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‘The Simpsons’ Took Its Best Tradition From This Beloved Sci-Fi TV Series

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As long as The Simpsons stays on the air (which could be for eternity), we’ll receive new installments of the yearly “Treehouse of Horror” special. From Season 2 in 1990 to Season 37 in 2025, the Halloween-themed anthology episode is a tradition unlike any other. Despite being a major landmark in American pop culture, many of The Simpsons‘ most indelible traits, characters, and episodes riffed on pre-existing stories and iconography, which were then infused with a new comedic edge to feel wholly original. “Treehouse of Horror” is no different, as its horror, fantasy, and supernatural roots are indebted to The Twilight Zone, arguably the most famous anthology and science fiction series in history. The Simpsons used to be a love letter to its evergreen artistic influences, but these days, the long-running animated show has its eyes focused on cashing in on the zeitgeist.

“Treehouse of Horror” Was a Witty Parody of ‘The Twilight Zone’

For so many people raised on The Simpsons in the ’90s and beyond, watching new episodes on Fox every week was a gateway to a new realm of classic and contemporary pop culture with its countless references and satirical homages to movies, television, books, and celebrities. This still resonates today with the likes of 26-year-old breakout director Curry Barker, whose recent cinematic sensation, Obsession, was inspired by the “Monkey’s Paw” segment on none other than “Treehouse of Horror II” from 1991. Based on the 1902 short story by W.W. Jacobs, The Simpsons made old texts hip for modern audiences, and now everyone understands that a monkey’s paw represents the axiom “be careful what you wish for.”

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Collider Exclusive · Horror Survival Quiz
Which Horror Villain Do You Have the Best Chance of Surviving?
Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky

Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.

🏕️Jason

🔪Michael

💤Freddy

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🎈Pennywise

🪆Chucky

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01

Something feels wrong. You can’t explain it — you just know. What do you do?
First instincts are the difference between the survivor and the first act casualty.





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02

Where are you most likely to find yourself when things go wrong?
Setting is everything in horror. Where you are determines which rules apply.





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03

What is your most reliable survival asset?
Every survivor has a quality the villain didn’t account for. What’s yours?





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04

What kind of fear is hardest for you to fight through?
Knowing your weakness is the first step to not dying because of it.





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05

You’re with a group when things start going wrong. What’s your role?
Horror movies are brutally clear about who survives group situations and who doesn’t.





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06

What’s the horror movie mistake you’re most likely to make?
Honest self-assessment is a survival skill. Denial is not.





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07

What’s your best weapon against something that can’t be stopped by conventional means?
Every horror villain has a weakness. The survivors are always the ones who find it.





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08

It’s the final scene. You’re the last one standing. How did you make it?
The final survivor always has a reason. What’s yours?





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Your Survival Odds Have Been Calculated
Your Best Chance Is Against…

Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.

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Camp Crystal Lake · Friday the 13th

Jason Voorhees

Jason is relentless, but he is also predictable — and that is the gap you would exploit.

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  • He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
  • Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
  • The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
  • You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.


Haddonfield, Illinois · Halloween

Michael Myers

Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.

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  • But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
  • Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
  • Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
  • You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.


Elm Street · A Nightmare on Elm Street

Freddy Krueger

Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.

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  • You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
  • The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
  • Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
  • Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.


Derry, Maine · It

Pennywise

Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.

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  • The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
  • You ask the questions others avoid. You look directly at what frightens you rather than turning away.
  • That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
  • It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.


Chicago · Child’s Play

Chucky

Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.

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  • You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
  • Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
  • Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
  • Against Chucky, not laughing is already winning. You are very good at not laughing.

Today, The Twilight Zone has endured in the lexicon, from Rod Serling‘s narration and opening theme to its recurring themes and motifs. Just like the aforementioned “Monkey’s Paw,” calling something a Twilight Zone-esque experience, something related to a nightmarish alternate reality or haunted fable, is a universally understood phenomenon, and countless people were likely drawn to check out episodes from the ’60s anthology series after watching “Treehouse of Horror.” The various supernatural and fantastical encounters each member of the Simpson family has every spooky season are comedic takes on Twilight Zone segments, broad enough to appeal to mass audiences yet carrying an extra layer of charm for die-hard fans of the original series.

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Direct parodies of The Twilight Zone from the “Treehouse” saga include “Hungry are the Damned” (“To Serve Man”), “Bart’s Nightmare” (“It’s a Good Life”), and “Clown Without Pity” (“Living Doll”). Plot points such as Lisa’s discovery of a cookbook showing how to cannibalize, Bart’s possession of terrifying psychic powers, and a Krusty the Clown doll turning evil deploy the signature hook of Twilight Zone segments for exceptional farce, while occasionally retaining ounces of the show’s thematic undercurrent.

The Lack of Enduring Cultural References in Contemporary Episodes of ‘The Simpsons’

Unsurprisingly, “Treehouse of Horror” reached its peak in the 1990s, and like everything else about The Simpsons, it simply doesn’t hit the same today. To an extent, the yearly horror-themed tradition crystallizes what modern Simpsons episodes are missing compared to the show’s golden age. Before the Internet, the show used to be a gateway to different realms of historical pop culture, and it helped 30-plus-year-old shows like The Twilight Zone increase their cultural legacy.

When watching modern “Treehouse” episodes, the series isn’t so much tapping into its well of references that influenced Matt Groening and the golden age’s writing staff, but rather, the buzzy trends in the zeitgeist. 2024’s installment featured Homer donning a pair of possessed Denim jeans modeled after Marvel’s Venom comic book character, which saw its third entry in the Tom Hardy film franchise release simultaneously. It’s hard to get much mileage out of Spider-Man’s antiheroic foil, considering its recent series is already goofy and tongue-in-cheek.

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The 36th “Treehouse” in 2025 directly parodied the indie horror film Late Night with the Devil in the segment “Clown Night with the Devil,” as well as another segment involving surrounding families in crisis watching The Simpsons (with a cameo by Groening). For anyone looking for an escape from the 2020 election, The Simpsons, unfortunately, dedicated a segment in “Treehouse of Horror XXXI” to the mania and uncertainty of the event. This episode reflects a sense of delayed catch-up on the writers’ part to tap into the horror phenomenon, only to satirize a relatively forgotten movie, and the self-reflective meta commentary is very much the product of a show running on fumes. The Twilight Zone remains a timeless source for parody, while also providing a perfect template for anthology sci-fi/horror TV.

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