The Simpsons Got Away With One Thing No Other Show Could

By Robert Scucci
| Published 13 seconds ago

The Simpsons is undeniably one of the greatest and most well-known cartoon sitcoms of all time, but the series we celebrate today was almost entirely scrapped by its producers before it even got off the ground. These days, when an animated series launches, it’s fully developed. Character quirks are established right out of the gate, the animation style is locked in, and the entire creative process is a well-oiled machine before a premiere hits the airwaves. The Simpsons, on the other hand, got off to a very rough start when it transitioned from a series of crude shorts on The Tracey Ullman Show to a full-blown animated sitcom.

Rife with continuity errors and wildly inconsistent animation, Season 1 of The Simpsons is a rough showcase of raw potential. It was so raw that the series was nearly canned due to a failure to launch on time, thanks to a disproportionate amount of behind-the-scenes chaos. Character design was all over the place. Barney had blonde hair, Moe and Milhouse had black hair, Smithers was a Black man, Mr. Burns’ office at the Springfield Nuclear Power Plant looked completely different, and, most insane to think about, the episode that was supposed to kick off the entire series, “Some Enchanted Evening,” ended up airing as the season finale because the animation studio they outsourced to botched the job so badly that 70 percent of the episode had to be overhauled.

While the show seemed doomed from the start, we’re fortunate that Matt Groening, James L. Brooks, and Sam Simon stuck to their guns and stuck their necks out for the show that would eventually become the master template for adult animated series for decades to come.

Animation And Continuity Was Tragically Bad

Most long-running animated series go through some growing pains on the animation front, and that’s expected. As more efficient ways to produce a show materialize, animation becomes sharper, smoother, and more fluid.

The same can be said for live-action shows, as better shooting and lighting methods are implemented and budgets are opened up to allow for more sophisticated productions, making later seasons look far superior to earlier ones. 

South Park is an excellent example of animation evolving over time. The show was originally produced in a stop-motion style with construction paper sets and characters. Once Trey Parker and Matt Stone figured out how to produce episodes using computers and editing software, the show’s aesthetic gradually improved into the style we’re familiar with today. That’s just show business, and every animated series, no matter how well-developed before premiering, will evolve visually to some degree.

For The Simpsons, though, it’s comical how inconsistent the animation is in Season 1. The original Simpsons shorts on The Tracey Ullman Show were animated by Klasky Csupo, with the process handled in-house. When The Simpsons was picked up as a series, animation duties were split across multiple studios as a cost-cutting measure because the show was the first of its kind and a massive creative risk for Fox at the time. As a result, character and background layouts were produced in Los Angeles, while coloring and filming were handled by AKOM, a South Korean animation studio.

When “Some Enchanted Evening” came back for test screenings at Gracie Films, James L. Brooks reportedly said, “This is sh*t,” the room cleared out, and the show’s future was suddenly in question. The premiere was delayed by months while the animation was reworked, and had the next completed episode been just as bad, the entire project may have been scrapped. Fortunately, “Bart the Genius” came back looking more refined, with only minor tweaks needed to get it ready for air.

The Christmas special, “Simpsons Roasting on an Open Fire,” which was originally intended to air later in the run, ended up becoming the series premiere, creating a major continuity issue with the family dynamic. In this episode, Homer, down on his luck after losing his Christmas bonus, takes a side gig as a mall Santa and loses his meager paycheck at the dog track. He then adopts the losing greyhound, Santa’s Little Helper, presenting the dog to his family as both a new pet and a Christmas gift.

With the episode order scrambled and most of the season already in the can, we’re asked to ignore the fact that The Simpsons technically begins with the family adopting a dog, only for that dog to barely appear again until Episode 11, “The Crepes of Wrath,” and even then mostly in the background. Had the episodes been completed properly from the start and aired in their intended order, there would have been a clear progression. The Simpson family would have no dog, we’d spend most of a season with them, and then they’d adopt one who would become a regular presence.

Homer Wasn’t Always A Total Idiot

These days, it’s easy to forget that “Jerkass Homer” wasn’t always the default. Back in The Tracey Ullman Show days, Dan Castellaneta’s performance had more of a Walter Matthau influence. Homer came across as a wholesome father figure. He was dimwitted at times, but he could also serve as the voice of reason when in his element.

He wasn’t outright stupid. He was a lower-middle-class guy trying to do right by his family, but with clear blind spots. He didn’t know what he didn’t know. He wasn’t willfully ignorant, but he could be selfish in the way a lot of working-class dads are when they try to carve out a little peace for themselves in a chaotic household.

By Season 2, Homer was fatter, louder, and far less self-aware. The version of Homer we recognize today was starting to take shape, but he was still in an active stage of development as Castellaneta refined his vocal delivery, and the writers worked to shape him into a more complex character. Most of Homer’s early characterization came from The Tracey Ullman Show, which made sense in short bursts, but needed to be expanded once The Simpsons became a full sitcom.

What Could Have Been

If you own The Simpsons DVDs, you can find original footage from “Some Enchanted Evening,” and it’s clear that delaying its release was the right call. Roughly 70 percent of the episode was rewritten and reanimated, and if you look closely, you can still spot traces of the original version in what ultimately aired to over 14 million viewers. It’s a rough demo and a final master, all in one episode, and it’s jarring.

The finished episode plays like a confident introduction to the Simpson family. After heavy revisions, each character feels distinct enough to carry forward into future seasons. The strange reality, though, is that we only got that version because the original was bad enough to force a complete overhaul.

But show business is still a business. To keep the show alive, episodes had to air, intended order or not. Because of that, Season 1 doesn’t make much sense from a continuity, and sometimes, even a characterization standpoint. When you consider the alternative, it had to happen this way, or we probably wouldn’t still be talking about The Simpsons in 2026.

The Simpsons had a chaotic start, and Season 1 still holds up as a diamond in the rough. What’s more frustrating to think about is how many creators today will never get the same level of leeway. There are likely countless shows that never made it past a rough first pass because studios decided they weren’t worth the trouble.

There’s no denying that The Simpsons helped pave the way for shows like South Park and Family Guy to become household names, but it’s wild to think about how many missteps happened behind the scenes before the show truly hit its stride.