NBC’s 4-Part Sci-Fi Masterpiece Is Ready To Become a Weekend Binge

Superheroes are inescapable nowadays, but there was once a time when they were actually a novelty, especially on live-action TV. Although DC and Marvel now dominate even prestige television programming, it was NBC’s Heroes that reintroduced the genre to larger audiences back in 2006, when most people thought about it only as Saturday morning cartoons. Created by Tim Kring, it imagined a world where some individuals suddenly found themselves dealing with newfound superpowers, and it even introduced traditional comic book structures and narrative formats before they became a thing on visual media. With one of the best first seasons on 2000s TV and three competent following installments, now is the perfect time to binge or revisit Heroes, as it has just arrived on Netflix, too.

‘Heroes’ Told an Original Superhero Story on TV Before the Rise of Marvel and DC

When Heroes first premiered in 2006, “Save the cheerleader, save the world” was repeated ad nauseam among viewers and in marketing pieces, making it one of the most celebrated phrases in 2000s pop culture. It was one of the many things about the series that stuck with the audience, one of the first things people usually remember about it, and the simplest way to describe the story, really, as the cheerleader in question, Claire Bennet (played by the late and great Hayden Panettiere), plays a pivotal role.

It all begins when, after a solar eclipse, seemingly random people around the world discover that they now have superpowers. Claire has superhuman fast healing, Japanese office worker Hiro Nakamura (Masi Oka) controls space-time, New York nurse Peter Petrelli (Milo Ventimiglia) can mimic other powered individuals’ abilities, and so on. The scope of their powers varies between each person, but, in general, they try to keep their abilities concealed — until a common threat brings them together to prevent a catastrophe in New York.

Of course, not every superhuman intends to use their powers for good. The story is put into motion when Claire, the cheerleader, is targeted by a serial killer who has been killing superhumans with particular cruelty. Soon, the few non-powered humans who are aware of this new reality start organizing, too, and what starts as a collection of individual stories about destiny and responsibility quickly grows into a larger conspiracy with stakes being constantly raised for everyone.

‘Heroes’ Also Introduced Typical Comic Book Structure and Devices Into Live-Action Television

Image via NBC

If Heroes sounds too similar to superhero comic book stories, that’s entirely by design. Tim Kring conceived the story to be relatable to the larger audience, but still rooted in a typical comic book structure. The biggest difference from other regular series of that time is that, although Heroes does have four seasons, the story is actually divided into volumes; Seasons 1 and 2 are one volume each, while Seasons 3 and 4 are two volumes a piece, each with its own conflict, dynamics, and looming threat.

Besides structure, Heroes also draws from the storytelling language, framing each episode as if it were an actual comic book issue. They end in cliffhangers more often than not and work like pages in a larger, overarching story where different storylines converge. The same goes for the visual language of the series; the most obvious nod is the in-universe 9th Wonders! comics, but even the framing in most shots feels as if they were taken straight from a comic book. It’s no surprise, then, to learn that big names from the comic book industry also worked on Heroes, like writer Jeph Loeb and artist Tim Sale.

Nowadays, this is all easy to spot in Marvel movies and series, but it was Heroes that blazed a trail for these tools to be incorporated into live-action. Two years before the MCU even began with Iron Man and its crossovers and event-based storytelling filled with post-credits scenes as cliffhangers, the NBC series was already keeping audiences hooked for the following week, excited to see who could even save the proverbial cheerleader. No multiversal shenanigans here, just good old-fashioned character-driven storytelling.

‘Heroes’ Well-Built Mythology Helped Launch and Consolidate Many Acting Careers

Saving the cheerleader to save the world might be the entry point, but as it gets there (and, eventually, past it, too), Heroes builds one of the best and most elaborate mythologies on 2000s television, and that’s saying something considering it aired at the same time as Lost. Besides learning how to control and conceal their powers, each character also has to understand their place among the other superpowered individuals, and that usually comes at a high price in terms of personal sacrifice.

Building mythologies from the ground up often requires sprawling ensemble casts, too, and, luckily, Heroes has that, too. The undeniable best, Zachary Quinto‘s Sylar, easily remains among the best villains in the superhero genre. His polar opposite, Milo Ventimiglia’s Peter Petrelli, brought the actor to a wider audience between his works on Gilmore Girls and This Is Us. And, of course, Hayden Panettiere will always be remembered for her standout roles in Scream and Nashville, among many others, but for some of us, she will always, always be the most important cheerleader in the world.

So, watching Heroes nowadays has an interesting double effect. First, it’s about how superhero stories were told on TV before they became a huge cultural phenomenon, and how much of what made the genre so big was already making Heroes special. Second, it’s like watching a time capsule of actors before they became the stars everyone knows them as today, and not just limited to Quinto, Ventimiglia, and Panettiere, of course. Considering this legacy, there’s just no better weekend binge than Heroes right now.

Heroes is available to stream on Netflix.