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PARIS HAUTE COUTURE WEEK S/S 2026

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PARIS HAUTE COUTURE WEEK spring summer 2026
SCHIAPARELLI, CHRISTIAN DIOR, CHANEL, VALENTINO and VIKTOR & ROLF.
Birds of Paradise or Birds of Prey? ‘Flight’ and ‘Escapism’ is a Recurring Theme, with Feathers Featuring in Many Offerings.

PARIS HAUTE COUTURE WEEK spring summer 2026

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Image Credit Paris Haute Couture Week, Page Six and WWD

Hands down the most glamorous of the all of Fashion Week Season, Paris Haute Couture Week exploded across the City of Light with celebrities, fashionistas and their seductive groupies lighting up every Paris street and historic venue. All looking (almost) as striking as the shows they dressed up to be seen at! (Do see our little collection of celebrities and their frocks!)

Schiaparelli kicked off events, laying the foundation for a week of unadulterated creativity, artistry and sheer fantasy.

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Jonathan Anderson’s very first show for Christian Dior was a highly anticipated event, and one that set the tone for a week of the most wonderous, hand-crafted couture imaginable.

Day 2 saw legendary couture houses Chanel and Armani telling their stories through unrivalled imagination, wizard-like construction, hundreds and hundreds of hours of meticulous hand-stitching and nimble finger-work, bringing the already fabulous silks, satins and sequins to life on the runway.

Day 3 delivered a dose of hauntingly beautiful nostalgia when the House of Valentino paid tribute to their founder who passed away a few days prior to the show. It was a collection that properly got the chins wagging, and one that will no doubt go down in the fashion history books as simply epic.

Quirky Dutch duo Viktor & Rolf (who made ‘the bow’ famous a few decades ago now – and thankfully never stopped showcasing that festive accessory) pulled off a most memorable show with dramatic black silhouettes and, yes, that bow making a cameo appearance again.

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All in all, the poetry, the romance, the magic and avant-garde nature of the shows made for a week that allowed the average mortal to drool, to dream, to be inspired and to escape to a world of blissful fantasy.

Long live fabulous couture, long live the folks who take their time to create it… and of course, a huge thumbs up to those who wear these beautiful works of art.

VALENTINO

Watch Valentino’s Show here: 

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Creative director Alessandro Michele pulled off a show that left the chins wagging well after the shows. Legendary founder of the House of Valentino, Valentino Garavani, passed away only days before the shows, and as the fashion world mourns the loss of yet another stalwart, they were somewhat consoled by a collection that remembered the very best of Valentino’s offerings over the decades.

To say it was a glamorous affair would not begin to do justice to a collection that was so over the top it will no doubt go down in fashion history. This while ‘voyeurs’ took a sneaky look though tiny windows at the runway.

Elizabethan collars and cuffs, oversized bows, headpieces that will make any epic 50s Hollywood film pale in comparison…. It was simply a spectacle to behold, with one piece outdoing the next in ‘wow’-factor.

Think Elizabeth Taylor in the epic film Cleopatra, with an infinite wardrobe of frocks, capes and accessories to choose from, and you’ll have nailed the essence of the offering.

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There was simply no end to the enchanting array of cloaks, feather trims, fringing, sequins and other deliciously outrageous extravagances.

And above all, the haute couture essence of the collection didn’t go unnoticed: one could only imagine the hundreds of hours that went into creating these OTT theatrical pieces: the endless hand beading, the stitching on of infinite boa feathers and the weeks and months of hand-embroidery, to present us with this unbeatable otherworldly feat.

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SCHIAPARELLI

Watch Schiaparelli’s Show here: 

That creative director Daniel Roseberry was inspired by the ceiling Michelangelo’s Sistine Chapel as well as the film Alien, was evident throughout a collection that posed the difficult question, what do we do when our world erupts into chaos – as it seems to have done already?

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The collection was an eternal juxtaposition between the beautiful and the scary.

Rather than showcasing the ‘tame’ flower kingdom – a conventional subject for inspiration when it comes to haute couture – Roseberry turned instead to fauna, the animal kingdom, with its beauty and cruelty, its culture of being either predator or prey, hunter or hunted.

Scary alligator and venomous scorpion tails, the feathered wings of birds of prey, ominous-looking beaks and horns were incorporated into tailored jackets and dresses, to jaw-dropping effect.

Fish (a poisonous blowfish to be exact) inspired an organza suit that exploded into oversized shoulder spikes, and exaggerated bird beaks decorated (if that’s the term!) the front and back of jackets. A black jacket ended in a huge curled scorpion tail while a crocodile spine formed the front of a black ballgown.

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If food for thought in today’s topsy-turvy world was the intention of this collection, Roseberry certainly succeeded. Beauty mixed with fear and anger is indeed a recipe that’s unforgettable! Hence silhouettes were uber-shapely, body-hugging (or rather, body-squeezing) and sharp.

Roseberry explained his philosophy for the collection by quoting philosopher David Whyte, “Anger is the deepest form of compassion, for another, for the world, for the self, for a life, for the body, for a family, and for all our ideals, possibly about to be hurt.”

Looking past the collection’s philosophy, the actual nitty gritty of the craftsmanship was awe-inspiring. As for man/woman hours, allegedly it took in access of 8000 hours to sew – by hand of course – 65000 raw silk electric blue feathers onto a floor-sweeping gown. And that’s just one of the pieces!

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CHRISTIAN DIOR

Watch Christian Dior’s Show here: https://www.fhcm.paris/en/collection/christian-dior-haute-couture-springsummer-2026

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Everything came up roses for Jonathan Anderson in his debut creative directorship for the House of Christian Dior. In fact, the collection was blooming marvelous! (It must’ve been quite something to have one of your ultimate fashion heroes, John Galliano, sitting front row, too.) A star-studded crowd that included Brigitte Macron, Jeff Bezos and Lauren Sanchez, was in attendance.

The show kicked off one hour late, with a set of sexy pleated dresses that paid tribute to a Kenyan-born artist, Magdalene Odundo – as soon as Rihanna, who was (very) fashionably late, arrived!

The collection was classic Dior, but a delightfully modernized version thereof: silhouettes were fluid and light – utterly wearable, and lo and behold, not a typical Dior corset in sight!

Transparent vests were juxtaposed with voluminous urn-shaped draped skirts (reminding one a little of Donna Karan’s 1990s silhouette), soft exaggerated bows decorated waistlines, bell-shaped skirts looked super elegant and silvery metallics were both fluid and structured at the same time.

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The most striking accessories were the oversized floral earrings and elegant clutch bags.

Pops of colour – the likes of a tangerine shawl and lime green scarf – transformed the soft, pastel-based frocks. Loafers were made from antique cloth – sheer perfection!

This is a collection that achieves what few couture offerings can: it’s fresh, super elegant and avant-garde, but can quite easily be dressed down. What more can one ask for?

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Christian Dior

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CHANEL

Watch Chanel’s Show here: https://www.fhcm.paris/en/collection/chanel-haute-couture-springsummer-2026

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It was impossible not to notice the giant, colourful toadstools that filled the runway at Matthieu Blazy’s first couture show for Chanel. An enchanted garden was created to host this first offering.

This set the tone for a show that, in many respects, required the Chanel woman to go right back to the roots of the brand, and pay tribute to Coco Chanel who championed freedom, emancipation and who famously said, “before you leave the house, look in the mirror and take one thing off.”

The designer played with that idea throughout the collection, stripping pieces to barely there, light and breezy garments. In fact, in some pieces the fabric was cut away so that skin and underwear were clearly visible, emphasizing the flimsiness of not just the garments, but to be philosophical, perhaps also our very existence?

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The theme of birds, and flight, also surfaced throughout, and some pieces were covered in feathers, others boasted printed feather motifs. Some pieces were raven black, others depicted the strong red, purple, chocolate brown and charcoal plumage. Peacock feathers and the dull grey shades of the humble pigeon were to be seen in many pieces.

There wasn’t a typical Chanel’ tweed or boucle, or even Carl Lagerfeldt’ signature accessory, the camellia, to be seen. And yet… it was unmistakably Chanel – from the soft and nude pastels and black, to the many plain and printed chiffon pieces. A quilted handbag perhaps vaguely reminded one of ‘old’ Chanel.

In a collection that evidently wanted to emphasise the psychedelic and the idea of a flight into escapism, Blazy certainly managed to kill two birds with one stone – excuse the pun!

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VIKTOR & ROLF

Watch Viktor & Rolf’s Show here: 

The idea of lightness of being, also surfaced at Dutch duo Viktor & Rolf’s Spring/Summer presentations. This seems to have been a theme among designers this season – and how can we blame them for proposing some escapism if we look around us at what’s happening in our world?

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Intrinsic to the mostly black collection that Viktor & Rolf presented, was the idea of flight.

In fact, one of the garments depicted a kite, with its connotations of lightness, freedom and the idea of being at the mercy of the elements.

And of course they also championed the idea of ‘general upliftment’ of one’s spirits, which can so easily be achieved by the mere addition of a spot of colour in the shape of a bow, a peplum, a ruffled neck piece, a row of colourful buttons or a decorative sleeve.

A simple addition can indeed transform a simple black outfit into something joyous.

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It seems Viktor and Rolf gave us the option to ‘be normal’ and wear the basics, or be somewhat adventurous by layering and adding a touch of magic. The choice is yours!

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Last but not least, here’s what our favourite CELEBRITIES chose to wear…

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Tyla at Valentino

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Dua Lipa at Chanel

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Tilda Swinton at Chanel

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Alexa Cheung at Bulgari

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Carlie Kloss at Dior

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Dakota Johnson at Valentino

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Kate Moss at Saint Laurent

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Dan Levy in Grey Pinstripe Versace Spring 2026 Blazer, Brown Leather Pants, and Silk Shirt at Big Mistakes Premiere

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2 Dan Levy In Grey Pinstripe Versace Spring 2026 Blazer Brown Leather Pants And Silk Shirt At Big Mistakes Premiere

Dan Levy stepped out for the Big Mistakes premiere wearing a look from Versace’s Spring/Summer 2026 collection.

His outfit featured a grey pinstripe blazer jacket paired with brown leather pants and a striped silk shirt, creating a mix of tailoring and texture that balanced structure with ease. The ensemble was further styled with a printed jacquard silk tie, adding pattern and dimension to the look while maintaining cohesion within the palette.

2 Dan Levy In Grey Pinstripe Versace Spring 2026 Blazer Brown Leather Pants And Silk Shirt At Big Mistakes Premiere

Accessories included a black leather belt and black Billy leather boots, grounding the outfit with classic elements that complemented the more directional pieces. The combination of pinstripes, leather, and silk highlighted a layered approach to menswear, aligning with the evolving aesthetic seen across recent runway collections.

Dan Levy In Versace Spring 2026

See more photos from the premiere below:

9 Dan Levy In Grey Pinstripe Versace Spring 2026 Blazer Brown Leather Pants And Silk Shirt At Big Mistakes Premiere
888 Dan Levy In Grey Pinstripe Versace Spring 2026 Blazer Brown Leather Pants And Silk Shirt At Big Mistakes Premiere

Photo Credit: Netflix / Big Mistakes

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The Real Housewives Of Atlanta are Back! Cynthia Debuts New Man in Jovani, Pinky Cole in Akira, K. Michelle in Hollister, and More!

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The Real Housewives Of Atlanta Are Back Cynthia Debuts New Man In Jovani Pinky Cole In Akira K Michelle In Hollister And More

Atlanta showed up in full force as Pinky Cole, K. Michelle, and Cynthia Bailey stepped out for the screening of The Real Housewives of Atlanta Season 17.

With anticipation building around the new season, the energy was high and the crowd stayed locked in as the franchise returned with new moments and familiar faces already sparking conversation.

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Pinky Cole stepped out in a look by Akira, delivering a polished ensemble that balanced structure with ease. Her outfit reflected a modern approach to event dressing, combining clean tailoring with a confident, effortless presence.

The Real Housewives Of Atlanta Are Back Cynthia Debuts New Man In Jovani Pinky Cole In Akira K Michelle In Hollister And More

K. Michelle wore a look by Hollister, bringing a more unexpected, casual-meets-glam approach to the screening. Her outfit added contrast to the evening’s style mix, showing versatility in how contemporary brands can translate to red carpet moments. Find links to grab her pants here.

With Season 17 officially underway, the screening set the tone for what’s ahead—high energy, strong personalities, and fashion that continues to keep viewers tuned in.

Whose look is your fave?

Photo Credit: FreddyYo/Kingmen Media Group

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6 Women’s Wardrobe Staples That Make Staying In Feel Like a Choice, Not a Compromise

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6 Women’s Wardrobe Staples That Make Staying In Feel Like a Choice, Not a Compromise

There is a version of comfort that looks like surrender, and then there is the kind that feels intentional, considered, and quietly pulled together. Staying home should not require a costume change into something shapeless or forgettable. The modern lounge wardrobe has learned that lesson well. These pieces are not about hiding from the world, they are about meeting your own day with ease, whether that includes a morning coffee at the counter, an afternoon Zoom call, or a long evening stretched out on the sofa with a book you swear you are almost done with.

The secret is choosing items that feel good first, then happen to look right without trying too hard. When that balance clicks, staying in starts to feel like a luxury rather than a fallback plan.

The Elevated Knit Set You Actually Reach For

A soft knit set with real shape is the backbone of at home dressing that does not feel like a shrug. Think gentle structure through the shoulders, a waistband that stays put without digging in, and fabric that drapes instead of clinging. This is the piece that proves comfort and polish are not mutually exclusive, no matter how many old fashion myths still insist otherwise. A matching top and bottom removes decision fatigue, and suddenly you are dressed, not just covered. It works because it respects the body instead of fighting it, and because it lets you move through the house without feeling underdressed or overdone.

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Pajama Pants That Feel Like a Personal Upgrade

There is a quiet joy in slipping into pants that feel like a reward at the end of the day, even if that day happened entirely at home. The best versions are the kind you forget you are wearing because they move with you, breathe well, and never twist or bunch in the wrong places. The appeal of women’s pajama pants that make you feel like you’re wrapped in a cloud is not drama or novelty, it is consistency. You pull them on and your body exhales a little. Paired with a simple tee or a soft sweater, they stop being strictly sleepwear and start earning their place in your daily rotation.

A Lounge Dress That Pulls Everything Together

A great lounge dress is the ultimate one step solution. It skims rather than hugs, falls cleanly without stiffness, and makes even the most unstructured day feel intentional. This is the piece you reach for when you want to feel feminine without effort, or when you need something that works equally well barefoot or with slippers that have seen better days. The beauty is in the ease. No tugging, no layering puzzles, just something that lets you exist comfortably in your own space while still feeling like yourself.

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The Soft Bra You Forget You Are Wearing

Support does not have to mean discomfort, and staying home does not require abandoning structure altogether. A soft bra with gentle shaping offers just enough lift to feel secure without the familiar urge to take it off the second the door closes. The best ones disappear under knits and tees, offering quiet confidence rather than rigid control. It is not about dressing for anyone else, it is about feeling settled in your body throughout the day.

A Cardigan That Lives on the Back of a Chair

Every home has that one chair where clothes land between wears. A truly good cardigan earns its spot there by being endlessly useful. Lightweight but warm, relaxed but not sloppy, it is the piece you grab when the house cools off or when you want a little extra coverage without committing to real outerwear. It layers over everything, never complains, and somehow always looks better the more lived in it becomes.

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Socks That Make the Floor Feel Kinder

Never underestimate the impact of good socks. Thick but breathable, soft without slipping, they change how your whole body feels as you move through the house. Good socks make hardwood floors less hostile and slow mornings more forgiving. They are a small detail that quietly improves your day, which is often where real comfort lives.

Where Comfort Finally Makes Sense

Comfort at home is not about lowering standards or giving up on style. It is about choosing pieces that work with your life instead of against it, and building a wardrobe that supports you in the moments no one else sees. When what you wear feels right, staying in becomes something you look forward to, not something you dress down for.

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Vilebrequin Swim Shorts for men

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Dive into high-end coastal style with the Vilebrequin swim shorts for men, a collection synonymous with Saint-Tropez elegance and superior craftsmanship. Known for their vibrant, hand-drawn patterns and quick-drying fabrics, Vilebrequin shorts are engineered for both performance and comfort. Featuring the brand’s legendary seamless mesh lining and meticulous twill-weave construction, these shorts offer a tailored fit that transitions effortlessly from the surf to the shore.

Vilebrequin logo et symbole, sens, histoire, PNG, marque

Vilebrequin swim shorts for men

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Waterford wine glasses set of 2 collection

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Elevate your home bar with the Waterford wine glasses set of 2 collection, where heritage Irish crystal meets precision engineering. Each pair in the Elegance series is handcrafted to enhance the specific flavor profile and aromatics of your favorite varietals. Featuring contemporary V-shaped plunges, crisp rims, and pulled stems, these lead-free crystal glasses are designed for the modern connoisseur who values both scientific function and timeless aesthetic beauty.

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Wednesday’s Workwear Report: Waisted Milano-Knit Cardigan

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Wednesday's Workwear Report: Waisted Milano-Knit Cardigan

This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.

Our daily workwear reports suggest one piece of work-appropriate attire in a range of prices.

This knit cardigan from COS feels a little ’90s, but in the best way. (Side note, a friend who works in the fashion industry once told me the reason most trends return after 25-30 years is because the cool 20-somethings who decide what’s fashionable raid their cool moms’ closets. I feel like that can’t be entirely true, but who knows?)

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With a defined waist like this, I like wearing a more voluminous bottom, like a midi skirt or a wide-leg trouser. The rust color pairs nicely with black, but you could also do ivory or a darker chocolate brown. 

The sweater is $149 at COS and comes in sizes XS-XL.

Sales of note for 4/3:

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Two-Piece Sets for Spring – Julia Berolzheimer

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Two-Piece Sets for Spring - Julia Berolzheimer

Adam Lippes Top & Skirt, JB X Margaux Shoes, Loro Piana Bag (coming soon)

There’s something about a two-piece set that just makes getting dressed feel easy. It takes the guesswork out, but still looks like you put real thought into it. The pink poplin top and skirt set stands out. It has structure through the top, a clean line through the skirt, and feels pulled together the second it’s on. It also separates well—the top with denim, the skirt with a simple tank—so it carries beyond just one look.

 

Lace Maxi Skirt

This pleated lace maxi skirt is the kind of piece that makes the set — wear with the matching tank for a full moment or tuck in a tshirt for an easier everyday version.

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What I’ve been reaching for are sets that hold on their own in cotton poplin skirts with matching tops, soft tailoring in color, or an easy striped short set. The mix feels especially right this season, from white and creamy beige, to soft pink, and emerald green, all in breathable fabrics and comfortable proportions, including a bit of texture, and that cabana stripe moment that always comes back this time of year.

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The Weekend Dressing Approach – Julia Berolzheimer

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The Weekend Dressing Approach - Julia Berolzheimer

Cos ShirtLisa Yang TankDonni Pants (similar here), JB x Margaux FlatsChanel Bag, Sherman Fields Necklace (similar here)

Weekend dressing, to me, is where style feels the most personal. It’s not about an occasion or a dress code, it’s about moving through your day and still feeling like yourself. Whether it’s a morning coffee, kids’ activities, a long lunch that turns into the afternoon, I like having a simple way to pull a look together that still feels elevated. I have been really loving this combination recently, especially with the sunnier days.

 

Playful Print
This is what makes the outfit feel fun. A soft stripe, a washed floral, a slightly offbeat pattern, something that brings in character. The kind of piece that catches the eye subtly and gives everything else context.

Texture Bag
This is where the outfit sharpens. Woven finishes, fringe, beading, raffia—anything with dimension. It adds richness and contrast, especially against lighter fabrics or softer color palettes. It’s less about matching and more about layering in something tactile that feels intentional and distinct.

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Color
The shades I’ve been loving this spring—butter yellow, faded coral, soft pink, and chartreuse—feel optimistic and directional. I like keeping it focused—one or two tones that carry through the look and make everything feel cohesive.

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Coffee Break: Coverack Rain Coat

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light blue rain coat

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I may be in the market for a new rain coat soon, and I’m eyeing these colorful coats from Seasalt Cornwall for a possible replacement.

First, let me back up — based on advice here I’ve been happy with Eddie Bauer’s Girl on the Go rain coat for years. I just pulled it out for a rainy spring day and… I’ve misplaced the hood. Grumble! This is one of my main reasons I wear a rain coat because my thick hair takes forever to dry if it gets a bit wet. (I also like to stash lip gloss and lightweight gloves in the pocket.) I’m still hopeful I’ll find the hood somewhere in my stuff, though…

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In any event, I’m already thinking about what I’d want in a new raincoat, and color is definitely something on my list. Spring can be really dreary some days, so a colorful coat can be a great, easy way to lift your spirits. I’m not familiar with the brand (Seasalt Cornwall) but they have a TON of rain coats in lovely colors, both saturated and muted.

I think I like this pale blue organic cotton blend raincoat, but they also have some nice teals and medium blues calling my name. Lovely!

The pictured coat is $338, available in US sizes 4-18.

Sales of note for 4/3:

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Let’s Discuss: DEI in 2026

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diversity & inclusion concept with wooden and colored figures

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diversity & inclusion concept with wooden and colored figuresdiversity & inclusion concept with wooden and colored figures
Stock photo via Deposit Photos / designer451.

There’s an interesting op-ed in the NYT (gift link) from Joanne Lipman, author of That’s What She Said: What Men Need to Know (and Women Need to Tell Them) About Working Together. She collects the various ways companies are backing away from DEI initiatives in order to please the current administration. She also notes that “reversing progress on gender equality and women’s rights” is part of the autocrat’s playbook. There’s a lot to unpack here, but let’s discuss…

  • how have DEI initiatives changed at your company in the past few years, if at all?
  • in what small (or big) ways do you feel affected, personally?
  • (I wonder if different generations of women have different opinions here — do you feel more affected if you’re, say, under 35, and less affected if you’re over a certain age?)
  • do you agree with a recent report that women in the workplace have “less career support and fewer opportuities to advance”? have you seen more “masculine energy” at your place of work?
  • what are your thoughts on the way forward?

In a few different alumni groups that I’m involved with, the trend (both within the group as well as reports from inside the university) has been more along the lines of “we’re removing the letters DEI to placate the administration, but nothing else is actually changing.” But, for example, the administration recently sued Coca Cola for hosting a women’s retreat (gift link to WaPo), alleging it discrminiated against men… so maybe just changing names won’t be enough.

Some choice quotes from the article (again, here’s a gift link to read the whole thing…)

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The Trump administration has defined “illegal D.E.I.” as “programs, initiatives or policies that discriminate, exclude or divide individuals based on race or sex.” But in practice, President Trump’s allies have questioned whether women deserve a place in the work force at all. They have blamed women for last year’s California wildfires and slammed the conservative Supreme Court justice Amy Coney Barrett as a “D.E.I. hire” for a ruling they didn’t like. Defense Secretary Pete Hegseth is purging the military of senior female officers after complaining that the armed forces had become “effeminate.” Women’s names have disappeared from museums, parks, monuments and even the Arlington National Cemetery.

She notes that a number of companies say they’re still advancing diversity, but that no one will talk about it.

It may seem perfectly reasonable, even admirable, for companies to keep their mouths shut as they continue to advance diversity goals. After all, nobody wants to be a target. In previous years, too many companies went overboard, with lots of cheap talk about diversity and not enough action. The problem is that silencing the conversation risks undoing years of progress at a time when women are still underrepresented in business and public life. As women are erased from the narrative, injustices against them go unnoticed.

How has this been affecting women in the workplace? Last year, she reports, an annual report from McKinsey and LeanIn.org “found that women have ‘less career support and fewer opportunities to advance.’” She also notes that Mark Zuckerberg, at least, now says companies need more “masculine energy.”

(As the mom to a teen boy I like to think of this as having Axe body spray pumped into the bathrooms, but… that’s probably not what they mean.)

In the op-ed she also talks about how other marginalized groups have been affected, and how this reversal of progress has played out in other countries through the ages when under authoritarian rule. I recommend you read all of the relatively short op-ed; lots of food for thought.

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