Nicole Kidman’s Sexy, R-Rated Satire On Netflix Is A Masterclass In Manipulation

By Robert Scucci
| Published 1 hour ago

After watching Nicole Kidman’s Before I Go To Sleep on Netflix a couple weeks ago, I needed something that didn’t completely waste her talent. My search led me to 1995’s To Die For, which has such a stacked cast you’d think I was exaggerating if you didn’t check IMDb or Wikipedia yourself. Going as pitch black as a Gus Van Sant comedy can get, To Die For showcases Joaquin Phoenix, Casey Affleck, Kurtwood Smith, Wayne Knight, Matt Dillon, and even David Cronenberg in a brief appearance.

It’s a fourth-wall-breaking film that works as a thriller, comedy, drama, and mockumentary all at once, rolled into a murder mystery centered on Nicole Kidman’s Suzanne Stone, a woman so obsessed with fame and fortune that she throws her entire life away when nobody around her sticks to the script.

Multiple Timelines Effortlessly Intersect

There are two narratives in To Die For that strip away any real sense of mystery from the premise. Through television interviews, we’re introduced to Suzanne Stone, who got off scot-free after her husband, Larry Maretto (Matt Dillon), was murdered. We know she’s involved, maybe even directly responsible, right off the rip, but that’s not what the film is interested in. Instead, we get a full character breakdown of Suzanne and her sociopathic commitment to becoming a TV star. We know Larry is dead, and we know she had something to do with it. The story then rewinds to show us how everything led up to those interviews, introducing everyone she crossed paths with along the way.

Desperate to become a world-famous TV correspondent, Suzanne grows resentful of her husband Larry, despite the fact that he gives up his band and focuses on work so he can support her dreams. The guy does a complete 180, even though he comes from a mob-connected family running multiple successful businesses. In other words, Larry was never a screwup, but he still buckles down when he falls in love with Suzanne because he wants the best for her. That contrast exists purely to show just how unhinged Suzanne is when it comes to chasing clout.

While Larry works his ass off, occasionally hinting that he’d like to start a family, Suzanne takes a job at WWEN, a local cable network, under the supervision of Ed Grant (Wayne Knight), who we learn through interviews is absolutely terrified of her. It’s one thing to be ambitious, but Suzanne is aggressively so, making most people rightfully suspicious of what she’s capable of, including Larry’s sister Janice (Illeana Douglas).

While working her way toward a weather girl position, Suzanne recruits naive high school students for a “Teens Speak Out” documentary she hopes will launch her career. She pulls in a troublemaker named Jimmy (Joaquin Phoenix), who immediately falls under her spell, along with Lydia (Alison Folland), who admires her, and Russell (Casey Affleck), who was basically forced to participate. With three teenagers eating out of the palm of her hand, Suzanne starts plotting how to get rid of Larry, who she believes is holding her back because he wants a traditional life she finds completely suffocating.

A Masterclass In Manipulation

If I had to compare Nicole Kidman’s Suzanne to anybody, it would be Reese Witherspoon’s Tracy Flick from Election. She’s beautiful, driven, and easily the most dangerous person you could cross paths with if you happen to be in her way of her goals. Suzanne’s ruthlessness is initially softened by how charming and driven she is when she makes her first impressions. When you apply that level of manipulation to a group of teenagers, it’s only a matter of time before they start doing exactly what you want. This dynamic comes to a head when Suzanne fully sinks her hooks into Jimmy.

But nobody here is innocent. Suzanne may be the mastermind who sets everything in motion, but everyone else is self-aware enough to know better. That’s where half the fun comes from. Jimmy might be infatuated, but he still makes his own choices. Suzanne sizes him up, offers him a version of the life he thinks he wants, and he goes along with it despite the consequences because he’s short-sighted and naive. It’s fascinating to watch because at any point, anyone in Suzanne’s orbit could have just said “nah” and walked away. But they don’t.

One of the more uniquely structured black comedies I’ve seen in a while, To Die For is equal parts morbid and hilarious. Every character is painfully short-sighted, and they all become worse versions of themselves the moment they fall for Suzanne’s tricks. And while you should hate Suzanne for being an objectively terrible person, you still end up rooting for her because she’s living life on her own terms, just in the most antisocial way possible.

To Die For is currently streaming on Netflix.