Jen Affleck has revealed that she has experienced prenatal depression during her fourth pregnancy.

The reality star, who announced she was expecting again last month, said this time brought a much heavier form of depression than she had experienced in her previous pregnancies.

Fortunately, she received support from both loved ones and strangers, for which she says she is deeply grateful.

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In a lengthy Instagram post, Jen revealed that she experienced prenatal depression during her fourth pregnancy, which she and her husband, Zac Affleck, announced just last month.

She said this episode felt much “heavier” than what she had experienced during her previous pregnancies, explaining that it took her to “really dark” places, particularly during her first trimester.

According to Jen, the experience was made even more difficult by her recent move to a new state while caring for her three other children. She went on to reveal that she was able to get through those difficult moments thanks to the support of her friends, family, and even strangers.

“They reminded me that even when I couldn’t see the light, I wasn’t walking through the darkness alone,” the reality star said.

Affleck Shares The Lessons Depression Has Taught Her

Elsewhere in her post, Jen detailed how experiencing prenatal depression affected her emotionally and mentally.

“I don’t believe depression is beautiful. It’s painful, confusing, and exhausting,” she said of her experience.

Still, amid the challenges, Jen said she is choosing to focus on the positive lessons she has learned while continuing to count her blessings, even on the more difficult days.

“It has made me ask deeper questions. It has made me slow down,” she revealed. “It has reminded me what really matters. It has taught me that strength sometimes looks like asking for help instead of pretending you’re okay.”

Jen Affleck Hopes Her Story Helps Others

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Moving forward, Jen said she does not have all the answers when it comes to managing her depression, but she is choosing to focus on what she does know.

“I’m here to love deeply. To raise my babies. To tell the truth about the hard parts,” she revealed.

The expectant mother also shared her hope that telling her story will help others who may be going through similar struggles.

“If sharing my story helps even one person feel less alone, then every vulnerable conversation has been worth it,” added the “Dancing With The Stars” alum. “If you’re quietly fighting a battle no one else can see, I’m so glad you’re still here.”

Fans Urge Affleck To Stop Having More Children

Reacting to Jen’s post, some social media users urged her to stop having more children, citing how she appears to struggle during pregnancy.

“Stop having kids.. I mean this in the most gentle way. Show up for yourself and the babies you have. If your husband can’t understand that you’re drowning in motherhood, then you need to reevaluate,” one person wrote.

“As a mom and child who had a mom who was emotionally unavailable for medical reasons. Please do not get pregnant again. Your kids will remember these times of you. Depressed, overwhelmed, unavailable,” another concerned fan commented.

“Birth control??? In the nicest way possible. We are grown women. We know what we are doing. You were very sad about the LAST pregnancy. Cmon,” a third user wrote.

Jen Affleck Has Always Wanted A Big Family

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Jen’s fourth pregnancy comes as no surprise, as she has long spoken about her desire to have a big family.

The reality star shared that dream in an exclusive interview with PEOPLE while announcing her third pregnancy last year.

“Having been raised with numerous foster kids, I’ve always dreamed of a big family, and seeing that dream come true is both exciting and fulfilling,” she told the outlet.

At the time, she acknowledged that balancing motherhood with her career could be “daunting,” but hoped successfully managing both would inspire other women to pursue their own ambitions.

“I want to show women and mothers that they can achieve anything they set their minds to, no matter how unrealistic it may seem,” she said.

Television drama has established itself as the pinnacle of long-form storytelling in the 21st century, but a series doesn’t necessarily need to be that long to be great. While many shows have used upwards of five seasons to present epic, sprawling stories that have enthralled the masses year-after-year, there have also been an abundance of outstanding titles that only graced the screen for half a decade, if that long.

Given that HBO has been the defining brand in small-screen excellence throughout what has come to be known as television’s golden era, it is little surprise that the premium network has produced a number of hit series that were succinct, ceaselessly brilliant, and smart enough to not outstay their welcome. Even with miniseries not being considered, HBO’s catalog of shows that ran for five seasons or fewer flaunts not only the dedication to excellence that has long defined the network, but the incredible variety and boldness it has long exhibited as well.

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‘Succession’ (2018–2023)

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One of HBO’s biggest hits in the past decade, Succession captivated millions the world over with its meticulous marriage of high-octane corporate-world scheming and acidic black comedy that brilliantly lampoons the rich and powerful. Inspired by William Shakespeare’s “King Lear,” its four-season run unfolds as three siblings find themselves in a squabble for power, favor, and opportunity when their aging father signals he may soon be stepping down as the CEO of his multimedia conglomerate empire, Waystar RoyCo.

Combining boardroom politics, confronting family drama, and absurd yet precisely targeted comedy all while running at frenetic breakneck speed, Succession is a skewering and ceaselessly entertaining insight into the unbridled chaos that lurks behind the veneer of company professionalism and wealth. Written, performed, and directed with absolute perfection, the series doesn’t present a single bad episode as it marries razor-sharp satire with energized tension and cutting character drama.

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‘Six Feet Under’ (2001–2006)

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A sadly overlooked gem of the impeccable catalog of series HBO was producing in the 2000s, Six Feet Under is a masterclass in dark comedy and poignant drama that boldly bolsters its focus on family dysfunction with inflections of surrealism and spirituality. It revolves around the Fishers, a family in Los Angeles that begins managing their late father’s funeral home only to constantly run into issues regarding the logistics of running a business, the continuous clashing of their personalities, and each family member’s own personal dilemmas.

With all the subplots and tangents unfolding in proximity to the series’ central focus on mortality, Six Feet Under excels at combining concise and concentrated drama with an air of grandeur through its thematic exploration of existentialism and death. Its reputation is only bolstered by the HBO series’ exceptional series finale, which brings the five-season run of the show to a rewarding resolution that complements its meticulous attentiveness to character development perfectly.

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‘Boardwalk Empire’ (2010–2014)

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HBO has always had a penchant for extraordinary crime drama, be it in the form of gangster shows like The Sopranos or riveting cop dramas like the first season of True Detective. With its confronting intensity, captivating characters, and awe-inspiring period production, Boardwalk Empire is entrenched among the network’s finest forays into the genre, even if it doesn’t always get the respect it deserves. Set in Prohibition-era America, it follows Enoch Thompson (Steve Buscemi), the treasurer of Atlantic City, in his political dealings and criminal endeavors as his prominence attracts the attention of federal agents.

While the series can be cyclical at times, it ultimately overcomes its pitfalls with its stunning and immersive realization of 1920s New Jersey and its litany of sublime performances, particularly from Buscemi in the lead role. Blending its historical intrigue with challenging character studies, Boardwalk Empire is a dazzling triumph of HBO and one of the more impressive television series of its decade.

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‘Treme’ (2010–2013)

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Impressive in its ability to blend cultural celebration, character-driven drama, and scathing critiques of natural disaster relief, Treme presents a vibrant immersion into New Orleans in the aftermath of Hurricane Katrina. Brought to the screen by David Simon and Eric Overmyer—two of the architects of The Wire—the criminally underrated series begins three months after the devastating disaster, operating with a palpable sense of realism and striking depth as it follows residents trying to rebuild their lives, a community re-capturing its cultural identity, and the systemic, bureaucratic struggles of urban reconstruction.

Methodically paced, Treme subverts the television standard of rapid-fire storytelling to instead deliver a slow-burning and often appropriately frustrating approach that brings visceral depth to the incremental steps of recovery and growth in the wake of the destruction of Hurricane Katrina. Also finding brilliance in its ensemble cast, grounded writing style, and the way it invests in the music and culinary scenes of the city, Treme shines as a powerful and underappreciated deep-dive into the heart of New Orleans and the unpleasant crux of real issues in modern America.

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‘Carnivále’ (2003–2005)

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Sadly, not all of HBO’s shorter series were intended to be so short. Carnivále was created by Daniel Knauf with a vision of a six-season run, but due to dwindling viewership numbers and the mounting production costs of its period-set production, it was axed after its second season. Still, it offers 24 episodes of rich mythological intrigue as it combines the grimy aesthetic of the Depression-era Dust Bowl with biblical concepts of good and evil and elements of Masonic lore.

Following the converging paths of a young man with healing powers who joins a traveling carnival and a Methodist preacher capable of bending others to his will, Carnivále soars off the back of its strong performances and creative writing to be a forgotten gem of small-screen fantasy entertainment. Even with its premature cancellation, the series still manages to deliver a rewarding conclusion to its major arc, ensuring it endures as a cult gem of the medium that can still be enjoyed when revisited today.

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‘Rome’ (2005–2007)

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Another HBO series that was axed after just two seasons due to production expenses despite intentions of a much longer run, Rome presents one of the most stunning period productions television has ever seen. Exploring historical events from the perspective of everyone from key political figures to ordinary soldiers and their families, it depicts the shifting nature of Ancient Rome as the republic collapses and the grandeur of the Roman Empire is born.

Straying away from mythic and romanticized notions of Ancient Rome, the series revels in its gritty authenticity, with the production embracing a dirty and grimy aesthetic that complements its strong historical basis and gripping human drama quite perfectly. By focusing not only on the bloodthirsty and treacherous nature of Ancient Rome’s political machinations, but on the impact the turmoil had on its citizens, Rome wields a ceaselessly compelling dramatic fervor that endures even as its second season is forced to compact its story significantly.

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‘Westworld’ (2016–2022)

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Westworld is one of the more interesting series HBO has produced, especially in the past decade. A re-iteration of the 1973 movie of the same name, it initially revolves around a Western-themed amusement park in the future that is populated by life-like robots and where wealthy visitors can live out any desire or fantasy they have with impunity. However, when the android “hosts” begin malfunctioning, the balance of power begins to shift.

The first season received rave reviews for its thematic repurposing of the ‘70s movie premise, allowing for it to emphasize such ideas as autonomy, morality, and the nature of humanity. While the ensuing seasons—which pivot away from ‘Westworld’ following a robot uprising that sees the hosts enter the real-world—did garner a more mixed response, Westworld remained a masterclass in thematic pointedness, production value, and philosophical depth. Enhanced by its ceaselessly exceptional performances and narrative dare, the four-season series marks an impressive mixture of sci-fi spectacle and themes, Western allure, and bleak dystopian drama from start to finish.

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‘Deadwood’ (2004–2006)

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While its abrupt ending at the closing of Season 3 may have blemished its legacy somewhat, there is no denying that Deadwood was one of HBO’s flagship series in the 2000s. The gripping Western drama has aged flawlessly too, with its intense tone meshing with its profanity-laden yet Shakespearean dialogue, gritty and morally ambiguous characters, and its immersive period production design to conjure one of the greatest and most enthralling visions of the Old West to have ever graced the small screen.

Set in the titular South Dakotan gold mining town in the 1870s, it unfolds as the lawless encampment evolves into a crime-riddled society as the population booms with masses of people hoping to find a fortune. Adept at capturing the muddy and confined candle-lit grime of the era while presenting a host of characters—both historical and fictional—who embark on intriguing arcs, Deadwood is one of HBO’s finest ever series.

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‘The Leftovers’ (2014–2017)

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By emphasizing a meditative and emotionally charged exploration of grief and trauma rather than running with traditional, high-stakes post-apocalyptic thrills, The Leftovers delivers one of the greatest and most thought-provoking series HBO has ever produced. It begins three years after the “Sudden Departure,” an inexplicable event in which two percent of the world’s population vanished. In the aftermath, extremist cults have arisen, the masses continue to mourn their loved ones, and many walk a treacherous line between maintaining a sense of normality and dealing with their own unresolved issues.

Written with astonishing depth, and powered by a litany of faultless performances and Max Richter’s richly evocative score, The Leftovers avoids simply wallowing in a world of sorrow by prying into the complex psychology of its characters with nuance, conviction, and remarkable clarity. Across an incredible three-season run that spans from Mapleton, New York to Melbourne, Australia, The Leftovers presents an utterly perfect and poignant exploration of heavy thematic ideas that is always anchored by a potency and realism that makes the series entirely captivating.

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‘The Wire’ (2002–2008)

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The greatest HBO series with five seasons or fewer, and perhaps the finest show the network has ever produced, The Wire thrives as an all-encompassing and palpably realistic descent into the drug trade of Baltimore, the inner workings of the city’s police department, and the bureaucratic issues that befall everything from the public school system to the efficiency of city hall. With each of its five seasons shifting focus to a new aspect of crime and law enforcement, the series brilliantly examines the interconnected landscape from street-level drug dealers to the mayor’s office.

Also buoyed by its invigorating moral ambiguity that refuses to treat any character as an outright hero or villain, The Wire embraces a scope that is more epic and novelistic than many other shows on television even today. It remains one of the greatest and most important series the medium has ever seen, not only as a compelling plunge into the grit of modern-day organized crime, but as a skewering exposé on the deeply flawed nature of America’s most important social institutions.

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The Wire

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Release Date

2002 – 2008-00-00

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Network

HBO

Directors

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Ernest R. Dickerson, Ed Bianchi, Steve Shill, Clark Johnson, Daniel Attias, Agnieszka Holland, Tim Van Patten, Alex Zakrzewski, Anthony Hemingway, Brad Anderson, Clement Virgo, Elodie Keene, Peter Medak, Rob Bailey, Seith Mann, Christine Moore, David Platt, Dominic West, Gloria Muzio, Jim McKay, Leslie Libman, Milcho Manchevski, Robert F. Colesberry, Thomas J. Wright

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Roommates, Usher has performed some of the most memorable moments in R&B history, but one recent concert moment had fans talking for a completely different reason. During a steamy part of his set, the singer noticed something wasn’t quite right with a fan who joined him on stage — and his reaction quickly caught the crowd’s attention.

RELATED: Caught In 4K! Usher And Dave Chappelle’s Unexpected Mid-Concert Moment Leaves Fans In Tears (VIDEO)

Usher Reacts After Fan Gives “Not Interested” Energy

Now, Usher, known for his signature onstage performances during his more sensual records, found himself in an unexpected moment while performing during the ‘R&B’ tour at Nissan Stadium in Nashville, Tennessee. During the show, a fan was brought onstage to participate in one of his iconic concert segments — but the interaction didn’t unfold the way fans may have expected.

While Usher performed shirtless with the fan seated on a bed as part of the segment, she appeared uncomfortable and less engaged than previous audience members during similar performances. The singer seemingly picked up on her reaction and slowly pulled away before telling the crowd, “I don’t think she wants to be on stage.” Usher then waved her off and appeared to signal for security to assist her away from the segment. It remains unclear whether another fan was chosen afterward or if the performance moved on to another song.

The Comments Section Was Ready For Usher

Fans quickly flooded The Shade Room’s Instagram comment section with their reactions to the viral moment, and opinions were all over the place. Some people felt the fan shouldn’t have went on stage if she wasn’t going to match the energy. While others joked that’s exactly how they would want their woman acting if Usher ever pulled them on stage. Meanwhile, a few fans gave the singer credit for handling the awkward moment smoothly and keeping the performance moving.

One Instagram user @thecarlosking_ said, “Usher is such a Libra 😂cause we never beg if you don’t wanna be there nie 🤸🏾‍♂️”

This Instagram user @_droop_ added, “He played it perfectly at the end.”

And, Instagram user @faithdonna.z wrote, “Sis looked like she accidentally accepted the Terms & Conditions. 💀”

Meanwhile, Instagram user @dielit4e joked, “That’s how I need my shi to act at them damn concerts 😒😂😂😂😂😂”

While Instagram user @nessacary claimed, “She couldhv just declined the offer and not took her a** up there lol 🤦🏽‍♀️”

Lastly, Instagram user @big.don.vito commented, “This is a great example of LIKE WHO LIKES YOU!”

Breezy Didn’t Have To Question The Energy Though

Meanwhile, Breezy is showing fans exactly what they came to see — and unlike some recent viral concert moments, nobody seems to be looking uninterested. Chris Brown previously gave fans a preview of what they can expect from his joint ‘R&B’ tour with Usher, sharing a steamy clip of himself bringing a fan on stage for a performance of ‘Take You Down.’ The singer danced closely with the woman while giving her the full VIP treatment, and she appeared fully locked into the moment as Breezy showed off his signature moves and took his shirt off. Chris captioned the spicy preview, “This what yall wanted?” and fans are making it clear that when it comes to Breezy’s onstage chemistry, they’re not seeing any complaints.

RELATED: Caught Up? Fans Are Popping OFF With Reactions To Chris Brown & Usher’s Opening Tour Night (VIDEOS)

Tom Holland has recalled a failed attempt by Jon Bernthal to get him to embrace method acting.

The story dates back to the duo’s time filming “Pilgrimage,” where Bernthal’s character was mute, and Holland tried to help him stay in character while they were off-set.

The pair have since reunited on two major projects, “Spider-Man: Brand New Day” and “The Odyssey.”

Appearing on “Hot Ones,” Holland recalled his time filming “Pilgrimage” with Bernthal, who fully committed to method acting by refusing to speak off camera because his character was mute.

Before production began, the “Punisher” star told Holland, “I’m going to go full method… I’m going to need your help.” Holland agreed, but the experiment soon became awkward, especially whenever they went out to eat.

“For like two weeks, not a peep out of him,” Holland recalled. “And we all know Jon Bernthal. We all love Jon Bernthal. My man loves to talk. So, we’re sat at restaurants, and he’s writing down his food, and these are regular restaurants in Ireland.”

According to Holland, the awkwardness of the situation forced him to explain Bernthal’s unusual behavior to confused staff, joking, “I’m sorry about my friend. He’s just a pretentious actor.”

A Salmon Order Ended Bernthal’s Method Acting Streak

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Bernthal’s commitment to method acting came to an abrupt end during one of their restaurant visits in Ireland.

After weeks of communicating only through written notes, he asked Holland to request some lemon for his salmon. However, the waitress misunderstood and dropped the lemon into Bernthal’s glass of water instead.

The mix-up proved too much for the actor to endure in silence. Recalling the moment, Holland said Bernthal immediately blurted out, “All right, f-ck it. I’m talking again,” bringing his self-imposed vow of silence to an end.

Tom Holland And Jon Bernthal Reunited For Two Major Projects

After starring together in “Pilgrimage” in 2017, Holland and Bernthal did not share the screen again until recently, when they reunited on two back-to-back projects.

In “Spider-Man: Brand New Day,” the duo plays superheroes, with Holland reprising his role as Spider-Man while the film marks Bernthal’s big-screen MCU debut as the Punisher after years of portraying the character on television.

The two also appear together in Christopher Nolan’s “The Odyssey,” which debuted in cinemas on July 17. Holland plays the more prominent role of Telemachus, the son of Odysseus, portrayed by Matt Damon. Meanwhile, Bernthal stars as Menelaus, the King of Sparta, who appears in only a few key scenes.

Tom Holland Is ‘Absolutely Loving’ His Latest Press Tour

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Holland’s appearance alongside Bernthal is just one of several promotional stops he has made while supporting the release of his latest films.

Although balancing both projects has kept his schedule packed, the actor said he is relishing the busy period because he is immensely proud of both productions.

“I’m absolutely loving it. When you’re doing press for movies you’re really proud of, it’s really easy,” the actor said during an appearance on the “Dish” podcast.

He added, “Because when they ask you questions about why people should go and watch this movie, you’re not lying to anyone. You really think people should go see it. I’ve had experiences before when people say, ‘Why should you see this movie?’ And in the back of your mind, you’re like, ‘You shouldn’t, because it’s sh-t.’”

‘The Odyssey’ And ‘Spider-Man’ Chase Major Box Office Milestones

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Despite facing early criticism before its release, “The Odyssey” has enjoyed a strong start at the box office.

The film grossed more than $264 million during its opening weekend, with ticket sales split almost evenly between domestic and international markets. Now in its second week, “The Odyssey” is on course to surpass the $500 million mark worldwide, putting it on track to become one of the highest-grossing films of the year.

Meanwhile, “Spider-Man: Brand New Day” is set to arrive in cinemas on July 31 and is already predicted to post record-breaking box office numbers, given the success of Holland’s previous Spider-Man films. Two of the earlier installments surpassed $1 billion at the global box office, while the third still earned an impressive $880 million worldwide.

The superhero genre witnessed a major tonal shift with Christopher Nolan‘s epic The Dark Knight trilogy. After decades of colorful adventures, superheroes were presented in a grounded reality that captured the mood of the times. Similarly, Nolan put his stamp on the fantasy genre with his latest film, The Odyssey, based on Homer‘s Greek epic. Earlier, movies based on the Greek myths featured plenty of monsters and mayhem, but Nolan’s version revolved around themes such as post-traumatic stress, guilt, and human agency. That said, Nolan admitted that he was inspired by Ray Harryhausen‘s cult classic 1981 movie, Clash of the Titans, which was remade in 2010 by Louis Leterrier.

The Clash of the Titans remake starred Sam Worthington, fresh off the success of Avatar, in the role of Perseus. The movie defied poor reviews to gross more than $490 million worldwide against a reported budget of $125 million. It nearly outgrossed the genre’s biggest hit, Troy, which made $497 million worldwide against a reported budget of $185 million in 2004. Incidentally, Nolan nearly directed Troy as his first large-scale project, but was replaced by Wolfgang Petersen and was handed the reins to the Batman franchise instead. Clash of the Titans was successful enough to spawn a sequel, which was released in 2012 to equally poor reviews and a lower box-office haul.

Watch the Critically Panned Greek Mythological Movie on Peacock

The movie in question, of course, is Wrath of the Titans. Directed by Jonathan Liebesman, the movie features a returning Worthington alongside Liam Neeson as Zeus, Ralph Fiennes as Hades, and Danny Huston as Poseidon. New cast members included Bill Nighy, Rosamund Pike, Toby Kebbell, and Édgar Ramirez. Wrath of the Titans grossed just over $300 million worldwide against a reported budget of $150 million, falling short of its predecessor’s haul despite a larger budget. It is now sitting at a 26% score on the aggregator website Rotten Tomatoes, where the consensus reads, “Its 3D effects are an improvement over its predecessor’s, but in nearly every other respect, Wrath of the Titans fails to improve upon the stilted acting, wooden dialogue, and chaos-driven plot of the franchise’s first installment.” Because of the film’s underperformance, a third installment, tentatively titled Revenge of the Titans, was shelved. You can watch Clash of the Titans and Wrath of the Titans on Peacock starting August 1. Stay tuned to Collider for more updates.

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Release Date

March 29, 2012

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Runtime

99 minutes

Director

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Jonathan Liebesman

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Actor Ryan Gosling is ready to join another blockbuster franchise. Shortly after joining Shawn Levy‘s “Star Wars: Starfighter,” which hits theaters in May 2027, Marvel boss Kevin Feige announced that the “Project Hail Mary” actor will join the Marvel Cinematic Universe as Ghost Rider at the San Diego Comic Con panel held on Saturday night. It’s a role the actor has always wanted to play, but it also has a surprising connection to his partner, Eva Mendes.

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On Saturday, July 25, fans gathered at Marvel’s Hall H panel at San Diego Comic Con to see who would be the next actor to portray Ghost Rider. Marvel boss Kevin Feige announced that Ryan Gosling, fresh off the success of “Project Hail Mary,” would take over the role in an upcoming standalone movie.

The announcement was met with cheers from the audience. “As you know, this is a character I’ve wanted to play for a long time,” Gosling told the crowd.

How Eva Mendes Is Connected To His Ghost Rider Role

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Ghost Rider was previously portrayed by “National Treasure” actor Nicolas Cage in the 2007 film. The movie also featured Gosling’s longtime partner Eva Mendes as Roxanne Simpson. Although Cage reprised his role in the 2011 sequel, “Ghost Rider: Spirit of Vengeance,” Mendes did not return for that movie.

The 2007 film was not well received and has only a 28% rating on Rotten Tomatoes. Scott Huver of Hollywood.com called it “the worst adaptation of a Marvel Comics hero yet,” while Mike Barnard of Future Movies UK said that “Cage needs to produce something special next to make up for crimes against cinema.”

However, not all critics hated the movie. Megan Basham of WORLD said, “This strange amalgamation of Texas Ranger lore, NASCAR bravado, and the-Devil-and-Daniel-Webster trickery keeps the campy fun revving just enough that you can’t completely hate it.”

This New Ghost Rider Will Be Directed By Shawn Levy

Shawn Levy, who directed the 2024 Marvel movie “Deadpool and Wolverine,” will be directing the new Ghost Rider film. He previously worked with Gosling in “Star Wars: Starfighter,” which will be released in theaters in May 2027.

During the Marvel panel at SDCC, Levy took the stage alongside Gosling and Feige. “I’m having the greatest flashback vibes here, because I was here two years ago when we showed Deadpool & Wolverine,” he told the crowd.

“I’ll never forget that night, because I was introduced to the greatest fans. Gosling is the absolute sh-t. I say that with tremendous respect,” he continued. “We spent a lot of time last year making Starfighter, and the opportunity as Ryan started talking about this character, I was like, ‘Bro, let’s ride.’ We’ll see you in 2028!”

No release date has been scheduled for the new Ghost Rider movie.

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Eva Mendes May Be Looking To Return To Acting

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Although she starred in films such as 2003’s “2 Fast 2 Furious” and 2005’s “Hitch,” Eva Mendes has remained largely out of the public eye for quite some time. However, as The Blast previously reported, that may all be about to change.

One insider told Star Magazine that she is eager to explore new opportunities in the entertainment industry and let Gosling stay at home with the kids for a change. “She’s leaning on Ryan to pick up the slack at home and slow down his usually packed schedule,” the source shared. “Eva needs the free time to meet with filmmakers and studio executives and really see what is out there for her.”

Will She Appear In ‘Star Wars: Starfighter’?

There are rumors that she may be making an appearance in “Star Wars: Starfighter,” alongside her husband. There is also speculation that she might appear in “Fast Forever,” the next installment in the “Fast and Furious” franchise.

Even though her appearance in “Starfighter” has not been confirmed, the source said that working on the movie has reignited her love of acting. “Eva rediscovered her taste for acting while making ‘Starfighter’ last year,” the insider divulged. “Now she wants to be in more films that her kids and their friends will actually enjoy and talk about.”

Mendes and Gosling met while filming “The Place Beyond the Pines” in 2012. They share two daughters together, but have remained fairly private about their relationship and their family life.

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Roomies, Lira Galore has the internet doing double takes after she popped out for Miracle Watts and Tyler Lepley’s pre-wedding celebration with her mom. Fans couldn’t stop saying Lira definitely “gets it from her mama,” while others said her mom is aging like fine wine!

RELATED: Get It From Her Mama?! Yaya Mayweather Responds After Fan Jokes About Her Loyalty To Men 

Lira Galore’s Pop Out With Her Mom Has Fans Doing Doubles Takes

Recently, Lira Galore and her mom had timelines buzzing this weekend after sharing videos from Miracle Watts and Tyler Lepley’s pre-wedding celebration. Lira took to her Instagram Story to show off Momma Galora, and chile, the internet immediately started joking and saying that her mom is the real baby because of her youthful glow. Lira shared clips from Miracle and Tyler’s all-white boat party, where her mom stunned in a white mini dress and Lira turned heads in an off-the-shoulder look.

The Internet Is Calling Lira’s Mom The REAL Showstopper

Once The Shade Room shared the clips of Lira and her mom, the comment section instantly filed up with heart-eyes and fire emojis. Fans couldn’t stop saying that Lira and her mom are twins, while others reminded everyone that Momma Galora has always been tea and her face card never declined!

Instagram user @candisgrace wrote, “Such a gorgeous Mommy & Daughter Duo 😍😍😍😍😍😍😍😍 Like Beyond !!” 

Instagram user @carolinetania wrote, “Her mom always been Her ❤️” 

While Instagram user @rell09 wrote, “Oh she definitely get it from her mama! 🔥” 

Then Instagram user @saygrac3 wrote, “MUVA GALORE IS FINE FINE‼️🥰” 

Another Instagram user @kea.wunofakind wrote, “Mz. Galore Been HER 🥵 IYKYK 💖” 

Instagram user @triviamonroe wrote, “😍😍😍😍 How my daughters and I will be. (this gym going to get me right 🦾)” 

Then another Instagram user @iambrooklyn_1 wrote, “The mama is the baby 😍” 

While another Instagram user @ms._toya2u wrote, “Baby listen the 40 plus crew ain’t playing none!” 

Finally, Instagram user @viewsfromindia_ wrote, “& her mommy BEEN fine since back in the dayssssssss. She not aging 😍😍😍😍😍” 

Miracle Watts & Tyler Lepley Tie The Knot With Beautiful Wedding Ceremony

Lira Galore and her mom kept the looks coming after popping out for Miracle Watts and Tyler Lepley’s wedding celebration and ceremony. Lira gave fans a glimpse of the beautiful day on her Instagram Story, which reportedly went down in Los Cabos, Mexico on Saturday, July 25. Miracle and Tyler celebrated their love surrounded by their closest family and friends. Videos also showed the newlyweds sharing their first dance. 

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Video games are the most successful medium in the world, and that is because they evoke a range of emotions and offer a variety of escapist fantasies. From the immersive Wild West in Red Dead Redemption 2 to the grand sense of adventure and wonder in The Legend of Zelda: Breath of the Wild, video games are versatile and engaging.

However, one feeling video games capture perfectly is dread, with some of the darkest stories coming from this medium. That is why this list will rank the ten darkest video games of all time based on aspects such as mature content, themes, imagery, narrative, originality, fan opinion, and overall quality. A good game is said to change someone, but these games will only do that in a bad way, traumatizing the players forever.

10

‘Inside’ (2016)

Image via Playdead

Playdead is an iconic game studio, but fans are still waiting for their next entry, especially since their last one, Inside, is one of the best indie games. When players escape a mysterious facility, they must make their way through the dark laboratory that seems to be experimenting on people. But more dangers await players the further they go into the facility.

Indie companies are usually the ones delivering the darkest games since major companies don’t want something so polarizing attached to their name. But Inside doesn’t care. This game is a masterclass in design, using its lighting as a tool to facilitate guidance. However, it proves to be a dark and eerie masterpiece through its eerie vibe and environmental storytelling.

9

‘Spec Ops: The Line’ (2012)

Image via Darkside Game Studios

Shooter games are some of the most popular, but in the FPS genre lives Spec Ops: The Line, which doesn’t glorify war unlike many other games. Gamers play as Captain Martin Walker, the leader of a Delta Force trio who makes their way to Dubai to find a missing unit. However, what starts as a standard rescue mission devolves into a hallucinatory battle.

This anti-war video game uses its mechanics against the players, admonishing them for blindly following orders and getting themselves into trouble. Spec Ops: The Line has players committing a handful of war crimes and battle atrocities, bringing it to a profound discussion on PTSD and cognitive dissonance, proving why it is one of the best shooter video games.

8

‘This War of Mine’ (2014)

Image via 11 bit studios

A lot of games use fictionalized historical events to accentuate the darkness, and one game that did this was This War of Mine. Inspired by the Siege of Sarajevo, players control a group of characters who must navigate the crossfire and scavenge for supplies in order to survive the depressing state of the city.

Sometimes the dark reality of the world is worse than what games can achieve, and This War of Mine played into that by making the real-life atrocities even bleaker. Gamers are forced to make tough survival decisions where they weigh the balance between survival and ethics. This forceful design makes players question themselves about what many people actually had to go through.

7

‘SOMA’ (2015)

Image via Frictional Games

Frictional Games is an incredible gaming studio with multiple classics, such as SOMA. After suffering a severe injury in a car crash, the protagonist, Simon Jarrett, decides to undergo an experimental brain scan. However, he wakes up a hundred years later in an underwater facility. Only he and biomechanical monstrosities are left, with him needing to descend deeper to find a digital utopia.

The biomechanical monsters are terrifying, and their tragic concept only adds to the overall sense of gloom. However, the true darkness of SOMA reveals itself through the suffocating sense of dread in the narrative and philosophical themes. This game takes a psychological toll on the players, building into a heavy weight of darkness when the credits roll, proving to be one of the scariest modern video games.

6

‘Pathologic’ (2005)

Image via Ice-Pick Lodge

While there are a couple of sequels, nothing beats the original Pathologic and the darkness that players experienced. When a mysterious airborne plague ravages a small town, players take on the role of a doctor. Within 12 days, players must survive, learn about the town’s mysterious history, and find a cure for the plague; otherwise, everyone dies.

Pathologic is designed to intentionally be frustrating, creating a nearly impossible challenge that highlights the gravity of the situation. Gamers can’t save everyone, and those choices will weigh on their souls as they must decide what and who to prioritize. Pathologic emphasizes its darkness with its rigid rules and bleak world.

5

‘Silent Hill 2’ (2001)

Image via Konami

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The remake is just as good as the original, but it is hard to beat the classic in terms of darkness since it established the story. Silent Hill 2 follows James Sunderland, who travels to the titular town in order to learn the mystery behind a letter he got from his deceased wife. Desperate for answers, he continuously searches the decaying town while avoiding its monstrous inhabitants, including the horror icon, Pyramid Head.

Silent Hill 2 is arguably the best horror game of all time, focusing on an internal fright that possesses the most brilliant narrative in horror history. The environment and monsters are all manifestations of the protagonist’s subconscious and all his problems, proving the story is just as compelling as the gameplay. Silent Hill 2 is a masterpiece and has a bleak ending to boot. Known for delving into psychological terror and human trauma through its challenging gameplay, emotional worldbuilding, and heavy tone, it is no surprise that this is a dark game.

4

‘Manhunt’ (2003)

Image via Rockstar Games

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Rockstar Games is a prolific game studio best known for its works like Grand Theft Auto, which is violent, but is nothing compared to its darkest and least-known video game, Manhunt. While death row inmate James Earl Cash avoids the death penalty, he suddenly wakes up in a decaying city where he is forced to participate in snuff films by hunting down gang members.

It has mostly been debunked that video games cause violence, but if there was one game where that isn’t true, it might just be Manhunt. This game gets players as close to the gore as possible, creating a disturbingly intimate view of murder that will make anyone feel uneasy. By designing it so players are rewarded for more graphic kills, Manhunt is obscenely unsettling.

3

‘LISA: The Painful’ (2014)

Image via Dingaling Productions

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2D games are often very expressive, but LISA: The Painful takes that to a very different place. When an apocalyptic event kills all the women in the world, a drug addict named Brad finds a baby girl. But when she is kidnapped, he fights through a world of desperate lunatics to get her back and save her.

Fans shouldn’t let the innocent 2D aesthetic fool them; this game is bleak beyond belief. LISA: The Painful forces players to make dark decisions that have serious repercussions. Whether they choose to sacrifice a party member or lose their own limbs, players are permanently affected, and that is just the beginning of a long and winding road of misery.

2

‘Fear & Hunger’ (2018)

Image via Miro Haverinen

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Most of the games on this list are rather unknown, but one of the biggest cult classics featured is Fear & Hunger, which is critically acclaimed and has a dedicated fanbase. But that doesn’t mean anything for its quality, as players consider it one of the best survival horror RPGs. Players choose one of four characters who travel through an anachronistic dungeon in search of the mercenary leader.

Fear & Hunger doesn’t follow a dedicated story, but that allows players to experience the emergent darkness on their own, not knowing what awaits them in the depths. Each descent into the unknown is a new tale for players to craft as their decisions slowly build a messed-up scenario with worldbuilding implications and twisted discoveries. The eerie art style perfectly fits the vibe and tone of the game, not to mention the character designs and moments are next-level gruesome and dark.

1

‘I Have No Mouth, and I Must Scream’ (1995)

Image via Cyberdreams

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Based on Harlan Ellison‘s short story of the same name, I Have No Mouth, and I Must Scream expands on the story through a point-and-click adventure. Set during the Cold War, a sentient supercomputer wipes out all of humanity, only leaving a handful of survivors alive. He keeps them immortal to torment them out of his own spite for humanity.

It may not be the most influential video game ever, but I Have No Mouth, and I Must Scream is a cult classic that many fans love for its terrifying villain. This game features pretty much every dark theme fans can think of, combining them to create a game where survival is hopeless. Forced to confront their flaws, I Have No Mouth, and I Must Scream is a dark game that thrives on existential dread and powerlessness.