Entertainment

Matthew Perry Once Rescued ‘Friends’ From a Mistake Fans Never Saw Coming

Published

on

Few shows are as enduring as Friends. The series ended more than 20 years ago, and it is still one of the most well-known sitcoms. Yet, that doesn’t mean everything in the series is perfect. In fact, there are a handful of storylines that fans generally dislike, from Rachel (Jennifer Aniston) and Joey’s (Matt LeBlanc) brief relationship to poorly-aged storyline where Ross (David Schwimmer) dates a student. However, as more information has come out about ideas that were thrown out, it’s become clear that the series narrowly avoided a twist that would have been worse than all of these, and it’s all thanks to Matthew Perry.

While Ross and Rachel are the big will-they-won’t-they couple, Monica (Courteney Cox) and Chandler’s (Perry) relationship is a highlight. Starting in Season 4, the couple becomes a constant in the series, but Friends planned on blowing it up by having Chandler cheat on Monica. Though this storyline went so far as to write the script and cast an actress, Matthew Perry refused to let it happen, saving his character and one of the show’s most beloved couples. Friends would look very different without Perry having stepped in to stop this mistake, proving how well he knew and cared about his character.

Advertisement

Matthew Perry Stopped ‘Friends’ from Giving Chandler an Infidelity Storyline

With so many seasons together, there are plenty of places that this idea could fit in. But as it happens, the storyline was going to appear fairly early in their relationship, in the two-part Season 5 finale, “The One in Vegas.” In the episode fans saw, Monica and Chandler spend much of the time arguing about her recent run-in with her ex, Richard (Tom Selleck), but they eventually make up and consider eloping. However, Lisa Cash, who was cast as the woman Chandler cheats with, revealed that the story they rehearsed was dramatically different. Following their argument, Chandler ordered room service and hit it off with the employee, which devolved into him cheating on Monica.



















































Advertisement

Collider Exclusive · TV Medicine Quiz
Which Fictional Hospital Would You Work Best In?
The Pitt · ER · Grey’s Anatomy · House · Scrubs

Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.

🚨The Pitt

🏥ER

Advertisement

💉Grey’s

🔬House

🩺Scrubs

Advertisement

01

A critical patient comes through the door. What’s your first instinct?
Medicine under pressure reveals who you actually are.





Advertisement

02

Why did you go into medicine in the first place?
The honest answer says more about you than the one you’d give in an interview.





Advertisement

03

What do you actually want from the people you work with?
Who you want beside you under pressure is who you are.





Advertisement

04

You lose a patient you fought hard to save. How do you carry it?
Every doctor who’s worked a long shift has had to answer this question.





Advertisement

05

How would your colleagues describe the way you work?
Your reputation on the floor is usually more accurate than your self-image.





Advertisement

06

How do you feel about hospital protocol and procedure?
Every institution has rules. What you do with them is a choice.





Advertisement

07

What does this job cost you personally?
Nobody works in medicine without paying a price. What’s yours?





Advertisement

08

At the end of a long shift, what keeps you coming back?
The answer to this question is the most honest thing about you.





Advertisement

Your Assignment Has Been Made
You Belong In…

Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.

Advertisement


Pittsburgh Trauma Medical Center

The Pitt
Advertisement

You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.

  • You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
  • You find purpose inside the work itself, not in the chaos surrounding it.
  • You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
  • Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.


County General Hospital, Chicago

ER
Advertisement

You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.

  • You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
  • You care about patients as individual human beings, not as cases to solve or dramas to live through.
  • You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
  • ER is television about endurance. You have it.


Grey Sloan Memorial Hospital, Seattle

Grey’s Anatomy
Advertisement

You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.

  • You feel things fully and form deep attachments to the people you work with.
  • Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
  • You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
  • It’s messy at Grey Sloan. You would not have it any other way.


Princeton-Plainsboro Teaching Hospital, NJ

House
Advertisement

You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.

  • You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
  • You work best when the stakes are highest and the standard answer is wrong.
  • Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
  • The only way forward here is to think harder than everyone else in the room. That is exactly what you do.


Sacred Heart Hospital, California

Scrubs
Advertisement

You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.

  • You are warm, self-aware, and funnier than most people in your field.
  • You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
  • You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
  • Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.

Advertisement

Yet, this story never reached the audience. Cash explained that the day before they were supposed to shoot this storyline in front of a live audience, she was approached with changes that wrote out her character in favor of the Monica and Chandler story that fans know. The changes were Perry’s idea. As Cash explains, “I was told that Perry went to the writers and said the audience would never forgive [Chandler] for cheating on Monica.” This bold move by Perry ultimately saved Monica and Chandler’s relationship. Meanwhile, Cash was given a different role, appearing as the fight attendant in Ross and Rachel’s storyline. This character may not be quite as memorable, yet it saved her from becoming a character fans dislike, like Emily (Helen Baxendale) or Kathy (Paget Brewster).

Matthew Perry Saved Chandler’s Character in ‘Friends’

This story not only demonstrates the influence Perry and the rest of the Friends cast held but also proves how well he knew what the character needed. He was absolutely right that the audience wouldn’t forgive Chandler if this storyline had gone through. It’s not that the character was perfect. After all, he makes mistakes throughout the series, like kissing Joey’s girl or treating Janice (Maggie Wheeler) terribly, but this would be too far. Having Chandler cheat on Monica would ruin his character, especially when the argument in this storyline is already ridiculous. Had Perry not stepped in, this storyline would have become a lasting stain on Chandler, making it harder to enjoy his sarcastic comic relief.

Yet Perry saved more than his own character, because this storyline would have destroyed Chandler and Monica’s relationship. Their romance may not have been planned from the beginning, but it is easily the best relationship in the series. At best, this would have been an interruption they needed to work through, resulting in an on-and-off relationship, which Friends already had in Ross and Rachel. Yet, even if it didn’t change their ending, this would have been unnecessary drama. The better choice is what the show actually ended up doing, which is easing the characters into moving in together finally, rather than becoming a setback. Ultimately, the change allowed Chandler to remain a lovable member of the group and maintained the relationship between the characters, which became a permanent fixture in the second half of the series. Without Perry’s dedication, Friends would be a very different show.

Advertisement

Friends is streaming on HBO Max in the U.S.


Advertisement


Release Date
Advertisement

1994 – 2004

Showrunner

Marta Kauffman

Advertisement

Directors

Kevin S. Bright, Gary Halvorson, Michael Lembeck, James Burrows, Gail Mancuso, Peter Bonerz, David Schwimmer, Robby Benson, Shelley Jensen, Terry Hughes, Dana De Vally Piazza, Alan Myerson, Pamela Fryman, Steve Zuckerman, Thomas Schlamme, Roger Christiansen, Sheldon Epps, Arlene Sanford, David Steinberg, Joe Regalbuto, Mary Kay Place, Paul Lazarus, Sam Simon, Todd Holland

Advertisement

Writers

Jeff Astrof, Mike Sikowitz, Brian Boyle, Patty Lin, Bill Lawrence, R. Lee Fleming Jr.

Advertisement

Advertisement


Advertisement

Source link

Advertisement

You must be logged in to post a comment Login

Leave a Reply

Cancel reply

Trending

Exit mobile version