After concluding Game of Thrones, HBO began greenlighting spin-offs based on further works by author George R. R. Martin. Their first spin-off, House of the Dragon,is based on Fire and Blood, Martin’s novel that chronicles the first seven ruling monarchs of House Targaryen. The show focuses on the apex of Targaryen power in Westeros, which leads to the brutal civil war called The Dance of the Dragons that began their decline.
House of the Dragon might not have the same level of political intrigue and gripping character drama as its predecessor, but it’s got enough drama and dragons to keep audiences invested. House of the Dragon‘s best quotes also help get across some of the show’s major themes and stick in the minds of viewers.
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“The only thing that could tear down the House of the Dragon was itself.”
Rhaenyra Targaryen (Season 1, Episode 1)
Rhaenyra stands before King Viserys I on the Iron ThroneImage vha HBO
Episode 1 begins with Rhaenyra (Milly Alcock and Emma D’Arcy) narrating the Great Council of 101, where the Lords of Westeros gathered to choose an heir for King Jaehaerys I (Michael Carter). They decided on Viserys (Paddy Considine), the king’s grandson by his second son, Baelon, rather than Rhaenys (Eve Bess), the daughter of the King’s eldest son, Aemon. She concludes the prologue by explaining that, in his wisdom, Jaehaerys understood the biggest weakness of House Targaryen, as summarized in this quote.
Civil wars are some of the most devastating wars in human history, but especially so if they are fought between members of the same family. Ambition, greed, and spite can turn those who are supposed to support one another into bitter enemies, and their conflict can leave entire nations devastated. The Dance of the Dragons is no exception, as by the time of Game of Thrones, only two members of House Targaryen are left, and the dragons are long extinct.
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“Dreams didn’t make us kings – dragons did.”
Daemon Targaryen (Season 1, Episode 10)
Matt Smith as Daemon Targaryen talking to Rhaenyra Targaryen played by Emma D’Arcy in House of the Dragon FinaleImage via HBO
Shortly after learning that Aegon (Ty Tennant and Tom Glynn-Carney) has been crowned King of the Seven Kingdoms, Daemon (Matt Smith) gets into an altercation with Rhaenyra over her suggestion that they should capitulate to the Greens’ demands rather than fight for her claim to the throne. Rhaenyra defends the idea by reminding Daemon of the importance of the Song of Ice and Fire, thinking Viserys told him at some point. Not only was she wrong, but Daemon became so enraged that he choked her and reminded her of how foolish it is to believe in prophecy with this quote.
This is a short but sweet quote that cuts through all the excuses for war and gets to the fundamentals of it. Plenty of people believe they are guided by destiny or fate, but at the end of the day, one conquers the world by having more power than those around them. However, it also shows Daemon doesn’t know everything about his family history, as there have been plenty of dreamers in the Targaryen family who have altered the course of history with their visions.
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“You think yourself clever, but without a strong hand at your side to guide…”
Otto Hightower (Season 2, Episode 2)
Otto Hightower stands in a dark room with a lit candle in House of the DragonImage via HBO
Otto Hightower’s (Rhys Ifans) plans to use the tragic death of Prince Jaehaerys (Jude Rock) to win sympathy from the people of King’s Landing are dashed when Aegon orders the Red Keep’s rat catchers all hanged to get the man who helped kill the prince. In the ensuing argument, Aegon makes it clear that all he cares about is action and revenge, which causes Otto to call him out for his selfish and short-sighted outbursts. This exchange ends in Otto losing his position as Hand of the King, and the king’s grandfather speaks the above quote before departing.
Otto’s words highlight something that a lot of young people tend to overlook: it’s always important to have someone with wisdom and experience on hand to guide you through life’s challenges. The fact that the line is incomplete also speaks to this. Aegon’s impulsive decisions are bringing him to ruin, and the hanging pause at the end leaves the implied consequences for the imagination.
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“The gods have yet to make a man who lacks the patience for absolute power, Your Grace.”
Otto Hightower (Season 1, Episode 1)
Otto Hightower speaking to King Viserys Targaryen in House of the DragonImage via HBO
Viserys had barely sat down at the first Small Council meeting since the death of his wife and newborn son when his council, led by Otto, began debating over Viserys’ successor. By all the laws of gods and men, it should be his younger brother, Daemon, but Otto and Grand Maester Mellos (David Horovitch) argue that Daemon would be a terrible ruler, and imply that he might even try to kill Viserys for the crown. Viserys scoffs at the idea, saying that Daemon has no patience for rule, but Otto is quick to reply with this memorable quote about power from the fantasy show.
There is an old saying that “absolute power corrupts absolutely,” and that’s what Otto’s line is alluding to. It’s impossible to know how someone will act when they’re given the power to do whatever they want: some will legitimately try to do good, while others end up becoming tyrants who strike down anyone who gets in their way. In the context of the scene, the line also refers to Otto himself, as his desire to collect power for his family is a major factor in the Dance of the Dragons’ inevitability.
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“We teeter now at the point where none of it will matter, and the desire to kill and burn takes hold, and reason is forgotten.”
Rhaenys Targaryen (Season 2, Episode 3)
Eve Best as Rhaenys in House of the Dragon Season 2 Episode 4Image via HBO
Rhaenys approaches Rhaenyra as she oversees the burial of the Cargyll twins, Ser Arryk and Erryk (Luke and Elliott Tittensor), who died fighting one another. She warns Rhaenyra that, now that the war is escalating, people will forget why the war began. Rhaenyra reminds her that Aegon stole her throne, but Rhaenys brings up several other slights against both the Blacks and the Greens that one could point to, and follows it up with this quote.
Wars can start for noble and righteous reasons, but they rarely stay that way for long. Both sides commit atrocities in their attempt to win, and the grievances pile up until there’s nothing left but a desire to see the other side defeated. Rhaenys herself would end up becoming one such grievance when she is killed by Aemond Targaryen in the Battle of Rook’s Rest.
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Collider Exclusive · Game of Thrones Personality Quiz Which Game of Thrones House Do You Belong To? Stark · Lannister · Targaryen · Baratheon · Tyrell
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Five great houses. Five completely different answers to the same question: how do you hold power in a world that will take it from you the moment you stop paying attention? Eight questions will determine where your loyalties — and your nature — truly lie.
🐺Stark
🦁Lannister
🐉Targaryen
🦌Baratheon
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🌹Tyrell
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01
Someone powerful is acting dishonourably and everyone knows it. What do you do? In Westeros, the answer to this question has ended more than one great house.
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What is the source of your power? Every house endures because of something. What is it for yours?
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Who do you truly fight for? Strip away the banners and the words. The honest answer tells you everything.
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How do you deal with your enemies? A house’s method reveals its character as clearly as its words ever could.
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What kind of ruler do you believe in? Westeros is full of answers to this question. Most of them end badly.
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You suffer a devastating loss. How does your house respond? How a house handles defeat tells you more about it than how it handles victory.
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Which of these truths about Westeros do you most believe? Every house has a philosophy. This is yours.
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The Iron Throne is within reach. What do you do? The answer reveals not just your ambition — but your character.
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The Maester Has Spoken Your House Is…
Your answers point to the great house whose words, values, and way of surviving in Westeros match your own. Bend the knee — or don’t. That’s very much up to you.
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Winterfell · The North
🐺 House Stark
Winter is Coming — and you have always known it. You prepare not out of fear but out of duty, because the people who depend on you deserve someone who takes the long view.
You lead with honour even when it costs you, because you understand that a reputation built on integrity is the only one worth having.
Your loyalty to family and people runs deep — not as sentiment but as a code that doesn’t bend when things get difficult.
The North endures because Starks endure — not by being the cleverest players in the game, but by being the kind of people others are willing to follow into the cold.
You are that kind of person. The pack survives. The lone wolf dies. You already know which one you are.
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Casterly Rock · The Westerlands
🦁 House Lannister
You understand the game — its rules, its exceptions, and exactly when the rules become the exception. You play it without illusions and without apology.
You are sharper than most people realise, and you have learned to use that gap to your advantage.
A Lannister always pays their debts — and you always keep your word, because your word is an instrument of power, and instruments must be kept in working order.
You love your family with a ferocity that sometimes blinds you, and you know it, and you do it anyway.
The lion doesn’t concern itself with the opinion of sheep. Neither, in the end, do you.
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Dragonstone · The Iron Throne
🐉 House Targaryen
You carry a sense of destiny that is difficult to explain and impossible to ignore — the feeling that you are not simply participating in the world but meant to reshape it.
You are capable of extraordinary things, and you know it, and that knowledge is both your greatest strength and your most dangerous quality.
Fire and blood are not just words to you — they are a philosophy about what change requires and what it costs.
The Targaryens at their best were transformative rulers who broke chains and defied the limits of what anyone thought possible.
At your best, so are you. The dragon has three heads. You are one of them.
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Storm’s End · The Stormlands
🦌 House Baratheon
You are a force — direct, powerful, and difficult to ignore when you enter a room or a conflict. You do not negotiate with challenges. You meet them.
Ours is the fury — and yours is a kind of intensity that commands attention, respect, and occasionally fear from those who underestimate what’s behind it.
You value strength and straight dealing. You’d rather know where you stand in a fight than navigate a web of courtly whispers.
The Baratheons built their house on the back of one of the greatest military victories in Westerosi history — and then struggled with what came after.
The lesson of your house is that winning is not the end of the story. Governing is. You are learning that too.
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Highgarden · The Reach
🌹 House Tyrell
You understand that power does not always announce itself — that sometimes it arrives with flowers, good wine, and a smile that doesn’t quite reach the eyes.
Growing strong is your house’s motto, and you live it: patiently, strategically, always investing in the relationships and resources that will matter most when it counts.
You are charming by choice and calculating by nature — a combination that makes you one of the most effective players in any room you enter.
The Tyrells fed King’s Landing and shaped its politics without ever sitting on the Iron Throne — and they were arguably more powerful for it.
You know that the person who controls the food controls the kingdom. And you always know where the food is.
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“What is this brief mortal life if not the pursuit of legacy?”
Corlys Velaryon (Season 1, Episode 7)
Steve Toussaint as Corlys Velaryon in House of the DragonImage via HBO
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After the funeral of their daughter, Laena (Nova Foueillis-Mosé, Savannah Steyn, and Nanna Blondell), Lord Corlys Velaryon (Steve Toussaint) and Princess Rhaenys Targaryen sit by a fire and talk about this cruel twist of fate. Rhaenys shifts the focus of the conversation to Corlys’s ambitions, saying that, while it is admirable that he continues to fight for her claim to the Iron Throne, she made peace with what she lost, while his pursuits are driven by ambition and the hope that his bloodline might rule Westeros. Corlys is initially silent, but when he does respond, it is with this quote.
This line is a terrific encapsulation of the principal characters on both sides of the conflict. Every character has a goal they are fighting for, and more often than not, it will define who they are as people and the future of their descendants. Corlys, Daemon, and the Hightowers are some of the clearest examples of this, as these House of the Dragon characters go to great lengths and risk their own lives in the pursuit of glory and lasting power for their dynasties, often with unforeseen consequences.
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“The idea that we control the dragons is an illusion. They’re a power man should never have trifled with.”
Viserys Targaryen (Season 1, Episode 1)
Paddy Considine as King Viserys Targaryen, wearing his crown and looking displeased in House of the DragonImage via HBO
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When Viserys decides to name Rhaenyra as his heir, he takes her to see the skull of his dragon, Balerion the Black Dread, the greatest of the Targaryen dragons and the last living creature to have seen the Valyrian Empire. When he asks Rhaenyra what she sees when she looks at the dragons, she tells Viserys that she realizes they are all that truly separates House Targaryen from the other noble houses. Pleased with the answer, Viserys speaks this quote before revealing Rhaenyra’s new position.
While Viserys had plenty of faults as a king, one virtue of his was that he understood the responsibility that came from the crown and House Targaryen’s legacy as dragon riders. Dragons are seen by many as a divine right to rule, but they are wild, magical creatures with their own personalities, and even if they accept a rider, they can never truly be tamed. Thus, a certain degree of respect and restraint is required when handling them, because otherwise, the potential damage they can cause is enough to bring empires to their knees.
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“You cannot live your life in fear; otherwise, you will forsake the best parts of it.”
Daemon Targaryen (Season 1, Episode 4)
Daemon Targaryen (Matt Smith) receives a message while the war council meets in season 1, episode 3.Image via Max
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Bored with the kingdom he carved out for himself in the Stepstones, Daemon returns to King’s Landing and reconciles with his brother. He and Rhaenyra also share a talk about the princess’ disdain at the prospect of marrying and having kids due to the fate of her mother. Daemon uses this quote to try to alleviate Rhaenyra’s fears (further proving they are HotD‘s two best characters).
At first glance, the meaning of the quote is obvious: if you live a life oppressed by fear, then you are living an unfulfilling life and denying yourself all sorts of experiences and enjoyments. However, it also becomes more applicable as the war goes on. Rhaenyra’s fears of escalating the war cause her to become too passive and attempt risky plans with Alicent to find peace, which causes her faction to fall onto the back foot for a good chunk of the conflict.
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“If this be victory, I pray I never win another.”
Corlys Velaryon (Season 3, Episode 1)
Corlys Velaryon sitting on his ship in House of the Dragon.Image via HBO
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Though the Velaryon fleet won the Battle of the Gullet against the forces of the Triarchy, it was far from a perfect victory. Scores of men on both sides burned in dragon fire or drowned, while Corlys Velaryon’s castle, High Tide, which he built with his own fortune, is left as a sacked, smoldering wreck. Having barely survived drowning thanks to the efforts of his surviving family members, Corlys can only look at the devastation and speak this quote.
This simple line conveys the show’s primary themes beautifully. Oftentimes, war is glorified as this heroic venture where one can earn glory and renown, but the truth is that it is a destructive affair that brings pain and misery, even among the victors. It’s also a strong statement by Corlys, a man who was always defined by his ambition, as it signifies a major shift in his priorities.
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“The dragons dance, and men are like dust under their feet.”
Criston Cole (Season 2, Episode 8)
Criston Cole (Fabien Frankel) stares somberly at a fire in the forest in the Season 2 finale of House of the DragonImage via HBO
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When Ser Gwayne Hightower (Will Willoughby and Freddie Fox) learns that Lord Commander Criston Cole (Fabien Frankel) has been sleeping with his sister, he nearly kills him in the middle of their war camp. However, having survived the Battle of Rook’s Rest, Criston responds to Gwayne with a calm, defeatist tone that doesn’t deny his actions, but takes as much blame off of Alicent (Emily Carey and Olivia Cooke) as he can. The two then have a conversation about the nature of the world, which leads to Criston delivering this quote.
Cole’s words are a haunting reminder of the insignificance of people like him, Gwayne, and every man they lead into battle. This war is so much bigger than the men who fought it, and in the annals of history, most of them won’t be remembered as anything more than statistics in a battle. It’s also more literal, as the dragons are fire made flesh, and as they battle, they care not who they burn in the process.
O’Donnell is currently gearing up for her own return to the stage in “Common Knowledge,” an Off Broadway autobiographical one-woman show to open July 22.
Days of Our Lives spoilers for July 20-24, 2026 shock with Alex Kiriakis (Robert Scott Wilson) at his wit’s end with his wife and Lexie Carver(Nikki Crawford) is on her deathbed soon after another collapse and this one cannot be hidden from her loved ones.
Let’s get into the latest spoilers for the week of July 20th through the 24th, including a kidnapping plot, planted drugs that leave Holly Jonas (Ashley Puzemis) looking like a liar, and a drunken good time that goes awry.
And as we always do on Early Edition Day, we’ll talk about the last few days of this week, and then we’ll dive into all the great stuff that’s coming next week.
Days of Our Lives: July 15th-17th – Lexie’s Collapse and Theo’s Rock Bottom
On Wednesday, July 15th, we’ve got Alex stepping up for Joy Wesley (AlexAnn Hopkins) and Kelsey. He is absolutely livid at Stephanie Johnson (Abigail Klein) and he feels guilty for not dealing with Joy’s car situation better. So, maybe Alex will buy Joy a car or hand her the keys to his so that Kelsey is safe while they are on the road.
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Gabi Hernandez (Cherie Jimenez) and Gwen Rizczech (Emily O’Brien) bond. The last time they chatted it was about knockoff designer purses. So, I wonder if Gabi will open up to Gwen about her bitter split from Philip Kiriakis (John-Paul Lavoisier). I’m still thinking Gwen might wind up with Philip. So, that could get awkward fast.
DOOL Spoilers: Chad & Bell Get a Lead
There’s a big break in Chad DiMera (Billy Flynn) and Belle Black’s (Martha Madison) chess set investigation. The paper that was slipped into the program for the Salem Symphony concert has them digging deeper. Also, riddle me this. How do you have a ticket to a concert that’s held in the middle of a public town square that literally anybody can walk up and listen to? However, I was impressed that Days of our Lives spent the money on a small orchestra. I figured it was going to be Amazon Music playing from offscreen.
Stephanie and Theo Carver (Tyler Joseph Andrews) do some bonding over booze at Small Bar. Of course, Stephanie’s on fire about Alex calling her out. Her jealousy over Joy led to Stephanie deleting that voicemail about his little girl being in the car crash. That’s just too much for Alex. And yes, Kelsey actually did have a minor injury. So, for everybody saying it was faked, no. And Alex is taking it hard because you don’t mess with kids.
Days Spoilers: Theo’s Ready to Snap
Meanwhile, Theo is also at a breaking point. Gabi did him dirty. He found out about Stefano DiMera’s (Joseph Mascolo) role in Lexie’s cancer when she died the first time. And of course, Chanel Dupree (Raven Bowens) has cancer. Abe just told him that he was conspiring with EJ DiMera (Dan Feuerriegel) to take him out as CEO. Theo’s almost at rock bottom.
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And that’s even before he finds out Lexie is sick and dying again. And when Alex comes home from the hospital this week, he’s going to find a shirtless Theo asleep on his couch. I doubt Stephanie and Theo get frisky or anything. He’s probably just sleeping off a drunk. But this is not good optics when Alex is already mad at his wife. Javi Hernandez (Jacob Martinez) and Gus (Michael Ocampo) run into Leo and it is predictably awkward.
DOOL Spoilers: Marlena Worries For Rachel
And then on Thursday, July 16th, Marlena Evans (Deidre Hall) is very concerned about Rachel Black (Lorelei Olivia Mote). We know that Kristen DiMera‘s (Stacy Haiduk) conversation with Marlena raised some red flags because Kristen’s trying to paint EJ as a danger to Rachel. Let’s be real, he’s not. He’s just toying with Kristen before he tosses her onto a deserted DiMera Island for the rest of her days.
Also, Lexie stuns her sister Kristen on Thursday. So, Lexie could tell her toxic sister that she’s dying. Or she might warn Kristen what fate that EJ has planned for her. We know that even with a warning, Kristen is still snatched. So, we’ll see. But I’m pretty sure that Lexie heard EJ and Rita talking when she was coming out of her collapse.
Sarah Horton (Linsey Godfrey) is frustrated and opens up to Brady Black (Eric Martsolf). No doubt this is about Holly and their lack of progress tying EJ and DiMeraPharmaceuticals to the arsenic incident. Also, Holly’s feeling the pressure, the lawsuit, almost dying of arsenic poisoning, being accused of taking pills recreationally again. It’s just a whole lot for the young woman.
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Cat Greene (AnnaLynne McCord) sees EJ in a new light, but the question is a brighter light or a dimmer one. If Cat finds out about the Coriseal and the arsenic, it’ll be a dim view. But if it’s about their past in Italy, maybe it is something positive.
Days of our Lives Spoilers: Abe Apologizes to Theo
Then on Friday, July 17th, Abe Carver (James Reynolds) apologizes to Theo for conspiring with EJ and keeping things from him. But hungover Theo may not be in a forgiving mood. He feels like people are underestimating him because he is the good DiMera. And with Lexie’s news hitting them soon, Theo is going to be struggling even more.
Alex talks to Stephanie about the stunt she pulled with the voicemail and her attitude about the mother of his child. So, I wonder if Stephanie brings up Alex turning off her phone to avoid Chad so he could sleep with Stephanie when her mom Kayla Brady (Mary Beth Evans) was about to die because I think that’s valid, but it doesn’t erase what Stephanie just did. So, honestly, it’s probably not a good idea to bring it up, but I’d like to see her do it to be petty.
Days Spoilers: Holly Catches Up with Ari
Ari comes to see Holly. They got lots to catch up on. Ari has to tell Holly about her mom, Gabi, bribing Liam Selejko (Hank Northrop) to ghost her and her moving out. Holly’s got to tell Ari what’s going on. And hopefully, she believes her about the pills. Problem is, that same day, Tate Black (Leo Howard) finds pills in Holly’s bag, and I’m betting they are Coriseal and that EJ planted them there. Tate will ask her about the pills and Holly says they’re not hers. And when Tate asks to talk about it, Holly explodes and Sarah’s there to see it all. So Holly looks very sketchy.
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Also, EJ gets bad news when Kayla tells him in front of Xander Cook Kiriakis (Paul Telfer) the state board is revoking his ownership rights to the hospital. We know EJ fires Sarah this summer. So I wonder if the revocation is overturned or maybe EJ fires Sarah before it’s made official. Seems like they need a buyer to make it happen because they can’t just take back something he owns without paying him back for it. So, this may be Gwen’s green light to buy the hospital and laugh in EJ’s face.
Days of Our Lives Spoilers: Alex Kiriakis – Lexie Carver
DOOL: July 20th-24th – Lexie’s Terminal Illness and Sweeps Events
The week of July 20th through the 24th. Sweeps is going to end on Monday the 20th. Cat and EJ could do more than kiss as her memories come surging back and Cat finds out there’s genuine affection between them. I wonder was she pushed towards EJ by the ISA or possibly Clyde Weston (James Read) and just hasn’t recovered those memories yet.
Theo’s upset things get worse when Lexie’s symptoms get so bad she can’t hide them. She told Marlena she planned to keep her impending death a secret. But because Lexie’s passing out without warning, there’s no way Theo and Abe won’t know. Lexie is at the hospital soon and that could be because she conks out and Theo and Abe panic and call 911.
They’re going to be devastated by this life-ending update from Lexie and really ticked off at EJ. Gwen and Philip may spend more time commiserating, and Gabi may get close to Theo when his whole world falls apart soon. Chad and Belle study the new clue, and more clues are coming their way. Holly’s due out of the hospital soon, but will she be shipped off to rehab because of EJ?
Chanel is going into premature labor soon, and it freaks Johnny DiMera (Carson Boatman) out. The summer promo has her scared and bleeding and Kayla hustling everybody out of the room. We’re also expecting Dimitri von Leuschner (Peter Portre) back to Salem soon and getting close to Leo again.
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Days of our Lives: Congrats to Emmy Nominees
And just real quick, I want to congratulate the daytime Emmy nominees for Days of Our Lives for Outstanding Drama Series. They got a nomination. Stacy Haiduk was nominated for lead actress. Nobody got nominated for lead actor or supporting actor or supporting actress.
Al Calderon and Alice Halliday were nominated for emerging talent in that category. Christopher Shawn landed a nomination in the guest star category and they were also nominated for outstanding writing team and directing team. So congratulations across the board.
Bold and the Beautiful spoilers for July 20-24, 2026 excite with Will Spencer (Crew Morrow) striking again. It looks like his days of terrorizing the Foresters with physical violence aren’t done despite us all knowing this is just lunacy. Plus, Steffy Forrester (Jacqueline MacInnes Wood) completely snaps.
Also, in the week of July 20th through the 24th, we’ve got the end of July sweeps. We’ve got Melissa Dylan (Sydney Bullock) going after her guy. Daphne Rose (Murielle Hilaire) reeling from her catastrophic news, Ridge Forrester (Thorsten Kaye) plotting, and we’re going to see Katie Logan (Heather Tom) doing some scheming as well. And as always on early edition day, we go over what’s happening the rest of this week and then we get into what is coming next week.
Bold and the Beautiful: July 15th-17th – Daphne’s Diagnosis and Will’s Heartbreak
So, on Wednesday, July 15th, we have the scenes carrying over from Tuesday with Daphne getting support from Steffy. We know that Daphne’s devastated with this diagnosis that she can’t have biochildren because she is in early menopause and Steffy is stepping up to support her. Carter Walton (Lawrence Saint-Victor) and Daphne were so excited to start a family right away and they wanted a big family and so this is just all very sad and now Daphne’s got to tell Carter this terrible news. I’m kind of wondering if we’re going to see somebody at Forrester being her surrogate. You know, Dylan could use the money.
Speaking of her, she and Will are at the beach house continuing their conversation from Tuesday. Interestingly, some fans seem to think this is a daydream in Dylan’s head because she’s being so forward unbuttoning his shirt and rubbing on him. So, on Wednesday, Dylan is referring to Will as Mr. Spencer, and he’s griping that’s his dad, Bill’s name, and that people judge Will and make up their minds before he even speaks.
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But Dylan says not everybody sees Will that way. And then he’s whining that Electra Forrester (Laneya Grace) didn’t see him that way. And Will tells Dylan he knows she’s trying to make him feel better when she promises him smiles and laughs, but he misses Electra so much.
B&B Spoilers: Dylan Won’t Give Up on Will
Dylan continues to flirt like crazy, but Will buttons his shirt back up. They discuss Dylan’s living arrangement, and she tells Will for the record, if she did come back to his house, she wouldn’t be living above the garage. He continues being distraught, wishing he had warned Electra. But Bill was right to tell Will that he did nothing wrong and maybe needs to forget Electra and move on to somebody else who won’t be so ridiculous. It’s clear seeing her talk to R.J. Forrester (Brayan Nicoletti) this week that if Will had told her any of their trade secrets, Electra would have spilled to the Foresters.
Thursday, July 16th, Daphne and Carter’s marriage is tested. So, Daphne’s going to need a minute to process this awful news. And I’m sure Carter will too once she says no babies going the traditional route. They can adopt or use a surrogate. But Daphne and Carter probably need a little bit of time before they dive into options, but you never know, maybe they’re going to spring right into something now.
Bold and Beautiful Spoilers: Eric & Ridge Determined
Also, Eric Forrester (John McCook) and Ridge discuss launching Eric’s couture line that they put off. They want the spotlight back on Forrester Creations and off of Logan. We’ll see if they can make that happen.
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Carter warned about the cost of Eric’s line, so they definitely need to knock this out of the ballpark. I honestly wasn’t real impressed with the dresses I saw, but Ridge should be setting the launch date soon.
Will goes over to the Forrester estate and tries desperately to get Electra to take him back. Will thinks he can’t live without Electra, which is nonsense. R.J.’s already been harping on Electra to stay away from Will, so him being at the house might be an issue. Plus, Electra is going to stick to her guns.
Bold Spoilers: Eric Snaps on Will
Then on Friday, July 17th, Eric sees Will on the Forrester property, and Eric’s going to get really bossy and pushy and tell Will to get out and stay away from the Foresters. Also, I don’t know if you guys have seen this, but I saw a spoiler that was marked unconfirmed, but it’s still out there, and it’s from a reputable source, and they said Will’s violence gets worse, and he punches Eric.
For me, I don’t see that happening. At the most, I could see Will being there to see Electra. Eric puts his hands on Will to shove him out the door, and maybe he yanks his hand away from Eric, who tips and falls from the momentum, something where they can like blame Will for something happening to Eric. But honestly, if Will punches an elderly man, then Brad Bell has lost his entire mind.
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Finn Finnegan (Tanner Novlan) and Steffy are at a critical point in their marriage. Despite Finn telling Sheila Carter (Kimberlin Brown) that he can’t be around her because Steffy won’t allow it and has to prioritize his marriage, guess what? Finn tells Steffy that Sheila came to see him. And incredibly, Finn says he thinks it’s time they let Sheila into their lives. Finn really believes Sheila has changed. I don’t see Steffy ever agreeing with any of this.
B&B Spoilers July 20th-24th – Will’s Spiral and Monaco Preparations
July 20th through the 24th is a big week. Monday is the last day of July sweeps, by the way. And we’ve got R.J. getting closer to Electra at work. R.J. so happy he got Will fired and now he can focus on Electra all day long. I think it’s great R.J. can have Electra. They’re both terrible at this point on Bold and the Beautiful.
We also have Katie hard at work at Logan next week. So, I wonder if they get some info on Eric’s new couture launch. I would not put it past Bill or Katie to stage something to get the press attention and distract it from Forrester’s big day after Brooke Logan (Katherine Kelly Lang) and Ridge were both physically assaulting them. I think it’s karma.
Bold and Beautiful Spoilers: Electra Gets Pouty Again
And by midweek, it looks like Electra is up at Bikini Bar crouched down checking on somebody, looking upset. So, this was another part of the spoiler saying there’s another violent incident between Will and R.J. I believe that part. If Will hits him again, I’m sure it’s because R.J. was provoking him, but the whole storyline is just so off base. By the end of the week, Will is at home looking upset. Whatever goes on at Bikini is hitting him hard. He just needs to take Dylan up on her offer. And forget Electra, forget R.J., forget all things Forrester.
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Brooke is back soon from running off to the wellness center and she’s going to be making plans with Steffy, Ridge and Eric for the trip to Monaco. I’m very curious if they’re going to do Eric’s couture launch there. Thinking that’ll be splashy enough to overshadow Katie’s launch of Hope for the Future by Logan. They’re off on the trip the following week. By the way, Monaco episodes start airing on July 29th.
Bold and the Beautiful Spoilers: Will Spencer – Steffy Forrester
Bold Spoilers: Sheila Stalks Steffy & Finn
Sheila’s going to follow along after Steffy reacts negatively to Finn’s suggestion that they allow Sheila into their lives. Steffy brings Finn along with her, maybe trying to keep him away from Sheila while she’s gone. But there’s going to be a showdown on the sand with Steffy ranting at her mother-in-law Sheila. And there’s big events there that change everything for a lot of people. There’s scenes on the beach, scenes at a church, and lots more.
Carter and Daphne continue reeling. And Dylan makes her play to scoop up Will, but Electra’s going to lose it when she finds out what Dylan’s up to. I wouldn’t be surprised if the Foresters fire her. Plus, Taylor Hayes (Rebecca Budig) and Deacon Sharpe (Sean Kanan) move forward, and Taylor’s going to be stunned to hear about Finn’s request about Sheila.
B&B Spoilers: Congrats to Emmy Nominees
Also, daytime Emmy nomination news. Congratulations to Heather Tom for her nomination in the lead actress category and also to Scott Clifton and Thorsten Kaye for their lead actor nominations. B&B did not get a nod for best daytime drama. Nor did anybody from Bold and the Beautiful land on supporting actress for a nomination.
But Lawrence Saint-Victor got the nom for best supporting actor from B&B. Shockingly, they landed a nomination in the writing category. They also got a nod for sound editing and technical direction. Congratulations to all of those nominees.
Two Illinois teenagers were arrested after a family was found massacred following a shooting spree on Sunday, July 12. The two teens arrested reportedly are a 15-year-old girl and a 16-year-old boy. The suspects are reported as girlfriend and boyfriend, per ABC7 Chicago.
Two Illinois Teenagers Arrested After Family Found Massacred
Seven family members were shot in East St. Louis on Sunday morning, according to the Illinois State Police.
Five of the family members have died, and one of the two teenagers, reportedly the 15-year-old girl, is related to the victims.
The deceased victims include Patricia May, 74, Cherie May, 49, Devin May, 24, 21-year-old Quentin Thompson, and Shania Thompson, 25. Additionally, two others were also shot and are reportedly in critical condition.
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“On July 12, 2026, the East St. Louis Police Department requested PSEG assistance after human remains were discovered at the Samuel Gompers Homes,” read the ISP press release. “The victims are all related to the female suspect.“
KMOV reports that the shooting spree took place in three locations — Jones Park, the Samuel Gompers public housing complex, and a location near Summit Ave. and N 39th St.
One Family Member Was Dismembered
The ISP noted that all of the family members are related to the 15-year-old victim. However, her name is being withheld because she is under 16. Furthermore, the other suspect was listed as Ja’ymier Davis.
“PSEG Agents presented the case to St. Clair County State’s Attorney James Gomric, who approved five counts of First-Degree Murder,” read the release. “Two counts of Attempted First-Degree Murder … two counts of Aggravated Battery … one count of Aggravated Vehicular Hijacking … one count of Dismembering a Human Body, and one count of Unlawful Use of a Stolen Firearm. Davis is charged as an adult and is being held at the St. Clair, County Jail pending his first court appearance.”
The 15-year-old was also charged with five counts of first-degree murder.
Suspects’ Alleged Motive Revealed By Family
According to KSDK News, the two other victims were identified as Tiffany Thompson and Santasha Scott, the cousin and mother of the female suspect.
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Another family member, Lamarion Smiley, said that the teens were motivated because they wanted to be together.
“They wanted to eliminate everybody that had a problem with the situation,” said Smiley. “There was a list on Instagram that they, her, and the boyfriend made, so we were aware. We just didn’t know when… They took them to Jones Park, and they fired off in the vehicle, hitting my wife 4 times. Killing Quentin And Shania Thompson. And shooting my auntie in the face…. She stood over my wife. Trying to kill her, but they had no more bullets.”
Furthermore, Patricia May’s thumb was reportedly cut off. To note, May is the grandmother of the 15-year-old suspect. Her daughter, Cherie, was the suspect’s aunt and the mother of Devin May. Quentin Thompson and Shania Thompson were the suspects’ siblings, per PEOPLE and KARE 11 News.
Smiley added that the female suspect stole the gun from her mom. The female suspect’s father, Marcus May, told KARE 11 News that his pain was indescribable.
“I can’t show her no sympathy,” he said of his daughter. “She chose to do this. No stipulation… Everybody had a choice.”
Furthermore, prosecutors are recommending that both suspects be tried as adults. Additionally, a GoFundMe has been set up to help the grieving family.
Rom-com superstardom can make people weirdly lazy about Julia Roberts. They remember the smile, the laugh, the posters, the box-office heat, and then act like the whole career was built on charm alone. That misses the real thing. Roberts became massive because the charm had fight in it. Even when she was being funny or romantic, there was usually impatience, pride, hurt, or survival sitting right under the surface.
These five films prove how strong that screen presence can get when the material knows what to do with it. Roberts can be cold, magnetic, furious, and so much more. That range is why the movie-star label actually means something with her.
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5
‘Closer’ (2004)
Julia Roberts in CloserImage via Columbia Pictures
Mike Nichols lets everyone in Closer sound intelligent while behaving terribly, which is exactly why the movie still stings. Anna Cameron (Julia Roberts) gets pulled into the emotional wreckage between Dan Woolf (Jude Law), Alice Ayres (Natalie Portman), and Larry Gray (Clive Owen), and she never feels like the safe “adult” in the room. Anna is controlled, yes, but the control often looks more like exhaustion than wisdom. She knows desire can humiliate people, and she still keeps stepping into it.
Roberts strips away the easy warmth audiences usually expect from her. Anna’s face often looks guarded, almost tired of being wanted by men who turn attraction into possession. Her scenes with Larry are especially brutal because the marriage has turned into a contest of confession, punishment, and sexual power. Closer uses Roberts against her own romantic image, and that choice gives the film real bite. She is no fantasy here. She is a woman trying to stay composed while everyone keeps demanding access to the parts of her she would rather keep private.
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4
‘Ocean’s Eleven’ (2001)
Image via Warner Bros. Pictures
A casino heist movie packed with Danny Ocean (George Clooney), Rusty Ryan (Brad Pitt), Linus Caldwell (Matt Damon), Basher Tarr (Don Cheadle), Frank Catton (Bernie Mac), and Reuben Tishkoff (Elliott Gould) could easily reduce Tess Ocean (Julia Roberts) to “the ex-wife prize.” Steven Soderbergh’s Ocean’s Eleven avoids that trap by making her taste matter. Tess is the reason Danny’s confidence has a weakness. He can plan around vaults, cameras, guards, timing, and Terry Benedict (Andy Garcia)’s empire, but he cannot treat Tess like another piece of the job without exposing how badly he still wants her respect.
Roberts does a lot with stillness here. Tess has heard Danny’s charm before, which makes her the rare person in the movie who is almost immune to the sparkle. That changes the rhythm whenever she appears. The heist is sleek and funny, but the romantic thread gives Danny’s cool-guy routine a bruise. Tess is not impressed by the performance of being clever and wants proof that he understands the consequences. In a film full of perfect timing, Roberts brings the one thing Danny cannot simply steal back.
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3
‘Erin Brockovich’ (2000)
Close up of Erin Brockovich (Julia Roberts) sitting at a desk in an office in Erin Brockovich.Image via Universal Pictures
The miracle of Erin Brockovich is how messy it lets its hero be. Erin Brockovich (Julia Roberts) is broke, unemployed, raising three kids, angry at being dismissed, and tired of people treating her clothes, voice, and attitude like evidence against her intelligence. Then she starts digging into medical records tied to Pacific Gas and Electric’s contamination of Hinkley’s water, and the film becomes a legal drama powered by outrage that feels completely personal.
Erin talks fast because she has spent her life fighting to be heard before someone shuts the door. She dresses the way she wants, flirts when she wants, swears when she wants, and still does the work better than the people looking down on her. The case matters because the victims matter to her as people, not files. Roberts earned the Oscar here through more than charisma. She made Erin’s anger useful, specific, and impossible to patronize.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
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🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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2
‘My Best Friend’s Wedding’ (1997)
Michael (Dermot Mulroney) and Jules (Julia Roberts) in ‘My Best Friend’s Wedding’Image via Sony Pictures Releasing
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Julianne Potter (Julia Roberts) is a disaster, and that is the whole thrill of My Best Friend’s Wedding. She finds out her best friend Michael O’Neal (Dermot Mulroney) is marrying Kimmy Wallace (Cameron Diaz), panics, and turns a romantic comedy setup into a sabotage mission against a woman who has done almost nothing wrong. That could have made the movie unbearable. Roberts saves the whole thing by letting Julianne be funny, jealous, charming, insecure, mean, and painfully aware of her own bad timing.
The genius is that the film refuses to reward her selfishness with the usual fantasy ending. Kimmy is sweet without being stupid, Michael is not some secret soulmate waiting to wake up, and George Downes (Rupert Everett) keeps pointing out the emotional truth Julianne wants to dodge. Roberts lets the audience love Julianne while also knowing she is wrong. That is a harder trick than it looks. Julianne, in the end, has to accept that love sometimes arrives too late, and the person you want may still belong with someone else. But the film keeps you hooked and invested throughout.
1
‘Notting Hill’ (1999)
Julia Roberts and scuba-goggle-wearing Hugh Grant watch a movie in a theater in Notting Hill.Image via Universal Pictures
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Notting Hill understands movie-star fantasy better than almost any romantic comedy of its era. Anna Scott (Julia Roberts) is famous enough to make ordinary life impossible, and William Thacker (Hugh Grant) is ordinary enough to make her feel, briefly, like she can breathe. The setup sounds light, almost impossible to mess up: a Hollywood star walks into a London bookshop and falls for the awkward owner. The reason it lasts is that the film keeps remembering how strange and painful that fantasy would be for the person everyone is staring at.
Roberts brings her own celebrity history into Anna without turning the role into self-pity. The dinner scene with William’s friends matters because Anna is allowed to be funny, bruised, competitive, and honest in a room that slowly stops treating her like an image. The “just a girl” line became famous for a reason, but the real power sits in everything around it: the failed timing, the public exposure, the fear of being loved as an idea rather than a person. Notting Hill is the Roberts classic that knows exactly why people adore her and exactly how lonely adoration can become.
Netflix’s latest viewership report is in, and Enola Holmes 3appears to have had a hefty drop in its second week of release. Starring Millie Bobby Brown, the mystery movie was released on July 1 to mixed reviews, with both its predecessors retaining higher scores on the aggregator website Rotten Tomatoes. It isn’t uncommon for Netflix tentpoles to witness an increase in viewership in their sophomore frames, but drops this large are rare. Fan reception for Enola Holmes 3 has also been a concern, given the film’s 48% audience score on Rotten Tomatoes. The series is based on the Enola Holmes mystery novels written by Nancy Springer that revolve around the teenage sister of Sherlock Holmes.
The iconic detective is played by Henry Cavill in the Enola Holmes movies, while Helena Bonham Carter plays the titular heroine’s mother, Eudoria Holmes, and Himesh Patelstars as Dr. Watson. The first and second films were both directed by Harry Bradbeer and were released on Netflix in 2020 and 2022, respectively. They hold “Certified Fresh” 91% and 93% scores on Rotten Tomatoes, while the third film is now sitting at a 69% score. The threequel’s consensus on Rotten Tomatoes reads, “Despite a muddled story and diminished spark, Enola Holmes 3 succeeds thanks to Millie Bobby Brown’s winning performance and some lively action.”
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Collider Exclusive · The Sorting Hat Awaits Which Hogwarts House Are You? Gryffindor · Slytherin · Hufflepuff · Ravenclaw
Four houses. One destiny. The Sorting Hat has considered thousands of students — now it’s your turn. Answer honestly and discover where you truly belong at Hogwarts School of Witchcraft and Wizardry.
🦁Gryffindor
🐍Slytherin
🦡Hufflepuff
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🦅Ravenclaw
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01
What quality do you value most in yourself? Answer as honestly as you can — the Hat always knows.
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02
A friend is being treated unfairly. What do you do? How you protect others says everything about who you are.
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03
What does success look like to you? What you’re working toward defines who you’re becoming.
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04
What is your greatest fear? Fear is the most honest thing about a person.
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05
The rules say no. Your gut says go. What do you do? Every institution has rules. What you do with them is a choice.
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06
What kind of friend are you? Who you are to the people you love is who you really are.
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07
You look into the Mirror of Erised. What do you see? The mirror shows the deepest desire of your heart.
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08
The Sorting Hat pauses. It whispers: “You could do well in any house. But what matters most to you — truly?” This is your tiebreaker. The Hat always listens.
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The Sorting Hat Speaks Your House Has Been Chosen
After careful deliberation, the Sorting Hat has made its decision. This is the house your values, your instincts, and your particular way of being in the world were made for.
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Gryffindor Tower · Scarlet & Gold
🦁 Gryffindor
You have nerve. Not the reckless kind, but the deep, quiet courage that shows up even when you’re terrified — especially then.
Gryffindors don’t act because they’re fearless — they act because they understand that some things are worth being afraid for.
You stand up for people when it would be easier to look away.
You charge toward what’s right even when the odds are terrible.
Harry, Hermione, Ron — the heroes of Hogwarts’s greatest chapter — all called the tower with the scarlet and gold home. And now, so do you.
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Slytherin Dungeon · Emerald & Silver
🐍 Slytherin
You are driven, sharp, and utterly clear-eyed about what you want and how to get there.
Slytherin has long been misunderstood — painted as the house of villains when it is, at its best, the house of those who refuse to accept limits placed on them by others.
You are resourceful, strategic, and you play the long game.
You know your worth. You protect your own fiercely.
The dungeon common room with its view of the Black Lake is yours — and the ambitions that will take you further than anyone expects are yours too.
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Hufflepuff Basement · Yellow & Black
🦡 Hufflepuff
You are the kind of person that makes the world genuinely better just by being in it.
Hufflepuff is not the “safe” house or the “leftover” house — it is the house of those with the greatest heart and the most unwavering integrity.
You show up. You work hard. You don’t need glory or recognition — you do what’s right because it’s right.
Your loyalty never wavers, even when tested.
Nymphadora Tonks, Cedric Diggory, Newt Scamander — some of the wizarding world’s finest. And now you join them.
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Ravenclaw Tower · Blue & Bronze
🦅 Ravenclaw
Your mind is your greatest gift, and you’ve always known it.
Ravenclaws are the thinkers, the questioners, the ones who find a puzzle irresistible and a good book better company than most people.
Ravenclaw is not merely about intelligence — it’s about the love of learning, the pursuit of truth, and the rare courage to admit you don’t know something yet.
You see the world with unusual clarity and depth.
Luna Lovegood, Filius Flitwick, Rowena Ravenclaw herself — all extraordinary, all original. And so are you.
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‘Enola Holmes 3’ Is Trailing Its Predecessor
Enola Holmes 3 was directed by Philip Barantini, who broke out in 2025 with the record-setting Netflix limited series Adolescence. According to Netflix’s latest viewership report, which tracks data in the week of July 6 to July 12, Enola Holmes 3 retained the number-one spot with 12 million views. In its first week, the movie had accumulated 20 million views. By comparison, Enola Holmes 2 raked in nearly 30 million views in just three days — it has taken the third film two weeks to pass this milestone. Fans of the Sherlock Holmes universe can also tune into Prime Video’s Young Sherlock series, executive-produced by Guy Ritchie. Incidentally, Cavill’s most recent theatrical release was Ritchie’s In the Grey, which underperformed at the box office but showed signs of redemption on the PVOD market. Stay tuned to Collider for more updates.
Vicki Gunvalson is back on “The Real Housewives of Orange County” for its 20th season. Now, following the much-talked-about premiere, the 64-year-old is opening up about her fight with Heather Dubrowand defending herself after accusing her co-star and her husband, Terry Dubrow, of using an inheritance to pay for their mansion.
5Snorlax / MEGA
One of the most talked-about parts of the “Real Housewives of Orange County” season 20 premiere came when Dubrow confronted Gunvalson for previously stating that she and her husband, Terry, were rich thanks to an inheritance they had received.
Following the confrontation, Gunvalson doubled down, saying she doesn’t know any other doctors who live in $40 million homes. Recently, during a Page Six interview, she was asked about the remark. The “RHOC” star began, “I think Heather realizes, you know, it was just a comment.”
She added, “Whether it’s true or not, I just have a different viewpoint of it.” After that, she highlighted Terry’s success, saying, “He’s a producer, he has ‘Botched,’ he’s also a plastic surgeon.” From there, Gunvalson mentioned how Dubrow had stated that she and Terry’s parents were alive, noting that both their fathers had died, as did Terry’s brother.
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Vicki Says People Like Heather Shouldn’t Be Ashamed Of Inheritances
Gunvalson continued to defend her comment that the Dubrows were living lavishly due to an inheritance, citing her own career in financial planning. She said, “It[the money] is gonna go somewhere, and if it went to them, good for them, own it.”
After that, in speaking about her own “legacy plan,” Gunvalson stated that her children will inherit from what she leaves behind, as will her grandchildren. She said, “They should not be embarrassed because I worked really hard my whole life and whatever number they get, they get.”
The “RHOC” star continued, “I think Heather should own it if that’s the truth and if it’s not the truth, I misspoke.” Gunvalson then said of the couple, “I love them. I respect them, but somehow it got brought up- that doesn’t make sense. The numbers don’t make sense.”
Heather And Terry Dubrow Recently Sold A $16.5 Million Home
Gunvalson didn’t say which of the Dubrows’ homes she was referring to in her commentary. However, according to Yahoo Finance, the couple sold a sprawling Beverly Hills mansion in 2025 for a reported $16.5 million. It sold in August after being listed in March. They bought the home for a reported $16.1 million two years before.
Initially, the couple planned to have an asking price of around $40 million. However, they then listed it for $25 million after their plans to renovate would have been too expensive. Then, in May, the price dropped to below $20 million.
Vicki Also Called Out Her Co-Stars’ Financial Decisions
During the Page Six interview, the hosts asked Gunvalson whether, given her financial planning and insurance background, she is ever bothered by her co-stars’ poor decisions and if she intervenes. For context, the “RHOC” star launched COTO Insurance & Financial Services in 1994.
She said, “Yes, and yes, I do. You’ll see this season.” Gunvalson continued, “I struggle with it because I’m uber responsible with paying my taxes and making sure that I overpay so I get a little refund at the end.”
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The Bravo star added, “So, I just run my home differently than a lot; I don’t overspend.” In giving examples of her frugality, she stated that she does not use Uber Black and that her only real splurging is with airline tickets when it makes sense to book first class.
Gunvalson then called herself “a steward of money.”
Season 20 of “The Real Housewives of Orange County” premiered on Bravo on July 9. Notably, not only is it the show’s 20th year, but it marks the milestone for the “Housewives” franchise as a whole. Now, following the premiere, it’s been reported that 0.627 million people watched the episode.
It also had a 0.10 ratings share in the 18- 49-year-old demographic. The show’s latest ratings represent an increase over its 19th-season premiere, which delivered 0.516 million viewers. It has a 0.09 share in the demographic. Of course, these figures do not include viewership from Peacock.
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