Had A24’s Backrooms not broken its own records this past weekend, the near-unbelievable performance of Focus Features’ Obsession would have once again dominated headlines. Obsession registered another weekend-to-weekend increase in box-office revenue, following a 40% increase in its sophomore frame. To be clear, every movie that is released in theaters these days is expected to report a decline in revenue over the course of its run, unless it’s a tiny indie being given a platform release. Obsession, however, has largely maintained its domestic theater count over the last fortnight. In its third weekend, the horror sensation passed the coveted $100 million mark and became Focus Features’ top-grossing domestic release of all time.
The movie made $26 million in its third weekend, which represents a 10% increase from its second-weekend earnings of $24 million. Obsession‘s second-weekend haul marked a 40% increase over its debut of $17 million. What’s more astonishing is the fact that the movie cost under $1 million to produce and likely less than $10 million to market. It was picked up for domestic distribution by Focus for a reported $15 million after its premiere at the Toronto International Film Festival in 2025. Obsession was directed by Curry Barker, a 26-year-old who honed his filmmaking skills on YouTube and self-financed his first feature for $800. He is now the toast of the town, with two movies already lined up, and several studios engaged in a major bidding war for his third.
Advertisement
Collider Exclusive · Horror Survival Quiz Which Horror Villain Do You Have the Best Chance of Surviving? Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky
Advertisement
Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.
🏕️Jason
🔪Michael
💤Freddy
🎈Pennywise
Advertisement
🪆Chucky
Advertisement
01
Something feels wrong. You can’t explain it — you just know. What do you do? First instincts are the difference between the survivor and the first act casualty.
Advertisement
02
Where are you most likely to find yourself when things go wrong? Setting is everything in horror. Where you are determines which rules apply.
Advertisement
03
What is your most reliable survival asset? Every survivor has a quality the villain didn’t account for. What’s yours?
Advertisement
04
What kind of fear is hardest for you to fight through? Knowing your weakness is the first step to not dying because of it.
Advertisement
05
You’re with a group when things start going wrong. What’s your role? Horror movies are brutally clear about who survives group situations and who doesn’t.
Advertisement
06
What’s the horror movie mistake you’re most likely to make? Honest self-assessment is a survival skill. Denial is not.
Advertisement
07
What’s your best weapon against something that can’t be stopped by conventional means? Every horror villain has a weakness. The survivors are always the ones who find it.
Advertisement
08
It’s the final scene. You’re the last one standing. How did you make it? The final survivor always has a reason. What’s yours?
Advertisement
Your Survival Odds Have Been Calculated Your Best Chance Is Against…
Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.
Advertisement
Camp Crystal Lake · Friday the 13th
Jason Voorhees
Jason is relentless, but he is also predictable — and that is the gap you would exploit.
He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.
Advertisement
Haddonfield, Illinois · Halloween
Michael Myers
Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.
But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.
Advertisement
Elm Street · A Nightmare on Elm Street
Freddy Krueger
Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.
You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.
Advertisement
Derry, Maine · It
Pennywise
Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.
The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
You ask the questions others avoid. You look directly at what frightens you rather than turning away.
That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.
Advertisement
Chicago · Child’s Play
Chucky
Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.
You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
Against Chucky, not laughing is already winning. You are very good at not laughing.
Advertisement
‘Obsession’ Is Nearing a Major Global Box-Office Milestone
Obsession stars Michael Johnstone as a young man who casts a spell on a young woman (played by Inde Navarrette) and then suffers the consequences of violating consent. The film is benefiting from near-unanimous praise from critics and widespread enthusiasm from audiences. It holds a “Certified Fresh” 96% critics’ score and a “Verified Hot” 94% audience score on the aggregator website Rotten Tomatoes, where the consensus reads, “Taking an icky conceit and twisting it to deviously crowd-pleasing ends, Obsession is dauntingly disturbing while also skillfully amusing and thrilling.”
Advertisement
In her review for Collider, Hannah Hunt described the movie as “an awkward wish-fulfillment fantasy quickly mutates into something uglier, sadder, and genuinely disturbing.” With nearly $150 million worldwide already, box-office projections for the phenomenon currently put its final global haul at around $330 million. For context, this is higher than any installment of the Scream franchise, the Insidious franchise, and any movie that Jordan Peele has directed.
You must be logged in to post a comment Login