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Tom Holland Officially Owns the Box Office, but His 10-Part Apple TV Crime Hit Is Winning on Streaming

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Few actors are having the summer Tom Holland is having currently. He stars in two of the biggest movies of the year, The Odyssey and Spider-Man: Brand New Day. The latter, in which Holland plays the main character Peter Parker, is the fastest movie ever to hit the $1 billion mark, reaching that milestone in less than a week. Meanwhile, he stars in the former as Telemachus, and the Christopher Nolan epic is also projected to make $1 billion during its theatrical run. Holland continues to set and break cinematic records since he was cast as the webslinger in 2015.

But these high-budget movies are not the only thing the actor has done. His filmography spans movies and television, first rising to prominence in the 2012 disaster thriller, The Impossible. Between his major studio films, Holland has also taken smaller projects in films like Cherry, The Devil All the Time, Chaos Walking, and Uncharted. These movies were not as big as his Marvel output, but they allowed him to showcase his acting range. However, no film he has done has come close to being as demanding as his first-ever leading TV role.

Holland returned to Apple TV, with whom he had made Cherry, for his first acting and executive producing role in a TV series. He played the main character in the 10-episode thriller titled The Crowded Room. Created by Akiva Goldsman, the series focuses on Danny Sullivan, a young man who shoots someone with a gun in New York City in broad daylight. The series dives into his past to understand the motivation for this crime, but as one curious interrogator digs deeper, something unexpected emerges. Holland plays the character with Dissociative Identity Disorder, a role that tests his physical and mental extremes.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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‘The Crowded Room’ Is an Engaging Mystery Perfect for a Weekend Binge

The story is shrouded in mystery and takes its time to get into the core issues in Danny’s case. This is the reason why it divided critics so sharply, because they felt like it went in circles. They gave it a 33% score on Rotten Tomatoes. However, viewers had a very different outlook on the pacing, praising it for making the story so engaging, in addition to great performances from other cast members like Amanda Seyfried, Emmy Rossum, Sasha Lane, and Lior Raz. Viewers gave the show a 92% score on the same site. Holland gives a performance of a lifetime that is both mesmerizing and hard to watch.

The Crowded Room is streaming on Apple TV. Stay tuned for more updates.


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Release Date

2023 – 2023-00-00

Showrunner
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Akiva Goldsman

Writers

Akiva Goldsman

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