Entertainment
Only 5 Action Movies in the 2020s Can Be Considered True Masterpieces
We’re well over halfway through this decade, which means that many film watchers are starting to look back at all the films that have been released to take stock. There have been plenty of great films and a few masterpieces in the 2020s, with more still likely to come. Every genre has gotten its fair share of new classics, and the action genre has been particularly potent. There have been installments in franchises new and old, bold originals and everything in between. They haven’t all been perfect, but many have been good, some great, and a select few are absolute masterpieces. Opinions are always going to vary on what films can be classified as true masterpieces, with debate still surrounding awesome action movies from this decade like Furiosa, John Wick: Chapter 4, and Tenet. While time may tell on those movies, and a handful of others, at least five action movies from the 2020s can currently be certified as masterpieces.
Every action fan has their favorite era of movies, whether it’s the bombastic blockbusters of the ’80s, their high-concept cousins of the ’90s, or the grounded and gritty efforts of the 2000s. There have already been a few apparent trends for the 2020s, but the action genre has shown a lot of diversity so far, and the five action masterpieces of the decade offer a wonderful cross-section of it. We’ve got a superhero sequel, an Indian epic, and no less than two Best Picture winners. Add to those one of the best franchise legacy sequels ever made, and there’s no doubting that these five films represent the best of the best of the action genre for the 2020s so far. When this decade has come to a close, there’s no doubt that these action movies will be counted as true masterpieces.
‘Top Gun: Maverick’ (2022)
The decade got off to a slow start thanks to COVID. The pandemic pushed the releases of many movies and caused others to struggle at the box office when it finally opened back up. There were a number of movies credited with bringing audiences back to theaters, but the big blockbuster that truly got butts back in seats was the long-awaited legacy sequel Top Gun: Maverick. While the Tony Scott-directed original is certainly a favorite for some action, it could hardly be considered one of the best of the ’80s or even in the careers of Scott or mega-star Tom Cruise. This sequel, helmed by Joseph Kosinski, rose higher and faster than its predecessor, thanks to some astonishing aerial action sequences. Those sequences, which were shot with the actors in real jets in the sky, gave audiences all the action they’d been craving, and the young cast proved proper copilots to Cruise, who was still firmly in the pilot seat.
Picking up decades later, the film finds Maverick (Cruise) still feeling the need for speed and pushing the buttons of his superiors with his devil-may-care attitude and reckless flaunting of safety measures. That gets him a one-way ticket back to the Top Gun flight school, now to serve as an instructor for the young blood cadets, including Rooster (Miles Teller), the son of the first film’s ill-fated Goose (Anthony Edwards), and Hangman (Glen Powell), who clearly takes after the antagonistic Iceman (Val Kilmer). Kilmer himself shows up for a surprisingly emotional cameo that sees the once-bitter rivals embrace as old friends. While the action is superlative, it’s scenes like that between Maverick and Iceman that epitomize the effectiveness of this legacy sequel, which pays homage to what came before but isn’t afraid to chart its own flight path. Top Gun: Maverick succeeds where so many belated sequels failed by bringing in a solid new cast of characters, tinging itself with nostalgia without ever basking fully in its glow, and featuring action that will pin you to your seat.
‘RRR’ (2022)
While Hollywood was patting itself on the back for remembering how to make great sequels, out of India came a film that showed everyone in America that the country was still outpacing us with original filmmaking. RRR, a Telugu-language historical epic with musical numbers and characters that rival superheroes for their athleticism, took international audiences by force with its blistering action set pieces. Directed by S.S. Rajamouli, who has been making films for two decades, including the two-part action epic Baahubali, the film is a non-stop thrill ride through its period setting. It combines history with folklore and wraps it in an over-the-top action style that makes it one of the most original action masterpieces of the 2020s or any other decade.
Set in India in the early twentieth century, during the British Raj, when the country was under British colonial rule, the film follows two fictionalized versions of revolutionaries. Tribal guardian Komaram Bheem (N.T. Rama Rao Jr.) is brought into the action when a young girl is taken prisoner by the callous British Governor and wife, who enlist Imperial Officer Alluri Sitarama Raju (Ram Charan) to help fight him off. The two go from adversaries to allies as they join forces to take down the oppressive regime in some of the most kinetic and riveting action sequences to come out of any country. RRR put Hollywood on notice and made international stars out of its creative team, paving the way for more Telugu cinema and other Indian action masterpieces to break through to Western audiences.
‘Everything Everywhere All at Once’ (2022)
Maybe it was the year of COVID lockdown or the tumultuous politics that led to a flourish of creative energy, but 2022 was a banger year for action movies. Even that year’s big Oscar winner was the martial arts extravaganza Everything Everywhere All at Once. Though Top Gun: Maverick was also nominated for Best Picture, and RRR should have been, it was this wickedly entertaining multiversal action-comedy from Daniel Kwan and Daniel Scheinert that took home the gold. It’s truly one of the weirdest films to ever win Best Picture, but it richly deserved the award for its elaborate visuals, clever script, fantastic performances and wild action sequences. It made history with its award wins and proved that action movies don’t have to cater to more pretentious tastes in order to receive accolades.
Evelyn Wang (Michelle Yeoh) is a laundromat owner who is struggling to balance her deteriorating marriage, estranged relationship with her daughter, and an IRS audit. Things get multitudes more complicated when she discovers that many parallel universes exist, and she may be the key to saving all of them from an alternate supervillian version of her daughter. That overloaded premise is only scratching the surface of the oddities that exist in the film’s many different realities. An Oscar-winning Yeoh is as dynamic a protagonist as ever, and she’s ably supported by her supporting cast members, including fellow Oscar winners Jamie Lee Curtis as a vindictive IRS agent and Ke Huy Quan as Evelyn’s husband. Everything Everywhere All at Once‘s balls-to-the-wall, absurdist approach isn’t for everyone, but it’s got more ideas in single scenes than many blander action films have across their entire runtime.
‘Spider-Man: Across the Spider-Verse’ (2023)
Everything Everywhere All at Once was far from the first film to make use of the multiverse concept, which had already broken through to the mainstream several years earlier in the animated action masterpiece Spider-Man: Into the Spider-Verse. That invigorating comic book movie’s sequel, Spider-Man: Across the Spider-Verse, expanded exponentially on its predecessor’s bold visual style and universe-jumping action to become the best superhero action movie of the 2020s. Introducing hundreds of new Spider-Heroes into its universe, Across the Spider-Verse broadened the creative possibilities of what a Spider-Man movie could be. It opened up a whole host of new avenues for potential future exploration, and while a third film is on the way, along with a live-action Spider-Noir streaming series, there’s no telling where else the franchise could go from here.
The film picks back up with Miles Morales (Shameik Moore), who is struggling to balance his personal life with his superhero activities, longing to be reunited with his fellow webslingers. Meanwhile, Gwen Stacy (Hailee Steinfeld) has been recruited into a league of multiverse-defending Spider-People, including clever cameos and full supporting characters like Spider-Punk (Daniel Kaluuya) and Spider-Man India (Karan Soni), who bring even more diversity into the wonderfully colorful world. The animation pushes more boundaries than before, mixing media and radically different art styles for each universe and even individual characters. Like Miles, the movie does its own thing and manages to beat its live-action counterparts with more creativity and inventive action.
‘One Battle After Another’ (2025)
As unusual and idiosyncratic as one would expect for an action film from arthouse director Paul Thomas Anderson, last year’s Best Picture winner One Battle After Another gives you everything you might expect and then so much more. Based on Thomas Pynchon‘s novel Vineland, the film mixes social commentary with stoner comedy and propels it all with some of the most inspired action set pieces, including a climactic car chase that does more with a low-angle camera and a long stretch of road than many other modern blockbusters can with mountains of CGI. When it doesn’t have you laughing at the insanity of its characters or incensed at the social inequalities that surround them, One Battle After Another keeps you on the edge of your seat.
Former revolutionary Bob (Leonardo DiCaprio) lives under an assumed identity with his daughter Willa (Chase Infiniti) in California. He is shaken out of his weed-induced fog when a dangerous figure from his past, the hardline Colonel Lockjaw (Sean Penn), comes looking for Willa. So ensues a feature-length chase plot involving white supremacists, revolutionary nuns, and a super-chill karate sensei named Sergio (Benicio del Toro). While the film’s themes of social unrest, generational political movements, and authoritarian governments were developed before they became dishearteningly relevant to the current political climate, they will likely always resonate with audiences. Even if you don’t get down with the film’s messy politics, there’s no denying it’s an action masterpiece.
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