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By Douglas Helm
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Before you see Pedro Pascal in The Mandalorian and Grogu this summer, you should find out where he came from. One of his earliest successes was in an underrated sci-fi Western thriller called Prospect, released in 2018.
It’s an intriguing and scrappy film that began as a Kickstarter-funded short. If you want to check it out for free, you can stream it on the Tubi platform.

Prospect follows a man (Jay Duplass) and his teenage daughter, Cee (Sophie Thatcher), as they land on a forest moon to mine for gems. On the moon, they run into two rival prospectors, Ezra (Pedro Pascal) and his silent partner (Luke Pitzrick). While initially hostile to each other, they decide to join forces to uncover the legendary “queen’s lair,” which is a dig site rumored to be filled with riches.

Much like The Mandalorian, Pedro Pascal is teamed up with a young ward in Prospect, though under decidedly different circumstances. Both Pascal and Thatcher give great performances, which helps to carry the tight budget on which the sci-fi was made. It’s not a sci-fi laden with special effects, but if you love a good character-driven piece, this might be the right film for you.
When Pedro Pascal starred in Prospect, he was best known for his roles as Oberyn Martell in Game of Thrones and Javier Pena in Narcos. It was just before he rocketed to superstardom in projects like The Mandalorian, The Last of Us, and the upcoming Fantastic Four. As you might expect, Pascal gives a riveting performance as a prospector whose intentions are, at times, hard to read.

The story before Pedro Pascal’s casting in Prospect is pretty interesting, too, as the directors and writers of the film, Zeek Earl and Chris Caldwell, were mostly making commercials and short films through their Shep Films banner at the time. Eventually, they secured $21,000 on Kickstarter to make a short film of Prospect, which garnered attention at the SXSW Film Festival and became a viral hit on Vimeo. They would then get $4 million from Canadian BRON Studios to turn it into a feature-length production.

With $4 million still being a tight budget for a film, they then got access to a former ship-building warehouse to make many of the practical ships, costumes, and weapons for the film. It’s safe to say that nowadays, they wouldn’t have had the budget for Pedro Pascal to star, so it’s definitely cool to see him in a more indie-level project like Prospect. The film ended up getting pretty positive reviews, too, making it an overall success.

Pedro Pascal’s Prospect is a perfect weekend double-feature pairing with Disney’s new, big-budget Star Wars adventure.
It’s been quite a while since we’ve seen a book series with the level of hype and general popularity that Dungeon Crawler Carl has been experiencing over the last several months. Matt Dinniman‘s LitRPG sci-fi series has been steadily building a big audience for a couple of years now, but the end of 2025 and the first few months of 2026 have seen it reach new heights. There are still new readers joining the ranks of the Dungeon Crawlers every single day, beginning their journey through the eight-book series that has captured so many others.
Excitement reached a high point back in April with the release of the eighth Dungeon Crawler Carl novel, A Parade of Horribles. While some are currently working their way through the series to get to the newest release, a large chunk of the fan base burned through the new book within a couple of days. Of course, once you finish A Parade of Horribles, the first thing on your mind is when you’ll be able to read the next chapter. There’s still no answer to that question at this point, but we do know exactly how many books are left before the series comes to a close.
So, just how much is left in Dungeon Crawler Carl? Dinniman has already answered this question publicly, though the answer itself is a little bit complicated. There are going to be nine books in the Dungeon Crawler Carl series. At the same time, there are also going to be ten books in the saga. It’s all about how you want to look at it.
Dinniman is currently working on the ninth and final entry in the series, which will bring a close to the story that began in Dungeon Crawler Carl. That said, there will be 10 individual volumes within Dungeon Crawler Carl by the time it’s all over. The author has already announced that he will be splitting this ninth installment into two separate volumes, meaning that there will be two individual releases for the end of the story, likely with Part 1 and Part 2 included in the titles.
There are a number of different reasons for the split into two books, and Dinniman has addressed more than one. The book will likely be more than big enough to warrant separate volumes, and the author has already said he’s using the split and single title as a reason to drop a big cliffhanger at the end of the next installment.
Hulu’s 3-Part Sci-Fi Series Is the Perfect Weekend Binge for ‘Dungeon Crawler Carl’ Fans
NEW ACHIEVEMENT: You found another sci-fi show to binge!
Dungeon Crawler Carl lends itself to a plethora of spin-off or continuation ideas, given the vast nature of the galaxy in the book, as well as of the endlessly intriguing characters in the series, many of which deserve their own series at some point. Unfortunately, there is no kind of spin-off book in the works right now, and Dinniman has not revealed any major plans to do so — at least in classic book form.
There is a standalone graphic novel on the way that focuses on the origins of fan-favorite character Florin, the bounty hunter-turned-humanoid crocodile in the time before the dungeon opened up on Earth. Co-written by Dinniman and Michael Moreci, and illustrated by Brett Bean, Dungeon Crawler Carl: Crocodile is going to be hitting shelves at some point (following its crowdfunding campaign).
It appears, at least for now, this is the only sort of spin-off/prequel/sequel coming from Dungeon Crawler Carl. However, the franchise is only going to keep popping up in all sorts of spaces in the future. There is a role-playing game and card game coming from Renegade (after a record-breaking crowdfunding campaign), as well as a live-action TV show from Seth MacFarlane in the works at Peacock.
Peacock
Chris Yost
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Anthony Albanese was criticized for “embarrassing” remarks during “shag, marry, date” game involving Australian icons Minogue, Nicole Kidman, and Rhonda Burchmore.
Trigger Warning: This article features discussions of sensitive subjects.Perhaps one reason we turn to television is its vast capacity and freedom to tell stories. Whether short-term miniseries or long-running shows, the small screen has hosted some of the riskiest and most daring moments. Some have served as teaching tools while others nearly set the world on fire. Whether for better or worse, it’s the latter that has made a lasting impact on the media and pop culture.
The episodes below are considered some of the most controversial of all time. They were so controversial that they sparked a national conversation and drew backlash in the process. From taboo topics to groundbreaking moments, these episodes reshaped the types of stories that would be told and how they’d be handled. For the most part, these moments came from long-running serialized shows where the event was centralized to the episode. Some of these episodes were so scandalous, they have been pulled from ever airing again. So, if you didn’t watch in real time, good luck uncovering them!
There are very few sitcoms more infamous for their boundary-pushing than All in the Family. Created by Norman Lear, the series followed the Bunker family living in Queens. Through sharp satire and intense debates, All in the Family thrived on the clash of values between the “Greatest Generation” and the Baby Boomer counterculture. Before its nine-season run, network television tended to avoid taboo subjects and gritty real-world conflict. That all changed here. There were many memorable moments that shocked viewers, but the episode that garnered the most controversy was Season 8’s “Edith’s 50th Birthday.” In the episode, a man named Lambert (David Dukes), while posing as a police detective, attempts to rape Edith Bunker (Jean Stapleton) on her 50th birthday. Her family is unaware of the events unfolding as they prepare for a surprise party next door. Broken up into two parts, the episode also depicts Edith struggling to deal with the aftermath as her family both comforts her and brings her assailant to justice.
All in the Family went to uncharted territory here. The 1977 episode was monumental as it was the first time an attempted rape was portrayed on an American sitcom. It shocked audiences as they watched a beloved, wholesome character fall into a terrifying and realistic violent assault. By tackling such a raw, terrifying subject, the show polarized viewers who turned to it for laughs. Lear believed that he chose the gentle and sheltered Edith to be the victim to showcase how sexual assault can happen to anyone. It was an unsettling feeling for audiences who viewed her as virtually untouchable. Though there were many fans outraged by the dark episode, it was used as a teaching tool by crisis centers to convey the female perspective of assault and survival. Since All in the Family, the theme has been a consistent feature on television, all thanks to Lear’s groundbreaking episode.
Today, Ellen DeGeneres is known as one of the pioneers for LGBTQ+ individuals in media, but her coming out was not as easy as it is today. The former talk show host used her ’90s sitcom, Ellen, as a means to come out. Unfortunately, it was not met with immediate praise or warm welcomes. Ellen followed the neurotic and quirky adventures of Ellen Morgan (DeGeneres), a single 30-something woman living in Los Angeles. The series focused on her daily struggles with her career at a local bookshop, complicated dating scenarios, and the close-knit but odd circle of friends—her neurotic yet loving best friend Paige Clark (Joely Fisher), her snarky, cynical coworker Joe Farrell (David Anthony Higgins), her naive and hyperactive friend Audrey Penney (Clea Lewis), and her self-absorbed, aspiring actor friend Spencer Kovak (Jeremy Piven). What started as a wholesome slice-of-life comedy changed during the milestone Season 4 episode, “The Puppy Episode.”
The episode follows Ellen as she goes to dinner with her former boyfriend Richard (Steven Eckholdt), who is in town with his producer, Susan (Laura Dern). Ellen and Susan immediately hit it off, allowing Susan to suggest that, like her, Ellen might be gay. Initially denying it, a panicked Ellen tries to sleep with Richard to prove to herself that she isn’t. When the plan fails, she seeks guidance from a therapist (Oprah Winfrey). She ultimately comes to terms with her sexuality, which leads to the iconic moment at the airport where an accidental mix-up with the intercom causes her to publicly come out, declaring, “I’m gay.” Meant to mirror her real-life coming out, the star negotiated with ABC for her character to come out, leading to speculation about DeGeneres herself. There were subtle hints scattered throughout the episodes leading up to “The Puppy Episode,” but the controversy arose before it even aired.
Many organizations, including the American Family Association, pressured the network to drop the storyline while urging sponsors to pull their ads. It worked as Chrysler and Wendy’s cut ties, as ABC placed a parental advisory warning at the beginning of the broadcast. Amid a flurry of backlash, condemnation, and support, DeGeneres used the moment to speak out, appearing on The Oprah Winfrey Show with then-girlfriend Anne Heche on the date of the sitcom episode. The episode liberated queer storytelling but ultimately hurt the series, which ended the following year. The series’ formerly comedic tone gave way to more serious themes and topics, with subsequent storylines centered almost entirely on gay issues, which were more taboo than than they are today. “The Puppy Episode” was a crucial moment for LGTBQ+ visibility despite its initial backlash. The Fall television season following the end of Ellen gave way to Will & Grace.
Adult animated sitcoms were notorious for pushing the boundary. Family Guy was one of the leaders in that respect. Created by Seth MacFarlane, Family Guy satirized American culture through the lives of the eccentric and dysfunctional Griffin family in the fictional town of Quahog, Rhode Island. Driven by rapid-fire, irreverent humor and cutaway gags, Family Guy turned the traditional nuclear family dynamic upside down through dark humor, pop culture parodies, and controversial topics. One episode that sparked a conversation that the show went too far was the Season 8 episode, “Partial Terms of Endearment.” The plot follows Lois Griffin (Alex Borstein), who agrees to act as a surrogate mother for an infertile college friend, Naomi (Julia Sweeney). Tragically, the biological parents are killed in a car accident days after conception, leaving Lois with the difficult choice of whether to keep the baby or terminate the pregnancy. The episode was provocative, but not everyone found it handled with care.
Rather than a straightforward drama like the classic sitcom “Special Episode,” it applied the signature irreverent humor to the tragedy. In one moment, after Peter (MacFarlane) believes Lois should terminate the pregnancy, he tries to force Lois to miscarry by dressing like Wile E. Coyote and utilizing ACME-style traps in the desert to try and harm her, all through slapstick animation. Both the pro-life and pro-choice arguments are presented, featuring intense protests and highly polarizing debates between the show’s characters. The episode concludes with Peter breaking the fourth wall, saying, “We had the abortion,” as the final punchline. Fox deemed the subject matter too sensitive for network television, ultimately resulting in the episode being banned from airing on U.S. television. That said, it was viewed by fewer than a million homes during its original airing in the UK and did make it onto the DVD.
Sitcom characters getting pregnant nowadays serve as a major and important plot point. They tend to be seen as a positive. There are cases in which the actor becomes pregnant, which wouldn’t work for the character, forcing the show to creatively hide the real-life miracle. But in the early days of television, pregnancies were a taboo topic for storytelling. In fact, network censors believed that depicting and explicitly discussing pregnancy was highly suggestive and obscene. So, what would happen to I Love Lucy when it was learned that it’s star, Lucille Ball, was with child? She changed the way things were done. I Love Lucy was a classic sitcom that followed a zany, ambitious housewife obsessed with breaking into show business. She was often seen concocting hilarious, sometimes doomed, schemes to perform at her husband Ricky’s (Desi Arnaz) nightclub, dragging her best friend and neighbor, Ethel Mertz (Vivian Vance), into the mix. In the Season 2 episode, “Lucy Is Enceinte,” Lucy discovers she is pregnant and tries to find the perfect, dramatic way to tell Ricky, but her efforts are constantly thwarted. She ultimately makes the grand reveal through song at the Tropicana. Marking the official launch of the “Little Ricky” storyline, Ball’s pregnancy was written into the show with much protest.
Because pregnancy directly implied a couple engaged in intimacy, the strict policing of sex references on screen caused the network to try to have Ball sit behind chairs and tables to hide her growing belly. The word “pregnant” was even dodged, making the character question why she was experiencing weight gain and low energy. But with Ball and Arnaz standing their ground that a married woman having a baby was a natural, beautiful thing, pushing the storyline through led to concessions being made. The title had to use the French word for pregnancy. Producer Jess Oppenheimer had to employ an interfaith panel of clergy to review each script line by line to ensure it remained wholesome. In the end, the storyline proved an unprecedented success, with a record-breaking 44 million viewers tuning in for the birth episode. Without one of TV’s favorite couple standing up for change, the entire landscape of television could have been altered.
Of course, if you’re a spin-off of All in the Family, it’s expected that at some point, you’ll tackle a shocking storyline. In 1972, Maude followed through. The sitcom stars Bea Arthur as Maude Findlay, an outspoken, fiercely independent, and unapologetically liberal middle-aged woman living in suburban New York with her fourth husband, Walter (Bill Macy). Created by Norman Lear, the series blended domestic situations with then-taboo social issues, frequently clashing with conservative neighbors and family members. Throughout its six-season run, Maude tackled everything from women’s and gay rights to mental health and addiction, but the episode that met the most backlash was the episode that explored abortion. In “Maude’s Dilemma,” the 47-year-old Maude discovers she is pregnant and ultimately chooses to terminate the pregnancy. It was a stark contrast from other shows that tackled similar situations, instead of using perceived “cop-outs” of miscarriages or false pregnancies.
Timing was everything because the story arrived merely two months before the Roe v. Wade Supreme Court decision. Would that have changed public perception? It’s hard to say. At that moment, the controversial premise led to nearly 40 CBS affiliate networks refusing to air the premiere or subsequent reruns of the episodes. It drew the backlash of the United States Catholic Conference and sparked an estimated 7,000 to 17,000 protest letters sent directly to CBS. The episode divided households. The initial script found Maude’s neighbor Vivian (Rue McClanahan) pregnant, leading to a conversation about contraceptives, but he thought the funnier concept would be the wrong woman being pregnant. But having already used a miscarriage on All in the Family, he decided Maude would realistically have had an abortion despite her moral turmoil regarding the subject. The direct unapologetic stance on the issue of bodily autonomy paved the way for shows to tackle it in the future in a post-Roe v. Wade world.
The ‘80s was filled with wholesome family sitcoms. There were some shows that broke the traditional mode, but with a mindset of how sitcom stories should be told, why deviation from the format would be deemed controversial. Perhaps even not responsible. Even in a post-The Mary Tyler Moore world, it was rare to see a workplace comedy led by a strong, independent woman. And yet, Murphy Brown cracked the code. The Diane English-created series follows the professional and personal misadventures of Murphy Brown (Candice Bergen), a highly respected, sharp-tongued, and recovering alcoholic investigative journalist for the fictional news magazine show FYI. Best known for its perfect blend of workplace comedy with sharp social commentary and real-world politics, the series found itself in the crossfire when Vice President Dan Quayle publicly criticized the titular character for choosing to raise a child as a single mother. In the run-up to the 1992 election, Quayle used the show as a punching bag, arguing that a highly paid, professional woman bearing a child alone was “mocking the importance of fathers.”
As a direct rebuttal of the family values debate, the Season 5 premiere, “You Say Potatoe, I Say Potato,” the episode follows the aftermath of Quayle’s controversial real-world speech attacking Murphy Brown for undermining family values. In turn, the FYI newsroom retaliate by producing a special episode of the show. Instead of backing down, they use the broadcast to highlight and celebrate the wide diversity of modern American families. The title was a direct reference to a real-life incident where Quayle notoriously corrected an elementary school student’s correct spelling of the word “potato,” erroneously insisting it be spelled with an “e.” To get back at Quayle, the punchline becomes Murphy dumping a massive truckload of potatoes onto the Vice President’s lawn. The episode created an unprecedented blend of reality and television fiction, drawing an estimated 70 million viewers.
Nowadays, the Pope has become a punching bag for political discourse. Once upon a time, simply ripping up a photo of the Pope was cause for controversy. The incident in question occurred on Saturday Night Live, but not during a sketch; it was during a performance by musical guest, Sinéad O’Connor. The long-running sketch show has notoriously pushed the boundaries as even some guest hosts have been banned over the years, but during the 1992 episode hosted by Tim Robbins, his appearance was swiftly overshadowed during O’Connor’s unapproved on-air protest, where she sang an a cappella version of Bob Marley‘s “War,” held up a photo of Pope John Paul II, ripped it into pieces, and told the audience to “fight the real enemy”.
Much of the Irish singer’s reasoning behind her actions was to protest the alleged systemic cover-up of child sexual abuse within the Catholic Church prior to the scandal becoming public knowledge. In turn, the action was widely misunderstood and sparked immediate global outrage. The deceit came because, during dress rehearsals, she tore up a photo of a refugee child instead. Because the stunt was entirely unscripted, she blindsided Lorne Michaels and the producers. Michaels immediately ordered the crew not to light the “Applause” signs, resulting in dead silence in the studio before cutting to a commercial. NBC was hit with a massive fine by the FCC. O’Connor was swiftly banned from the program, cementing herself in SNL history. The following week, host Joe Pesci used his monologue to fiercely criticize her and declared he would have “smacked” her. O’Connor revealed in her 2021 memoir, Rememberings. She had no regrets about the controversial performance. “I feel that having a No. 1 record derailed my career, and my tearing the photo put me back on the right track,” she wrote.
Though it was a show about nothing, they sure knew how to make something out of nothing! The iconic sitcom Seinfeld followed the mundane, everyday misadventures of a neurotic stand-up comedian, Jerry Seinfeld, and his three eccentric friends in New York City, George Costanza (Jason Alexander), Elaine Benes (Julia Louis-Dreyfus), and Cosmo Kramer (Michael Richards). The quartet were notorious for their bad deeds, but one of the worst moments came during the Season 9 episode, “The Puerto Rican Day.” The episode chronicles Jerry, George, Elaine, and Kramer as they get stuck in massive traffic returning from a Mets game during the annual Puerto Rican Day Parade. While they each deal with their own isolated, comedic misadventures, the controversy stemmed from Kramer using a sparkler to light a cigar but accidentally setting a nearby Puerto Rican flag on fire. To extinguish the flames, he stomps on the flag. It only got worse. Later in the episode, an angry mob of parade-goers damages Jerry’s car, and Kramer says, “It’s like this every day in Puerto Rico.”
The episode sparked backlash, even before broadcast due to the title, with community leaders perceiving there would be offensive material. The depiction provoked widespread protests outside NBC’s Rockefeller Center in New York City. The National Puerto Rican Coalition strongly condemned the episode, stating that the flag was being used as a disrespectful stage prop. During the Season 9 DVD extra features, two of the episode’s writers, Steve Koren and David Mandel, shared that despite the title, the episode essentially has nothing to do with Puerto Ricans, and that they could have moved the setting to any of the many annual parades without significantly changing the story or dialogue. Even despite the pushback, NBC officially apologized for the episode and pulled “The Puerto Rican Day” from syndication, making it largely unavailable to air on television for several years. That all changed. Sony Pictures Television eventually re-added the episode to the syndication package in 2002, and it is now available to stream on platforms like Netflix. Perhaps the most striking fact, the episode was the show’s second-highest-rated episode of all time, with 38.8 million viewers, only behind the series finale.
We all knew that South Park would do something brazen for its milestone 200th episode. No one anticipated just how far Trey Parker and Matt Stone would go. The adult animated series follows the surreal, often chaotic misadventures of four foul-mouthed schoolboys—Stan Marsh (Parker), Kyle Broflovski (Stone), Eric Cartman (Parker), and Kenny McCormick (Stone)—living in a small Colorado mountain town. Known for its distinct paper cutout animation style, the series is notorious for its scathing that pokes at a wide variety of mature, real-world topics and pop culture commentary. In the Season 14 episode simply titled “200,” Tom Cruise and a mob of over 200 angry celebrities, including Kanye West, Mel Gibson, and Paris Hilton, file a class-action lawsuit against South Park for past ridicule. Cruise offers to drop the suit if the town delivers the prophet Muhammad, whose image is considered off-limits to mockery, to help the celebrities avoid further public ridicule. And just like that. Muhammad is depicted, causing immediate backlash from the Muslim community. Though the Islamic prophet is often concealed inside a U-Haul truck or in a bear costume, just having Muhammad as part of the plot was considered insensitive and strictly prohibited by many Muslims.
Following the broadcast, the creators received death threats, including from Revolution Muslim, stating that they would face the same fate as Dutch filmmaker, Theo van Gogh, who was murdered for creating content critical of Islam. Because of the escalating threats, Comedy Central heavily censored the subsequent follow-up episode, “201,” including aggressively bleeping out all dialogue that mentioned Muhammad’s name and completely removing the characters’ overarching moral speech, resulting in a disruptively censored final product that angered both fans and free-speech advocates. Many individuals in the media took to their platforms to call out the threats, going as far as to call the threats chilling. With corporate fears of further security concerns, both episodes were banned from syndication, completely left off digital and DVD releases, and excluded from streaming platforms. Ultimately, the author of the post, Zachary Chesser, was subsequently sentenced to 25 years in federal prison.
It might come as a great shock that a beloved kids’ animated classic would wind up on this list, but Tiny Toon Adventures made one grave mistake in 1991. The legacy series followed a new generation of young cartoon characters attending Acme Looniversity in Acme Acres. Mentored by the likes of Bugs Bunny and Daffy Duck, the kids learn the art of slapstick comedy and cartoon antics. Within each episode, multiple vignettes are played, and it was one known as “One Beer” that had the nation in a tizzy. In the segment in the larger episode “Elephant Issues,” Buster, Plucky, and Hamton get heavily intoxicated from a single bottle of alcohol. As a result, they grow stubble, develop bloodshot eyes, slur their speech, and undergo outfit changes to resemble “drunken bums.” Then, they steal a police car, and subsequently, recklessly drive off a cliff. To put a true button on an uncomfortable moment, the trio “die” as they float up to heaven as angels.
The episode was initially designed to be a comically dark, cautionary PSA against drinking. Instead, it was a complete misfire. The episode was swiftly pulled from syndication to avoid further backlash and potentially send the wrong message to young viewers. The ban was eventually lifted as the episode aired on networks like The Hub and Hulu, as well as appearing on the DVD release of the complete series. The dark and surreal segment didn’t deter the series or its legacy as a reboot returned in 2023 with Tiny Toon Looniversity. Even in the college version, the series didn’t go that dark.
Over a week ago, MGM+ delivered one of the most exceptionally brutal finales in recent history, and fans are still recovering. Having returned for its fourth season earlier this April, From kicked off with a disturbing premiere that saw the tragic loss of a major character and the introduction of one of the show’s worst villains yet. Fast-forward ten episodes later, and things could not have gotten any bleaker for the characters, who were left facing an even worse fate.
From is currently the No. 1 sci-fi horror title on television, and its fourth season officially wrapped on June 28, 2026. Given that shocking finale cliffhanger, fans are already desperate for the next chapter. Fortunately, their prayers have been answered: a highly encouraging update about the show’s future has dropped, courtesy of its cast. It is worth noting that on April 15, 2026, just days before the Season 4 premiere, MGM+ officially renewed the hit series for a fifth and final season.
According to actor Ricky He, who plays Kenny Liu, production on From Season 5 is already officially underway. He took to Instagram to share two photos with the caption, “We’re starting to shoot season 5 btw,” playfully adding “anghkookies,” an amusing reference to the word “anghkooey,” which holds massive significance in the show’s lore. Further confirming the news, co-star Hannah Cheramy (Julie Matthews) posted an Instagram Story featuring several fan-favorite cast members gathered around a table, each studying their individual screens, likely reviewing scripts. Production goes on in Halifax, Nova Scotia, and filming is expected to wrap on November 28. Season 5 has yet to have a premiere date.
Created by John Griffin, the 96% Rotten Tomatoes series is set in a sinister, small American town that traps anyone unfortunate enough to enter. Over the past four seasons, the residents have struggled to survive while being hunted by terrifying, nocturnal creatures that emerge from the surrounding forest at night and slumber during the day. The townspeople desperately search for secrets hidden within the town and beyond in hopes of finding a way out, and as hinted in the From Season 4 finale, their latest attempt failed. In addition to He and Cheramy, From features a stellar ensemble cast led by Harold Perrineau, Catalina Sandino Moreno, David Alpay, Elizabeth Saunders, Scott McCord, and Chloe Van Landschoot.
From Season 5 is coming soon. Stay tuned to Collider for further updates about the new season, and check out He’s filming post below.
February 20, 2022
Epix, MGM+
Jack Bender, Brad Turner, Alexandra La Roche, Bruce McDonald, Jeff Renfroe
Vivian Lee, Kristen Layden, Brigitte Hales, Jeff Pinkner, John Griffin
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They might not be part of the same royal family, but Queen Letizia and Kate Middleton do have a few things in common — especially when it comes to footwear. The two women appear to be fans of navy wedges, an easy, elevated shoe choice that somehow never looks dated, and is far more versatile than you’d think.
Middleton has been wearing wedges for decades, and while she’s often spotted in a beige espadrille option these days, her dark blue pair is downright iconic. She’s styled the pick with jeans, long skirts, maxi dresses and much more, which is why we immediately thought of her when Queen Letizia wore a similar shoe with structured blue trousers earlier this month. The Spanish royal’s outfit further convinced Us that navy wedges are a worthy investment, and if you’re ready to add a timeless summer shoe to your own wardrobe, scoop up Dream Pairs’ Elastic Ankle Strap Espadrilles ASAP.
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Despite being priced at a reasonable $31, the espadrilles could pass as something you’d find front and center in a royal wardrobe. The faux suede, closed-toe design gives the shoes an elegant appearance, working just as well in the summer months as they do on breezy fall or spring days. While the ankle strap and synthetic leather insole keep things secure, there’s also plenty of cushioning, allowing you to wear them for long periods, like at a family party or an important public engagement.
For her appearance, Queen Letizia kept things simple yet polished in dark pants and a white button-down shirt, using her navy wedges to pull the look together and add a special, seasonal touch. However, the same style could easily be worn with floral maxis, cropped jeans or Bermuda shorts, giving the shoes a fresh, fun and modern twist for 2026.
The Dream Pairs wedges have hundreds of glowing reviews, with many highlighting the shoe’s versatility.
“So comfy and cute! Perfect for the office or a night out,” one shopper wrote. “I loved them so much, I ordered the black pair as well!”
Another person mentioned the pair is “perfect for outdoors” (they won’t sink into the grass like a regular heel, but still feel dressy), while a different reviewer was shocked there was no break-in period.
“Super comfortable right away! Was very surprised,” they said. “No pinching anywhere, and wore them all day right out of the box. Definitely getting [it] in other colors!”
Of course, the navy option is our top choice, inspired by two of the best-dressed women out there. However, if you prefer something different, the same shoes come in white, black and even a light pink-knit alternative. Each shade is just as chic as what the royals wear, making it highly likely you’ll follow their lead and reach for this style again and again for years to come.
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Looking for something else? Explore more wedges here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
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This July, Netflix is doing what some have previously considered impossible by rebooting Little House on the Prairie. Hoping to keep more in-step with the original novels by Laura Ingalls Wilder, the streaming series will likely feel like a departure for many longtime fans of the original Michael Landon-led series. But for those still unsure about Netflix’s upcoming reimagining, there’s no better time to jump back into the original NBC program.
Little House is best known for its generally upbeat, Midwestern-style of storytelling that, in many respects, was ahead of its time. The mixture of traditional family values and old-time religion with pure Americana is nostalgic for many, and every rewatch is a genuine delight. So, before Netflix’s new take on Wilder’s famed tale, return to Walnut Grove with these memorable Little House on the Prairie episodes.
In only the second episode of the series, Little House establishes one of its most important on-screen dynamics. “Country Girls” introduces Laura (Melissa Gilbert) and Mary (Melissa Sue Anderson) to their longtime Minnesota nemesis Nellie Oleson (Alison Arngrim), who uses the titular term to deflate the newcomers. Of course, as the Ingalls girls deal with Nellie, Caroline (Karen Grassle) struggles to hold her tongue around the girl’s mother, Katherine MacGregor‘s never-changing Harriett Oleson.
“Country Girls” is classic Little House in every sense. As the Ingalls wrestle with taking the high road, the Olesons push every button imaginable, infuriating us as much as they do the Ingalls mother and daughter. Of course, in all of this, Charles (Landon) and Nels (Richard Bull) are stuck firmly in the middle.
The first hour-length episode of Little House, “A Harvest of Friends” brings the Ingalls family to the banks of Plum Creek just outside Walnut Grove. It’s here that the regular cast of characters is introduced. Mr. and Mrs. Oleson, Reverend Alden (Dabs Greer), “Doc” Baker (Kevin Hagen), and Lars Hanson (Karl Swenson) all welcome the Ingalls to their neck of the prairie, as Charles overworks himself around town.
“A Harvest of Friends” is largely Charles-centric (and was directed by Landon too), establishing his honest, hard-working, and morally-upright character from the very beginning. The episode is an effective glimpse into the warm, cozy feelings that would be invoked by the series long-term, and is a perfect watch for those hoping to recapture the nostalgia.
You may have forgotten that Johnny Cash guest starred on Little House back in the day, which means there’s no better time to rewatch “The Collection.” Cash has an interesting (and strange) filmography, but this is undoubtedly one of his best roles. Playing ex-con-turned-faux-preacher Caleb Hodgekiss, Cash befriends young Mary and weasels his way into the hearts of all in Walnut Grove after Rev. Alden is unable to fulfill his ministerial duties. Of course, the truth eventually comes out.
In addition to Cash, June Carter Cash appears as Mrs. Hodgekiss, with both offering their musical talents. While Little House wasn’t a show that ever needed to rely on guest stars to bring in an audience, “The Collection” presents viewers with a well-known entertainer by playing to his strengths and organically including him in the story. Sure, it just feels like “Johnny Cash has come to Walnut Grove,” but there’s nothing wrong with that.
Laura and Nellie were always fighting on Little House, but never was their rivalry more mean-spirited and violent than in “The Richest Man in Walnut Grove.” The Season 2 premiere pits the two against each other once again when Nellie makes fun of Charles for smelling like manure after he’s forced to take another job to make end’s meet. The result? Laura finally socks Nellie right in the nose.
This Little House episode balances Laura’s insecurities with Charles’ determination, culminating in the former’s final speech to her rival. “Hardworking folks only smell bad to folks who have nothing to do but stick their noses in the air,” Laura tells Nellie. “Well, whenever you stick your nose in the air with me, Nellie, it’s gonna get punched.” That’s our girl.
Few Little House episodes center so diligently on Caroline, but one of the best came early on during the show’s first season. “School Mom” puts Mrs. Ingalls in the teaching seat after Miss Beadle (Charlotte Stewart) is injured and school would otherwise be canceled. With the town unwilling to keep their children home for some time, Caroline steps up, only to find that one student in particular needs special attention.
As Caroline attempts to teach Abel McKay (Dirk Blocker), her efforts are challenged when Mrs. Oleson humiliates the boy. Of course, an Ingalls doesn’t give up so easily. “School Mom” also doubles as a Bonanza reunion of sorts (not unlike another Little House episode which copied the plot from a Bonanza episode), as Dirk Blocker was the son of Dan Blocker, Michael Landon’s former castmate on the hit Western program.
One of the more creative episodes of Little House on the Prairie, “The Legacy” lives up to its name by exploring how Charles Ingalls would be remembered a century after the fact. No, the episode doesn’t address the true Ingalls family history, but rather begins in the 1980s with a young couple who purchase an antique folding-leaf table that boasts the initials “CI” on the side of it. Looking back to the 1880s, the episode explores Charles’ journey in carpentry.
“The Legacy” is a great episode. It’s meditation on what it means to make a name for yourself is quite profound, and it’s one of only two episodes (the other being Season 9’s “Once Upon a Time”) that include a “present day” sequence. Of the two of them, “The Legacy” most stands out as Charles wrestles with his life and the type of man he wants to be remembered as.
One of the more well-known episodes of Little House, “The Wisdom of Solomon” follows the young Solomon Henry (Todd Bridges), a blind boy from the South who arrives in Walnut Grove after running away from home. While there, his existence challenges the racist views of people like Mrs. Oleson who can’t help but see color. Unable to see it himself, Solomon treats everyone with kindness and respect, encouraging others to do the same.
“The Wisdom of Solomon” has some heart-wrenching moments that may just bring you to tears, but also offers real levity in the way of one of Charles’ best jokes (you’ll just have to hear it for yourself). The episode also introduces Don Pedro Colley as Dr. Tann (spelled Tane here for some reason), a character fans will be familiar with from Wilder’s original books. Sadly, he only shows up once here on the NBC program, but he played a bigger role in the 2005 miniseries adaptation.
Speaking of episodes that will bring you to tears, the two-part “I’ll Be Waving as You Drive Away” has often been considered the very best of Little House on the Prairie. Those familiar with the Season 4 finale will remember that this is the episode where Mary’s historical fate is sealed as she begins to go blind. Few episodes centered on Mary (most favored Laura), but this memorable two-parter offered Melissa Sue Anderson truly exceptional material to work with.
As the Ingalls wrestle with the right thing to do for their daughter, Mary begins the next part in her Little House journey. It’s a wonderful tale that reminds the Ingalls (and the viewer) that God’s plans are often not our own. Although this moment would change Mary’s life forever, it never stopped her from being a part of the show, sticking with the series (albeit, in a deceased role at times) through its eighth season.
Another gut-wrenching episode of Little House, the two-part “The Lord Is My Shepherd” puts the Ingalls family through the wringer as it explores a lesser-known event in their real-life history not disclosed in Wilder’s novels. As the Ingalls family welcomes a new baby boy, tragedy strikes when he suddenly gets sick and dies. Laura, who had been jealous of her little brother, is distraught by the experience, and runs away into the mountains to make a deal with God.
As Charles and Isaiah Edwards (Victor French) go in search of “Half Pint,” Laura meets a stranger named Jonathan (Ernest Borgnine), who eventually encourages her to signal for her father. The whole two-part episode is a grand portrayal of grief, loss, and faith as the Ingalls family wrestles with their toughest challenge yet. In the end, although not everything turns out as they hope, the family is able to unite once more and brave another day.
Before “A Harvest of Friends” ever aired on NBC, Little House began as a made-for-TV pilot film that covered many of the events disclosed in both the Little House in the Big Woods and Little House on the Prairie novels. Setting the stage for their eventual settling in Walnut Grove, the 96-minute pilot film takes the Ingalls family from Wisconsin to Kansas (though it’s all really California) to make a new life for themselves out West. Of course, that comes with plenty of challenges.
Directed by Michael Landon and penned by Blanche Hanalis, who developed the series, the pilot film is essential viewing for anyone hoping to brave the Midwestern frontier. Although not every piece of the series itself would fall into place, the film establishes the Ingalls family as a hard-working, persistent unit who will stick together through thick and thin. It also introduces Mr. Edwards, who would be a major part of the show’s early years and a consistent guest throughout it’s entire nine-season run.
1974 – 1983
Victor French, William F. Claxton, Leo Penn, Alf Kjellin, Joseph Pevney, Lewis Allen, Maury Dexter, Michael Ray Rhodes
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The Oscar-winning actress provided a live video dispatch that played on “The View” in her absence.
Taylor Frankie Paul agreed to take a sobriety test in an attempt to resolve her ongoing custody dispute with ex-husband Tate Paul.
Court documents obtained by Us Weekly on July 2 outline a plan for Taylor, 32, to resume “unsupervised parent time” with her and Tate’s two children after Tate recently sought to restructure their custody agreement. (Taylor and Tate share daughter Indy, 8, and son Ocean, 6. The reality star also shares son Ever, 2, with ex-boyfriend Dakota Mortensen.)
On Tuesday, June 30, Tate filed a request for a temporary restraining order in a Utah court to change the terms of his and Taylor’s divorce and custody agreement. He submitted text messages and calls as evidence that Taylor recently checked into a rehab center without telling him. (Us reported on July 1 that Taylor voluntarily entered a rehab facility for a short stay and has since left.)
Tate’s request was denied by the court on Wednesday, July 1, because more information was needed. (Tate resubmitted an amended request the following day.)
“As Tate himself recognizes, many of his supporting allegations are based upon inadmissible hearsay, without any corroborating evidence,” court documents from July 1 read. “Many of the concerns, like the children not doing well in school and expressing sadness will require ongoing attention not remedied with an emergency order changing custody.”
The filing continued, “The court acknowledges that what he is allegedly hearing can create anxiety, but contrary to the claim that the children are in immediate danger, Taylor proffers that Tate left the children with her from June 11 through the 17, 2026, while he went to Iceland. The court cannot find an immediate and irreparable harm as contemplated by Rule 65A, and the motion is denied.”
These new court rulings from a Utah judge addressed Tate’s assertion that “recent events” caused the Department of Children and Family Services (DCFS) to look into the welfare of his and Taylor’s children.
“Not only is this hearsay, the court needs some idea as to when and what happened and what steps DCFS has taken,” the filing read. “The only allegations are that ‘DCFS communications made the emergency nature of the risk clear.’ This is a conclusion. The court needs facts as to what supports the conclusion that there is an emergency.”
Tate’s affidavit claimed that he “learned” from a family member that Taylor recently had a voluntary stay in rehab.

“Tate asks the court to consider the pattern of behavior over several years, arguing that the pattern is about to explode,” a Utah judge responded. “He is very concerned about Taylor’s admission to the Alpine Recovery Lodge, and Taylor’s allegedly lying about the reason for the stay.”
His affidavit also indicated that the production teams working with Taylor have “had it” with her. (Mormon Wives producer Jeff Jensen said in May that he was “very hopeful” that she’d resume filming on the show soon following a break in season 5 production.)
“There are many reasons for a production team to become frustrated with the talent. Foundation and details are lacking,” the judge wrote.
The court acknowledged that Taylor “made two offers” in an attempt to resolve Tate’s concerns over “Taylor’s admission to the Alpine Recovery Lodge, and [her] allegedly lying about the reason for the stay.”
Taylor agreed to share her treatment records with the DCFS and offered to take a drug test. (Taylor initially asked for Tate to take a drug test as well but the judge found no cause to “order Tate to take a drug test.”)
The court accepted Taylor’s proposal, provided that the DCFS “wishes to review her treatment records” and that she submit to a “15 panel hair or nail test” as well as a “Peth test for alcohol.”

Taylor Frankie Paul Bethany Baker – Pool/Getty Images
“If it is negative, Tate shall reimburse her. … She must take her prescriptions with her and have a doctor verify that the levels in her system are consistent with her prescribed dosage,” the ruling read.
The results of Taylor’s sobriety tests will be subject to “a strict protective order.”
“Until such time as the results have been issued, Taylor’s parent time shall be supervised. It is in both parties’ best interests that this supervision be professional so that there is an independent third party observing the interactions between mother and child,” a judge ruled.
However, the judge added, “If there is a positive test for any unprescribed drugs or alcohol or a determination that the levels in Taylor’s system are in excess of any prescribed drugs, Taylor’s parent time shall continue to be supervised … If the results are negative, Taylor will be restored to her unsupervised parent time.”
Us has reached out to Taylor’s representatives for comment.
Following the court’s initial denial of Tate’s request for a restraining order, Taylor wrote via her Instagram Story on Friday, July 3, that she’d spent the day “crying and fighting for my 2 older children.”
“[The kids] had returned yesterday after being withheld and they were expressing how excited they were to spend this year with me doing fireworks,” she wrote “Their dad even told me we could EXTEND it to Monday so I relayed them the exciting news just for him to take it back? It was lies to them and my gut was wrenching to witness them cry, confused and asking why…”
Taylor subsequently defended her decision to attend rehab, insisting that she wanted to “clear up any rumors.”
“I knew that I was in a spot to take a step back and be like, ‘OK, we need to reset,’” Paul said. “But facilities are not for just substance. … There are a list of reasons why people go into that. Number one priority was just a reset for my mental health, and to get away, decompress, whether it’s one day, whether it’s seven, whether it’s 30. I willingly did that.”
The Mormon Wives star clapped back at those who “judged” her for seeking treatment, saying, “It kind of bums me out that [it was] kind of weaponized against me, actually doing the right thing of noticing I needed extra help, and whatever that may be.”
“I ended up finding a really good antidepressant that has been working for me,” she continued. “I will share the meds eventually, however, I like to trial and error before I talk about them because it takes a while to set in, and I would hate to be recommending something that I don’t even like myself.”
Her legal battle with Tate comes amid her ongoing conflict with ex-boyfriend Mortensen. The Secret Lives of Mormon Wives season 5 production was suspended in March when Utah’s Draper City Police Department investigated domestic violence allegations involving both Taylor and Morstenson. Prosecutors chose not to pursue criminal charges. (ABC also pulled Taylor’s season of The Bachelorette from its schedule at the time.)
Both filed restraining orders against each other, with a judge giving Mortensen temporary custody of Ever in March. A judge later lifted Taylor’s supervised visitation with Ever, though she and Mortensen were ordered to stay away 100 feet from each other for a period of three years. (Taylor and Mortensen are scheduled to appear in court again on Wednesday, July 8.)
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“Brian [Teta] begged me to come in. Begged me on his knees where he belongs,” Behar said on the air amid three cohost absences.
Steven “Steve” McBee Sr. made his first appearance on The McBee Dynasty: Real American Cowboys after being MIA for all of season 3 and prior to serving his jail sentence.
During the Monday, July 6, episode of the Bravo series, Steve’s third son, Cole McBee, prepared to propose to longtime girlfriend Kacie Adkison. When the big moment came, Steve, 53, surprised fans when he was seen in the room with his entire family to witness the surprise proposal, which took place in November 2025 — one month before Steve reported to prison.
Fans spotted Steve in the crowd among his other sons, Steven McBee Jr., Jesse McBee and Brayden McBee, as well as his ex-wife, Kristi McBee, who all watched the magical moment from a room that overlooked a romantic gazebo.
At one point, viewers saw Steve holding his granddaughter Summer, whom Jesse shares with Alli McBee.
After the proposal — and Kacie’s enthusiastic“yes” — the happy couple reunited with their loved ones, at which point Steve was seen cheering the engaged couple alongside friends and family.
He was then spotted coming over to see his other granddaughter Blair, whom Cole, 26, and Kacie welcomed in December 2024, and enjoying the moment.
“Having all of our family and friends here, especially my dad is the best thing ever,” Cole told the cameras after he popped the question. “Life will really be changing a lot when my dad goes away and I just wanted to propose while he was still here and can enjoy this with everybody.”

McBee family and friends, including Steve McBee, celebrate Cole and Kacie’s engagement on ‘The McBee Dynasty.’ Paul Andrews/Bravo
Steve’s cameo was a rare sighting for fans, who last saw the McBee Farm & Cattle ranch founder during season 2 when he attended Jesse and Alli’s wedding. (The couple tied the knot in October 2024 and the episode aired in September 2025.)
Steve was previously a main character on McBee Dynasty during season 1, but after a major deal with his car washes fell through, he temporarily left the ranch.
“We’re on our own. Dad’s leaving. All he said is, he has no idea when he’s going to be back,” Steven told his brothers during the March 2024 episode. “He said he’s not in the right mental state to be running this farm.”
Steve continued to live his life off camera during most of season 2 as eldest son Steven, 33, took over as CEO of the family business. Behind the scenes, Steve was facing legal drama as he and the farm were under investigation.
In November 2024, Steve pleaded guilty to a multimillion-dollar fraud scam using federal crop insurance. The rancher was charged with one count of federal crop insurance fraud after allegedly receiving insurance benefits based on false totals from the family’s corn and soybean crops in 2018. Steve was also accused of fraud in 2019 and 2020.
Steve was sentenced in October 2025 to two years in prison with an additional two years of supervised release. He was ordered to pay $4,022,124 in restitution and to self-surrender on December 1, 2025, to begin his prison term.
While Steve didn’t appear on the season 3 premiere of the McBee Dynasty in June, fans did learn his fate as Steve’s children attended his sentencing and spoke about it on camera.
During the premiere, fans learned that in addition to the $4 million in restitution he owed, Steve was ordered to pay $3 million in fines, which the family was not expecting.
“It’s the worst feeling I’ve ever felt. I don’t know where the $7 million is going to come from,” Cole told the cameras.
Steven also commented on the bombshell, saying, “It’s the damn monetary amount that I’m very concerned [about]. December 1? That gives us what, six weeks [with him].”
The McBee Dynasty: Real American Cowboys airs on Bravo Mondays at 9 p.m. ET.
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