Of this cast, alongside Zendaya, Ferguson is having an incredibly busy year. Starting with the eventual box office flop Mercy, an AI-based sci-fi thriller that co-starred Chris Pratt, Ferguson then released two projects in quick succession, joining a stacked ensemble in the long-awaited Peaky Blinders: The Immortal Man, followed swiftly by The Magic Faraway Tree, the new fantasy film based on the 1939 children’s novel. With Ferguson having an impressive year, it is perhaps less surprising that another of her many movies is back in the U.S. streaming charts.
The film in question is The Girl on the Train, the 2016 adaptation of Paula Hawkins’ best-selling novel that starred Emily Blunt as Rachel. Unlike the upcoming Dune: Part Three, which is expected to earn close to $1 billion at the box office, The Girl on the Train earned a respectable $174 million against a reported budget of just $45 million. A decade on, and viewers have returned to the often overlooked adaptation, as it ranks as one of the ten most-watched movies on Starz in the U.S., at the time of writing.
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Collider Exclusive · Taylor Sheridan Universe Quiz Which Taylor Sheridan Show Do You Belong In? Yellowstone · Landman · Tulsa King · Mayor of Kingstown
Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.
🤠Yellowstone
🛢️Landman
👑Tulsa King
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⚖️Mayor of Kingstown
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01
Where does your power come from? In Sheridan’s world, everyone has leverage. The question is what kind.
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02
Who do you put first, no matter what? Loyalty in Sheridan’s universe is always absolute — and always costly.
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03
Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.
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04
Where do you feel most in your element? Sheridan’s worlds are as much about place as they are about people.
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05
How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.
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06
What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they’re defending.
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07
How do you lead? Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.
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08
Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.
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09
What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.
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10
When it’s over, what do you want people to say? Sheridan’s characters all know the ending is coming. The question is what they leave behind.
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Sheridan Has Spoken You Belong In…
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
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🤠 Yellowstone
🛢️ Landman
👑 Tulsa King
⚖️ Mayor of Kingstown
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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
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What Did Collider Say About ‘The Girl on the Train’?
Rebecca Ferguson scared outside her home, holding her baby, in Girl on the TrainImage via Univeral
Despite earning a promising box office haul, The Girl on the Train was less successful with critics. On review aggregator Rotten Tomatoes, the movie received a 44% score, with the consensus reading, “Emily Blunt’s outstanding performance isn’t enough to keep The Girl on the Train from sliding sluggishly into exploitative melodrama.” In Perri Nemiroff‘s review for Collider at the time, she was slightly more positive in her response, saying:
“Taylor needed to knock it all out of the park in order to deliver a winning adaptation. Even the slightest misstep is going to be magnified in this type of film and threaten the credibility of the narrative, and unfortunately that is what happens here.”
The Girl on the Train is streaming on Starz. Stay tuned to Collider for all the latest streaming stories.
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Release Date
October 5, 2016
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Runtime
112 minutes
Writers
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Erin Cressida Wilson
Producers
Celia D. Costas, Frank Marshall, Kathleen Kennedy, Marc Platt
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