There’s something about the low-fi crackle of an old VHS tape that just screams “horror movie.” Just look at The Ring, or the entire V/H/S anthology series. That’s what Sophie Lowe discovers in the new Australian shocker Posthumous, which is set to debut at Fantastic Fest this week. In advance of its world premiere, Collider is proud to exclusively present the first clip from the film.
The film stars Lowe (After the Dark) as Zoe; she’s just turned thirty, and she’s trying to get her life back together, moving back in with her widowed father. As is her annual tradition, every year she watches a different videotape left behind by her late mother, who died in childbirth, to be watched on her birthday. This time, however, things get spooky, and Zoe starts looking into the truth behind her mother’s life and death. She may not like the answers she’s about to find.
As seen in the clip, the tape Zoe watches is not the heartfelt message she’s hoping for. Instead, as she places it in the VCR, it cuts to what appears to be some sort of arcane ritual being performed by participants in robes and hoods before it cuts to her mother, eerily sitting on their couch and singing “Happy Birthday.” Even creepier, even though we see only a few seconds of footage, over half an hour has elapsed…and the real birthday tape is still tucked into a cardboard box. What’s really going on here? You’ll have to find out when Posthumous has its world premiere at Fantastic Fest in Austin, Texas on September 19.
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Collider Exclusive · 8 Questions · 2 Minutes What Is Your Biggest Horror Nightmare? Elm Street · Chucky · Scream · The Conjuring
Every great horror franchise is one very specific fear wearing a mask. One waits until you fall asleep. One makes certain nobody believes you. One is already inside your group of friends. And one is in the house with your family right now. Eight questions decide which of them was built for you.
😴Elm Street(Freddy Krueger)
🧸Chucky(Child’s Play)
📞Scream(Ghostface)
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🕯️The Conjuring(The Warren Files)
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01
What actually frightens you, when you are honest about it? Every horror franchise is one fear, dressed up and handed a knife.
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02
It is very late and you are alone. What do you do? Everybody has a ritual for this. Yours says more than you think.
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03
The first sign arrives. How do you react to it? There is always a warning. There is usually nobody listening.
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04
How much of this do you think is your own fault? The best horror always leaves that question slightly open.
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05
What would actually keep you alive in a horror film? Somebody always survives. It is rarely the person you expect.
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06
Who do you want in the room with you? Almost nobody survives a horror film completely alone.
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07
It is over. What do you carry out of it? Horror never really ends at the credits. It just stops filming.
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08
The lights go off tonight. Which thought finds you? Eight questions in, this is the one that decides your nightmare.
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The Lights Just Went Out Your Nightmare Is…
Four franchises, four completely different ways of getting underneath
your skin. This is the one built out of your particular fear, why it works so well on you, and what
it would leave behind.
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A Nightmare on Elm Street · Since 1984
Elm Street
Your nightmare does not wait outside the door. It waits for you
to close your eyes, which you are going to have to do eventually, because nobody has ever
won that particular argument.
Freddy is horror’s cruellest idea: a threat that lives in the one place you cannot
guard, cannot lock, and cannot avoid forever.
You are the person who lies awake running through it again. Your own mind is where this
starts and where it does the damage.
These films understood exhaustion as a horror engine. The kids on Elm Street do not lose
because they are weak. They lose because they are tired.
You can lock every door in the house. You still have to sleep.
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Child’s Play · Chucky · Since 1988
Chucky
Your nightmare is not really the thing itself. It is the face of
the person you tell, and the way they decide, very kindly, that you have imagined all of it.
Chucky works precisely because he is absurd. That is the trap: the more accurately you
describe him, the less anybody is going to believe you.
You know the specific loneliness of being right while everyone around you is being
reasonable at you.
The franchise is at its best when the adults in the room are the real obstacle, and you
have met those adults.
By the time somebody finally believes you, you will have handled most of it on your own.
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Scream · Ghostface · Since 1996
Scream
Your nightmare has your number, knows your name, and has almost
certainly been inside your house before. The worst part is that you already know them.
Scream is the only one of these where the monster takes the mask off and turns out to be
somebody who was at the party.
You watch people. You notice the small wrong notes in a conversation, and you have never
entirely been able to switch that off.
The franchise made the rules of horror part of the plot, which means the survivors are
the ones paying attention. You would be paying attention.
Everybody is a suspect, including the person who just offered to walk you home.
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The Conjuring · The Warren Files · Since 2013
The Conjuring
Your nightmare is not really about you. It is about the people
asleep down the hall, and the fact that you are the one who moved them all here.
The Conjuring films are domestic horror. The house, the family, the perfectly ordinary
room that quietly stops feeling ordinary.
Your fear is protective rather than personal. What frightens you is failing somebody,
not being hurt yourself.
This is the one franchise where belief is the weapon. The people who come through it are
the ones who are not alone and refuse to be.
Whatever is here did not come for you. It came for the household, and you are the one
standing in the hallway.
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Who Are the Creatives Behind ‘Posthumous’?
Posthumous is directed by Josh Tanner; it is his first feature. He co-wrote the script with Jade van der Lei (We Bury the Dead); both also produced the film. In addition to Lowe, the film also stars David Roberts (The Matrix Reloaded), George Pullar (Evil Dead Burn), Doris Younane (Apple Cider Vinegar), Mia Morrissey (Deadloch), Remy Hii (Spider-Man: Far From Home), and Christopher James Baker (True Detective). The film is a production of Imposter Syndrome, and was filmed on location in Queensland, Australia.
Posthumous will have its world premiere at Fantastic Fest in Austin, Texas on September 19. Stay tuned to Collider for future updates.
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