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Prime Video Officially Debuts 2026’s Best Detective Movie on Streaming

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Since the blockbuster success of Marvel’s Deadpool & Wolverine, Hugh Jackman has starred in three films. His latest, The Death of Robin Hood, sees him take on the legendary outlaw in a darker reimagining of the classic tale. Despite overall positive reviews from critics, the A24 film has struggled at the box office, ending a strong run for the actor that continued earlier this year with The Sheep Detectives. For viewers looking for a lighter alternative, the quirky murder mystery with an all-star ensemble is now set to reach a wider audience, with Prime Video confirming its streaming release date.

Written by The Last of Us co-creator Craig Mazin and directed by Kyle Balda, Sheep Detectives adapts Leonie Swann‘s 2005 international best-selling novel, Three Bags Full. A whodunit dubbed “Babe meets Knives Out,” the story sees Jackman as a shepherd named George who reads his flock murder mystery novels at night, unaware that they’re in fact capable of comprehension. When George is suddenly murdered, the flock band together to help solve the mystery, finding ways to point clumsy police officer, Tim Derry (Nicholas Braun) to clues. Key figures you can expect to see in a whodunit are present with Nicholas Galitzine as a curious reporter, Emma Thompson as George’s lawyer, Lydia Harbottle, and a list of suspects led by George’s daughter, Rebecca (Molly Gordon). Other stars, including Julia Louis-Dreyfus (Seinfeld), Bryan Cranston (Breaking Bad), and Brett Goldstein (Ted Lasso), among others, lend their voices to the fluffy sleuths.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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‘Sheep Detectives’ Is Hugh Jackman’s Highest-Rated Movie

Sheep Detectives took a delightfully odd premise and turned it into one of the year’s biggest surprises, all while avoiding the typical pitfalls that often plague adaptations of its kind. The family-friendly mystery earned widespread praise from both critics. In her review for Collider, Tania Hussain highlighted the film’s restraint, noting that “the jokes are sharp, but not desperate,” while its emotional moments are “sweet, but not syrupy.” Hussein summed up Sheep Detectives as the year’s sweetest surprise, a sentiment most critics share, given the movie’s 95% critics’ score on Rotten Tomatoes. At that near-perfect figure, Sheep Detectives is officially Jackman’s highest-rated movie ever. The site’s critics consensus describes the film as “drolly funny and sweet as a lamb,” praising it for packaging surprisingly profound themes within a cozy and entertaining mystery.

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The acclaim was well reflected in the box office results. Despite opening in a crowded marketplace that included Mortal Kombat II, The Devil Wears Prada 2, Michael, and Project Hail Mary, Sheep Detectives grossed an impressive $126 million worldwide against a reported $75 million budget. Following its successful theatrical run, Prime Video confirmed that the film will begin streaming on June 24, meaning the critically acclaimed film is now available to stream right now! The streamer shared the news with a playful video featuring Jackman alongside the movie’s woolly stars, which you can check out above.

Stay tuned to Collider for more streaming updates.


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Release Date

May 8, 2026

Runtime

109 Minutes

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Director

Kyle Balda

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