Entertainment
Why Attempts To Tear Down Buffy The Vampire Slayer As Problematic Are Wrong
By Chris Snellgrove
| Published

Buffy the Vampire Slayer is an insanely popular television show for many reasons, including its stellar writing and top-notch performances from some of Hollywood’s best actors. Beyond all this, though, the show is celebrated for being a feminist masterpiece that centers on a powerful young woman fighting against powerful men who try to keep her down. In this way, Buffy succeeds as both an entertaining urban fantasy series and a provocative exploration of sex, power, and gender roles in modern society.
However, many modern critics and fans have been re-evaluating Buffy and have come to a wild conclusion: that this girl-power cornerstone may actually be a shockingly bad portrayal of women. These arguments typically claim that the show is secretly misogynistic despite its surface-level message about fighting the patriarchy. While this has changed how some fans view their favorite show, defenders of Buffy maintain that the more problematic plotlines and portrayals in the series are just a side effect of having flawed and complex characters.
The Fall Of A Feminist Icon

It’s almost impossible to discuss a critical reframing of Buffy the Vampire Slayer without discussing franchise creator Joss Whedon; after this show’s success, he became a major comic book movie director, helming two Avengers movies as well as the lackluster Justice League film. However, his career came to a screeching halt after his ex-wife Kai Cole published a letter alleging that he had cheated on her numerous times, including with unnamed actresses on Buffy. In her brutal missive, she also called Whedon out for the “hypocrisy” of his “preaching feminist ideals” while allegedly lying to his wife for a decade and a half.
Towards the end of that letter, she said that she wants “the people who worship [Whedon] to know he is human, and the organizations giving him awards for his feminist work, to think twice in the future about honoring a man who does not practice what he preaches.” Obviously, Buffy the Vampire Slayer remains Whedon’s greatest work, a work designed to be the greatest feminist show ever made. Now that its creator has seemingly been revealed as a hypocrite (one who also faced allegations of abuse on the set of Justice League), many have been re-evaluating Buffy and how its characters and plotlines may be surprisingly harmful to women.
Critics Claim Buffy Secretly Reinforces A Status Quo

On paper, a big part of Buffy’s charm is that the titular character is a rebel: she is constantly defying Giles, her stodgy watcher, with the same sass that she tosses at various evil demons. Buffy is a troublemaker who clashes with corrupt cops and an evil mayor, and she never really respects authority. This is especially true when she puts the Council of Watchers (basically, her boss’s boss) in their place, reminding them that without the Slayer, their job literally has no meaning.
However, some critics believe that Buffy actually exemplifies a status quo established largely by and for men. After all, as a sexy, thin, heterosexual blonde, the Slayer is an exemplar of what most men consider conventionally attractive. To impressionable young girls watching the show in the ‘90s, Buffy the Vampire Slayer ironically reinforced some of the lopsided beauty standards expected of women, arguably continuing a very problematic tradition perpetuated by the patriarchy this show was designed to skewer.
Does This Show Secretly Hate Powerful Women?

Additionally, beyond her surface-level rebellion, Buffy’s character is presented as the safe and palatable alternative to other women who are presented as dangerously transgressive. For example, Faith is a fellow Slayer who loves sex and partying, and the show inevitably transforms her into a murderous enemy. Willow comes out as both gay and a witch, and when she really delves into her powers, she suddenly becomes a skin-flying Big Bad that can only be talked down from mass murder by a fairly useless man (sorry, Xander fans, you know it to be true).
What these other cases have in common is simple: women begin by embracing a hidden power that men disapprove of. They then act in selfish ways before they are vilified and then humbled: Faith serves prison time and then comes back to follow Buffy’s orders, whereas Willow rejects dark magic and becomes a loyal little Scoobie again. Each of these women is deliberately contrasted with Buffy, who constantly puts her own needs to the side for the sake of others.
Fans typically view this as a noble attribute, the same one that causes the X-Men to fight for a world that hates and fears them. But Buffy arguably spends most of the TV show named after her as a doormat for the Watchers, a group of men who essentially force her to do what they want until she finally stands up to them. In this sense, the majority of the show presents Buffy as a feminine ideal for being subservient to men and preserving their preferred status quo; Faith and Willow must eventually be fought by Buffy, someone whose line of work conveniently has her keep other women from ever getting too powerful.
Long story short? The claim is that Buffy is a show where rebellious women are tamed: Buffy by the Council, Faith by prison, and Willow by Xander. Heck, even vengeance demon Anya is tamed by her obsession with a man, ultimately trading all of her considerable mystical abilities for a life of domestic submission.
The Argument Against Buffy’s Men

One of the things Buffy the Vampire Slayer is very good at is creating villains that fans love to hate. These foes were almost always men, which helps reinforce the feminist theme of the show: the fellows would mouth off and insult the female protagonist before she killed them. This is all part of why the show feels so empowering: what woman watching wouldn’t enjoy having the power to fight off the toxic men who are always making her uncomfortable?
The essential problem with Buffy as a character, though, is that she keeps falling in love with the most messed-up men of all. The vampiric Angel is already a redeemed mass murderer when Buffy begins dating him, and she takes him back even after he temporarily loses his soul and tries to destroy the entire world. The same goes for Spike, a notorious serial killer whom she begins secretly shagging; he goes to get his own soul back after intimately assaulting Buffy, and she proceeds to welcome him back just as she did with Angel.
There’s a rather ugly subtext here that Buffy is uncontrollably attracted to notorious murderers just because they are hot, and she takes them back after these characters commit the worst atrocities against her and her friends. Rather than painting our titular protagonist as a hero, Buffy is presented as a doormat who doesn’t hesitate to take her abusers back. This arguably sends the worst possible message to abused women who are watching the show, hoping to gain the strength to escape the people who are hurting them.
Why They’re All Wrong: It’s Complicated

Those are just a few of the reasons why many modern critics are reevaluating Buffy the Vampire Slayer. Heck, we barely touched on Xander, the problematic proto-incel that Joss Whedon wrote to be his class clown self-insert character. However, there is one ironclad defense of the show and its characters that fans continue to embrace: namely, that Buffy is stronger for having flawed and complex characters.
Most of the complex aspects of Buffy herself are arguably part of the character’s evolution. Sure, she falls in love with a couple of hot murderers, but she eventually breaks up with both of them. The Slayer works for a patriarchal group of old farts, but after a few years, she makes it clear that they now have to work for her. Heck, she even bounces back from the worst self-destructive streak in human history to save the entire world from the first evil it had ever known.
If Buffy didn’t start out as such a flawed character, such evolution would have been impossible; plus, it’s worth noting that we shouldn’t hold the Slayer to higher standards than we do popular male characters. Does anyone think Walter White or Don Draper are bad characters because they are selfish and self-destructive? No, we understand that these flaws simply make them human, and that humanity makes the characters all the more compelling.
In this sense, Buffy’s flaws make her show that much more relevant: Buffy the Vampire Slayer may be a silly comedy show from the ‘90s, but it has the epic stakes and realistically damaged characters of modern prestige TV. It’s a wild combo that has helped the Slayer’s show remain a fan-favorite for decades. Now that a Buffy revival is around the corner, we can only hope the new show retains the complex characters and murky morality that made the original series such a groundbreaking pop culture phenomenon.
Entertainment
Everything Game of Thrones Actor Said About MND Before Death
Game of Thrones actor Michael Patrick spoke candidly about his battle with Motor Neurone Disease (MND) prior to his death at age 35.
Michael’s death was announced via Instagram on April 8, 2026, by his wife Naomi Sheehan, who shared that her husband — whom she affectionately called “Mick” — had succumbed to the neurodegenerative disease after 10 days in a Belfast, Northern Ireland, hospice care center. (Per the Mayo Clinic, MND impacts the nerve cells in the brain and spinal cord and gradually weakens the muscles controlling speech, swallowing and limb movement.)
“[Mick] was admitted [to hospice] 10 days ago and was cared for by the incredible team there. He passed peacefully surrounded by family and friends. Words can’t describe how broken-hearted we are,” Sheehan wrote.
Patrick was both an actor and a playwright who appeared in a Game of Thrones season 6 episode as a Wildling. He also used his own battle with MND as inspiration for his hit play My Right Foot, which examined how he coped with being diagnosed with the same disease that killed his father.
Keep scrolling for more about what Patrick said about his diagnosis.
Michael Patrick Noticed Increasingly Scary Symptoms
Michael Patrick explained on the “Brain and Life” podcast in January 2026 that he first wondered whether something was amiss while performing in a play at the Dublin Fringe festival in late 2022.
“I had to dance in it and I kept falling over, tripping on my shoes,” he recalled. “I kept blaming my shoes, kept saying, ‘Why have they got me dancing in these big chunky shoes? It’s not fair.’ But it didn’t get better.”
Michael was advised by his wife’s aunt to get himself checked out because of his family’s history with MND. By the time Michael saw his doctors, he could no longer “lift [his] right foot” and “couldn’t point [his] toes to the ceiling.”
He was officially diagnosed with Motor Neurone Disease in February 2023.
Michael Patrick’s Father Died from MND
The This Town actor looked back on his initial response to the diagnosis while speaking to RTE in August 2025. Michael Patrick naturally wondered how long he would realistically have to live since his father previously died of MND.
“My dad was diagnosed in February and he died that October,” Michael recalled. “There wasn’t much time with him. I’m thinking, ‘Am I gonna [die] in October?’ Thankfully, I haven’t.”

He shared on the “Brain and Life” podcast that his family “seems to be the only one in Ireland with the gene” for a rare form of MND.
“I have the FUS MND familial inherited version of four genes that are known to cause MND and familial MND. One’s the FUS gene,” he explained. “I think it’s one of the rarer of the four.”
Michael Patrick Took Part in Clinical Drug Trials
In September 2023, Michael Patrick was accepted into a drug trial for a potential treatment for MND. The initial results were promising as he “saw the first reversal of symptoms” within weeks of starting the trial.
“I can now wiggle my right foot [and] toes for the first time in about two years. It’s small,” he told the “Brain and Life” podcast in January 2026. “And my breathing’s still going unless I get a tracheotomy, and my arm’s still getting weaker, but fact is there is some reversal there, which is really exciting.”
He praised the “level of care you get and support” he’d received from his medical team since beginning the trial.
Michael Patrick’s Friends and Family Rallied to Support Him
In the wake of Michael Patrick’s MND diagnosis, his friends and family set up a GoFundMe account to help pay for specialized care that comes with getting a tracheostomy. (Patrick’s doctors recommended that he get a tracheostomy — a surgical incision to open up an airway — to help with his breathing.)
The fundraising appeal has raised more than £110,000 against a £100k goal, as of publication.
“Everyone’s been amazing,” he said on the “Brain and Life” podcast. “I’ve got a great support network with my family and my wife. I got married two days before I started the drug trial, so she’s amazing. My friends from school recently raised £100,000 through a GoFundMe account for me for support and stuff. So I have a lot of support. Family and friends are really amazing and I can’t thank them enough.”
Michael Patrick Offered a Health Update Weeks Before His Death
Michael Patrick revealed via Instagram in February 2026 that he’d been told by his neurologist that he “likely [had] about one year left.” He spent “over a week” in the hospital discussing the practical realities if he went ahead with a tracheostomy procedure.
“In short I’m not going ahead with the tracheostomy,” he announced. “I had confirmation it would be around 6-12 months before I could get home due to lack of staffing resources. Thanks so much to everyone who helped push this — from senior social workers, to politicians, to the chief executive of the hospital. Everyone has tried so hard, but there just isn’t the staff.”
Michael decided that he did not want to “risk a significant amount of time” in the hospital if he was in the end-stages of MND.
“Thanks so much for all the donations to the GoFundMe, even though I didn’t go ahead with the tracheostomy — it will still go towards providing me with specialist care as I enter the final stages of life. I’m still overwhelmed by all your generosity,” he concluded.
Michael died on April 7, 2026, after being hospitalized in the Northern Ireland Hospice for 10 days.
Entertainment
Goldie Hawn 'can't think of anyone' who could play her in a movie — here's why
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“I wouldn’t begin to think of someone that could be me,” Goldie Hawn said of another actress portraying her.
Entertainment
10 Most Perfect Opening Action Scenes of All Time, Ranked
Lots of action movies like to open with a bang. They hit the ground running and get an audience primed and their adrenaline pumping for the roller coaster ride that’s ahead of them. Opening action scenes set the table in the best way possible, and there are few movie-going experiences as thrilling as watching a new film and immediately getting thrust right into the thick of it. The old Hollywood adage is “cut to the chase,” and these are the movies that do just that.
Some franchises are known for their opening sequences. So much so that audiences come in with set expectations for each new installment to thrill them more than the last in the opening minutes. That’s certainly led to an escalation in on-screen spectacle, but sometimes the best opening action scenes aren’t even the most bombastic, though there are quite a few that do blow things up spectacularly. Loud or quiet, expected or not, these ten opening action scenes are the most perfect of all time.
10
‘Blade’ (1998)
Superhero movies love to open with action. In the cinematic eras before origin stories became popular and after they were played out, it’s been a common occurrence to open these adventures watching our caped crusaders and webslingers doing what they do best. X2 opens with a terrific White House attack featuring Nightcrawler, Deadpool breaks the fourth wall and some bad guy faces almost immediately, and the opening sequence of The Amazing Spider-Man 2 is the only good scene in that movie. The best, and bloodiest, of these though, comes from a superhero classic made well before the modern era of superheroics had even started; Blade.
As an early prognosticator of the superhero boom that would happen in the 2000s, Blade straddles a line between superhuman action and blood-soaked horror. Nowhere is that more apparent than in the slaughterhouse rave opening action scene. With water sprinklers that spray blood, things are plenty crimson even before Wesley Snipes’ day walking vampire slayer shows up. Once he does, he starts turning his fanged foes into dust while some sick techno beats blare. It’s a scene so good, the rest of the movie actually suffers in comparison. Blade introduces himself so hard that the only direction for him to go was done. Even so, the bloodsoaked vampire rave shootout still slays.
9
‘The Lord of the Rings: The Two Towers’ (2002)
Peter Jackson’s epic The Lord of the Rings saga is packed with outstanding action depicted on a massive scale. Gigantic battle sequences featuring hundreds of extras, groundbreaking CGI and all kinds of fantasy carnage dominate the latter two films in the trilogy. The Fellowship of the Rings, other than a brief prologue, is relatively smaller in scale in its action in comparison, with The Two Towers upping the ante considerably with the Helms Deep finale. That may be the best action scene in all of Middle-earth but the sequel also starts with a pretty spectacular one as well.
Opening with a return to when Gandalf tragically sacrificed himself to save the fellowship from a big ugly Balrog, the movie follows the wizard’s fall as he continues to do battle with the gigantic beast in a midair sword and fiery claw fight. It has some truly astounding visuals and a rousing Howard Shore score that’s guaranteed to get you excited. Fantasy movies don’t often open with bloodthirsty battles, often attempting to ease audiences into their fantasy worlds, but with that worldbuilding already handled, The Two Towers stands out with a wholly unique and utterly awesome fight scene of mythical proportions.
8
‘Drive’ (2011)
Contrary to what you may have heard, size isn’t everything. While some action movies shoot their load in their opening minutes with all the spectacle they can muster, it doesn’t always serve them in terms of maintaining their momentum. Often the best kind of opening action scene is the kind that shows some restraint. Plenty of movies have opened with a car chase, with one of the most frequently cited as the best being the musical getaway in Baby Driver. All due respect to the rhythms of Edgar Wright, but that car chase is ever so slightly bested by the cooler and quieter one in Nicolas Winding Refn’s Drive.
With Ryan Gosling as the laconic Driver, the film opens with him acting as wheelman to some would-be robbers. The getaway that follows is less demolition derby or high-speed pursuit and more a sweat-inducing game of hide-and-seek between the Driver and the LAPD. Using side roads and the shadows, the Driver moves with effective efficiency, and we’re all along for the ride as the camera never leaves the car until he does. It’s an incredibly tense and masterfully designed sequence that shows you don’t need a climactic crash or even speeds over 100 MPH to get an audience’s pulse to race.
7
‘Mission: Impossible – Rogue Nation’ (2015)
Every Mission: Impossible film has a memorable opening sequence that kicks off the plot before lighting the fuse for the opening credits and Lalo Schifrin’s iconic theme plays. The shocking flash-forward from Mission: Impossible III featuring the sadistic villain played by Philip Seymour Hoffman is probably the overall best of these. In terms of action, though, it’s hard to top Tom Cruise running down a cargo plane and then getting stuck outside it while it takes off from Rogue Nation.
As with all the iconic stunts in the film franchise, Cruise performed the plane takeoff himself, looking like a stubborn bug on a windshield. The stunt is even more visceral for the minimal amount of digital enhancement done on it, as evidenced by the behind-the-scenes material. It lets the stunt speak for itself as one of the most daring from the entire film series, and it puts the audience right on edge for what is arguably the best Mission: Impossible movie ever made.
6
‘GoldenEye’ (1995)
There’s something about a secret agent trying to catch a plane. More so than any franchise, the James Bond films are known for their iconic opening action sequences. They are a key part of the 007 formula and there’s no shortage of awesome action on display in them. From the car chase leading to a train fight in Skyfall to the iconic snowy mountain pursuit in The Spy Who Loved Me, it’s hard to pick just one. Walther PPK to our head though, it’s got to be the induction of Pierce Brosnan into the franchise in GoldenEye.
Infiltrating a Soviet military base by way of a record-breaking bungee jump is one hell of a way to open a movie, and from there the sequence delivers on all the Bond hallmarks. Gunfights, witty dialogue and a daring escape all make up the meat of the sequence, which is capped off by Bond jumping a motorcycle off a cliff to intercept a crashing plane. Even if the visual effects of the last part haven’t stood the test of time, the sequence has. It’s vintage Bond with a modern twist, it inspired an awesome video game level, and it leads into the banger that is the Tina Turner title track. It’s an exceptional action sequence that will leave you shaken and stirred.
5
‘Police Story’ (1985)
Jackie Chan has few equals when it comes to nail-biting stunt work and the effortless blending of humor and action. His films, particularly those made in his native Hong Kong, are second to none in the action department, and Police Story is his masterpiece. It’s a film filled with Chan’s unique brand of physical comedy mixed with martial arts, and its book ended with two amazing action sequences. It ends with a blistering mall melee and begins with an equally destructive raid on a shanty town.
Chan plays a police officer who is part of a sting operation to take down a crime boss, an operation that goes south fast and quickly devolves into a shootout. The shootout culminates in a downhill demolition derby as the crime boss flees by driving literally through the shantytown. Chan gives chase and ends up dangling from a bus like the heir apparent to Buster Keaton. It’s a physical feat surrounded by action that could have only come from a talent like Chan, and it’s the perfect opening to one of the best action movies of all time.
4
‘The Matrix’ (1999)
Lana and Lilly Wachowski took clear influence from the likes of Chan and many others for their cyberpunk martial arts thriller The Matrix, which ushered in a new era of action in Hollywood. The film redefined the genre with its artificial reality setting and its combination of gunfights, king fu and its iconic bullet time effects. All of those elements are front and center in the film’s perfect opening action scene.
Carrie Ann Moss, as the leather-clad badass Trinity, is caught between a digital rock and a hard place, with cops and agents swarming on her location. She escapes by the skin of her teeth thanks to some gravity-defying footwork and the first of the film’s landmark 360-degree slow-motion shots. A rooftop chase ensues with more superhuman acrobatics. It’s not only an awesome action sequence, but it perfectly introduces the audience to the world of the Matrix and its reality-bending effects. Anyone who was sitting in the audience in 1999 watching this opening scene knew they were witnessing a game-changing moment in the action genre.
3
‘The Dark Knight’ (2008)
There are few ways to start a movie more enthralling than a high-stakes heist. Bonus points if it doubles down on the action. The standard of this kind of opening was set by Michael Mann’s Heat, and it would get the mention here if it weren’t for the opening action scene that was most directly influenced by it in The Dark Knight. The second part of Christopher Nolan’s Batman trilogy immediately sets itself apart from its more gothic predecessor as an urban action thriller while simultaneously giving Heath Ledger’s Joker a proper villain introduction. It’s a masterclass in action, tone setting, and establishing a character.
Batman is nowhere to be seen in this opening sequence, which focuses solely on a group of clown-masked criminals robbing a bank. The IMAX cinematography used to capture downtown Chicago, standing in for Gotham City, is magnificent, and gives the film an appropriately epic scale. The mounting tension of the sequence is compounded as each member of the robbery crew kills off another in an escalating series of executions that culminates in the final reveal of the Joker. It perfectly illustrates both the expanded scope of the sequel while effectively communicating how clever and ruthless this version of the iconic villain will be. It’s easily one of the best openings in any superhero film ever, and a perfectly executed action sequence.
2
‘Hard Boiled’ (1992)
For pure, unbridled action, there are few filmmakers who can compete with John Woo at the peak of his powers. The director set the action world on fire as one of the founding filmmakers behind the Heroic Bloodshed action movement. These movies coming out of Hong Kong took inspiration from classic crime and noir cinema and exponentially increased the bullet and body count. They had an immeasurable influence on Hollywood’s own action movies, but none of those Hollywood copycats, even the ones directed by Woo himself, came close to the best of the Hong Kong classics. The best of those originals is Woo’s masterpiece Hard Boiled, which begins with a tea house shootout for the ages.
Chow Yun-fat plays the awesomely named inspector Tequila, who is described as a god when he’s given two guns, which he often does in the opening action scene. He dual wields his way through a group of heavily armed gangsters, creating the most dynamic destruction ever put on film. The action is the perfect balance of chaotic and balletic, and the ammo is seemingly infinite. Hard Boiled is as kinetic as action movies get, and the opening shootout announces Woo’s intentions for what would be his Heroic Bloodshed swan song. Bullets fly, blood is spilled, and action movies are forever changed.
1
‘Raiders of the Lost Ark’ (1981)
Raiders of the Lost Ark is as perfect an action adventure film as has ever been made. Its flaws, which every movie has, are immediately rendered irrelevant by another iconic and awesome moment. Many of those moments come in the absolutely flawless opening, where there’s not a single frame out of place. From the introduction to Harrison Ford’s greatest hero Indiana Jones, to the unforgettable booby-trap set pieces and the rousing airplane escape set to John Williams’ score, it’s a perfectly constructed action sequence that should be taught in every film class.
Inspired by everything from James Bond movies to adventure serials and Uncle Scrooge comics, the opening tomb raiding action scene synthesizes those core inspirations into their most essential parts. As Jones steals a golden idol from a Peruvian temple, he’s faced with pitfalls, poison darts, tarantulas and, most memorably, the world’s most perfectly spherical boulder. Every singular moment of this opening action scene has been etched into pop culture history. In another hundred years, film scholars will continue to study it like paintings on a cave wall. Just like the artifacts idolized by Jones, the opening of Raiders of the Lost Ark belongs in a museum.
Raiders of the Lost Ark
- Release Date
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June 12, 1981
- Runtime
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115 minutes
- Writers
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Lawrence Kasdan, George Lucas, Philip Kaufman
Entertainment
“Superman” actress Valerie Perrine's official cause of death revealed
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The “Lenny” star died on March 23 at 82.
Entertainment
Fans Want Billy Ray Cyrus and Elizabeth Hurley in a ‘Movie’
Love is clearly in the air for Billy Ray Cyrus and Elizabeth Hurley, as they spark fresh conversations with a series of intimate photos.
The duo, who made their relationship public in 2025, have remained vocal about their affection for each other ever since.
While their romance continues to serve as a point of admiration online, Cyrus’ ex-wife, Firerose, has also resurfaced with explosive accusations against the singer.
Billy Ray Cyrus And Elizabeth Hurley Share Intimate Easter Moments

In a collaborative post with Cyrus, Hurley gave fans a glimpse into her wholesome Easter Bank Holiday weekend with her partner and her son, Damian.
The actress shared a three-slide post featuring loved-up snapshots of the trio visiting lambs on her country estate.
In one photo, Cyrus and Hurley beamed as they cozied up together while holding a lamb. In another, Hurley looked radiant as she cradled a lamb in her arms inside a barn. As reported by the Daily Mail, Hurley’s son, Damian, appeared cheerful in the last slide as he fed a lamb with a bottle, with Cyrus smiling in the background.
Hurley captioned the post, “Happy Easter,” and it quickly gained traction, with fans flooding the comments with admiration.
“Love you both and wish you would do a MOVIE together!” one fan wrote. A commenter pointed out how cute they looked, adding, “Aw, you both are the cutest couple! And that goat.”
This user gushed about Cyrus’ happiness, writing, “Ain’t never seen anyone make Billy Ray smile like this,” while another added, “He looks so happy when he is with you…love makes the world go around.”
The Duo Reveals One Thing They Don’t Do Together

Despite their blossoming relationship, Hurley revealed that there is one activity they prefer not to do together.
As reported by The Blast, the “Austin Powers” star shared that grocery shopping is off the table for them. “He stays in the car … Because he would be annoying,” Hurley joked.
Aside from that, she noted that they are aligned in nearly every other aspect of their lives, adding that their families have blended seamlessly, with Cyrus’ children getting along well with her son, Damian.
Inside Billy Ray Cyrus And Elizabeth Hurley’s Relationship

The couple’s connection dates back to 2022, when they met while filming the holiday movie “Christmas in Paradise” on the Caribbean island of Nevis. At the time, Cyrus’ marriage to his ex-wife Firerose had just ended.
As reported by The Blast, the pair bonded during filming but did not stay in touch for two years before reconnecting and officially going public with their relationship on social media in April 2025.
Following that, they made a stylish appearance as a couple at the Orizzonti/Rossi exhibition at Palazzo Barberini, celebrating Valentino’s showcase in Rome in May 2025.
Firerose Accuses Billy Ray Cyrus Of Verbal And Emotional Abuse

Amid Cyrus’ flourishing relationship with Hurley, his ex-wife Firerose has come forward with serious allegations, sharing an audio clip in which Cyrus is allegedly heard using abusive language toward her.
In the one-minute, 28-second recording cited by The Blast, a voice believed to be Cyrus’s could be heard saying, “I don’t know who the f-ck you think you are… f-ck you, f-ck you. You know better than that, you idiot.”
The voice continues, “I don’t think you are really smart. I’ve changed my mind about that. What you are is a selfish f-cking b-tch.”
Firerose Speaks Out About Experience With Narcissist Billy Ray Cyrus

Beyond the audio, Firerose also took to social media to share her personal experience during the marriage.
“I spent years being terrified. I was trained to be afraid of what would happen if I even dared to think about sharing a glimpse of the truth I was living behind closed doors,” she wrote, per The Blast.
She went on to describe the emotional toll it took on her, adding, “Over the years, my spirit was systematically worn down so that I became a shell of the person I was. That is always what happens with narcissistic abuse. It’s not an accident.”
Firerose concluded by acknowledging the courage it took to speak out, ending her statement with gratitude and a note of faith.
Entertainment
Dexter’s bloody return continues: Here's what we know about “Resurrection” season 2 so far
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“The story continues,” teases star Michael C. Hall.
Entertainment
2 Years Later, Henry Cavill’s 139-Minute Spy Thriller Quietly Becomes a Late-Night Favorite
Henry Cavill has given us some amazing characters in his long career, be it Superman in Man of Steel, a worthy villain in Mission: Impossible – Fallout, or the titular character in The Witcher. Fans are now gearing up to see his Highlander reboot and are also excited about his Warhammer 40000 universe. The actor has given us numerous layered characters with his body of work, but fans seem to love him in an action-oriented spy role.
He proved with A Man From U.N.C.L.E. that he could effortlessly carry the old-school espionage genre. Then, in his more recent release, Guy Ritchie’s The Ministry of Ungentlemanly Warfare, the actor again proved that he is versatile enough to play a gory, blood-soaked version of a spy. No wonder many fans believe that he should be playing iconic British spy James Bond. But he kinda already did.
In Matthew Vaughn’s spy comedy Argylle, Cavill plays a slick and stylish spy. The movie follows reclusive author Elly Conway, who writes best-selling espionage novels about a secret agent named Argylle who’s on a mission to unravel a global spy syndicate. However, things take a turn when the plots of her books start to mirror the covert actions of a real-life spy organization. The feature sharply divided its audience, as seen in its Rotten Tomatoes score: 33% from critics and 70% from the audience.
However, the fans’ love is showing years after the original release. Argylle is in Apple TV’s Top 10 list, as per FlixPatrol. The feature stands at #9 among films like Brad Pitt’s F1, The Gorge, Greyhound, and Eternity. While Sam Rockwell’s performance was universally praised in Argylle, the movie also cast a long list of powerhouses, including Bryce Dallas Howard, Bryan Cranston, Catherine O’Hara, Dua Lipa, Ariana DeBose, John Cena, and Samuel L. Jackson.
Will Henry Cavill Play the New James Bond?
Ever since a new James Bond movie was announced, with Denis Villeneuve set to direct, many fans have been clamoring for Cavill to take the lead role. However, the actor revealed in an interview, “What actor wouldn’t love to be Bond? But at 42, I’d probably be considered a bit old to start now.” He then added, “I would love to be a Bond villain, though. If it was the right character, I think that would be fascinating to explore.”
Meanwhile, check out Argylle on Apple TV.
- Release Date
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February 2, 2024
- Runtime
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139 Minutes
- Director
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Matthew Vaughn
- Writers
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Jason Fuchs
Entertainment
‘Euphoria’ Star Alexa Demie Raises Eyebrows Over Transformation
Alexa Demie stunned fans with her noticeably different look and facial appearance while attending the “Euphoria” season 3 premiere in L.A.
Fans of the show flooded social media with wild reactions, as some wondered if the actress had lost a lot of weight or had “buccal fat” removed due to how unrecognizable she looked, especially in comparison to her Maddy character in the series.
The third season of “Euphoria” sees Alexa Demie and the rest of the actors, including Zendaya and Sydney Sweeney, placed five years in the future, with the show creator explaining that the time jump “felt like a natural place” for them to be.
Alexa Demie Looked Different For ‘Euphoria’ Season 3 Premiere

Fans who attended the “Euphoria” premiere on Tuesday in L.A. might have walked past Alexa Demie without realizing it, as the actress had a different appearance from what she looks like in the series.
For the event, the 35-year-old ditched her character’s dark, sharp-winged eyeliner and straight hair for a more minimalist, fresh face look, while leaving her hair to flow freely down her back.
She wore a plunging silver-and-black striped off-the-shoulder gown for the event and was all smiles as she posed for the camera, something that wasn’t quite seen with her sassy character in the film.
Fans’ Reactions To The New Look Were Mixed

Demie’s look was so unrecognizable that several fans took to social media to speculate on what exactly was going on with the actress.
Some seemed to love the new look, with one person writing, “Apart from the makeup, are people usually this pretty? Look at how elegant she looks, perfect face card you would always want to see on a dinner date.”
“She looks so beautiful and amazing, her hair and her makeup look very natural and beautiful,” another individual noted.
However, many were critical of Demie’s transformation, with some speculating that she used Ozempic or some sort of cosmetic procedure to achieve it.

“She looks pretty, but she was prettier with fuller, chubby cheeks,” an X user wrote, while another said, “Ozempic is doing too much damage to the community.”
Someone else suggested that she “looked way better compared to how she’s looking now,” adding that they “just hope it’s not drugs.”
“Buccal fat removal is the DEVIL… save my gfs from the scourge of cosmetic surgery, dear god,” another user wrote.
A third critic said, “REINSTALL THE BUCCAL FAT NOW! YA’LL WOMEN GOTTA STOP DOING THIS TO YOURSELVES!”
About The New’ Euphoria’ Season

“Euphoria” season 3 premieres on HBO on Sunday, April 12, and will see a significant time jump as Demie and her other costars pick up five years from when they left off in season 2.
They are all now out of college and are grappling with the struggles of adulthood.
Demie’s character Maddy works at a talent agency in Hollywood, while Lexi, played by Maude Apatow, also works in the film industry as an assistant to a showrunner played by Sharon Stone.
Zendaya’s character, Rue, continues to battle her drug addiction, but this time in Mexico as she moves to escape the drug dealers she owes money to.
The Show’s Creator Explained Why A Time Jump Made Sense For Season 3

The third season of “Euphoria” will reportedly see Sweeney’s character, Cassie, get married to Nate (Jacob Elordi), and would also mark the last season for Eric Dane, who died in February after battling amyotrophic lateral sclerosis (ALS).
According to The Hollywood Reporter, the show’s creator, Sam Levinson, explained the time jump in a London event earlier this month, saying, “Five years felt like a natural place because if they’d gone to college, they’d be out of college at that time.”
He added, “We basically pick up Rue [Zendaya] south of the border in Mexico, in debt to Laurie [Martha Kelly], trying to come up with some very innovative ways to pay it off.”
Reports Suggest ‘Euphoria’ Stars Zendaya And Sydney Sweeney Are Feuding

Meanwhile, the hit series has been marred by reports of a strain between Zendaya and Sweeney over their respective political views.
The pair were also in attendance at this season’s premiere in L.A., but didn’t pose together after reports emerged that Zendaya had been left upset by Sweeney’s support for republican President Donald Trump, as well as claims her American Eagle ad was racist.
During promotion for the new season, the pair hardly posed together in any group photo as Zendaya allegedly refused to stand close to her.
In one post that made headlines, the “Dune” actress was noticeably absent from a group shot, with just Sydney, Hunter Schafer, Alexa Demie, and Maude Apatow posing for the photo together.
Entertainment
Adam Driver’s Ben Solo Movie Update Frustrates ‘Star Wars’ Fans
Director Steven Soderbergh has a disappointing update for “Star Wars” fans hoping to see Adam Driver reprise his role as Ben Solo in a future movie. The villainous Kylo Ren, who first appeared in 2015’s “The Force Awakens,” was later redeemed in 2019’s “The Rise of Skywalker,” which was also the last “Star Wars” film released in theaters. Although Ben Solo seemingly passed away at the end of the sequel trilogy, Driver and Soderbergh had an idea to continue Ben’s story. Unfortunately, top Disney execs did not, leading to the film’s cancellation. Despite a significant fan campaign to get the movie back on track, especially with changes in both Lucasfilm and Disney’s leadership, Soderbergh revealed that the movie is “done” and that he has moved on to other projects.
Disney’s Leadership Change Won’t Help Ben Solo’s Future

In January, Kathleen Kennedy stepped down as President of Lucasfilm and was replaced by Dave Filoni and Lynwen Brennan. Two months later, Josh D’Amaro officially succeeded Bob Iger as Disney CEO. With so much change in leadership, “Star Wars” fans were hopeful that the Ben Solo film, tentatively dubbed “The Hunt for Ben Solo,” would finally come to fruition.
Unfortunately, that does not seem to be the case. While promoting his upcoming film “The Christophers,” director Steven Soderbergh told The Playlist that the film is dead, saying, “Look, if it was gonna happen, it would have happened.”
“It’s that simple,” he added, giving a clear “Nope” when asked if he would ever return to the project.
‘Andor’ Had Nothing To Do With The Ben Solo Movie

Soderbergh was also asked about a fan rumor suggesting that Tony Gilroy’s highly successful Disney+ series “Andor” sparked the idea of bringing Ben Solo back to life. Soderbergh shot that idea down, saying that conversations with Driver had actually started before the “Andor” premiere.
“Well, I don’t want to say [it had no influence], because then it makes it seem like, you know, ‘I watched ‘Andor,’ and it had absolutely no impact on me,’ which is not true, it was great,” he explained. “But this was [all] before ‘Andor’ aired. Adam and I started talking, and this would have been almost three years ago now.”
Steven Soderbergh Doesn’t Regret His Work On His Scrapped ‘Star Wars’ Film

Soderbergh still valued the project as a valuable creative exercise, even if it is no longer moving forward.
“I don’t regret one minute of the time we spent working on that,” he said. “I felt the work was good. It’s just good for you to be in that room and working on it. It’s like CrossFit—it’s good for you. It’ll have a residual effect that will be unexpected at some point.”
Instead of lingering on regrets, it seems Soderbergh is taking a page out of Kylo Ren’s book and is ready to “let the past die” and move on to other projects.
“As soon as it became apparent, OK, not gonna happen, I sat down and started writing [something else],” Soderbergh said. “It’s like, ‘OK, new scenario, let’s get cracking.’ At a certain point, it’s like complaining about the weather. You just gotta keep moving.”
Steven Soderbergh Reveals The Ben Solo Movie Was Adam Driver’s Idea

In the interview, Soderbergh revealed that the idea to revisit the character of Ben Solo actually came from the “Marriage Story” actor himself.
“It was strictly Adam saying, ‘I think there’s still somewhere to go with this character.’ That’s how it started,” Soderbergh revealed. “Otherwise, I never in a million years would have found myself in that universe again.”
Adam Driver First Revealed The Film’s Existence In October 2025

In October 2025, Adam Driver first revealed the existence of “The Hunt for Ben Solo” in a conversation with AP News while promoting his film “Father Mother Sister Brother.”
Soderbergh and Rebecca Blunt outlined a story that the group then pitched to Kennedy, Filoni, and Lucasfilm vice president Cary Beck. After getting their approval, Scott Z. Burns wrote the script.
“We presented the script to Lucasfilm. They loved the idea. They totally understood our angle and why we were doing it,” Driver said. “We took it to Bob Iger and Alan Bergman, and they said no. They didn’t see how Ben Solo was alive. And that was that.”
Entertainment
Origins Kill Off Gary the Dog After Shocking Stabbing?
NCIS: Origins shocked viewers by having Gary Callahan the dog get stabbed in the line of duty — but did he survive?
During the Tuesday, April 7, episode of the NCIS prequel, flashbacks shows how Gary came into Franks’ (Kyle Schmid) life. Then in present time they were chasing a suspect when the dog is badly stabbed. The blade ultimately damaged several nerves controlling the movement in his hind legs, which made the vet work that he won’t be able to walk again.
The episode ended with scenes from Gary’s induction ceremony vs. his retirement, which he got up to get his medal recognizing his courage and valor. (Gary will remain an agent where he will split time between Franks on the weekends and Herm on the workdays.)
“Maybe it was just grit or hell, or maybe it was a miracle, but in that moment, Gary Callahan stood up and took his first steps — for the second time,” Mark Harmon‘s Gibbs said in a voiceover.
NCIS: Origins, which premiered in October 2024, follows a young Gibbs — a role originated by Mark Harmon — years prior to the events of NCIS. The new series picks up less than a year after Gibbs’ wife and daughter were killed. During season 1, Gibbs started a new job as a special agent at the NIS Camp Pendleton office while still dealing with the aftermath of losing his family.

“That was really our ultimate goal from the start was to make a show that the fans of the original show loved and felt satisfied by. But [it is] also [a show] that new viewers can come in from the beginning of NCIS: Origins,” cocreator Gina Monreal explained to Us Weekly in April 2025. “Viewers can jump in and not be confused and really get on board with our characters and their stories. We’ve always approached it from that point of view. I feel like we’ve succeeded.”
She continued: “We’re really keen on sticking to canon [events]. We’re strict about that. We want to pay respect to the mothership. We both have written on the mothership and do love that show. But we also love branching out into our new characters and digging into their emotional lives.”
At the time, Monreal and cocreator David J. North talked about how they were able to explore everything they planned in season 1 — but there was one idea they want to expand on.
“Special Agent Gary Callahan — or K-9 Special Agent — we could have got more of him in there. So we need more flashbacks,” North quipped. “Maybe that’s the next spinoff. NCIS: Gary Callahan.”
NCIS: Origins airs Tuesdays to CBS at 9 p.m. ET.
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