Yes, Operation Mincemeat really is that good. What started out as a workshop production in Salford has returned home at the start of its first UK tour having had massive, award-winning success in both the West End and on Broadway.
Unique is such an over-used word but it’s a perfect description for this quirky, rewarding and slightly bonkers show which is made all the more remarkable as it’s based on the most unlikely true story.
Operation Mincemeat left to right Charlotte Hanna-Williams, Jamie-Rose Monk, Seán Carey, Holly Sumpton and Christian Andrews (Picture: Matt Crockett)
In 1943, M15 hatched a plan to fool the German war machine. Wanting to recapture Sicily they convinced the Germans to move the majority of the 90,000 troops based there by planting fake documents hinting that Greece and Sardinia instead.
They used the body of a homeless man who had died in London, created a totally false identity for him and effectively dumped the body at sea complete with top secret documents about the non existent invasion for the Germans to find.
Not exactly the obvious starting point for a comedy musical.
But it all works beautifully. A cast of five bring such energy, precision and enthusiasm to the production, you are immediately caught up in this madcap world.
Christian Andrews as Hester Leggatt (Picture: Matt Crockett)
The story revolves around five key personnel involved in Operation Mincemeat – Ewen Montagu, the driven M15 officer who pushes ahead with the seemingly absurd plan; Charles Cholmondley, the boffin who dreamed up the idea; Johnny Bevan, the head of the unit, Hester Leggatt a senior secretary and Jean Leslie, a young clerk.
Read also: ‘You can never relax’ say stars of Operation Mincemeat
A supporting cast of eccentric characters including an extremely sweaty Spanish agent, Cockney urchins, dancing Nazis and a deranged coroner are all played by the fabulous five.
Charlotte Hanna-Williams as Jean Leslie (Picture: Matt Crockett)
Costume changes are seemingly instant, actors at times switch from one character to another almost in mid sentence. At times it’s breathtaking.
In the wrong hands it would be total chaos but the precision is astonishing. Every dance move, every facial expression, every nuance is absolutely spot on. It’s a masterclass in team work on stage.
Sean Carey as Charles Cholmondeley (Picture: Matt Crockett)
It would be hard enough to pull this off without having made it a musical but that’s part of the genius of the show.
Think Six meets Monty Python, you’ll learn so much but you’ll be laughing while you do.
Gender stereotypes and class are routinely challenged. The cast in their dark trousers and white shirts use accessories to denote different characters.
Holly Sumpton as Ewen Montagu in Operation Mincemeat (Picture: Matt Crockett)
Holly Sumpton is Ewen Montagu the slightly appalling M15 agent with an arrogance borne out of his public school education. She’s so good bringing some humanity to a character who could be seen as totally obnoxious.
Sean Carey as Charles Cholmondeley is equally impressive as the bookish, nerdy scientist who finds himself out of his depth among the egos in M15.
Charlotte Hanna-Williams and Jamie-Rose Monk as Jean and Jonny Bevan are both outstanding in this runaway express train of a show.
But it’s Christian Andrews as Hester Leggatt who steals the show as the efficient, prim and proper office manager. His song Dear Bill is so poignant, so moving you’ll find you have something in your eye by the end of it.
The staging is equally impressive. Clever use of lighting transforms a basement office into a Nazi rally complete with an RnB soundtrack. Secret doors and movable furniture keeps things moving at an astonishing pace.
There are jokes of every kind from the most obvious slapstick to some very clever literary and historical references. The songs are also so clever and full of rich wordplay. The harmonies are one of the surprise highlights of a show full of surprises – is there nothing this cast can’t do and do brilliantly?
Jamie-Rose Monk as Johnny Bevan (Picture: Matt Crockett)
For all it’s energy, irreverence and constant assault on the senses, Operation Mincemeat manages to strike the correct balance in respecting the history behind the show.
We have to remember that the body of a homeless man was used in the ruse. M15 deemed it unnecessary to find out who he was or anything about his family and it was not until 1996 when his identity was discovered.
The show respects everyone involved in a covert operation which saved many lives.
But it also serves up one of the most enjoyable nights at the theatre you’re likely to experience this or any other year.
Operation Mincemeat is at the Lowry, Salford, until February 28