R-Rated, Netflix Original Action Thriller Is A Violent, High-Stakes Protection Job

By Robert Scucci
| Published 1 hour ago

One unfortunate reality about most action movies is that the person who needs a bodyguard the most is often the most annoying, insufferable person you could ever encounter. 2019’s Close is no exception, but we eventually learn that the spoiled heiress in question can’t help being totally clueless about how the world works or how people operate. In this case, it leads to a satisfying character arc because our clueless damsel in distress eventually decides to take control of her situation with the help of one of the most badass hired guns money can buy.

Your Typical Protection Job

The dynamic in Close is about as simple as it gets when we’re introduced to Zoe Tanner (Sophie Nélisse), the spoiled heiress of Hassine Mining. Zoe’s stepmother, Rima Hassine (Indira Varma), is horrified to learn that her late husband, Zoe’s father Eric Hassine, left all his shares in the company to his daughter, causing immediate tension within the family. Rima, the acting CEO of Hassine, a company founded by her family, asks Zoe to tag along on a trip to Morocco, where she intends to close a billion-dollar mining deal.

Now that we have the brat out of the way, we can talk about Sam (Noomi Rapace), the close protection officer hired to keep an eye on Zoe at the fortified family compound while Rima is out handling business. As you would expect in a movie like Close, the house is raided by armed intruders, and Sam has to not only win Zoe’s trust, but also figure out who sent these hired goons to the private residence to shake things up.

Rima’s business dealings begin to go south during this all-guns-blazing odyssey because her daughter has been reported missing by every news media outlet, and she’s implicated in the murder of a police officer, causing Hassine Mining’s share prices to plummet. There are plenty of shots of Rima sitting in an empty boardroom looking at market reports involving her mining company and Sikong, the mining company competing with it to drive this point home.

Since global market reports typically involve more than two companies in the real world, it’s reasonable to believe that the board members of Sikong have something to do with Zoe’s abduction and the events that transpire shortly thereafter. Or maybe, perhaps, this is Rima’s way of reclaiming the company that she believes she deserves full ownership in. It’s one of those things that happens in modern movies because people are only half paying attention, so really obvious visual cues are pretty much a requirement.

Good Gunplay With A Forced Girl Power Arc

Like most action thrillers released exclusively by Netflix, Close has the same flat lighting and muted color grading you’ve seen a hundred times before. Generic visuals notwithstanding, the action sequences are tight, controlled, and grounded enough to make you want to stick around. They’re not so over-the-top that you have to suspend an insane amount of disbelief, and the overall conflict is simple enough to sink your teeth into on an intellectual level. 

Within this framework, I actually liked the chemistry between Sam and Zoe, which is adversarial at first, naturally, but warms up once they spend some time together. What works really well is how Sam treats this whole thing like a job because, to her, that’s all it is, which humbles Zoe on more than one occasion. Sometimes, all a spoiled brat with no real concept of how the world works needs to hear is, “I don’t care about you, this is just work,” in order to be truly put in her place. I liked this dynamic a lot, but also understood that whatever character development happens here eventually has to move beyond that initial setup because the movie needs somewhere to go.

What really pissed me off, however, was the third-act moment when Zoe stops Sam and asks why she never told her about her estranged daughter. It’s a weird, entitled “we’re supposed to be besties who tell each other everything” moment that comes out of nowhere and makes no sense.

At this point in the film, Sam comes off as a hardened veteran who’s seen some things. Her ability to size up a room and plan alternate escape routes on the fly is beyond impressive, and she’s able to adapt to every scenario with barely a moment’s notice. She straight up told Zoe earlier that this is a professional relationship, and even though their dynamic changes throughout the film, it’s reasonable to assume Sam rightfully has qualms about telling some trust fund baby she barely knows about the child she put up for adoption when she was 16.

The movie doesn’t benefit from exchanges like this, but it’s certainly made worse by them. On one hand, I get it. Zoe is a rich kid who’s had basically no parental supervision her entire life, and she’s trying to make a human connection during an extremely heightened situation. But maybe you shouldn’t ask personally invasive, potentially upsetting questions to the person hired to protect you, especially when you’re caught in the middle of a hail of gunfire. I’m no bodyguard, but I believe the better approach is: survive now, chat about missed, life-altering opportunities later.

Close is just another girl power John Wick kind of thing, and after a while they all start to blend together. So do the male-driven ones, relax. If you want something similar but better, you can stream Gunpowder Milkshake on Netflix or Atomic Blonde on Hulu. If you eventually want to see them all, though, you’ll probably circle back around to Close, which is currently streaming on Netflix.