who hates his family name. Nevertheless, it doesn’t take long before we learn that the former is the truth in this case.

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That night at the Bullet ‘n Barrel Saloon, Marshals sets up several different plotlines that the show has no room to pay off in this episode. Andrea Cruz (Ash Santos) flirts with her new cowboy love interest Ty (Tyler Courtad), Cal seemingly pines after the local bartender Maddie (Morgan Lindholm) — before a brief sidebar with a local named Henry (Gabriel Casdorph) about the Clegg family — and Miles (Tatanka Means) runs into a family member named Sabrina (Chelsea Gray) to discuss his past at Broken Rock. But all this is preamble because the real action doesn’t start until the next day, when, at Marshals HQ, the team is met by Harry Gifford (Brett Cullen), who reveals that Randall Clegg is claiming that his son Carson’s civil rights were violated when Kayce killed him last week. With Kayce under the microscope (and benched for the time being), Cruz is left in charge of the internal investigation. So, rather than stick around and twiddle their thumbs, Kayce and Cal go off and help the Department of Forestry in the hunt for “transplant” rancher Tom Weaver (Chris Mulkey), after his daughter, Dolly (Ellyn Jameson), believes he has gone missing in the nearby Bridger Mountains.





















































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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

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👑Tulsa King

⚖️Mayor of Kingstown

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01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




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Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

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🤠
Yellowstone

🛢️
Landman

👑
Tulsa King

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⚖️
Mayor of Kingstown

You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

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You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

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You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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But for those thinking that the Clegg complaint is just background this week, it becomes clear that this will be Marshals‘ main focus going forward, especially after Gifford hounds Cruz about finding the Dutton skeletons in Kayce’s closet. Even if the Clegg evidence comes up empty, he wants Cruz to fish for something that the DOJ can use against Kayce. Turns out, the lawyer who filed Clegg’s complaint, Andrew Schroeder (David Lascher), has a history of filing claims against law enforcement. However, Belle (Arielle Kebbel) knows Schroeder well, so she and Cruz go to confront the weasel. However, things don’t go as planned, as Randall Clegg shows up in the flesh to reveal that he plans to make the “Dutton finally learn that a badge isn’t a shield for their sins.” Whatever they do or don’t uncover, he plans to go public with everything.

“The Gathering Storm” Digs Up Kayce’s Past as He Battles New Threats In the Present

Randall Clegg (Michael Cudlitz) confronts Andrea Cruz (Ash Santos) and Belle Skinner (Arielle Kebbel) in the 'Marshals' episode "The Gathering Storm"
Randall Clegg (Michael Cudlitz) confronts Andrea Cruz (Ash Santos) and Belle Skinner (Arielle Kebbel) in the ‘Marshals’ episode “The Gathering Storm”
Image via CBS
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Back in the mountains, Kayce and Cal spot the smoke from a helicopter crash site and recognize that they’re close to Tom Weaver. The only problem is, they’re immediately held at gunpoint by an unknown man (Braxton Hale), who has been hiding out in the woods for some time. He claims that, after losing his job, house, and wife, he’s now fled to the wilderness to live off the land. After disarming him, they decide to let him go to get to Tom in time, but only under the stipulation that he goes to turn himself in. Arriving at the crash, they find Tom injured and the pilot, Helen, to be in particularly rough shape. But just as they try to stabilize her, a grizzly bear shows up and literally rocks the boat. Although Kayce manages to scare the beast off with a few shots in the air (despite the fact that that’s typically more likely to get a bear to charge at you), it’s too late for the pilot.

Meanwhile, back at HQ, Cruz, Belle, and Miles discuss Kayce and his history. Having realized that the best thing they can do to help his case is dig into his past, they discover that he has an exemplary service record in the Navy. Looking beyond his time in the Armed Forces, Miles notes that the folks on Broken Rock once whispered about Kayce’s assault on the local Montana-based militia that took Tate, which, for the uninitiated, occurred at the tail end of Yellowstone Season 2. Although Kayce’s father, John Dutton (Kevin Costner), was the Livestock Commissioner at the time (and retired only weeks later), it was a sketchy enough situation that it could be labeled “frontier justice.” At the very least, it will give Randall Clegg the ammo he needs. When they explain this to Gifford, he wants to use it as leverage against Kayce to get him fired, but pivots to claiming that Kayce killed Carson Clegg in revenge for shooting a man on the Rez who knew his dead wife.

Luke Grimes as Kayce Dutton on horseback in Marshals 


‘Marshals’ Review: A Bold New Dutton Spin-Off Officially Rewrites Taylor Sheridan’s ‘Yellowstone’

Luke Grimes leads the charge in this Dutton-verse sequel that is full of network potential.

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Back in the mountains, Kayce criticizes Tom for valuing his ranch more than the life of his pilot. Although there were no adverse weather conditions reported before they took off, the pilot recognized the turning winds and staggered their seating to distribute their weight properly. In the end, this ended up saving Tom’s life, and Kayce notes that he should be grateful. But while they are at odds at first, they bond over the fact that neither one of them was able to pick their fathers. Like Kayce, Tom felt trapped in his Wall Street father’s shadow, and moving from New York to Montana to start a ranch was the best way to make a name for himself and start something new. Kayce certainly understands. But this is when things get a bit tricky. As Cal helps Kayce and Tom rappel down the mountain, they’re shot at by the man they’d previously let go before Cal can return fire. The former SEAL leader wants to jump back into the fray and hunt the man down, but Kayce convinces him to stick with the mission and get Tom back to his family.

‘Marshals’ Latest Episode Ends With Major Revelations and Romantic Teases

Pete Calvin (Logan Marshall-Green) and Kayce Dutton (Luke Grimes) prepare their horses in the 'Marshals' episode "The Gathering Storm"
Pete Calvin (Logan Marshall-Green) and Kayce Dutton (Luke Grimes) prepare their horses in the ‘Marshals’ episode “The Gathering Storm”
Image via CBS
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Meanwhile, when Gifford and Miles return to HQ, they reveal that Kayce’s late wife, Monica (Kelsey Asbille), was beloved by the man whom the Cleggs’ shot on the Rez last week. Because Gifford’s the absolute worst, he believes this is enough of a smoking gun to hang Kayce and ostracize him from the Marshals, hoping to railroad him with the weight of the DOJ behind him. As Miles puts it to the rest of the group, “Government’s the windshield, the rest of us are bugs.” But when Miles recalls the events of the Clegg shooting once more to Belle and Cruz, the trio realize that the Clegg brothers didn’t have eyes on Kayce or Miles yet when the IED went off. As it turns out, the Clegg family had been piggybacking on local wildlife cameras in the area for years, and that footage ultimately proved Kayce’s innocence. Upon clearing her teammate, Cruz confronts Gifford about trying to play her against her team, and it’s clear she won’t get to ever again.

With his name cleared and his job secure, Kayce goes to the hospital to meet with a recovering Tom Weaver. Surrounded by family, namely his doting daughter Dolly, Tom rewards Kayce for saving his life by lending him some ranch hands to help with East Camp. To Tom, the Dutton heir is the type of lawman whose career he wants to ensure continues. And with that, Marshals solves the mystery of how Kayce can be a lawman and a cowboy at the same time. Oh, and if you’ve been wondering about some other Marshals mysteries over the first few episodes, the final few minutes of “The Gathering Storm” peppers in a few more revelations…

Will Kayce ever bond with his team? It turns out, Kayce surprises them by showing up at the saloon to enjoy a celebratory drink. Who was that strange man in the mountains? Cal reveals that the guy who shot at them was a serial bomber named Rudy Carpenter, who will definitely be coming back for seconds at some point in the future. Will Kayce ever get a new love interest? That’s answered the moment Kayce introduces Dolly Weaver, who hopes that he’ll give her a crash course in all things Big Sky. And what’s the story between Cal and this bartender that seems to hate his guts? As he reveals to Belle, Maddie is his estranged daughter whom he moved to the area to be closer to. With all of this in mind, Marshals has a lot of material to work with as Kayce seeks to atone for his family’s sins.

Marshals airs Sundays on CBS and is available for streaming the next day on Paramount+.

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ninfaven1ifpricmgnkenovvut2.jpg

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Release Date

2026 – 2026

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Showrunner

Spencer Hudnut

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Writers

Spencer Hudnut, Tom Mularz, Dana Greenblatt

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Pros & Cons
  • The rivalry between Kayce Dutton and Randall Clegg is promising
  • The father conversations between Kayce and Tom was a necessary coda to the former’s time on Yellowstone
  • Clearing Kayce’s name will hopefully mean we can move past all the “let’s talk about Kayce’s past” scenes between the Marshals
  • That is not how you should deal with a grizzly bear…
  • Kayce and Cal leaving their weapons behind feels like a massive oversight.
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Kristi Noem’s Husband’s ‘Bimbofication’ Scandal Explained 

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Former United States Secretary of Homeland Security Kristi Noem‘s husband, Bryon Noem, is at the center of a growing scandal involving allegations that he’s explored online fetish communities.

Byron was accused of speaking with models in the “bimbofication” on online forums, referring to individuals who have undergone surgical enhancements to look like dolls.

“Ms. Noem is devastated,” a spokesperson for Kristi said in a March 2026 statement. “The family was blindsided by this, and they ask for privacy and prayers at the time.”

Keep scrolling for more details:

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Kristi Noems Husband Bryon Noem Allegedly Told Dominatrix He Thought About Leaving Wife for Her 1


Related: Kristi Noem’s Husband Allegedly Thought About ‘Leaving’ Her for Dominatrix

Former United States Secretary of Homeland Security Kristi Noem‘s husband, Bryon Noem, allegedly told a dominatrix that he was willing to leave his wife for her. “He really liked a confident woman,” Bryon’s alleged dominatrix, Shy Sotomayor, told the Daily Mail in an interview published on Friday, April 10. “I don’t embrace the airhead, ditzy […]

Initial Reports About Bryon Noem Surface

In late March 2026, the Daily Mail published photos of Bryon Noem allegedly dressed in pink hot pants and wearing fake breasts apparently made of balloons. He was also pictured wearing green leggings in another set of images obtained by the outlet.

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The outlet reported that Bryon allegedly paid $25,000 to chat with online models in the online “bimbofication” scene, which involves people who use silicone injections and various surgical enhancements to appear doll-like. He allegedly sent a message to one model and shared his love for “huge, huge ridiculous boobs.”

Kristi Noem responded to the allegations through a spokesperson.

“Ms. Noem is devastated,” the spokesperson told the New York Post in a March 31, 2026 statement. “The family was blindsided by this, and they ask for privacy and prayers at the time.”

An OnlyFans Model Claims Bryon Noem Offered Her Money

The allegations deepened when OnlyFans model Nicole Raccagno claimed she had been in contact with Bryon Noem, who allegedly offered to finance a breast augmentation for her.

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“I f***ing want to pay it,” Bryon allegedly wrote to Raccagno, according to text messages obtained by the Daily Mail in March 2026. “You’re the one that I love. I would love to marry you.”

Raccagno, who goes by “Plastic Trophy Bimbo” online, claimed she started interacting with Bryon in 2020, when he allegedly subscribed to her OnlyFans page under the name “Jason From Chicago.” Bryon allegedly paid $1,500 per month to view Raccagno’s content.

“The arrangement was he’d get all my videos for $1,500 every month, to help me pay half my rent,” she told the Daily Mail. “He would never say no to me. He had to pay for my fillers, my Botox. Whenever I was not looking like a hot bimbo, he would give me money.”

Bryon has not publicly addressed the allegations.

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Bryon Noem’s Alleged Dominatrix Speaks Out

Bryon Noem’s alleged dominatrix, Shy Sotomayor, told the Daily Mail in April 2026 that Bryon claimed that he would leave wife Kristi Noem for her.

“He really liked a confident woman,” Sotomayor said. “I don’t embrace the airhead, ditzy personality that a lot of bimbos do. I expect to be worshipped, not degraded.”

Sotomayor claimed that she connected with Bryon in 2025, during which he reportedly said that he could see them both “leaving [their] spouses for each other” and asked to be called “Crystal.”

“I was just jaw to the floor, thrown for a loop that he wanted to be called that,” Sotomayor said, acknowledging that “Crystal” sounds similar to Kristi’s name. “[It is] so close to her name, when he could have gone with Stephanie or something.”

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Sotomayor revealed that Bryon agreed to pay $20,000 to meet in person, though neither the payment nor the meeting actually took place. She further alleged Bryon did pay her $7,600 in November 2025 for her services.

Megyn Kelly Claims That Byron Noem Attempted to Go to Rehab

Conservative commentator Megyn Kelly claimed on an April 2026 episode of her podcast that Bryon Noem once attempted to enter a rehabilitation program for alleged sex addiction.

“I can report that he was — he texted — I have been reliably told by a source and sent the text messages which my source, who I believe, has provided to me that he attempted a 12-step program for sex rehab,” Kelly said on The Megyn Kelly Show. “It was a place called Pure Desire, and it incorporates the 12 steps. We looked that up to see if that was a known rehab place in South Dakota and we found that it’s, like, a ministry.”

Kelly claimed that she obtained a screenshot of an alleged text from Byron.

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“I’m entering a therapy program. Much needed and much overdue. 40 days,” the text apparently read. “I appreciate the conversations we had in getting to know you better. You seem like a great person. I’m a work in progress!”

According to Kelly, Bryon did not complete the program.

Who Is Byron Noem’s Wife?

Kristi-Noem-GettyImages-2264608400

Kristi Noem testifies before the Senate Judiciary Committee in March 2026.
Chip Somodevilla/Getty Images

Kristi Noem and Bryon Noem have been married since 1992, tying the knot in Watertown, South Dakota. They share three children: daughters Kassidy and Kennedy and son Booker.

Kristi briefly served as the secretary of Homeland Security during President Donald Trump’s second term in the White House. Trump, who fired her in early March 2026, has since addressed the accusations against Byron.

“They confirmed it? Wow, well, I feel badly for the family if that’s the case, that’s too bad,” Trump told the Daily Mail on March 31, 2026. “I haven’t seen anything. I don’t know anything about it. That’s too bad, but I just know nothing about it.”

Us Weekly reached out to both Bryon and Kristi for comment.

This story was compiled with the help of AI tools and edited by journalists.

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5 Years Later, This 90-Minute Forgotten Horror Reboot Surges on Streaming

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Two people wear animal skull masks in 'Wrong Turn' (2021)

The Wrong Turn franchise is part of the low-budget horror boom of the 1990s and early 2000s. The films followed a similar pattern where strangers find themselves in a dangerous part of the country after taking a… wrong turn. The movies were not well received by critics, with many in the franchise receiving low ratings — if any — on the review aggregator Rotten Tomatoes. However, they delivered pure horror fun with their twists, suspense, and gore. There are seven movies in the franchise, with the latest being released five years ago.

Wrong Turn 7 (2021) is one of the franchise’s top-rated films, with a 64% score on Rotten Tomatoes. The other top-rated installment is the second one at 67%. Wrong Turn 7 is now available to stream on Prime Video, and the movie is making waves. Streaming data from FlixPatrol shows it has found a sizable audience, ranking sixth on the streamer’s global chart at the time of writing. It’s still quite a distance from dethroning the number one film, Crime 101, and it might not.

Wrong Turn 7 is a slight departure from the other movies but follows similar beats. It takes place in the backwoods inhabited by a secluded community. While hiking, Jen (Charlotte Vega) and her friends encounter one such community after taking a wrong turn. Named The Foundation, this community of mountain dwellers is bent on protecting their centuries-old way of life by any means necessary. The task for Jen and her friends is to stay alive until her father (Matthew Modine) can find them, but that’s easier said than done. The film marked Alan B. McElroy‘s return to the franchise after he started it in 2003 by writing the first film. Wrong Turn 7 was directed by Mike P. Nelson and also stars Adain Bradley (Darius), Emma Dumont (Milla), Vardaan Arora (Gary), Dylan McTee (Adam), and Daisy Head (Edith), among others.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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Will There Be ‘Wrong Turn 8?’

Two people wear animal skull masks in 'Wrong Turn' (2021)
Two people wear animal skull masks in ‘Wrong Turn’ (2021)
Image via Constantin Film

Hollywood loves success stories, and whenever a cult classic like Wrong Turn or Final Destination sees renewed interest, another installment is almost guaranteed. So what does that mean for this franchise? “I had planned two more films, so there would be a trilogy, based around this idea of The Foundation and these characters,” B. McElroy said in an interview when asked what the future looks like for the franchise. “I’d love to finish it and see it all come out the way I wanted.”

Stream Wrong Turn on Prime Video in the U.S., and stay tuned to Collider for more updates.


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Release Date

January 26, 2021

Runtime
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120 minutes

Director

Mike P. Nelson

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Writers

Alan B. McElroy

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Franchise(s)

wrong turn

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This Forgotten 12-Part Sci-Fi Show Was ABC’s Wildest ‘Tron’ Knockoff

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Automan-Chuck-Wagner-Desi-Arnaz-Jr-2

Tron is a film that’s a study in contrasts. Upon its release, it received mixed reviews but went on to become a cult classic, not to mention part of a watershed moment in science fiction history. It revolutionized visual effects, yet most of Disney’s animation department didn’t want to work on it. It’s even spawned two sequels, Tron: Legacy and Tron: Ares, with each film receiving a wildly different reception upon release. Yet Tron‘s strangest claim to fame is inspiring the short-lived sci-fi television series Automan, especially since that series cribbed its entire visual language and plot ideas from the movie.

Automan follows Walter Nebicher (Desi Arnaz Jr.), a brilliant but socially awkward police officer who works in the computer programming department. Desperate for action, Nebicher creates artificial intelligence in the form of “Automan”, a holographic being (Chuck Wagner) that can fight crime with Nebicher’s help. The two work together to solve crimes, while also passing Automan off as a FBI agent that befriended Nebicher. Even by the standards of 80s-era television, Automan was utterly ridiculous — and it didn’t help that it felt like the poor man’s version of Tron.

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‘Automan’ Owes Its Concept & Visual Language to ‘Tron’

Automan-Chuck-Wagner-Desi-Arnaz-Jr-2
Desi Arnaz Jr. as Walter Nebicher and Chuck Wagner as Automan in ‘Automan’
Image via ABC

Automan‘s debt to Tron is evident in its premise, which features a human being and a computer program joining forces, to the vehicles that Automan uses. Both the “Autocar” and the “Autochopper” feature the same glowing blue hues as the original Tron, and Automan even wears a blue suit similar to the programs in Tron‘s Grid. To its credit, Automan did try to introduce some original ideas. One of those ideas involved Automan merging with Nebicher to form a singular being that possessed the former’s abilities and the latter’s intelligence. Chuck Wagner would later talk about what drew him to Automan in a documentary chronicling the series’ creation:

“I loved the script. I loved the honesty and simplicity of the script…I approached it really honestly and it was a gift, but my focus, my imagination, and my whole life had geared me toward superheroes. So this was like a magical signpost, and the fact that I got cast was a real blessing.”

Automan also boasted a superstar creator in Glen A. Larson, who brought some of the ’80s biggest television shows to life. In addition to creating the original Battlestar Galactica and Buck Rogers in the 25th Century, Larson was also the man behind Knight Rider. Much like Automan, Knight Rider features a cool car and a cutting-edge sci-fi concept, as the car is powered by a living computer. What separates the two shows is that Knight Rider had the charismatic presence of David Hasselhoff; despite the best efforts of Chuck Wagner and Desi Arnaz Jr., Automan lacked the same flair as Larson’s other productions.

Two figures in black and red light suits and helmets, wielding batons in Tron: Ares.


The Untold Story: The Production Challenges of ‘Tron: Ares’ and Its Evolution From ‘Tron: Ascenion’ [Exclusive]

Screenwriter Jesse Wigutow, who serves as EP for ‘Daredevil: Born Again,’ also drops exciting details for Seasons 2 and 3 of the Disney+ series.

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‘Automan’ Lasted for a Single Season

During its short-lived run, Automan ran into a combination of problems. Not only were its special effects extremely costly, but it was also crushed in the ratings by other shows. Its biggest competition was the spy series Scarecrow and Mrs. King, which, ironically, featured Bruce Boxleitner ​​​​​​— Tron himself — in a starring role. Another factor that contributed to Automan being relegated to the annals of sci-fi history is the fact that, for years, the only place you could get the complete series on DVD was in the UK. That would eventually change in 2015, when Shout! Factory released the entire series on DVD.

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Despite its short run, Automan showed a fair amount of promise. The idea of a digital being taking human form would be explored in other television series, most notably with the iconic anime Ghost in the Shell. Automan was also proof that Tron had plenty of appeal, whether it was the cutting-edge visuals or the potential in its story. Time will tell if someone manages to unlock that potential, but considering Tron: Ares exists, this is far from the worst thing someone’s done with the Tron franchise.


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Release Date
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1983 – 1984-00-00

Directors

Kim Manners, Winrich Kolbe, Allan Burns, Allen Baron, Bruce Seth Green

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Writers

Sam Egan, Larry Brody, Bruce Kalish, David Garber

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Drew Sidora Addresses Reports Of Being Ordered To Vacate Home

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Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

Whew, Roomies! Things between Drew Sidora and Ralph Pittman are far from over. Folks are tuned in as Drew just came through with a major update amid their ongoing divorce.

RELATED: Drew Sidora Reportedly Ordered To Move Out As Custody Ruling Shakes Up Divorce Battle With Ralph Pittman

Drew Sidora Speaks Out Amid Divorce And Custody Update

Drew Sidora is breaking her silence following reports that she has been ordered to vacate the Georgia home she shares with her estranged husband by May 31. In a statement shared to social media, Drew kept things focused on her role as a mother, making it clear where her priorities lie. She shared that she and Ralph Pittman are committed to co-parenting and doing what’s best for their children. Drew also emphasized that she’s choosing to move forward with grace, while continuing to show up as the best mom she can be despite the public nature of their situation.

Taking to X, Drew set the record straight, sharing:

“Good morning. Some details regarding my divorce have recently become public, although the process is not yet finalized. During this time, Ralph and I are committed to co-parenting and doing what’s best for our children. While certain things are beyond my control, my focus remains on showing up every day as the best mother I can be. Living in the public eye comes with challenges, but I’m choosing to move forward with grace, growth, and intention. My children are my priority, and I’m committed to leading with love, peace, and positivity. There is no ill intent toward anyone just a continued focus on healing, evolving, and becoming the best version of myself.”

Fans Share Mixed Reactions In The Comments

Folks wasted no time running to The Shade Room Instagram comment section and sharing their thoughts. Some said Drew Sidora doesn’t owe anyone an explanation, while others pointed out that just because the dad has custody doesn’t mean the mom did anything wrong.

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This Instagram user @prettydarkskin_witdimples commented, “A man won’t be your peace but they will take it!

And, Instagram user @heatheralexia_ said, “Something is off for a mom to not receive primary custody of her kids. Maybe it’s just her unstable work schedule.

While Instagram user @_sunshiineex4_ claimed, “Girl you don’t owe nobody nothing. It’s 2026 🗣️🗣️”

Then Instagram user @saaphyri added, “Word to the wise NEVER DIVORCE IN GEORGIA.. it’s a man’s state

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The Instagram user @_littyandwitty joked, “Drew have a blast. ❤️😂”

Lastly, Instagram user @itsjustnitza said, “Just bc he has custody, doesn’t mean there HAS to be something wrong with her…

What Exactly Is Drew Sidora Speaking Out About?

Now, let’s get into what Drew Sidora is speaking out about. As previously reported, a judge has ordered her to move out of the Georgia home she shares with Ralph Pittman by May 31, with both of them continuing to split household expenses in the meantime due to their current financial situation. On top of that, things get even more layered as the court reportedly granted Ralph primary physical custody of their children during the school year, while Drew will have weekend parenting time starting in August—though they will still share joint legal custody.

The update is just the latest twist in their ongoing divorce, which has been playing out since they filed dueling petitions back in March 2023. However, Drew’s legal team made it clear this isn’t the final word, noting the current ruling is only temporary as the case is still actively being litigated—meaning this situation is far from over.

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RELATED: Okay, Sis! Drew Sidora Sparks Reactions After Flexin’ Her Vocals To Kehlani’s ‘Folded’ (WATCH)

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Taylor Swift’s ‘Cookie Recipe’ Enters Blake Lively Case

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Justin Baldoni at Paley Festival presents: Jane the Virgin

A surprising detail has emerged in the ongoing legal battle between Blake Lively and Justin Baldoni and it involves none other than Taylor Swift. According to newly filed court documents, Lively’s legal team submitted additional evidence that includes what has been described as “a Taylor Swift cookie recipe that was linked in other correspondence,” adding an unexpected twist to the high-profile case.

Taylor Swift has long been known for her love of baking. The pop star’s chai sugar cookie recipe famously went viral years ago, becoming a fan-favorite among Swifties and widely shared across social media. More recently, she’s reportedly leaned into sourdough baking, making homemade bread for friends and family.

Justin Baldoni’s Team Pushes Back On New Evidence

Justin Baldoni at Paley Festival presents: Jane the Virgin
Jaxon / MEGA

In response to the latest filings, which include Taylor Swift’s cookie recipe, Baldoni’s legal team has asked the judge for more time to review the materials, which reportedly include dozens of exhibits.

His representatives have also downplayed the likelihood of the recipe being presented in court, stating it “is exceptionally unlikely” to be shown to the jury during the trial, which is set to begin May 18.

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Alongside the recipe, Lively’s submission reportedly includes personal photos with Swift and a speech about her husband, Ryan Reynolds.

Witness List Expands As Trial Date Nears

Taylor Swift at the 2019 Billboard Women In Music Presented By YouTube Music
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As the case intensifies, Lively has expanded her witness list to include Reynolds, who has publicly supported her throughout the legal dispute. He is expected to testify about issues related to production and promotion, as well as alleged retaliation and damages tied to the case.

Lively herself is also expected to take the stand, along with Baldoni, after both parties declined settlement efforts earlier this week.

Additional names on Lively’s witness list include her sister Robyn Lively and “It Ends With Us” co-stars Jenny Slate and Isabela Ferrer. She has also identified several individuals connected to Baldoni, such as former podcast co-host Liz Plank, former publicist Stephanie Jones, and PR manager Melissa Nathan, as potential witnesses.

Meanwhile, author Colleen Hoover has been listed as a possible witness, though her testimony is expected to be delivered via deposition rather than in person.

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Justin Baldoni at It Ends With Us premiere
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Baldoni’s team has raised objections to several proposed witnesses, including Hoover, arguing her testimony should not be included since she was not present during the film’s production.

They have also pushed to exclude certain claims made by Slate, asserting that any prior issues had already been resolved.

The legal battle stems from a lawsuit filed by Lively in December 2024, in which she accused Baldoni of sexual harassment, retaliatory conduct, and intentional infliction of emotional distress.

Taylor Swift performs Eras in Las Vegas
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Swift’s name has surfaced multiple times throughout the case. The singer was drawn into the situation after Baldoni’s legal team sought access to communications between her and Lively, including text messages and emails. In one exchange, Lively reportedly referred to herself as a character from “Game of Thrones” and described Swift as one of her “dragons.”

There have also been claims that Swift was present during a meeting at Lively’s New York penthouse related to script changes, though sources close to the singer have denied she had any prior knowledge of the gathering. According to those sources, Swift arrived unaware that a meeting was taking place and later felt “exploited” by the situation.

Trial Set To Begin Amid Growing Tensions

Blake Lively in a white gown as she arrives to the Late Show with Seth Meyers this afternoon in New York City
Eric Kowalsky / MEGA

Baldoni recently scored a major legal win after a judge dismissed the bulk of Lively’s claims, but not necessarily on substance. The court ruled her sexual harassment allegations couldn’t proceed because she cited a California law, despite the alleged conduct taking place in New Jersey. The judge made it clear, however, that the decision was not based on whether her claims were valid.

The court also threw out Lively’s defamation claim, which centered on statements made by Baldoni’s attorney, Bryan Freedman, including accusations that she fabricated the situation. In total, 10 of Lively’s 13 claims against Baldoni were dismissed.

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As more evidence keeps dropping and both sides brace for court, this legal showdown between Lively and Baldoni is only getting messier. With the May 18 trial date looming, even something as random as a cookie recipe tied to Swift proves just how wild this case has become.

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The Best Unoriginal Movie You Will Ever See

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The Best Unoriginal Movie You Will Ever See

By Chris Snellgrove
| Published

You want the really short review of They Will Kill You? Here it is: “We’ve got Ready or Not at home.”

As a movie about a young woman (played by Zazie Beets) who must fight for her life against rich devil worshipers, it’s clear that this film was inspired by Ready or Not, a film in which a young woman (played by Samara Weaving) must, well, fight for her life against devil worshipers. The blunt truth is that They Will Kill You really suffers from the inevitable comparison: Ready or Not had better kills, better humor, and better characters, and the sequel (which brought the awesome Kathryn Newton into the mix) arguably perfects this quirky narrative formula. By comparison, They Will Kill You comes across like someone is frantically copying a better student’s paper.

With that said, it’s a fairly good copy. Zazie Beets (who genre nerds will best know for her appearances in Joker and Deadpool 2) is really great in the role of a young woman who infiltrates a wealthy household as their latest maid. It turns out that she is on a mission to rescue her little sister, and she’s spent the last decade in a particularly brutal prison. Constant fighting with other inmates has given her the kind of fighting skills that would make John Wick blush, but she must now fight the ultimate foe: Satanists who, through a demonic pact, seemingly can’t stay dead.

Destined For A “Cult” Following

As you have probably sussed out, They Will Kill You doesn’t really have a lot of plot to get in the way of the movie. The highly unoriginal premise is just an excuse to get our main character into a series of memorable fights with bland characters. Interestingly, the fights are heavily flavored by martial arts movies; while Ready or Not favored more realistic combat, often emphasizing Samara Weaving’s vulnerability against stronger, better-armed foes. They Will Kill You transforms Zazie Beets into a borderline superhuman kung-fu star who never truly seems like she’s in danger because she is infinitely more dangerous than her enemies.

That’s not inherently a bad thing, of course: if you want to see a gorgeous woman engage in scene after scene of ultraviolence, They Will Kill You is an entertaining, nonstop thrill ride. Beets imbues her character with passionate intensity that makes every kill feel transgressively intimate, which helps make up for how bland almost everyone she fights is. Plus, the film as a whole is anything but boring: once the barebones plot is established, almost every single scene is nonstop, stylized violence that you can’t tear your eyes away from.

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She Didn’t Start The Fire

The result is a mixed bag of a movie, and how much you enjoy it will depend on your sensibilities as a film lover and simply what you’re in the mood for at the time. As a “turn your brain off” action picture, They Will Kill You is stunning: we get killer fight after killer fight, all of which culminates in a demonic showdown that’s as fierce as it is funny. Horror fans will enjoy all the buckets of blood Zazie Beets spills, and Quentin Tarantino fans will enjoy high-energy battles that were very clearly inspired by Kill Bill.

If you want something more, though, you’re out of luck. The plot (minus a few very fun twists near the end) is depressingly by the numbers, and Beets is basically the only actor who gets to shine. This is a film that also stars genre heavyweights Tom Felton and Patricia Arquette, but they are given so little to do that they feel like just another pair of blood-soaked set pieces. The attempts at quirky humor (the kind that Ready or Not excelled at) often fall flat, and even the breathless action scenes get repetitive over time. This is ultimately a film that only has one gear, and whether or not you enjoy it depends greatly on what your expectations are.

Obviously, having watched Ready or Not 2 recently, I couldn’t help but be a little disappointed by They Will Kill You, a movie that copied that Samara Weaving franchise’s core idea without adding much to the formula. But “little” is the operating word here: Zazie Beets does her best work yet as the lead, the action is fun and memorable, and the climax is bonkers in the best possible way. Is all of this highly derivative of better films? Of course! But for better or for worse, They Will Kill You is the best unoriginal movie you will ever see.


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Inside Yellowstone’s Luke Grimes’ Life in Montana After Divisive Move

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Yellowstone‘s Luke Grimes moved out to Montana — but why was it met with some backlash by locals?

Grimes rose to fame playing Kayce Dutton on Yellowstone, which ran from 2018 to 2024. He reprised the role for CBS’ Marshals spinoff, which came years after Grimes relocated from Los Angeles to the Bitterroot Valley in Montana.

The actor and his wife, Bianca Rodrigues Grimes, moved in 2020 after Grimes fell in love with the area after Yellowstone. The decision to start fresh was met with a surprising reaction from his neighbors.

“I was going up there three or four months out of the year, and then anytime we’d get done filming, and I’d come back here, it sort of felt like I was leaving home rather than going back home,” Grimes told Fox News Digital in February. “It was just a gear change that slowly happened over a course of a few years and then, yeah, my wife and I just fell in love with it and decided to live there.”

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Yellowstone Casts Dating Histories Inside Kevin Costner Luke Grimes and More Stars Love Lives


Related: ‘Yellowstone‘ Cast’s Dating Histories

Yellowstone may not always have romance at the forefront of the story, but Kevin Costner and Luke Grimes are just some of the cast members who found love off screen over the years. Costner, for his part, met Cindy Silva while they were both in college in 1975. After three years of dating, the duo […]

Grimes later revealed that some of the Montana locals haven’t been as welcoming to him and his family. (Grimes and his wife welcomed a son in 2024.)

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Inside Yellowstone's Luke Grimes' Life in Montana After Divisive Move
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“I can’t go to bars there anymore ‘cause whatever that one idiot is, is at the bar, and he can’t wait to start a fight with me,” he shared on the Joe Rogan Experience in March. “Just like can’t wait to do it because it’s like a win-win for him, you know? He gets to sue me or something. I don’t know, but it’s a lose-lose for me.”

Grimes continued: “The valley that I live in, we had some people come visit us. Our friends from California drove out, and we went on a hike, and we were in their car. And they had, you know, Cali plates. We get off the hike, and someone had written ‘go back’ in the dust on their car. Like, people are super weird about it. So I don’t tell anyone exactly where I’m at because they would get really mad at me.”

'Yellowstone' Off-Camera Drama Through the Years cowboy hats


Related: Yellowstone‘s Offscreen Drama Through the Years: On-Set Tension and More

Yellowstone is known for its over-the-top plot lines and complicated family drama, but the show’s cast and crew has also been involved in plenty of offscreen controversy over the years. Since the Paramount Network series premiered in June 2018, actors along with cocreator Taylor Sheridan have fended off criticism that the show is written with […]

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At the time, Grimes also addressed criticism that Kayce isn’t a Dutton who deserved his own Yellowstone spinoff, Marshals.

“I’m my own worst critic,” Grimes told Entertainment Weekly in February. “I was like, ‘If you take a poll of who people want to have a spinoff, I don’t know if Kayce would be top of that list. I think there’s other characters that they would rather see.’”

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Grimes used that as motivation, adding, “So there was a fire under me. Like, it has to be good. If it’s not good, I’d rather not do it. We tried really hard to make sure that any of the original Yellowstone fans would have something to grasp onto.”

He continued: “But if you’d never seen Yellowstone, we wanted this show to make sense on its own as well. I think we accomplished that as much as we possibly could.”

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The Best Vietnam War Movie Inspired Stargate SG-1’s Worst Possible Scenario

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The Best Vietnam War Movie Inspired Stargate SG-1's Worst Possible Scenario

By Jonathan Klotz
| Published

Stargate SG-1 took a few seasons to find its footing, which is why Season 1 is so uneven, from the R-rated Showtime pilot to “Emancipation,” the cast and crew had to figure out how the show’s world was going to work and where the SG-1 team fell into the grand scheme of things. Episode 6, “The First Commandment,” broadens the world with the introduction of SG-9, except it’s after the unit was wiped out, and now the SG-1 team has to clean up their mess.

In doing so, they re-enact the plot of Francis Ford Coppola’s Vietnam War classic, Apocalypse Now, the first of many times when the series bases plots off the classics. It mostly works, too, except there’s one Samantha Carter-shaped problem at the center of the episode. 

Going Native And Playing God

“The First Commandment” kicks off with the remnants of SG-9, another exploratory unit under Stargate Command, after their leader, Captain Jonas Hanson (William Russ) convinced the native tribe he was a God. His plan is to force the construction of a temple and turn on an abandoned Goa’uld device that will “turn the sky orange.” It’s deduced to be a solar radiation shield, necessary for survival on the planet where the solar radiation levels are so high that it will burn anyone to a crisp if they stay in the sunlight for too long. It’s a simple plot about an officer going native, exactly the sort of thing Star Trek’s Federation designed the Prime Directive to prevent, but it’s complicated by Carter (Amanda Tapping) revealing Hanson is her ex-fiancée.

After saving a native boy from Hanson’s soldiers, Carter is brought face-to-face with her ex, and the problem he faces as he can’t figure out how to turn on the solar shield. He admits that he hope sone day, she’ll become his goddess, mere seconds before threatening to kill every single cave-dweller and then the two of them. Yet, when Carter has the chance to kill him, she hesitates and can’t make the shot. 

Hanson still wants to make a grand display for his followers. An activated Stargate looks like the gateway to heaven to undeveloped civilizations. Using the portal as an execution device, Hanson attempts to drop Jack (Richard Dean Anderson) and Teal’c (Christopher Judge) into one without the safety of an IRC signal. Instead, the solar shield is activated by the team, and Hanson is tossed into the Stargate to his death by his own followers. It’s poetic, it’s a little darker than 90s fans expected of their sci-fi, and it’s proof that early on, no one knew what to do with Samantha Carter.

Stargate SG-1’s Growing Pains

Carter would go on to become one of the franchise’s most important characters, with appearances in every series, and her role only decreased when Amanda Tapping became the lead of Sanctuary. “The First Commandment” puts her in the role of Willard from Apocalypse Now, the assassin sent to take out Colonel Kurtz (Marlon Brando), who, similarly, can’t make the shot (for different reasons, but the spirit is there). Stargate SG-1 could have given her the same role, the same results, without her having been engaged to Hanson. It’s an unnecessary wrinkle that’s close to having her role listed as “girl” back when the writers thought she needed a man to play off of. 

Later seasons would rehabilitate Carter’s character, and there’s a reason why she appears in every series: she became the breakout character of Stargate SG-1. It took a while, and there were some growing pains to get there, but later episodes, such as Season 7’s “Space Race,” let Carter be Carter, and the result is some of the stories in the series. 

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Stargate SG-1 ended its run as an ensemble series, with every character important to the team’s dynamics, even after the addition of Farscape stars Ben Browder and Claudia Black. The first few seasons have awkward episodes for each of the main cast, but the end result is worth the journey to get there. 


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Horror Reimagining Gargles Excrement And Disguises It As A Fresh Take In Theaters

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Horror Reimagining Gargles Excrement And Disguises It As A Fresh Take In Theaters

By Chris Sawin
| Updated

Faces of Death began as a 1978 snuff film disguised as a mondo horror/documentary with the appeal that all of the deaths in the film were authentic. Some fake sequences were produced, but the film utilized pre-existing footage of actual death and the horrors that followed afterward.

Despite facing various controversies and being banned in many countries, the first film proved a massive success ($35 million at the box office on a $67,000 budget), and Faces of Death quickly became a franchise.  The film would spawn three legitimate sequels, three “sequels” that were highlight reels from previous films (only one included new footage), and a Fact or Fiction entry that disproved some of the franchise’s more well-known scenes. There are also two more entries, but Faces of Death VII is Nick Bougas’s 1989 film Death Scenes, with a new title, while Faces of Death 8 is a bunch of random gore sequences from all over the world with no narration and no credits.

The New Faces Of Death

The franchise had been dead for 25 years until the film was reimagined and released in 2026. Directed by Daniel Goldhaber and co-written by Goldhaber and Isa Mazzei (CAM, How to Blow Up a Pipeline), Faces of Death follows Margot Romero (Barbie Ferreira, Euphoria), a content moderator for Kino Moderation. Kino is presented like an online platform similar to TikTok, with a comment section that mirrors Instagram.

It’s Margot’s job to flag inappropriate internet videos, whether they’re too sexual, feature drug use, or are too violent. Even though she’s only had the job for a couple of months, Margot has already seen everything and is kind of desensitized to the nastiness of the internet. She typically allows a lot of the violent content she sees because it is noticeably fake.

A beheading video sticks with Margot more than the others, and a few days later, an electrocution video in the same style follows. Soon after, a man’s head is bludgeoned by two hammers held by mannequins before they scalp him and pretend to eat his brains. Margot wants to go to the police, but Josh (Jermaine Fowler, Night Patrol), her boss at Kino, doesn’t want the negative reputation for the platform and is still convinced none of it is authentic.

Arthur Spevak (Dacre Montgomery, Stranger Things) is kidnapping famous influencers and TV personalities. He injects them with fentanyl, holds them captive in cages, and then murders them in a way that mirrors a death from the original Faces of Death. Arthur uploads every one of his kills to Kino and is gaining a following. Since Kino has no intention of tracking what could be a murder spree being uploaded to the internet, Margot decides to take matters into her own hands.

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The film is trying to say something about society. Everyone is glued to their phones these days, with an attention span of less than 10 seconds. Doom scrolling has become the new channel flipping, and everyone scrolls to the next thing if something doesn’t grab them immediately. Various forms of entertainment are available to us at our fingertips, and we take them for granted.

Faces of Death touches on how cruel we’ve become. People are dying just to make content, and nobody cares. It’s not them or anyone they know, so it serves them right. They’ve gotten what they deserve, and the person holding the phone is on to the next trend or video.

Nobody Cares If These Characters Become Train Jelly

But the issue is you don’t give a good Goddamn about anyone in this film. Everyone is an asshole, and you’re no more invested in Margot’s gay and horror film-obsessed roommate named Ryan (Aaron Holliday) than you are in Margot’s boss, Josh.

Margot’s big back story is that her best friend died while they were trying to make a viral video. They were dancing on train tracks as a train approached, and she slipped on gravel and became train jelly. Meanwhile, Arthur’s motivation is that people love remakes, and Kino seemed like a great place to gain a following. Margot even pulls the original Faces of Death VHS off the shelf and watches it in the film.

A Questionable Script Which Relies On Reddit

The film’s writing is questionable. Half of the film sees Margot turning to Reddit for answers, while the other half feels like it’s Barbie Ferreira staring at the camera, her mega unibrow screaming louder than any dumb facial expression she makes.

The Arthur Spevak character is poorly fleshed out. He’s a germaphobe, but that aspect literally leads to nothing. Dacre Montgomery also has the strongest performance in the film, but he’s a poor imitation of Patrick Bateman overall.

There’s also a sequence where Arthur is trying to intimidate his caged victims by angrily feeding them pizza. And later, Margot brushes her teeth with black toothpaste so intensely that you think her toothbrush is going to break in half. The fact that Ryan’s lipstick knife is the savior of the film on three separate occasions that can’t be detected by anyone or anything is so incredibly infuriating, too.

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Throw This Cast In A Volcano

Meanwhile, Ferriera’s performance rides on her shrieking like a rabid marmot that also apparently chain-smoked since it became sentient in the womb; by the time the inevitable confrontation between Arthur and Margot finally arrives, you don’t root for a clear winner. You lust for a fictional double murder or some gruesome natural occurrence to swoop in and eject these two irritating jackasses directly into the sun or nearest volcano. Never has the giant foot from Monty Python’s Flying Circus been needed or craved more.

You’d think that a horror film like Faces of Death would at least have some decent kills, but even those are uninspired and are more straightforward than anything else. Faces of Death feels like a lazy reboot; controversy has been replaced with apathy, and a cast of characters and performances you want nothing more than to reach through your screen and slap the s**t out of. Even the film’s meta aspects feel shoehorned in just to get that forced meme reaction: Leonardo DiCaprio enthusiastically pointing at the screen, a moment that is met instead with dizzying eye rolls and extreme facepalming.

Faces of Death (2026) is now playing in theaters.


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Offset’s Mother Speaks Out After Hospital Release & Performance

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Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

Whew! While the internet is still trying to process everything, both Offset and his mother Latabia Woodward still have folks locked in. Now, new details have surfaced amid his return to the stage. And, all of it comes after a shocking week that left many stunned.

RELATED: Back In That Mode! Offset Sets The Tone For His Comeback Following Hospital Release

Offset’s Mother Speaks Out After Shooting & Hospitalization

Latabia Woodward took to Instagram Stories on Sunday, speaking out for the first time about her son’s condition. And, she made it clear she doesn’t usually address personal matters online. She explained that “facts rarely survive the internet,” but said she felt compelled to speak after a whirlwind week involving Offset being hospitalized following a shooting incident in Florida. Woodward shared that just six days after being shot and four days after being released from the hospital, Offset was already back on stage doing what he loves. Additionally, she called him a “miracle walking” and crediting his recovery to “God’s grace [and] mercy.

Offset Returns To Stage After Hospitalization

Despite the seriousness of the situation, Offset made his way back to the stage again, performing at the University Of Arkansas’s Rowfest on Saturday, April 11. Footage LiveBitez shared showed him performing from a wheelchair before briefly standing up to the crowd’s cheers. The moment quickly circulated online, with fans reacting strongly to just how fast he made his way back into performance mode after such a close call.

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Offset Speaks Out With Message After Shooting

Just days after the incident, Offset stepped in to give fans an update on his status. Taking to Instagram, he shared a handwritten message thanking fans for all the love and check-ins. He said he’s focused on what matters most—his recovery, his family, and getting back to the music. And if there was any doubt about where his head is at. He made it clear he’s not staying down for long. He made it clear he’s still playing to win.

RELATED: Young Thug’s Reaction To News That Offset Was Recently Shot Has Internet Users GAGGED (WATCH)

What Do You Think Roomies?

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