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Only 5 Thriller Shows Are Better Than ‘Breaking Bad’

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There was a time when I genuinely thought nothing would ever top Breaking Bad because almost every episode felt stressful in a way very few shows manage. Walter White (Bryan Cranston) kept making decisions that looked smart in the moment and disastrous five episodes later, which made the tension build naturally instead of feeling manufactured. The transformation of Walter White from high school teacher to ruthless drug lord kept audiences gripped to their TVs for five seasons. The series also stars Aaron Paul, Anna Gunn, Betsy Brandt, and Dean Norris, and it remains in the conversation of the best TV shows of all time.

After finishing the show, I kept searching for thrillers that could create that same feeling of pressure, paranoia, or emotional exhaustion, and honestly, most of them could not. Only a few stayed with me, which usually made me question every scene in different ways. Not only did these series match the tension and thrilling nature of Breaking Bad, they even surpassed the beloved AMC series. These are the only thriller shows that, for me, stand above Breaking Bad.

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‘The Shield’ (2002–2008)

Michael Chiklis as Vic wearing sunglasses and holding a gun beside a dusty vehicle on The Shield.
Image via FX

The thing that immediately separates The Shield from a lot of police dramas is Vic Mackey (Michael Chiklis). From the very first episode, the show makes it clear that Vic is not a clean cop trying to survive inside a dirty system. He is already part of the problem. He steals from drug dealers, manipulates witnesses, and controls the streets through fear as much as law. The Strike Team around him follows the same pattern, especially Shane Vendrell (Walton Goggins), whose decisions gradually make every situation worse. The FX series also stars Catherine Dent, Michael Jace, Kenny Johnson, and Benito Martinez.

What keeps the show gripping for seven seasons is how badly things begin piling up once the team starts covering for itself. One lie creates another problem, then another, until even ordinary arrests begin carrying the risk of exposure. Claudette Wyms (CCH Pounder) and Dutch Wagenbach (Jay Karnes) slowly begin seeing pieces that do not fully add up, and the pressure around Vic keeps tightening season after season. By the end, the show stops feeling like a story about cops chasing criminals and turns into something much uglier about power, loyalty, and panic.

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‘True Detective’ (2014–Present)

HBO struck gold with this impeccable anthology series. Every season of True Detective drops somebody into a case that slowly starts affecting the rest of their life. Rust Cohle (Matthew McConaughey) and Marty Hart (Woody Harrelson) spend years circling the same murders in Louisiana until the investigation begins following them outside work. Wayne Hays (Mahershala Ali) keeps revisiting an old disappearance while his own memory slowly becomes less reliable with age. Even the weaker seasons still keep that same feeling where the detectives never seem emotionally separate from the crimes they are investigating. Other featured actors include Rachel McAdams, Colin Farrell, Jodie Foster, Fiona Shaw, and Vince Vaughn.

The series also changes shape from season to season instead of repeating the exact same formula every time. One story leans heavily into serial killings and religion, another moves through political corruption and broken partnerships, while another becomes quieter and more personal. That atmosphere keeps the show gripping because the danger rarely feels far away, even during mundane scenes. The tension builds as we, the audience, piece together the mystery alongside the detectives.

‘The Sopranos’ (1999–2007)

James Gandolfini’s Tony Soprano looking serious in The Sopranos
Image via HBO
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This HBO series is a genuine masterpiece for a reason. At the beginning of The Sopranos, Tony Soprano (James Gandolfini) starts having panic attacks and quietly begins seeing a therapist, Dr. Jennifer Melfi (Lorraine Bracco). That alone changes the shape of the show because Tony is not only dealing with rival crews, money, and violence. He is also trying to explain himself in a small office every week while his personal life keeps getting messier around him. His wife Carmela (Edie Falco) already suspects more than he admits, and his children are growing old enough to notice the contradictions in the house.

The criminal side keeps expanding too. Uncle Junior (Dominic Chianese), Christopher Moltisanti (Michael Imperioli), Paulie Walnuts (Tony Sirico), and the rest of the crew constantly create new problems through greed, ego, or plain stupidity. Some conflicts explode into violence very quickly, while others sit quietly for years before turning ugly. What makes The Sopranos different is how ordinary so much of it feels in between those moments. One scene could involve murder or betrayal, and the next could simply be Tony arguing with his family over dinner. This develops its own level of tension from episode to episode across its impressive six-season run.





















































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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

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🛢️Landman

👑Tulsa King

⚖️Mayor of Kingstown

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01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




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Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

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🤠
Yellowstone

🛢️
Landman

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👑
Tulsa King

⚖️
Mayor of Kingstown

You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

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You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

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You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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‘Better Call Saul’ (2015–2022)

Bob Odenkirk as Saul frowning in a suit in Better Call Saul.
Image via AMC
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I understand that this might be controversial… but sometimes, the spin-off does it better than the original. Before he becomes Saul Goodman, Jimmy McGill (Bob Odenkirk) is a struggling lawyer trying to build a real career in Albuquerque. He takes small public defender jobs, looks after his older brother Chuck (Michael McKean), and keeps trying to prove that he belongs inside the same legal world that never fully trusts him. The relationship between Jimmy and Chuck becomes the center of the show very quickly because Jimmy genuinely wants his brother’s respect, even while he keeps cutting corners to get ahead.

At the same time, Mike Ehrmantraut (Jonathan Banks) slowly gets pulled deeper into the cartel side of the story. His work with Gus Fring (Giancarlo Esposito) grows season by season until the legal world and the criminal world begin sitting directly beside each other. Kim Wexler (Rhea Seehorn) also changes the story in a major way because she understands Jimmy better than almost anyone else and still keeps following him into situations she knows are dangerous. Watching Jimmy slowly become Saul works so well because the show never treats it like one sudden transformation. It happens piece by piece, and it’s completely mesmerizing. The deliberate pacing made Odenkirk’s performance genuinely something special.

‘Mindhunter’ (2017–2019)

Jonathan Groff in a suit and tie walking through a prison in Mindhunter.
Image via Netflix
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Set during the late 1970s, Mindhunter follows FBI agents Holden Ford (Jonathan Groff) and Bill Tench (Holt McCallany) as they begin interviewing serial killers to understand how violent criminals think. At first, even the FBI does not fully believe the work matters. Most agents still focus only on solving individual cases, while Holden becomes obsessed with studying patterns behind the murders themselves. Very quickly, the interviews begin turning uncomfortable because the killers speak calmly about horrifying crimes as if they are discussing ordinary memories. The David Fincher thriller series that traces the origins of criminal profiling also stars Anna Torv, Cotter Smith, and Stacey Roca.

The show becomes especially tense whenever Holden starts getting too emotionally invested in the work. His conversations with Edmund Kemper (Cameron Britton) slowly stop feeling like professional interviews and start resembling psychological games where Holden constantly pushes further than he should. At the same time, Bill’s family life becomes more strained as the subject matter begins following him home. The series is so gripping that many scenes involve nothing more than people sitting in a room talking, though the atmosphere still feels deeply unsettling almost the entire time. It’s a shame that Netflix put these series on an indefinite hold because Mindhunter was easily one of their best.


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Mindhunter

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Release Date

2017 – 2019

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Network

Netflix

Showrunner
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Joe Penhall

Directors

David Fincher, Carl Franklin, Andrew Dominik, Andrew Douglas, Asif Kapadia, Tobias Lindholm

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