Entertainment
Sean Connery’s Disney Classic Is The Perfect Movie For St. Paddy’s Day
By Jennifer Asencio
| Published

Every year, the whole world becomes Irish for a day. We wear green, drink green beverages, and get our brogue on for the day. We celebrate traditional Irish things like corned beef and cabbage, banshees, and leprechauns. Disney has all of that in one classic movie: Darby O’Gill and the Little People.
The story is based on Irish tales of the trickster Darby and his battle of wits with King Brian of the Leprechauns. In the movie, Darby (Albert Sharpe) is about to retire from his career as groundskeeper of the local manor, a fact he can’t reveal to his daughter, Katie (Janet Munro), because he has to figure out where they’re going to live once Darby’s replacement moves into the groundskeeper’s cottage. Meanwhile, he entertains his neighbors at the pub with tales of his adventures against King Brian and does good deeds for the town, such as carrying a church bell for the payment of its sound being forever dedicated to him.
King Brian (Jimmy O’Dea) is real, but only Darby has seen him so far, and his encounters with the leprechaun swaps the upper hand between them as they trick each other with riddles, treasures, and other mind games. As the rivalry between them blossoms into a friendship, events in the town are coming to a boil as local thug Pony Sugrue plots to steal Darby’s job and Katie’s heart. And when Michael McBride comes to town, everything they all knew will change as quickly as a leprechaun’s wish.
Michael McBride is played by the legendary Sean Connery in an early role that predates his first stint as James Bond (1962’s Dr. No). The 1958 movie is a musical, like much Disney fare of the era, and yes, Sean Connery sings. Fortunately, it’s brief. Otherwise, he manages to contain his wide aura as the new groundskeeper so that he doesn’t steal the show from its stars, Darby and Brian. His Scottish brogue also fits in well with the Irish setting.
Darby’s little town is full of characters: the swaggering bully Pony and his scheming mother, the town priest, the pub’s proprietor and his wife, and a cast of rural townsfolk from old Ireland. It paints a shiny picture of what was actually a desperate time for the Irish but also reflects the importance of Irish storytelling as a cornerstone of the culture that braced the people through its hardest periods. Scholars of Irish culture emphasize how important the fireside céilí, or nightly tale-spinning and singing party, was to the Emerald Isle from its early days. The seanchaíthe, or storytellers, are still revered in Ireland to this day as they continue the tradition of passing down stories orally and through song.
More than once, Darby encounters the most famous of Irish supernatural creatures, some of them charming and others terrifying. It’s easy to forget that it’s a Disney movie when things get tense, because the movie can get pretty scary and touch upon themes that one wouldn’t expect from an offering from the Magic Kingdom. It’s not a kids’ movie, but it is a family movie, with enough for everyone to enjoy and a few fun songs I swear my family didn’t sing at one another when I was a kid myself.
It also holds up surprisingly well for a movie that is almost 70 years old. The fight choreography and special effects are products of their time, but still pretty good considering they are entirely practical. Sean Connery and Keiron Moore, as Pony, both show their moves a few times with physical prowess and clear skill. It all looks very good for its time and fits in with the movie’s world of live-action magic, so its age never diminishes from its enjoyment.
To get your healthy dose of St. Patrick’s Day Irish, check out Darby O’Gill and the Little People on Disney+. But be careful what you wish for: King Brian can be tricky!
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