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The 10 Darkest Animated Movies of All Time, Ranked

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Animated movies are usually associated with family-friendly entertainment aimed at kids because the use of color and creativity appeals to children with heartwarming stories. However, animation is a medium for all ages and can address many topics. As the movie industry grows, studios aim animated movies toward an older demographic, with titles such as the Spider-Verse movies.

However, some animated movies go beyond having an older demographic. They address themes that aren’t afraid to explore the darkest corners of life and the human psyche, even putting adults on edge. Animation also has a secret side that can get extremely dark, even if it doesn’t feature overly dark imagery. Whether it be the terrifying setting, plot, or messages, these movies are unafraid to address darker yet thought-provoking subjects.

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10

‘Akira’ (1988)

Akira walking to his red bike in Akira 1988
Image via Toho

Thirty-one years after the nuclear destruction of Tokyo, Kaneda goes on a journey to save his friend Tetsuo from a secret government program experimenting on him. Kaneda must face the government, the military, and the scientists responsible for the suffering they’re causing Tetsuo until his powers suddenly manifest, leading to a battle between them.

Akira tells a dark story set in a post-apocalyptic world, and while the setting isn’t familiar, the story could very well be. It shows the dark side of the government and its unknown and terrifying antics, which cause an unwitting young man to go through unspeakable pain. The dark story, paired with gruesome imagery, makes it an unsettling yet intriguing watch, contributing to its subsequent legacy. Indeed, Akira has become a cult classic and a prime example of the great heights Japanese anime can often achieve.

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9

‘Bambi’ (1942)

Bambi’s mother looking at a young Bambi in 1942’s Bambi.
Image via Disney

There isn’t a soul on this Earth unfamiliar with Bambi, as the classic story of a young doe explores the horrors and wonders of the forest. The story follows Bambi as he experiences life with his mother’s and friends’ help until they are ready to go on a journey of love and terror as the looming threat of man is ever present.

While Bambi isn’t as dark as many other animated efforts, the sheer shock and disparity between darkness and age rating make it infamous. Families and kids went into the movie expecting a fun and wholesome movie about wildlife, but instead, they got a lifetime of trauma from the iconic scene of Bambi’s mother’s death and the continuous horrors man commits, such as burning the forest. Despite its surprisingly dark nature, Bambi is one of the best 1942 movies and a timeless classic that further strengthens Disney’s legacy.

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8

‘Wizards’ (1977)

Blackwolf showing his troops a film reel of Nazi footage in Wizards
Image via 20th Century Studios

Wizards is a uniquely crafted animated movie that was Mark Hamill’s debut film just before his appearance as the titular Luke Skywalker in Star Wars Episode IV: A New Hope. After his brother, Blackwolf, unjustly takes the throne from their mother, Avatar goes on a journey to end his brother’s tyrannical rule. The film features a creative world and a colorful cast of characters in this bizarre story.

Ralph Bakshi is known for creating dark and mature animated movies, and Wizards continues this trend. The mystical world might leave some believing it to be a family-friendly fantasy, but that couldn’t be further from the truth. With multiple character deaths, explicit imagery, use of actual war footage, and depictions of Nazis, Wizards is far more demanding than the average movie, animated or otherwise. The darkness is subtle and in-your-face, with shocking deaths and ruthless storytelling.

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7

‘The Secret of NIMH’ (1982)

A small mouse is flung back by an ominous black rat in ‘The Secret of NIMH’ (1982)
Image via MGM/UA Entertainment Co.

Known for his oddly dark children’s movies, director Don Bluth made his directorial debut with The Secret of NIMH. The film tackles the sensitive topic of animal testing and its inhumane nature, hoping to teach audiences the horrors that are actually happening. It follows a field mouse as she looks for a new place to move her family due to the extended reach of farmers. However, all she discovers are enhanced rats, which are the result of a testing facility not too far away.

The Secret of NIMH is another movie that is way darker than expected. Because of the age rating, the film doesn’t contain any specific imagery or scenes but has a disturbing tone and unsettling moments that would scare any child. It took a while before Bluth could get the film off the ground, but the wait was worth it. He eventually got it made, and it would become one of his best.

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6

‘Coraline’ (2009)

The Beldam confronting Coraline in Coraline
Image via Focus Features.

Based on the book by Neil Gaiman, Coraline is another stop-motion masterpiece by director Henry Selick. After moving into a new home, Coraline finds a secret passage leading to another world very similar to hers. Everything seems much better here until her other family tries to force her to stay, and other terrifying secrets emerge.

Despite being PG, Coraline uses stop-motion animation to the fullest, enhancing the creepiness and delivering a horror movie for children. The film’s style is inherently creepy, and the events and the oddly dark villain’s motivations enhance its eerie nature. Even darker than the overt horror aspects are the subtext, hidden messages, and theories about living in an abusive home and the subtleties of character motivations and history.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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5

‘Watership Down’ (1978)

Image via Warner Bros
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Watership Down has received multiple adaptations, including a Netflix version and a graphic novel based on the book, but the 1978 animated movie perfectly encapsulates the complex story and dark themes. Fiver, a young rabbit, dreams that their land will be destroyed, so he convinces some friends to go on a journey to find a new home. During this journey, they encounter many threats and obstacles, such as evil rabbits, a raging river, and a rat cemetery.

The realistic art style enhances the already disturbing events in the heavy animated movie, such as the bloody war zone and the black rabbit of death. The haunting chases between the protagonists and the rabid evil rabbits are enough to send shivers down the spines of adults. Despite its PG rating, Watership Down is filled with blood and even cannibalism as it kills off some of the cutest creatures. It might never feature anything explicitly, but the suggestion of danger is ever-present, making it more emotionally impactful.

4

‘Perfect Blue’ (1997)

A distressed woman with blood on her face in Perfect Blue.
Image via Rex Entertainment
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One of Satoshi Kon‘s masterpieces, Perfect Blue, is an anime film about the horrors of celebrity life and the effect fans have on their favorite stars. After singer Mimi decides to move on from music in favor of acting, her life turns upside down, and reality blends into fantasy when her fans abuse her. Soon, Mimi is haunted by a figure from her past and harassed by a stalker.

Unlike Western animated films, anime movies are no strangers to making them dark. The unsettling Perfect Blue slowly shows the protagonist’s downfall and the delusions she experiences. The events of the film are truly disturbing as her paranoia and psychosis develop from the murders surrounding her and the backlash from the public. Perfect Blue is an unsettling story that makes fans reflect on their actions towards celebrities and proves animation isn’t just for kids.

3

‘American Pop’ (1981)

Pete walking on drum in hallucination in American Pop
Image via Columbia Pictures
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Bakshi made an even more disturbing movie, this time focusing more on the real world and a family of Russian immigrants. American Pop follows several characters with a love for music, which they try to make into a career until something goes wrong. Zalmie, Benny, Tony, and Pete are the generations of the Belinsky family and can never seem to catch a break from tragedy.

Part of what makes American Pop so dark is the constant loop of hope/passion and tragedy, as each character has a rough life but lives through music and ultimately meets some grim fate. Whether it be a dying wife, a death in war, or drug addiction, each member goes through a terrible fate. Watching American Pop gets more depressing and hopeless as it continues to torture every single character. The family’s tragedies are supposed to parallel popular American music in the 20th century, making the film all the more dark as it is based in reality.

2

‘Guillermo del Toro’s Pinocchio’ (2022)

Image via Netflix
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Guillermo del Toro’s Pinocchio is a modern take on the classic novel that leans into brutality and darkness. After the death of his son, Geppetto builds a puppet brought to life by a fairy. Inexperienced but enthusiastic, Pinocchio embarks on an adventure trying to find a place for himself in fascist Italy. The film won the Oscar for Best Animated Film as it reimagines Pinocchio into a darker, humanistic story.

As dark as it could get while still being PG, Guillermo del Toro’s Pinocchio features striking moments of exploding fish, war montages, and burning at the stake. Even the creation of Pinocchio is shrouded in darkness, as Geppetto builds him from guilt and depression over the loss of his son. The film, which goes through two World Wars, doesn’t hold back and shows Mussolini and the war effort. Guillermo del Toro’s Pinocchio is haunting, and despite ending on a somewhat happy note, it still sees the immortal Pinocchio bury all his friends and family.

1

‘Grave of the Fireflies’ (1988)

Seita and Setsuko walk in a field of flowers and fireflies in Grave of the Fireflies.
Image via Studio Ghibli
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Grave of the Fireflies is based on the book of the same name and was inspired by the author’s real life; he wrote it as a coping mechanism because of his guilt for surviving and his sister dying. The film follows Seita and his two-year-old sister Setsuko as they try to survive during the American bombings of Japan. The movie starts with their deaths as their spirits reconnect, recounting their time trying to survive.

Despite being known for their whimsical fantasy stories, Studio Ghibli made one of the darkest movies ever. Any war story is going to be sad to some degree, but focusing on two children and focusing on their survival makes for a heart-wrenching story. To make it even sadder, the author wrote it as what should have happened, giving the audience an insight into his guilt. The film tried to lessen the depression by showing the siblings’ deaths at the beginning, but all that did was ensure the audience that things would never get better. Grave of the Fireflies is a horrific tale of war that highlights the conflict’s atrocities and how little people matter, making it incredibly dark and depressing and one of the best and most influential animated movies ever.


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Grave of the Fireflies


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Release Date

April 16, 1988

Runtime

89 Mins

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Director

Isao Takahata

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Writers

Akiyuki Nosaka, Isao Takahata

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