The New York Times is a true institution, one of the last outlets that still commands widespread respect and whose opinion pieces and recommendations can still impact the broader cultural landscape on a massive scale. A major cornerstone of its content is the Best Sellers list, which compiles the most successful and talked-about books in different genres, acting not only as a recommendation guideline but as a stamp of quality. The books there are the best in the market, and hardly anyone can deny it.
Some books have the fortune of becoming mainstays on the Best Sellers list, as word of mouth spreads and eager audiences embrace them. Such is the case for The Calamity Club, arguably the greatest historical book of 2026 and a strong contender for the title of Best of the Year. The book has spent a whopping 14 weeks on the New York Times Best Sellers list, and it’s still at number 3. Furthermore, it doesn’t look like it’s going anywhere anytime soon, making it the perfect time for you to jump into it if you haven’t already.
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What Is ‘The Calamity Club’ About?
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The Calamity Club is a historical fiction story with strong themes of sisterhood, found family, female liberation, autonomy, and resistance. Set during the Great Depression in Oxford, Mississippi, the plot centers on three characters, each one facing a struggle. Eleven-year-old Meg Lefleur was abandoned on Christmas Eve and now struggles to survive in an orphanage as one of the oldest and seemingly unadoptable children there. Meanwhile, unmarried bookkeeper Birdie Calhoun arrives in town hoping to ask her sister to help her struggling family. Soon, her path crosses that of Charlie, a down-on-her-luck woman, and Meg, and the three will form a strong bond, all while Charlie forms a plan to help her take control of their lives.
Described by Amazon as “an epic testament to underestimated women who know that calamity can be the spark of new beginnings,” the book is one of 2026’s biggest sensations. Author Kathryn Stockett is best known for her 2009 debut, The Help, which was eventually turned into a movie starring Viola Davis, Emma Stone, and an Oscar-winning Octavia Spencer. With The Calamity Club, Stockett revisits familiar themes in a similar setting. However, as she did in her 2009 debut, she injects her story with such vibrancy that it becomes nearly impossible to put it down.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
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🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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Why Is ‘The Calamity Club’ a Great Book?
Image via Spiegel & Grau
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The trio of main characters is by far the book’s strongest asset. Individually, each one is strongly defined, although the bold and outspoken Birdie is the highlight. However, The Calamity Club finds its true magic in the bond that blossoms between the three characters. Both Birdie and Charlie act as surrogate mothers to Meg, and all three come to confide in each other. The dynamic is not without its bumps, but Stockett keeps the emotional core firmly grounded in the connection born between three resilient figures who help each other in far deeper ways than they initially realize. The theme of found family is strong throughout the story, with each character eventually not only admitting their want and need for belonging but embracing it once it’s there.
As she did in The Help, Stockett uses a dark, biting sense of humor to critique, satirize, and often outright mock outdated social customs, beliefs, and behaviors. Birdie’s POV is perhaps the strongest in this sense. As a 24-year-old, unmarried, cynical, and pragmatic woman, she offers her thoughts with acerbic wit, employing a welcome sarcastic tone that makes her chapters stand out. Yes, there’s more than a bit of 21st-century in her personality that makes her not quite fit the setting, but that’s both on purpose and an inevitable necessity, an appeal to connect with modern readers. Also, as a side note, and probably because of the shadow of The Help, I kept picturing Emma Stone while reading Birdie’s narration.
Sure, the book has several elements of heavy melodrama, akin to the movies from the ’40s and ’50s that would star the likes of Joan Crawford or Barbara Stanwyck. The tonal shift in the middle is well-handled, neither too abrupt to discombobulate nor needlessly slow to bore. That said, the truth behind Charlie is rather expected, if not necessarily telegraphed. As in Stockett’s debut novel, the antagonists are borderline cartoonish figures so detestable that you’ll find it hard to ignore the vile in your mouth as you read their deeds. Whether that’s a strength or a hindrance to the overall story will be up to each reader to decide, but I’m inclined to say it’s the latter. A story like this one benefits from overt antagonistic figures, and Stockett sure knows how to write them.
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Should You Read ‘The Calamity Club?’
Some books are so good that they compel a revisit once you reach the last page; The Calamity Club is one. There’s a remarkable accessibility to the book, a level of sheer, unadulterated entertainment that makes it almost impossible to put down. Stockett’s prose is relaxed yet quite insightful, flowing effortlessly between strong character work, vivid descriptions, and engaging, relatable insights into her protagonists’ thoughts, fears, wishes, and joys. The narrative is not straightforward, but Stockett’s writing is, resulting in an incredibly approachable novel, a masterclass in accessibility that makes it the perfect book for avid and casual readers alike.
If you like these types of stories about strong, compelling women defying the status quo through sheer courage, then you simply can’t afford to skip The Calamity Club. Trust me, the book really does live up to the praise. The New York Times called it “pure, hell-raising entertainment“; such raves don’t happen to any book, especially in today’s landscape. Don’t wait until the inevitable movie adaptation; make sure to read The Calamity Club now before Daisy Edgar-Jones plays Birdie on the big screen.
The Calamity Club is available to buy on multiple platforms, including Amazon and Audible.
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