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The Iconic Western That Orson Welles Watched 40 Times While Directing ‘Citizen Kane’ Is Leaving HBO Max

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After a career that began in the silent era and blossomed with supporting roles in the early days of the talkies, John Wayne truly established himself as a leading man in the late 1930s, with a movie that is now regarded as one of the greatest ever made. Wayne would remain at the pinnacle of popularity for decades, earning himself a reputation that makes him synonymous with American cinema. And it all began with an imaginative Western directed by his preferred partner-in-crime, John Ford. The two made several classics together, including The Searchers and The Man Who Shot Liberty Valance, but their 1939 outing remains etched in the history books for its cultural significance. It’s currently streaming in the United States on HBO Max, but not for much longer.

The movie follows a vengeful man who breaks out of prison to nab his father’s killers. He joins an eclectic group that includes a doctor, a prostitute, and a salesperson, as they embark on a stagecoach journey across hostile territory. The movie was so beloved — it grossed more than $1 million at the box office — that Orson Welles claimed to have watched it 40 times while making Citizen Kane. In a conversation with fellow filmmaker Peter Bogdanovich, Welles said that he watched the film “every night for about a month” after dinner. “It was like going to school.”

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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

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⚖️Mayor of Kingstown

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01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




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Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

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🤠
Yellowstone

🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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Here’s How Long You Have Left to Watch the Classic Western on HBO Max

We’re talking, of course, about Stagecoach. The landmark movie now holds a perfect 100% score on the aggregator website Rotten Tomatoes, where the consensus reads, “Typifying the best that the Western genre has to offer, Stagecoach is a rip-roaring adventure given dramatic heft by John Ford’s dynamic direction and John Wayne’s mesmerizing star turn.” Famous Western aficionado Quentin Tarantino, despite his self-confessed “hatred” for Ford as a filmmaker, is a fan of the movie. He told Film Ink in an interview, “I actually do love that film, although I’m not on the record for being a big John Ford fan. But I do think that a case can be made that Stagecoach was a big jump forward in modern filmmaking; it holds up beautifully today. I don’t really think that many directors of that time period would appreciate my movies.” You can watch the movie on HBO Max until the end of the month; alternatively, you can catch it on platforms such as Tubi, Pluto TV, Fawesome, Plex, and more. Stay tuned to Collider for more updates.


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Release Date

March 3, 1939

Runtime

96 Minutes

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Director

John Ford

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Writers

Dudley Nichols

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