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This 10-Year-Old Comedy Surges on 3 Streaming Charts, Hinting at Huge Box Office for Its Sequel

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In less than a week, the summer movie season will kick off with The Devil Wears Prada 2, the long-awaited sequel to David Frankel‘s 2006 hit. Reuniting stars Anne Hathaway, Emily Blunt, Stanley Tucci, and Meryl Streep, the new movie will pick up with the Runway staff in the present day as they cope with an ever-changing media industry and dramatic scandals. Expectations are already high, and thus far, 20th Century Studios has given it a rollout that even Miranda Priestly would approve of, from countless brand partnerships to a buzzy single from Lady Gaga and Doechii.

At this point, legacy sequels to beloved older movies aren’t anything new. Big franchises have made a habit of recruiting their original stars to help anchor new entries, and once-standalone films like Top Gun and Practical Magic have opted to revisit properties from decades ago. The Devil Wears Prada 2, like any sequel coming more than ten years after its predecessor, runs the risk of struggling to recreate the passion that fueled its very creation in the first place. Luckily, however, there are already signs that it’ll be a runaway hit all over again, and that forecast comes from the first Devil Wears Prada itself.

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‘The Devil Wears Prada’ Is the Ideal Early 2000s Comfort Watch

Based on the novel of the same name by Lauren Weisberger, The Devil Wears Prada follows aspiring journalist Andy Sachs (Hathaway) as she takes on a job as an assistant to Miranda Priestly (Streep), the icy and legendary editor-in-chief of a respected fashion magazine. What seems like a simple enough job proves to be far more trying, leading Andy on a transformative journey that forces her to question what she really wants in life. Upon release in 2006, The Devil Wears Prada became a critical and box office hit, and it’s only grown in popularity since then thanks to cable reruns and streaming. The film was also recently trending in the daily Top 10s for three different services: HBO Max, Hulu, and Disney+ (where a sneak peek at the sequel is also trending).































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

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☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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There’s a reason this movie has stuck around for so long in pop culture — several reasons, actually. Beyond the fact that Streep and Tucci are both Hollywood royalty, and that Hathaway and Blunt have only become bigger stars, The Devil Wears Prada is the perfect example of the aspirational movies that defined the early 2000s. As many have pointed out in recent years, the publishing world that the film depicts doesn’t really exist anymore, but Andy’s desire to write for a respected publication is one shared by thousands of others, and seeing her work her way up the corporate ladder through sheer determination and hard work makes that dream seem a little more possible. On a broader level, so many people know what it’s like to work for a horrible boss, and there’s a strange comfort that comes from watching Andy dash through the streets of New York while clutching several hot cups of coffee.

The Devil Wears Prada has long resonated especially well with women, even though it could easily be written off by naysayers as nothing more than a girlboss fantasy. Its three main female characters — Andy, Miranda, and Emily (Blunt) — are well-defined and flawed in unique, compelling ways. For women seeking authentic stories about other women, this one fits the bill. It also helps that The Devil Wears Prada is stylish and filled with memorable montages and quotes.

‘The Devil Wears Prada 2’ Has Big Heels To Fill – but It Can Do It

The Devil Wears Prada 2 has been positioned as a major summer blockbuster. Case in point: Disney scheduled it for the first weekend in May, a slot that, save for a handful of recent exceptions, has typically housed Marvel Studios releases. In fact, May 1 was once slated to be the release day of Avengers: Doomsday, one of 2026’s biggest titles. That Disney and 20th Century Studios slid The Devil Wears Prada 2 into its spot shows just how confident they are in its success.

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The True Villain in ‘The Devil Wears Prada’ Depends On Where You Are in Life

Between Christian, Nate, and even Andy, is Miranda Priestly really the cruelest character in the classic comedy?

The original is undoubtedly a cultural phenomenon, but previous goodwill doesn’t always translate to surefire success. For every smash hit like Top Gun: Maverick, there are other long-awaited franchise continuations that struggle to draw crowds, like last year’s efforts Karate Kid: Legends and I Know What You Did Last Summer. To be fair, The Devil Wears Prada 2 isn’t quite like those; whereas most legacy sequels introduce a new ensemble to star alongside the returning cast, this one seems to be keeping its focus on the original characters. That could be an extra point in its favor, since the first movie is so beloved. So far, the trailers have indicated the sequel will serve up more of what fans love — from Emily snarking at Andy to Miranda remaining as imperious as ever — while bringing the story into today.

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Early tracking put The Devil Wears Prada 2‘s opening weekend at a solid $66 million, but it could go higher as more and more people revisit the original on streaming and remember exactly why they love it so much. There’s even a good chance it enjoys long legs at the box office and sticks around, since it could appeal to older audiences who don’t feel the need to rush out to theaters immediately. Either way, it seems The Devil Wears Prada 2 is poised to make a splash — and that’s all because of the original movie.

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