Fashion
Simone Biles Stuns in Custom Eman Alajlan Gold Gown, Jonathan Owens in Maestro Philippe at 2026 ESPY Awards
Simone Biles and Jonathan Owens brought old Hollywood glamour to the 2026 ESPY Awards, coordinating in rich, complementary tones for the star-studded evening.

Owens wore a custom brown tuxedo from Maestro Philippe, featuring satin lapels and a matching bow tie, finished with a boutonniere for a polished, formal touch.

Biles stunned in a custom gold silk gown from Eman Alajlan, featuring a strapless sweetheart neckline, a draped bodice, and a dramatic high-low skirt with a voluminous train. She completed the look with Le Silla heels and a diamond necklace, keeping the accessories elegant and understated against the gown’s striking metallic sheen.


The couple’s glam team included hairstylist Justin Revenge and makeup artist Ashley Stewart, who polished off their red carpet-ready looks. Stylist Marc Mogul coordinated the pairing for a cohesive, elevated moment as a couple.
Photo Credit: @sonejr
Fashion
Weekend Open Thread – Corporette.com
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Not exciting, but: one of the things I stock up on every year in the Nordstrom sale is their line of Caslon T-shirts. I prefer the wider U neck of the past, but I like the V-necks too — they’re incredibly soft, and the way the edges have a double layer gives a slight bit of interest to the tee.
I normally load up on black and navy, but couldn’t stop myself from grabbing this pretty burgundy also. I feel like the NAS has certain “colors” every year that they ask designers to work within; this year burgundy, browns, and dark teals are everywhere. This is one of my favorite iterations of the burgundy.
The T-shirt is $16 during the sale; it will be $24 after the sale (but is often down to $19 in regular sales, but it’s harder to find the prettier colors like this one in all the sizes on sale). It’s also available in plus sizes and in a crew neck.
Psst: readers also historically have stocked up these panties, this bra, and this bra.
Sales of note for 7/15:
- Nordstrom – The Anniversary Sale has started! Here’s our big roundup of what to get first, as well as everything we’ve selected thus far.
- Ann Taylor – Semi-annual sale, 60% off sale and 40% off everything — readers love this blouse and I always love the variety of colors/textures for this jacket (it’s a great separate)
- Banana Republic – Summer sale up to 60% off sale styles + extra 20% off
- The Fold – Up to 50% off, further markdowns
- J.Crew – 50% off select cashmere
- J.Crew Factory – 60% off clearance
- Lo & Sons – Summer sale, up to 50% off
- Lululemon – Summer sale!
- Me & Em – Sale! Up to 60% off (new lines just added)
- M.M.LaFleur – 25% off jardigans (Try code CORPORETTE15 for 15% off on other items)
- Nordstrom Rack – Clear the rack, extra 25% off clearance! Nice selection of Vince, Veronica Beard, Reiss and Rag & Bone, a ton of affordable work dresses from Calvin Klein, Maggy London, Eliza J, and Donna Morgan
- Talbots – Red Door Sale! Prices start at $15
Fashion
Weekly News Update, 7.17.26 – Corporette.com
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- Harper’s Bazaar featured the red carpet looks from the Espy Awards.
- In The New Yorker, Jia Tolentino declared, “As cosmetic procedures become both more invisible and more extreme, our connection to reality is fraying.”
- The New York Times [gift link] noted that start-ups are paying white-collar professionals to teach their jobs to AI models.
- The Wall Street Journal [gift link] shared that companies are digging deeper than ever into workers’ internet histories before — and after — hiring.
- Harvard Business Review reported on a new study that found that how quickly job candidates reply to messages strongly influences hiring decisions.
- CNN reported that shredded iceberg lettuce sold at some Taco Bell restaurants has been linked to an outbreak of cyclosporiasis in five states.
- Military Times reported on a study that found that women who completed Army Ranger School generally experienced fewer physiological disruptions than their male counterparts during the prolonged physical stress, sleep deprivation, and calorie restriction.
- The Washington Post [gift link] observed, “All the cool girls want chic courthouse weddings.”
- Your Laugh (?) of the Week comes from The Onion, with a story about the smoke spreading from Canadian wildfires.
Noteworthy Threadjacks This Week…
Some of our latest threadjacks include:
On CorporetteMoms Recently…
Are you a mom or mom-to-be? Don’t miss this week’s news update at CorporetteMoms.
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Fashion
Butler & Wilson Holiday Edit Summer Sale: Sparkling Jewellery Deals
The Butler & Wilson Holiday Edit Summer Sale brings a vibrant mix of statement jewellery designed to elevate your getaway style. From playful brooches to crystal-embellished necklaces, Butler & Wilson delivers bold pieces that add instant sparkle to any outfit. Perfect for holidays or everyday glam, this curated selection blends fun motifs with eye-catching details. With exciting discounts across the collection, it’s the ideal time to refresh your accessories with standout designs that capture the spirit of summer.
Free shipping on orders from £150+




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Fashion
Modern Bridal Jumpsuits and Suits for the Bride Who Wants Something Different
Wedding fashion has genuinely never been more interesting to follow. Traditional gowns aren’t going anywhere, plenty of brides still love them, and honestly, why wouldn’t they? But a growing number of women are showing up to their own weddings in something else entirely. Jumpsuits. Tailored suits. Separates. Looks that feel like them rather than a version of what a bride is “supposed” to look like.
It’s a real shift. The range of bridal outfits people are actually wearing now, at ceremonies, receptions, city hall appointments, destination weekends, is wider than it’s ever been. And for brides who’ve never felt particularly drawn to a traditional gown, that’s genuinely exciting.
Why Brides Are Looking Beyond Traditional Wedding Dresses
A lot of modern weddings are built around the couple’s personality rather than a checklist of conventions. People are asking what they actually want from the day, and that question naturally extends to what they wear.
For some brides, a classic gown is the obvious answer. It’s what they’ve always pictured, and that’s completely valid. But for others, pulling on a beautifully cut suit or a sleek jumpsuit just feels more honest. More like them. When your everyday wardrobe leans tailored or minimal or frankly just not very “bridal,” it can feel strange to abandon that on the one day everyone’s looking at you.
Designers have noticed. Stylists have noticed. The whole industry has started rethinking what the category even means.
The Growing Popularity of Bridal Jumpsuits
Jumpsuits have genuinely taken off, and it’s not hard to see why. They look sharp. They’re comfortable. And they hold up across a long wedding day in a way that some formal gowns simply don’t.
Think about what a wedding actually involves, hours of standing around, hugging people, eating, dancing, probably crying a little. A jumpsuit moves with you through all of it. There’s no train to manage, no layers to deal with when you need the bathroom, no silhouette that makes sitting through a four-course dinner quietly miserable.
They also photograph really well. Clean lines, a strong silhouette, a look that feels current without trying too hard. Whether you go for something minimal or add drama through sleeves or statement jewelry, the result tends to be striking in pictures.
Why Bridal Suits Are Having a Moment
Suits have their own appeal, and it’s a little different from the jumpsuit thing. There’s a confidence to a well-fitted suit, something almost architectural about how it sits on the body. A lot of brides find that energy really appealing.
Part of the draw is the flexibility. Separates let you mix and match in ways a one-piece outfit can’t. A tailored blazer over a silk camisole reads completely differently than the same blazer over a corset top. You can push the look toward soft and romantic or keep it sharp and minimal depending on what feels right.
Broader fashion has helped too. Tailoring has been everywhere in recent collections, so suits feel very much of the moment, without feeling costumey or like you’re making a statement for the sake of it.
Perfect for City Hall and Civil Ceremonies
If there’s one context where jumpsuits and suits feel especially at home, it’s city hall or civil ceremony weddings. These celebrations tend to be more intimate, more personal, and less bound by the visual language of traditional weddings.
Something tailored just fits that vibe. It’s occasion-appropriate without being over the top. It reads as intentional without screaming “formal event.” And practically speaking, the cleaner silhouettes tend to work really well in urban settings, against interesting architecture, on rooftops, in the kinds of spots that make for genuinely great photos.
A Practical Option for Destination Weddings
Getting married somewhere far from home adds a logistical layer to everything, including the outfit question. Packing a traditional gown involves garment bags, careful folding, anxiety about wrinkles, and hoping the airline doesn’t lose your luggage.
Jumpsuits and suits are just easier to travel with. Many styles fold up without drama and arrive looking fine. That’s not a small thing when you’re already coordinating flights and accommodations and a wedding.
They’re also adaptable to different climates. Lightweight fabrics work well for beach settings. More structured pieces suit a formal estate or a luxury hotel. For multi-day celebrations, having versatile pieces makes building out a wardrobe feel manageable rather than overwhelming.
The Appeal of Modern Minimalism
Minimalism has had a strong grip on bridal style for a while now, and jumpsuits and suits fit squarely into that world. The focus shifts from embellishment to craft, good tailoring, quality fabric, a silhouette that works because of how it’s cut rather than how much is happening on the surface.
There’s a longevity to that approach. A minimal look doesn’t date the way a heavily trendy one can. And because the outfit itself is doing less visual work, your accessories, shoes, jewelry, and hair choices matter more, which a lot of brides find fun rather than stressful.
Ideal for Outfit Changes
More brides are wearing two (or more) outfits on their wedding day, and honestly, the logic makes sense. A suit or jumpsuit is a natural second look, you can spend the ceremony in a gown, then change into something easier to actually move in for the reception.
Dancing in a fitted jumpsuit is just different than dancing in a full skirt. Socializing is easier. The evening part of the night tends to feel more relaxed. A lot of brides find that having that transition point gives the day a natural shift in energy, which ends up being one of their favorite parts of the whole thing.
Redefining What Bridal Fashion Can Be
The jumpsuit and suit trend is really just a symptom of something bigger. Brides today are less interested in meeting expectations and more interested in getting dressed in something they actually love. That sounds simple, but it represents a genuine change in how the whole category works.
There’s no single silhouette that defines bridal anymore. A white trouser suit is bridal. A black tuxedo jumpsuit is bridal. Something your grandmother would never have considered is bridal, if that’s what you showed up in. Whether you go sleek and minimal or dramatic and structured, modern wedding style is expanding to make room for all of it, and for brides who’ve been waiting for permission to do something different, that permission is well and truly here.
Fashion
Gabriela Hearst Star Sandal in Black Suede: Luxury Italian Craftsmanship
The Gabriela Hearst Star Sandal in Black Suede showcases refined craftsmanship with a modern artistic edge. Designed by Gabriela Hearst and expertly made in Italy, this standout piece features an intricate laser-cut pattern that...
The post Gabriela Hearst Star Sandal in Black Suede: Luxury Italian Craftsmanship appeared first on Pynck.
Fashion
BERLIN FASHION WEEK S/S 2027
HADERLUMP, FRUCHE, GMBH, REBEKKA RUETZ, KOLYA BOGATYREV, MARIUSZ PRZYBYLSKI, KASIA KUCHARSKA, MILK OF LIME, MARIE-LOUISE MULLER, ANDREJ GRONAU, KOLYA BOGATYREV and DAGGER
Gritty Berlin Saw a Mix of Edgy, Forward-Thinking Fashion vs. Retro Nostalgia, with Avant-Garde Creations, Grunge, Goth and Fifties Glam Jostling for Top Position.
At Kolya Bogatyrev
Image Credit Berlin Fashion Week
ACHTUNG! ACHTUNG! It was a week of ultra-progressive fashion in gritty, architectural Berlin.
Berlin Fashion Week pulled off yet another all-out performance at the start of July 2026, asserting itself as a globally-minded fashion capital that never fails to deep-dive into unchartered waters, always fiercely creative and experimental.
Experienced designers (the likes of Haderlump and Rebbeka Ruetz), and up-and-coming creatives confidently told their stories via presentations, installations or on the runway.
As for trends, we spotted collections that ranged from avant-garde to Goth, grunge to sporty, tongue-in-cheek playful to gritty, edgy street-fashion. As a rule of thumb, comfort overrode restrictiveness, and easy, slouchy, fluid garments like baggy jeans sneaked into many collections. Yay to that!
Texture, which ranged from simple pleating to knits and crochet and everything tactile in between, was another key trend for SS 2027. Upcycling was spotted not only in new designers’ offerings, but also graced the runways of established brands like that of Rebekka Ruetz.
As for palette – the world (of colour) was our oyster! For every predominantly dark to black range (Haderlump, Rebekka Ruetz, GmbH, etc) there were joyously bright, sunny pastels and primary colours as antithesis: Dagger, Fruche, Kasia Kucharska and Marie-Louise Muller amongst others offered vibrant and deliciously tactile alternative to the starkness.
So, drape that layered tank top over your baggy jeans, add a retro waist belt and join us in our quest for the most memorable brands in a week of forward-thinking fashion.
FRUCHE
What do you get when you mix the nostalgia of your old school uniform with concepts like body image and sculpture? A range that unabashedly celebrates individual differences and self-acceptance. With a glorious avant-garde twist, we may add.
The old white school shirt gets a new lease of life, as does the gingham school skirt and blazer. The concepts of ‘identity’, ‘self-consciousness’ and ‘memory’ are teased out and explored, and translated into fabric that supports, flatters, sometimes covers and sometimes exposes the body.
School uniforms (in Nigeria, which is the reference point for designer Frank Aghuno) created a sense of comfort and belonging. Gingham, used allover Nigeria for school uniforms, was the obvious fabric of choice for this endearing collection.
The silhouettes are deliberately asymmetrical, drawing attention to various body points. It rejects the notion of perfection – in truth knock knees, scars, bumps and figure disproportions are celebrated.
The wearer of the Fruche collection is encouraged to make the most of their assets – nobody, after all, is perfect, and isn’t beauty in the eye of the beholder anyway? We can only give a big thumbs up to that.
At Fruche
At Fruche
At Fruche
At Fruche
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At Fruche
At Fruche
REBEKKA RUETZ
Rebekka Ruetz delivered a yin & yang collection that’s reminiscent of the many and varied dualities in life: good or evil, black or white, skin-tight or voluminous, gloomy or bright, pressure or relief.
The garments were evidently constructed as food for thought. Take for example the striking ‘Cruella de Ville’ coat – white on the right side and black on the left, begging the question, which side do you identify with today?
The collection is aptly entitled Petrichor: the moment after the first rain, with the earth smelling fresh and sensual after intense heat. The colour palette mirrored this smell and earthy feeling: midnight black, chalky white, pearl beige, sandstone, clay ochre and moss green. One can literally smell the first rains on the earth!
The silhouettes are minimalist and avant-garde, sharp and precise. Sculptural corsets, short boxy jackets, mini tunic and maxi skirt ensembles in obviously contrasting textiles (transparent knits vs. dense leather, for example) further underscore the theme of ‘duality’.
(Ps: the beige-piped leather trench may just be the Garment of the Week, we think…)
At Rebekka Ruetz
At Rebekka Ruetz
At Rebekka Ruetz
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At Rebekka Ruetz
At Rebekka Ruetz
At Rebekka Ruetz
HADERLUMP
Haderlump’s SS 2027 collection was an ode to the poetry of forgotten things, quite fittingly held in an old vintage furniture warehouse, full of history, amid the stifling July heat.
It was also a ballad to the very personal ritual of rediscovering things, of human memory.
Each piece of clothing told the stories of bygone days, of finding a treasure trove of forgotten garments in the attic, of trying things on while trying to imagine who they were for, what they were for.
Draping and pleating were used to create cinched waists and hour-glass silhouettes.
Pieces of tweed asymmetrically twisted around the body were reminiscent of the attire of characters in ancient story-books. The ensembles looked monastic and sparse, yet always emotive and inviting.
Every garment was used as a piece of storytelling, left to the imagination and interpretation of the viewer/wearer. With an open invitation: wear this and become part of the epic Haderlump story.
At Haderlump
At Haderlump
At Haderlump
At Haderlump
At Haderlump
GMBH
To mark their 10th anniversary, GmbH glanced back at their founding story, inspired at the time by Berlin fashion in the 1920s. This period boasted a flourishing fashion and textile industry – until it came crashing down because of the war.
The designers took inspiration from these glory years of Berlin fashion, and interjected their own design flavour into this: dramatic collars on tailored jacket and coats and flowing trousers all pay homage to a bygone era – but with a modern twist. Floaty skirts, tuxedo jackets, Ugg boots and even a surf wear top got incorporated into this heady, eclectic GmbH mix.
A brand that looked towards Berlin’s past, present and future was most certainly a befitting collection to close Berlin Fashion Week.
At GmbH
At GmbH
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KOLYA BOGATYREV
The magic of Kolya Bogatyrev‘s creative process is that it takes everyday garments, deconstructs them, then reassembles them in a way that gives them a totally new energy, feeling and purpose.
Whether these are old shirts, ties or blazers, they get reshaped into exciting new pieces, without losing their historic sense of purpose, ensuring history is preserved rather than deleted.
Uniforms, skirts, shirts, jackets and neckties become asymmetrical, sculptural pieces of avant-garde fashion, still recognizable for what they were, but now with a new lease of life.
Take for example Kolya Bogatyrev’s treatment of a skirt: the traditional outer was cropped to resemble a peplum, with the petticoat becoming the main player – ingenious!
What’s not to love about a process this thoughtful and endearing?
At Kolya Bogatyrev
At Kolya Bogatyrev
At Kolya Bogatyrev
At Kolya Bogatyrev
MARIUSZ PRZYBYLSKI
Perhaps Mariusz Przybylski’s superpower lies in the fact that he can effortlessly magic up sculptural volume by skilfully deconstructing ensembles: for example, a jacket becomes a skirt with pockets, tied around the waist.
Similarly he changes the dynamics of a garment by cleverly omitting part of its traditional shape – case in point being the striking, asymmetrical, sleeveless tuxedo jacket.
The designer’s ability to colour-block is also a great asset: the combinations of blood-red and peppermint green, and baby pink, slate grey and white are most inspiring.
At Mariusz Przybylsk
At Mariusz Przybylski
At Mariusz Przybylski
At Mariusz Przybylski
MILK OF LIME
If ever there was a poetic collection in every respect, this one by Milk of Lime is it.
Dreamy shades of sky-blue, ash grey and cream in luxurious fabrics are juxtaposed with contrasting black and charcoal.
The draped pyjama-like loungewear looks lived-in, and a gauzy transparent makeshift corset tells an epic tale of poetry in motion. Texture is added by means of intricate leather belts, earthy necklaces and stringy ties.
This collection – sombre in places, yet always beautiful – most certainly gets one thinking.
At Milk of Lime
At Milk of Lime
At Milk of Lime
KASIA KUCHARSKA
Texture, texture, texture is what this live installation by Kasia Kucharska is all about.
She uses biodegradable latex to transform garments as we know them and fabrics as we know them, into an illusion. Denim is no longer denim (although the colour gives us a clue), a trench coat is no longer a trench coat, a simple white T-shirt is no longer just a simple white T-shirt…
Says the designer, “I wanted to explore this illusion more closely. On the surface, things appear a certain way, but behind that façade, they are something else.” It is this “something else” that Kasia Kucharska applies her magic. She certainly pushes the boundaries between stability and fragility in textiles, silhouettes and shades.
This is a memorable offering of touchy-feely pieces that stood out as exceptional in a week of boundless creativity.
At Kasia Kucharska
At Kasia Kucharska
At Kasia Kucharska
MARIE-LOUISE MULLER
Crochet never looked more covetable than in Marie-Louise Muller’s collection called Escapist Garden.
This is a collection of pure handwork – every tassel, every 3-D petal, every fringe was testimony to craftsmanship and the labour of love that is the Escapist Garden. Each piece evoked a childhood memory inside the safety and fun of a familiar garden of one’s youth.
These pieces are literally wearable poetry, with much care taken to create a sense of intimacy and warmth.
At Marie-Louise Muller
At Marie-Louise Muller
At Marie-Louise Muller
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At Marie-Louise Muller
ANDREJ GRONAU
Minimalist, animated shapes in simple colours are the backbone to this cute collection by Andrej Gronau.
The designer drew his inspiration from a familiar garden, as well as the work of artist Francis Bacon.
Bold, abstract designs – often superimposed on a plain leather tunic, worked a treat to showcase the simple and minimalist shapes of the fauna and flora. Raspberry red, sunshine yellow, green and purple were either used as a mono-block colour, or ingeniously mixed and matched in grunge-like fashion.
It’s fun, it’s ultra-wearable, and you’ve probably got something in your wardrobe that will complement any of these pieces.
At Andrej Gronau
At Andrej Gronau
At Andrej Gronau
DAGGER
A sense of retro nostalgia characterised this offering by designer Luke Raine for Dagger.
The spirit of the 2000s, in particular, is what Lifestyles of the Bored and Disenfranchised
Portrays.
The clothes and the way they were styled, captured the awkwardness, rebellious spirit and freedom that defined being a teenager in the 2000s. The collection doesn’t seem to romanticise this time, rather it lays open the coming of age moments of a first kiss, first cigarette, first job packing crates in a supermarket or being crowned local beauty queen.
This collection is nostalgic, yes, but it’s also cleverly composed and brilliantly styled. How to be the cool kid you weren’t as a teenager? Simple: just copy the looks from the runway and there’s no way you can go wrong. Relive those years!
At Dagger
At Dagger
At Dagger
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At Dagger
For any questions/feedback regarding the above mentioned products/brands, please do contact us anytime by clicking here
Fashion
Celebrity Stylists Building Personal Brands on YouTube

For decades, the celebrity stylist was the ultimate industry ghostwriter, the invisible hand behind every iconic red carpet moment. Their names were whispered in fashion circles and printed in tiny font in magazine credits. But the curtain has been pulled back. The most influential stylists are no longer content to remain behind the scenes. They are stepping into the spotlight, and their stage of choice is YouTube.
This digital migration from backstage to center screen is reshaping what it means to be a stylist. They are transforming their industry expertise into powerful personal brands, and in doing so, rewriting the rules of success in the fashion world.
Why YouTube Is the New Digital Runway
So, what’s driving this shift from curating closets to creating content? While Instagram is perfect for showcasing a finished look, YouTube offers something far more valuable: depth. The platform allows stylists to peel back the layers of their craft, share their personality, and connect with an audience on a much deeper level. It’s a space where they control their own narrative entirely, something no agency booking or magazine credit ever offered. On a platform where subscriber count shapes how content gets surfaced, choosing to buy subscribers from Views4You sits alongside SEO tagging and thumbnail testing as one of several tools creators weigh when mapping out a launch strategy. By building a channel, they are creating an asset, a direct line to a community that values their taste and expertise, opening up new revenue streams, from sponsorships to their own product lines.
From Curation to Content Creation
Starting a channel is one thing; sustaining one is another. The savviest stylists aren’t just uploading random videos. They follow a content strategy that blends entertainment with education, building a loyal following one video at a time. Here’s what that looks like in practice.
Authenticity as the Ultimate Accessory
The most successful channels thrive on personality. Viewers don’t just want to see the clothes; they want to know the person choosing them. Stylists like Law Roach have mastered this by sharing candid opinions, unfiltered stories, and a genuine passion for fashion. This authenticity creates a powerful bond with the audience, making them feel like they are part of an exclusive club. It’s a move away from the hyper-polished perfection of other platforms and a step toward relatable, human connection.
Educational Content and Behind-the-Scenes Access
What’s the secret to dressing an A-lister for the Met Gala? How do you properly style a simple white t-shirt? These are the questions fashion lovers want answered, and stylists are using YouTube to address them. Tutorials, look breakdowns, and Q&A sessions position them as trusted educators, solidifying their authority while sharing craft knowledge that was once treated as proprietary.
Strategic Collaborations and Community Building
A channel without community is just a library. Successful stylist-creators know this, which is why they invest in engagement as much as content. They respond to comments, spotlight emerging talents, and produce work that invites conversation rather than passive consumption. Studies on the creator economy show that over 85% of successful influencers prioritize niche audience engagement, recognizing that a lasting channel is less about raw numbers and more about cultivating people who genuinely trust their perspective.
The Stylists Leading the Charge
Several names stand out as real-world proof of this shift, each with a distinct approach to their YouTube presence.
One of the most prominent examples is Law Roach. After his dramatic retirement from celebrity styling, his YouTube channel became his primary platform. Here, he reviews runway shows, shares iconic stories from his career, and delivers his unfiltered take on an industry he helped shape. What makes his channel work is not production value but point of view, a reminder that the most compelling content often comes from someone who has nothing left to prove.
Then there’s Karla Welch, stylist to stars like Justin Bieber and Tracee Ellis Ross. Her channel is less about industry gossip and more about practical, accessible style. She offers viewers concrete advice they can apply to their own wardrobes, from styling basics to shopping tips, making her a reliable reference point for everyday fashion. Where other stylists lean into celebrity proximity, Welch leans into usefulness, and that distinction has earned her a loyal, returning audience.
By staking a claim on YouTube, these stylists are doing something no red carpet appearance can offer: building an audience that belongs entirely to them. Their influence no longer depends on a famous client or a magazine editor’s approval. The work speaks for itself, and for the first time, so do they.
Frequently Asked Questions
Do You Need Celebrity Clients for a Fashion Channel
Absolutely not. The most important element is a unique point of view. Your channel can be about sustainable fashion, thrifting, a specific aesthetic, or style for a particular body type. Authenticity and a clear niche are far more valuable than a famous client list.
How Do Stylists Find Time for YouTube Content
Many successful creators rely on smart production habits. Chief among them is batching (filming multiple videos in one session), paired with a lean team to handle editing and post-production. Repurposing content across platforms is another common technique that keeps output consistent without doubling the workload.
The Main Business Benefit of Being on YouTube
The primary benefit is brand ownership. A YouTube channel diversifies income streams beyond client work, opening doors to brand sponsorships, affiliate marketing, and even the launch of their own products or styling courses. It gives them a platform they control completely.
Is It Too Late to Start a Style Channel on YouTube
The window isn’t closed, but it’s narrower. Success today depends on specificity. Rather than a general fashion channel, a tighter focus, like vintage designer handbag restoration or corporate style for creatives, gives you a real shot at standing out.
Fashion
Jimmy Choo Men’s Summer 2026 Collection: Riviera-Inspired Luxury Style
The Jimmy Choo Men’s Summer 2026 collection brings a refined take on Riviera-inspired fashion, blending relaxed elegance with modern luxury. Designed by Jimmy Choo, the collection captures the essence of coastal living along the iconic Côte d’Azur. From lightweight essentials to polished silhouettes, each piece reflects effortless sophistication suited for summer occasions. With a focus on versatility and premium craftsmanship, this collection redefines contemporary menswear with a timeless, sun-soaked aesthetic.
Riviera Style
Friends of the house showcase the Summer 2026 collection against the backdrop of the Côte d’Azur, where this season’s most refined staples come to life.
For any questions/feedback regarding the above mentioned products/brands,
please do contact us anytime by clicking here
Fashion
Monetize Your Influence: How Fashion Bloggers Can Stay Paid and Organized
There is a distinct moment of pride when a fashion blog transitions from a passionate hobby into a legitimate business. You spend hours scouting locations, editing editorial photos, and writing detailed trend reviews because you love the community. But the moment a brand reaches out to offer a paid collaboration, everything changes. Suddenly, your digital lookbook becomes a commercial enterprise.
Navigating the business side of digital media requires an entirely different skill set than styling an outfit. It demands operational structure, clear boundaries, and strict financial tracking. For many independent fashion creators, managing cash flow and tracking brand payments is the most stressful part of the job.
If you’re ready to protect your creative energy and ensure you get paid on time for your influence, you must treat your blog like a corporate entity from day one.
Step 1: Establish Your Rates and Media Kit Upfront
The foundation for consistent payments begins long before you sign a brand contract. It starts with knowing your worth and presenting your business metrics with absolute transparency. Many bloggers settle for whatever budget a brand offers because they don’t have an established pricing structure, which leads to income instability.
Create a professional media kit that outlines your key performance data. Include your monthly blog views, email newsletter subscriber counts, audience demographics, and past campaign case studies.
Alongside these metrics, attach a standard rate sheet for specific deliverables, such as a dedicated blog post, an inclusion in a seasonal trend roundup, or a multi-platform content bundle. When you approach a brand partnership with a predetermined pricing structure, you take the guesswork out of negotiations and set a clear expectation that your creative platform is a premium service.
Step 2: Never Work Without a Signed Campaign Agreement
In the fast-moving world of digital marketing, it’s common for brand representatives to make casual agreements over direct messages or informal emails. They might ask you to draft a review quickly or post a specific look to meet a strict campaign deadline. Moving forward without a contract is a massive risk to your business stability.
You must secure a signed written agreement before you pull clothing from a rack or take a single photograph.
The contract should explicitly detail the scope of work, the specific content requirements, the content approval process, and the exact payment deadline. Standard corporate marketing contracts often operate on sixty-day or ninety-day payment terms, meaning you won’t see the money until months after the work goes live. Knowing these details ahead of time allows you to manage your personal expenses and avoid unexpected cash flow gaps.
Step 3: Professionalize Your Billing Infrastructure
When a campaign wraps and your content is live, the final step to getting paid is submitting your invoice. Many fashion creators make the mistake of sending a casual email message or a poorly formatted document, which often leads to administrative delays in a corporate accounting office.
Your documentation needs to look just as polished as your digital content. It must conform to standard accounting requirements to ensure it moves through corporate approval chains quickly.
Making use of a clear, organized invoice templates for the self-employed helps you structure your billing requests with absolute professionalism. A proper invoice needs to display your business name, your contact details, the brand’s billing department address, the specific campaign name, an itemized list of deliverables, and precise payment routing details. When you make it easy for an accountant to process your paperwork, you significantly reduce the time it takes to receive your funds.
Step 4: Track Production Expenses and Affiliate Income
Staying organized in the fashion space means tracking every single dollar that enters and leaves your ecosystem. Monitored income prevents you from overspending during high-revenue months and helps you navigate the quieter seasons of the fashion calendar.
Keep a comprehensive ledger that tracks your campaign revenue alongside your daily operational expenses. As a fashion blogger, your expenses add up quickly, including camera equipment rentals, photographer fees, studio space bookings, and wardrobe purchases specifically for a shoot.
Additionally, if you earn passive revenue through affiliate networks, ensure those payouts are tracked separately from your flat-rate brand sponsorships. Separating these streams gives you a clear picture of which platforms and content types are actually driving your profitability. If you’re not sure how to interpret those numbers, a profit and loss statement guide can help you understand where your revenue is coming from, how your expenses affect your bottom line, and what metrics deserve your attention as your business grows.
Step 5: Implement a Systematic Follow-Up Process
Even with beautiful content and professional invoices, some payments will inevitably fall past their due date. Brands get busy, internal marketing teams switch roles, or your invoice simply gets buried in a crowded inbox. Chasing down late payments can feel awkward, but it’s an essential part of running a sustainable business.
Take the emotion out of accounting by establishing a routine follow-up schedule.
If an invoice passes its due date, send a polite, systematic email check-in on day one, day seven, and day fourteen. Keep the language completely objective and professional, referencing the signed contract and the original invoice number. Treat the follow-up as a standard operational task rather than a personal dispute. This consistency keeps your invoice at the top of their priority list while protecting your professional relationship with the brand team.
Fashion
Frugal Friday’s Workwear Report: Double-Pleat Wide-Leg Pants
This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.
Our daily workwear reports suggest one piece of work-appropriate attire in a range of prices.
There was a time when I fervently resisted pleated pants, but now it seems like I can’t get enough of them. These wide-leg pants from Gemma + Jane come in seven great colors, but the emerald green really jumped out at me. I have quite a collection of olive green pants, but nothing quite like this.
I think these pants would look great with some of the short-sleeve cashmere sweaters I grabbed in the Nordstrom Anniversary Sale for a relaxed, business casual look.
The pants are $29.97 at Nordstrom Rack and come in sizes S-XL.
Sales of note for 7/15:
- Nordstrom – The Anniversary Sale has started! Here’s our big roundup of what to get first, as well as everything we’ve selected thus far.
- Ann Taylor – Semi-annual sale, 60% off sale and 40% off everything — readers love this blouse and I always love the variety of colors/textures for this jacket (it’s a great separate)
- Banana Republic – Summer sale up to 60% off sale styles + extra 20% off
- The Fold – Up to 50% off, further markdowns
- J.Crew – 50% off select cashmere
- J.Crew Factory – 60% off clearance
- Lo & Sons – Summer sale, up to 50% off
- Lululemon – Summer sale!
- Me & Em – Sale! Up to 60% off (new lines just added)
- M.M.LaFleur – 25% off jardigans (Try code CORPORETTE15 for 15% off on other items)
- Nordstrom Rack – Clear the rack, extra 25% off clearance! Nice selection of Vince, Veronica Beard, Reiss and Rag & Bone, a ton of affordable work dresses from Calvin Klein, Maggy London, Eliza J, and Donna Morgan
- Talbots – Red Door Sale! Prices start at $15
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