Starfleet Academy Died Because Paramount Had No Faith In The Audience

By Chris Snellgrove
| Published 6 seconds ago

In Star Trek II: The Wrath of Khan, Kirk famously quotes from A Tale of Two Cities: “it was the best of times, it was the worst of times.” He quotes from the novel again in the final scene as a way of grieving Spock, who had given him a copy of the Charles Dickens novel. I’ve been thinking about these scenes quite a bit lately as I process my own feelings regarding another death altogether: that of Starfleet Academy, the Discovery spinoff that was canceled shortly after Season 1 ended.

That season inadvertently honored Dickens by being “A Tale of Two Star Treks.” Half of the series focused on vulgar banter, teen hijinks, and juvenile humor so stupid that it actively made you lose brain cells. The other half focused on interesting characterization, deep lore cuts, and engaging (if uninspired) sci-fi melodrama. Interestingly, these two versions of the show were split right down the middle. The first half was the dumb teen comedy hour, and the second half was NuTrek’s best attempt at classic Star Trek. The only reasonable conclusion is that Paramount had no faith in their audience, waiting to give us traditional Trek storytelling until it was too late.

A Tale Of Two Star Treks

Obviously, taste is subjective, but most of the fans I have spoken to agree that Starfleet Academy was much better in the second half of Season 1. Critical reviews generally echoed this sentiment, with various reviewers chiming in on which episodes felt the most like classic Star Trek. Even the online fandom generally agreed with this sentiment. While it was mostly verboten to criticize Starfleet Academy in online spaces like r/startrek, superfans of the show repeatedly suggested that, like The Next Generation, Deep Space Nine, and Voyager, everyone should give this new show time to find its legs.

What made the second half of Season 1 better, though? Some fans liked the increased callbacks to old Trek, including a final arc involving the Omega molecule. Other fans liked the payoff to ongoing character plots, like Caleb finally reuniting with his mother. But my theory about the show getting better is far simpler: it dropped the juvenile humor. Suddenly, the cadets weren’t speaking exclusively in Zoomer catchphrases and focusing on intercollegiate prank wars. The digital dean wasn’t cracking jokes about boners, and we didn’t have scenes with half the adult characters laughing at a farting fish. Just like that, Star Trek suddenly started taking itself seriously again.

Paramount Is Sick Of Star Trek’s Core Audience

While Star Trek had moments of levity over the years (like all those gags in The Voyage Home), it has generally been a very serious franchise. Quite frankly, it never had all of the over-the-top, tone deaf comedy that ruined the first half of Starfleet Academy’s first season. Removing all the gross, teen humor (well, minus the space vomit) from the show is a big part of what made it feel like classic Trek and, therefore, appeal more to the traditional fandom. This leads to the obvious question: if fixing your expensive new spinoff was that easy, why include the humor in the first place? 

My theory is that Paramount simply didn’t have enough faith in Starfleet Academy. Maybe the execs were nervous about the premise being so different, or maybe they knew how much other NuTrek shows had driven away the traditional fandom. For whatever reason, the network didn’t think fans of shows like TNG and DS9 were going to show up for Starfleet Academy, so they decided the first half of Season 1 to appeal to the widest audience (the younger, the better). Hence, all the dumb jokes and juvenile bro humor were an attempt to give the spinoff more mainstream appeal. It didn’t feel like Star Trek because it wasn’t Star Trek: it was, simply put, a teen comedy in space.  

Paramount’s Plan Blew Up In Their Face

If this was Paramount’s plan, it backfired spectacularly. As usual, younger viewers didn’t flock to the latest show of a franchise that debuted when their grandparents were young. Meanwhile, the attempts to pander to everyone but the older fans managed to (shocker here) drive away the older fans. This is why Starfleet Academy was canceled: the network drove away the core audience while failing to secure a new one, leaving a series with only a handful of diehards tuning in each week. 

With SFA dead, Alex Kurtzman’s contract expiring, and Paramount about to buy Warner Bros, one thing is clear: the future of Star Trek is going to be very different from the NuTrek era. Whatever the future of the franchise looks like, we can only hope the writers stop trying to appeal to everyone but the fans. Drop the mass market appeal, drop the cringe characters, and for the love of God, hire some writers who know something about sci-fi. By focusing on well-written sci-fi drama and colorful characters, Paramount can finally recapture what made The Original Series and The Next Generation so awesome in the first place.