King Charles, Macron and Burnham arrive to view Bayeux Tapestry at British Museum

The King, speaking inside the Great Court of the British Museum, said the opponents depicted in the tapestry – the Normans and Anglo-Saxons – would have been glad to see this togetherness between France and the UK – “two great nations, which share such fundamental values”.

“The tapestry’s story is one of ambition and uncertainty, of oaths and journeys, of ships, councils, kings, comets and consequences,” said the King.

“Yet it is not merely an English story, nor only a Norman one. Indeed, from the moment of its creation, it may have brought together our two peoples.”

George Osborne, director of the museum, described the displaying of the Bayeux Tapestry as the “most ambitious exhibition we’ve ever mounted”.

President Macron said a loan of this “masterpiece” had first been proposed in the 1930s, but he was delighted that the idea had come to fruition.

He spoke of the loan of the tapestry as an example of how “we are united” and a “reminder of what our countries can do if they join forces”.

Along with the King and Queen he had a chance to see the historic embroidery in the atmospheric darkness of the British Museum.

The 70m (230ft) tapestry, originally embroidered in England but kept for centuries in France, tells the story of the Norman Conquest and the Battle of Hastings in 1066.

King Charles and Queen Camilla, Burnham and his wife Marie-France van Heel, and Macron and wife Brigitte were shown key scenes in the tapestry, including the Coronation of King Harold and his death in battle.

Sending the tapestry to the British Museum had been announced by Macron during the French state visit to the UK in July 2025, as an emblem of the strong partnership between the countries.

There had been some worries that moving the fragile tapestry could risk causing damage, but French government sources said ahead of the royal preview: “The display conditions at the British Museum are ideal.”

The French authorities welcomed the way that visitors in London would see the tapestry lying flat, rather than upright, with this believed to be better for the conservation of the fibres, sewn more than 900 years ago.

It is believed the final scenes of the tapestry have been lost or destroyed, as it has not always had such careful owners. In the 18th Century, during the French Revolution, it was rescued from being cut up to make covers for soldiers’ carts.

At a state banquet hosted by King Charles in Windsor, Macron had said the missing end of the tapestry was a symbol that “in the great mural of Franco-British history, the end is yet to be written – it is up to us to do it”.