A key figure in Hollywood is against Netflix‘s billion-dollar acquisition of Warner Bros. Discovery, Inc. (WBD).

James Cameron, one of the highest-grossing film directors of all time, penned his grievances about the deal in a recently unveiled letter to Utah Senator Mike Lee.

The creator of the “Avatar” franchise argued that allowing Netflix to take over Warner Bros. Discovery’s film studio and streaming assets would negatively impact Hollywood and the era of theatrical releases.

In a newly released letter dated February 10, 2026, Cameron urged Sen. Lee to join him in opposing Netflix’s acquisition of WBD. The renowned director penned a lengthy letter filled with his arguments against the purchase of the film studio and its streaming assets.

Cameron began by noting his “44-year directing career has been focused on making movies for theatrical exhibition.” On that note, he argued “that the proposed sale of Warner Bros. Discovery to Netflix will be disastrous for the theatrical motion picture business that I have dedicated my life’s work to.”

Cameron, per the letter obtained by CNBC, noted that seeing movies in theaters is a key part of American culture and “being one of our biggest exports, in purely economic terms.” He strongly believed that letting Netflix have its way would not only destroy a decade-long tradition but also lead to significant losses.

Cameron stressed that Netflix’s business model was “at odds with the theatrical film production and exhibition business, which employs hundreds of thousands of Americans.” He believed many would lose their jobs if the streaming platform acquired WBD.

The director explained that WBD was one of the few remaining major movie studios, releasing about 15 theatrical films each year. If the merger went through, it would “restrict the choices of film-makers looking for studios to invest in their projects, which will in turn reduce jobs.”

Additionally, Cameron argued that the merger would “remove consumer choice by reducing the number of feature motion pictures that are made.” He noted that the US is still the world leader in movies, but if Netflix took over Hollywood through the acquisition of WBD, that status would “change for the worse.”

Cameron reiterated that Netflix should not be allowed to acquire WBD because it would lead to losses in theatrical releases. He called out the platform’s written testimony, in which showrunners vowed to keep Warner Bros. films in theaters for a 45-day window.

Cameron questioned whether those promises would hold after the acquisition, pointing out that Netflix’s “pledge to support theatrical releases (a business fundamentally at odds with their core business model) is likely to evaporate in a few years.”

On that note, Cameron claimed “the theatrical experience of movies could become a sinking ship” if Netflix took over WBD. He stressed that the acquisition shouldn’t be treated as a future problem because “once they own a major movie studio, that is irrevocable.”

News of Netflix’s move to take over Hollywood first arrived in December 2025, with the streaming giant dropping the bombshell update on X. The Blast covered the story, reporting that the organization had framed the takeover as an opportunity to expand its creative universe.

According to the streaming platform, its merger with WBD would allow it to offer more value for viewers “by uniting Netflix’s member experience and global reach with Warner Bros.’ renowned franchises and extensive library.” Netflix co-CEO Ted Sarandos echoed similar sentiments in a statement.

Sarandos claimed the acquisition would help Netflix accelerate its longtime mission of entertaining the world and connecting people through great stories. His partner, Greg Peters, agreed, noting that the acquisition would help improve their offer to consumers and accelerate their business’s growth.

The new “Bachelorette” star recently shared some personal news on social media that she has been “struggling” with her mental health.

Taking to Instagram, Taylor Frankie Paul posted a series of photos documenting her recent struggles with mental health, including a cluttered home, screenshots of texts of her checking in on friends, and a main image of her smiling through tears.

She coupled the photo dump with a lengthy caption detailing her struggles with mental health, despite how things may appear on the surface.

“I guess an upside of struggling mentally is you start to sense and see the signs of others feeling the same,” Paul’s caption began. “We’re out here just checking in on each other when we can, and when we don’t respond, it’s not taken personally because we get it.”

“Just be mindful that sometimes that person checking in is the one needing help… and that one took me time to learn,” the reality star continued. “I sometimes ask myself what’s the point of all this sharing this sh—t and I tell myself it may be as simple as making someone feel less alone and if it helps just a few people than it’s worth it.”

On March 22, Taylor Frankie Paul will make her debut on the 22nd season of the long-running ABC reality dating series and will make history as the first non-‘Bachelor’ alumna to lead the franchise.

“She has three kids and two baby daddies,” Behar said shortly after Paul’s casting announcement. “Will these bachelors line up to be baby daddy number three?”

In a November 2025 interview with The Hollywood Reporter, Paul noted the mixed reaction from the show’s fans, but shared that she was still up for the challenge.

“I have our audience and fan base that are so supportive [from] ‘Secret Lives.’ I didn’t know the extent of Bachelor Nation, I’ll say. And their audience, they’re [a] diehard fan base,” she said. “I didn’t really know, because I’m not really into reality TV. Obviously, some people were like, ‘Ah, why did she get it?’ Or [they were] super excited. So definitely a mixture of what I saw.”

Paul told the outlet that she hopes that diehard fans of “The Bachelorette” will at least give her a chance before they count her out.

“I feel like it’s very fair to see some things and be like, ‘Oh, not a fan,’ if you’re looking at just very few things. What I will say is maybe tune in to make sure you’re really getting a read on who and how I am,” she said. Because if [you’ve] not really seen anything [I’m in], then you maybe only know my news headlines, which maybe aren’t the prettiest ones.”

“I feel like if you were to ever watch me, hear my story, I think I come off a little bit differently than people would just assume,” Paul continued. “I think maybe just give me a shot and see, and then at the end, if you’re still like, ‘Nah,’ then that’s up to them. But until then, I would just maybe give me a shot at just seeing who I am, really. That would be my only ask.”

The ladies of #MomTok are officially returning for a fourth season, as the new season was announced on February 18, a little over a month before Taylor Frankie Paul makes her “Bachelorette” debut.

Per Variety, the entire cast will return for the new season, but cast member Demi Engemann has been removed from the season’s cast photo and key art images, given her fallout with the majority of the cast.

“The stakes for #MomTok are at an all-time high as their sisterhood faces the forces of their expanding fame,” the season’s description reads, per the outlet.

Jennifer Lopez marked a major milestone, celebrating her twins Emme and Max’s 18th birthday with an intimate lunch at San Vicente Bungalows.

The singer and actress honored the occasion with a heartfelt Instagram tribute, reflecting on their birth and the unbreakable bond they share.

As the twins step into adulthood, Jennifer Lopez has opened up about motherhood, presence, and preparing for the next chapter as her “wonder twins” begin their journey forward.

Jennifer Lopez marked a major milestone this weekend, celebrating her twins’ 18th birthday with a special lunch at San Vicente Bungalows, the ultra-private members club in West Hollywood.

The singer and actress, 56, looked radiant as she arrived with Emme and Max in a classic Ford Bronco. Lopez chose a pink satin lace dress, layered under a textured white coat, and finished the look with embellished heels and sleek, straight hair.

The birthday duo kept things relaxed, Emme in loose-fitting jeans and a camouflage hat, and Max in a striped shirt, sweatpants, and a cap.

Lopez, who shares her twins with ex-husband Marc Anthony, also honored the occasion with an emotional Instagram tribute describing them as “kind-hearted, generous, and loving.”

See images from their birthday outing here.

Lopez posted a heartfelt video montage filled with moments from their lives, from newborn days and childhood memories to recent family outings.

In her caption, Lopez recalled the snowy New York night they were born, describing it as magical and life-changing.

She wrote about feeling as though she was holding “two angels sent straight from heaven above,” saying motherhood transformed her forever.

Reflecting on their 18th birthday, she expressed disbelief at how quickly time had passed and praised her children for their kindness and loving nature.

Affectionately calling them her “coconuts,” Lopez spoke about the tight bond they’ve shared over the years.

She promised that no matter how grown they become, their connection will remain strong, writing: “We have been on this journey together. We have always had each other to hold on to and be that steady presence in the middle of any snowstorm. And I promise you…no matter how big you get, that’s how it will always be.”

She ended the tribute with personal messages to each twin, celebrating them as her “wonder twins.”

The milestone comes as Lopez has previously acknowledged their transition into adulthood. During an appearance on “Live with Kelly and Mark” last October, she revealed they had begun touring colleges, admitting the prospect of an empty nest felt surreal.

Still, she emphasized that creating a warm, welcoming home has always been her priority.

“Always making a home that they want to come back to… that was the goal for me since they were born,” she explained. “When I go home, it feels good. It smells like home, it tastes like home.”

Emme and Max occasionally step into the spotlight alongside their mother, Lopez. Most recently, they joined her onstage on New Year’s Eve during her Las Vegas residency.

In October, the twins also appeared with Lopez at the New York City premiere of her film “Kiss of the Spider Woman,” posing together on the red carpet.

Lopez smiled proudly as she stood between them. Emme wore a red velvet blazer paired with a black satin shirt and trousers, while Max chose a multicolored jacket layered over a burgundy sweater with khaki slacks.

Later that month, Lopez shared a more personal reflection during an appearance on “The Howard Stern Show.” She revealed that during the COVID-19 pandemic, when she was home more consistently, her children opened up about wanting her to be more present.

“They spoke to me, [and] they’re like, ‘You’re not a regular mom. You’re not here every day. You don’t drop us off and pick us up like the other [moms],’” Lopez recalled, explaining that they were around 10 years old at the time.