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Netflix’s Near-Perfect Thriller Drops 40% in Viewership Before Season 4’s Major Changes

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Once considered a pinnacle show, The Night Agent now faces legitimate questions about its long-term viability. When Netflix‘s spy drama returned for Season 3, although viewership numbers were good, they were significantly lower than in the past few seasons and signified an ongoing downward trend for the series that has fans — and, more significantly, executives — keeping an eye on.

That said, there are no imminent risks of cancellation, but the data shows a much more complex picture than initially perceived, given the show’s previous seasons’ success. Also, major changes are already underway behind the scenes regarding whether the show will see Season 4.

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‘The Night Agent’ Season 3’s Opening Numbers Signal a Clear Downward Trend

Fola Evans-Akingbola as Chelsea Arrington and Gabriel Basso as Peter Sutherland in Season 3 of ‘The Night Agent.’
Image via Netflix

Season 1 debuted to a massive 20.6 million views in its first week. Season 2 slipped to roughly 13.9 million. Season 3 has now opened with 8.4 million views — a drop of nearly 40% from Season 2 and about 59% from the series’ breakout launch. To be clear, declining viewership between seasons is common in streaming. Even when a successful Netflix drama makes a splash, it tends to lose viewers over time after its initial launch. What distinguishes this decline is its steepness and the consistent pattern observed over three seasons in a row.

Additionally, in Season 3, instead of debuting at the top of Netflix’s English TV chart as it did for the first two seasons, the show only reached number two, which gives its previous rise to number one a notable difference in that it had previously been ranked consistently as number one in its category. In addition, the streaming service as a whole continues to perform below the leading shows and will instead be compared to mid-tier shows.

In any case, proper historical context must be maintained. An 8.4 million debut is far from a flop. Many Netflix originals have been renewed with smaller openings. Viewership declines rarely come down to one single factor, and Season 3’s softer launch likely reflects a mix of timing, competition, and natural audience erosion. The new season arrived in a crowded streaming window, with multiple high-profile releases competing for attention. Major live events — including the recent Milano Cortina Olympics window — may also have pulled casual viewers away during the opening weekend.

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There’s also the simple reality of franchise fatigue. It’s possible that, after a nearly two-year break between the early seasons and the significantly quicker turnaround in subsequent seasons, some drop-off in viewership was to be expected. This wasn’t unexpected due in part to the show having a procedural-meets-serial structure, which does not perhaps create as strong of an incentive for viewers to continue watching the following week as compared to what might occur when you have a large amount of episodic programming that continues to generate intrigue for your viewers from one episode to another (25-40% more viewership of Season 3 was completed during the opening weekend as was found with season 2). If that completion rate holds, it could weigh heavily in the show’s favor.


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All episodes of the new season are available to stream now.

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Season 4 Is Already Quietly Taking Shape

Gabriel Basso as Peter Sutherland holding out his gun with both hands in The Night Agent Season 3
Image via Netflix

Despite the softer numbers, Netflix and producer Sony Pictures Television are clearly preparing for the possibility of another mission. A writer’s room for Season 4 has been active since 2025, with series creator Shawn Ryan and his team already breaking story and drafting scripts. That level of development typically signals strong internal confidence — even if an official renewal hasn’t arrived yet.

Perhaps the biggest clue about the show’s future is financial. The production recently secured a $31.6 million California tax credit contingent on relocating filming to Los Angeles, Deadline ​​​​​​reported. The move is designed to reduce costs and potentially refresh the show’s creative energy after multiple seasons centered around Washington, D.C., and New York. Ryan has suggested the Los Angeles setting is story-driven. According to the creative team, Season 4’s narrative world is specifically suited to the city, hinting at a meaningful tonal or structural shift if the series continues.

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If Season 4 gets the green light, it may look meaningfully different from what audiences have grown used to. Each season of the thriller already functions as a semi-contained mission for Peter Sutherland (Gabriel Basso), but the Los Angeles relocation could serve as a soft reboot. New geography, new political players, and a shifting supporting cast would give the series room to evolve rather than simply repeat its established formula.

Season 3 has already pushed Peter into murkier territory, involving dark-money networks and high-level political corruption. That escalation suggests the writers are aware that the show must keep raising the stakes to maintain momentum. From Netflix’s perspective, the decision will likely come down to metrics the public can’t see — especially completion rate and long-tail viewing over the next several weeks. If Season 3 demonstrates strong binge behavior and global staying power, the path to Season 4 remains very real.

Though The Night Agent is not dead, viewership has declined, raising questions about its long-term success, as production moves suggest confidence will not continue. Presently, it is in a mixed situation: it is still producing sound programming, but creative production is said to be underway, and it will have a rough road ahead. Season 4 may ultimately depend less on opening-week fireworks and more on whether Peter Sutherland’s latest mission has the legs to keep viewers hitting “next episode.”

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