This Classic Sci-Fi Fantasy Series Is Finding a New Audience on Apple 41 Years Later

It’s rare enough that a series over 40 years old finds new life in the present, with The Golden Girls being one of only a handful of series that come to mind. Rarer still is a Saturday morning TV staple of the same vintage that, likewise, finds a resurgence in the present. Yet She-Ra: Princess of Power has done just that, with the two-season animated series finding new life on the Apple TV store 41 years after its September 1985 premiere. And it’s not hard to see why.

‘She-Ra: Princess of Power’ Was a Series First

She-Ra: Princess of Power is a spin-off from He-Man and the Masters of the Universe, which itself was a spin-off of Mattel’s Masters of the Universe toy line. Unlike its parent, though, She-Ra: Princess of Power was developed as a series first, with Filmation and Mattel working together to create the show, with Mattel footing the bill. Writers Larry DiTillio and J. Michael Straczynski created the initial group of characters, which included She-Ra, sister of He-Man, her alter-ego Princess Adora, and her nemesis, the evil Hordak. They also came up with the premise, with Mattel releasing the accompanying toys after the series had begun production (but before the premiere).

Released at a time when the most empowering female protagonist on Saturday morning was Smurfette, She-Ra: Princess of Power stood apart from its Saturday morning kin. The series is set on the planet Etheria, where Princess Adora (Melendy Britt) has lived ever since being kidnapped at birth by Hordak from Queen Marlena and King Randor of Eternia. Raised by Shadow Weaver (Linda Gary), Adora grew up believing the Horde kept peace in Etheria and served as a Horde Force Captain. That changed while on a mission in the Whispering Woods, where she encountered He-Man (John Erwin).

He has been tasked by the Sorceress (Linda Gary) to find the one who is destined to wield the Sword of Protection, a sword similar to that of his own Sword of Power. That just so happens to be Adora, who, after touching the jewel on the hilt, is contacted by the Sorceress. She reveals the truths that Adora has long been denied: her kidnapping as a baby, the true atrocities of Hordak and his Evil Horde, and that He-Man is her brother, Adam. The Sorceress then instructs her to exclaim, “For the Honor of Grayskull!” transforming Adora into She-Ra for the first time, and transforming her horse, Spirit, into Swift Wind (Erik Gunden), a flying unicorn. Together, they foil Hordak’s attack against the rebels, with Adora breaking rank and joining the Great Rebellion as their leader.

‘She-Ra: Princess of Power’ Is Groundbreaking and Still Relevant Today

She-Ra: Princess of Power may have been a spin-off, but it differs significantly in tone and thematically from its He-Man. The setting allows for a more fantastical tone, not the medieval sci-fi feel of its predecessor. There are wielders of magic like the absent-minded Madame Razz (Gary), imaginative characters like Swift Wind and Kowl (Gunden), a flying creature that looks like a cross between a koala and an owl with bright, rainbow ears, and more adult themes, like Adora’s arc of guilt and redemption, not unlike the struggle of another Warrior Princess that would appear 10 years later in live-action.

There’s also a key difference in the intentions of the two main characters. It’s as clear as the difference in the phrases used in their respective transformations, “I have the Power” versus “For the honor of Grayskull.” He-Man uses the Sword of Power as a weapon for conflict almost exclusively. She-Ra, on the other hand, bears the Sword of Protection, and while she does use it in combat, it also magically transforms into a shield, nets, or helmets as needed to protect. Her purpose to protect is never seen as less than He-Man’s purpose to fight: she is his equal, a strong, heroic protagonist in her own right, and the leader of a rebellion that boasts heroic protagonists.

1985 also happened to be the year that another series centered around a female protagonist, Jem and the Holograms, premiered, making the year a touchstone for female representation on television. The two series, as a result, were ahead of their time. With female representation on television as good as it’s ever been now, it’s clear She-Ra: Princess of Power was far ahead of its time. Morally, it’s positive, with a clear delineation between good and evil. It’s a clever blend of sci-fi and fantasy, has diverse characters, and, like Xena: Warrior Princess after it, bears hints of queer representation that was decidedly against what was allowed on TV at the time (and definitely not on Saturday morning). All told, these elements and more make it unsurprising that this 41-year-old animated classic has found a renewed popularity on Apple TV. Turns out she has the power, too.