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Lebanese parliament extends term by 2 years as Israel intensifies attacks on Lebanon

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Lebanese parliament extends term by 2 years as Israel intensifies attacks on Lebanon

BEIRUT (AP) — The Lebanese parliament extended its term by two years on Monday due to the U.S.-Israel war with Iran that has pushed the region into an escalating conflict and Israel stepping up its attacks on Lebanon following renewed strikes with the militant group Hezbollah.

The Israeli military said Monday it was targeting Hezbollah’s financial arm, al-Qard Al-Hasan, as its ground forces in Lebanon’s south launched “focused raids” against what it called the group’s infrastructure.

Meanwhile, Human Rights Watch has accused Israeli forces of using white phosphorus incendiary shells in strikes on residential areas in a Lebanese village, a violation of international law.

Two more years for the current Lebanese parliament

Lebanon’s state news agency said 76 legislators voted in favor of the decision, 41 were against, and four abstained. Hezbollah’s 13-member bloc in parliament voted in favor of the extension.

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The ongoing war with Israel that began last week has displaced over half a million people in Lebanon and made it difficult to hold a vote in large parts of the country.

The parliamentary elections were scheduled for May.

Israel attacks Hezbollah’s financial arm in Beirut, forcing people to flee

Residents of Beirut’s southern suburb, widely known as Dahiyeh, were ordered to evacuate before Israel launched strikes.

Smoke billowed over Beirut after the attacks. The first strike destroyed a building housing an office of al-Qard al-Hasan in the southern suburb of Chiyah. A Lebanese journalist on site told The Associated Press he was wounded in the leg and taken to a nearby hospital. Video footage showed what appeared to be two strikes on the building that were minutes apart.

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The strikes on Chiyah were followed by more airstrikes on nearby areas, forcing Lebanese troops to close roads where al-Qard al-Hasan branches are located to ensure people’s safety.

Israel says Hezbollah uses al-Qard al-Hasan to finance its military activities and has targeted several of the group’s branches in southern and eastern Lebanon last week.

Israeli ground forces start ‘focused raid’ in south Lebanon

In southern Lebanon, the Israeli military said it launched a “focused raid” to eliminate Hezbollah operatives and infrastructure using a brigade combat team under the command of the 36th Division.

The military said before they initiated the operation, its forces launched a combined air and ground attack in the area.

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Hezbollah, meanwhile, said it struck Israeli troops inside Lebanon with anti-tank missiles and that it fired a volley of rockets on the northern Israeli city of Kiryat Shmona in retaliation for Israeli strikes on cities, towns and villages in Lebanon.

Tensions between Hezbollah and Lebanese government flare up

The latest round of fighting between Israel and Hezbollah beganon Feb. 2 when the group fired rockets and drones on northern Israel following the killing of Iran’s Supreme leader, Ayatollah Ali Khamenei, two days earlier in a joint U.S.-Israeli strike. Israel retaliated with large waves of airstrikes and Israeli troops captured several new posts in southern Lebanon.

The Lebanese government last week declared Hezbollah’s military activities illegal and ordered the country’s security forces to detain those who were behind the strikes on Israel.

Three Hezbollah members were also detained last week while carrying weapons on their way to south Lebanon and were questioned by judicial authorities. On Monday, the military court in Beirut ordered them released on a $20 bail each, judicial officials said.

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The officials said the judge asked the three men what they were doing and they responded that they were heading to south Lebanon to fight against Israeli forces. They spoke in condition of anonymity as they are not allowed to speak to the media.

Human Rights Watch says Israel used white phosphorus shells in strikes on Lebanon

The human rights group said in a report Monday the Israeli military “unlawfully” hit a village in southern Lebanon with shells containing white phosphorus, a controversial incendiary munition.

Through geolocating and verifying seven images, Human Rights Watch said Israel fired white phosphorus using artillery at residential areas in the southern Lebanese village of Yohmor. It happened hours after the Israeli military warned the residents of the village and dozens of others in southern Lebanon to evacuate.

Human Rights Watch said it couldn’t independently identify if any residents were still in the area or if anyone was harmed.

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The Israeli military did not immediately respond to a request for comment. In the past, it has maintained that it uses white phosphorus as a smoke screen and not to target civilians.

Human rights advocates say the use of white phosphorus is illegal under international law when the white-hot chemical substance is fired into populated areas. It can set buildings on fire and burn human flesh down to the bone. Survivors are at risk of infections and organ or respiratory failure, even if their burns are small.

“The Israeli military’s unlawful use of white phosphorus over residential areas is extremely alarming and will have dire consequences for civilians,” said Ramzi Kaiss, Lebanon researcher at Human Rights Watch.

Organizations like Human Rights Watch and Amnesty International said the munition was used in Israel’s last war with Hezbollah, over a year ago, on numerous occasions in southern Lebanon, while civilians were still present.

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Melzer reported from Nahariya, Israel.

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Claudia Winkleman films The Piano at York Railway Station

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Claudia Winkleman films The Piano at York Railway Station

Claudia Winkleman, host of BBC’s hit series The Traitors, surprised unsuspecting commuters and day-trippers at York Railway Station where a production crew is filming for Channel 4’s hit talent show The Piano.

Claudia Winkleman films The Piano at York Railway Station.. (Image: Photo Nadia Jefferson-Brown)

Onlookers crowded around the show’s shiny black piano, which has been positioned in the station opposite the destination board, as different pianists took to the ivories.

Some spectators were there by chance. Others had gone specifically after discovering that the popular TV personality and co-presenter, the musician Mika, was in the city.

The show discovers amateur pianists who perform on public pianos in major train stations across the UK. A member of the crew said they had already filmed at London Bridge and Birmingham but was tight-lipped about their next stop.

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In between filming, Claudia made a bee-line for people with babies and dogs among the crowd including Rachel Shearer, from York, whose two-year-old golden retriever Suki captured the attention of the camera crew.

Rachel Shearer, from York, with Suki watching the filming of The Piano, with Claudia Winkleman in the background. Photo Nadia Jefferson-Brown (Image: Photo Nadia Jefferson-Brown)

Rachel told The Press: “I love The Piano. I am a real fan. I was travelling back from London, from the Royal Albert Hall, late last night and got in at 12.15am. I could see the piano all covered up, and the filming equipment. The security guard who told me it was for The Piano

“I happened to have the day off work so I got here to see Claudia arrive and the new judge which was great. I popped home for a bit and brought the dog out because she needed a walk. I know Claudia likes dogs so we came back and have had a really lovely afternoon listening to the music.

“It is lovely to hear people play their own compositions; everyone has their own story which is meaningful to them.”

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Among the contestants was Harri Kelly, a 21-year-old from Manchester, who was there with his parents Angela and Heath.

Claudia Winkleman, pictured with Angela and Heath Kelly, whose son Harri was playing the piano. Photo: Nadia Jefferson-Brown (Image: Photo Nadia Jefferson-Brown)

Heath said: “My dad Trevor wrote a poem about my mother and life without her and Harri has rearranged that to music. It’s really emotional listening to him.”

Friends Harley Rose, 18, and Emma Watson, 19, from York, were thrilled to see the television star who they are more familiar with as the host of Strictly Come Dancing.

Harley said: “I am so excited. I saw her and said to Ems ‘That’s Claudia Winkleman’ and she said ‘no, it’s not, it’s some random woman with a fringe’. But it was. We couldn’t believe it”

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“It’s just so random that Claudia is here. The pianists are so talented. He [Harri] was amazing.”

Joshua Chapman, news and media manager at LNER, was helping to keep the area clear for train passengers to pass.

He told The Press: “This is for series four of The Piano. They have more to film and York is nicely sandwiched in the middle.

“This is something very different for the station; something we don’t see every day. It is a nice surprise for customers passing through and the general public who have heard that they are filming. It is nice to have the station filled with music. This piano was brought for the shop but we have one in the station entrance that’s available to the public. I heard someone playing on it this morning.”

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Lily Allen West End Girl Tour Review: No Fan Could Leave Feeling Short-Changed

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Lily Allen's West End Girl Tour Sparks Debate Over Short Runtime

If there was any nervousness around exactly what fans should expect from Lily Allen’s current live show, no one at Newcastle’s O2 City Hall on Sunday night was showing it.

Lily kicked off her latest tour last week, with critics’ reviews split down the middle. Commentators had a lot to say about certain aspects of the show, most notably its abridged runtime, which proved to be one particular point of contention.

As the title suggests, the Lily Allen Performs West End Girl tour sees the Brit Award winner bringing her latest hit album to life on stage, with the setlist consisting solely of the songs from the new album, running from start to finish.

Those who were won over by the confessional break-up album (heavily inspired by Lily’s split from her ex-husband David Harbour) upon its release last year will know already that this is the best way to enjoy West End Girl, rather than by cherry-picking individual tracks, as it conveys a linear narrative over the course of 14 tracks.

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However, this approach also means that Lily’s time on stage clocks in at under an hour, sparking some heated debate among fans and critics about whether ticket-holders were getting their money’s worth.

This debate clearly didn’t discourage those at Lily’s Newcastle stop, though, where a sea of people sported homemade merch emblazoned with slogans inspired by her new album like “who the fuck is Madeline?”, “Dallas Major” and “4chan Stan”.

Others were decked out in polkadot everything as far as the eye could see (I clocked shirts, dresses, jumpers, cross-body bags and, of course, the obligatory puffer jackets, but I’m sure there was plenty else) and, as my friend informed me, a zealous few were taking part in an impromptu group singalong of Pussy Palace in the ladies’ loos, an hour before the night’s proceedings had even began.

It’s worth stating that fans on social media who’ve actually seen West End Girl live have been almost unanimous in their praise – and having now seen the concert for myself, I’m right there with them.

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Those hoping to hear the classics as well as cuts from West End Girl were treated to a run of hits before curtain up, provided in remixed form by a group of cellists dubbed the Dallas Minor Trio.

Warming up the crowd, the trio provided Bridgerton-esque instrumental backing for number ones The Fear and Smile, as well as fan-favourites LDN, Not Fair and Hard Out Here. Fans were encouraged to provide their own vocals for the performance, with the aid of lyrics that were projected onto the back of a screen at the front of the stage.

As for how effective the Dallas Minor Trio were as an opening act, I have somewhat mixed feelings. There’s no denying that once fans were used to being their own vocalist, they sang along to the hits with gusto (Fuck You was probably the stand-out, affording fans the chance to gleefully belt out timely lines like “you’re just some racist who can’t tie my laces”, “we hate what you do and we hate your whole crew so please don’t stay in touch” and “you say, you think we need to go to war, well, you’re already in one”). But the whole auditorium gazing up at song lyrics while seated in rows did put me more in mind of a year 6 assembly than a raucous karaoke party, even if some of the more enthusiastic fans were already on their feet by the first chorus of The Fear.

Attention did audibly start to drift during some of the lesser-known songs from Lily’s catalogue (one deep cut from fourth album No Shame has already been culled from the setlist), but it should be stressed that the trio left the stage to a standing ovation from the crowd, so clearly had the room on their side by the end.

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Lily Allen performing Sleepwalking on SNL in December 2025

Will Heath/NBC via Getty Images

Then came the main event, and any doubts in my mind had already been dispelled by the end of opening track West End Girl.

One early review already indicated that the show is “less a gig than a piece of cathartic performance art”, which sums things up succinctly. The West End Girl tour leans into the album’s more theatrical elements, with Lily performing the whole thing framed by a deliberately artificial-looking stage setting, as she breezes through some of 2025’s most talked-about songs.

Impressively, each of the album’s 14 songs is conveyed completely differently to what came before it, with the aid of projections, costume changes, props and abrupt set changes thanks to stage hands who seamlessly redesign the set in exciting and imaginative new ways between numbers, turning West End Girl into a one-woman show of sorts rather than your traditional pop concert.

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What’s interesting, too, is that so many of the supposed criticisms of the West End Girl tour – zero talking to the audience, the setlist not featuring any other songs, the lack of backing dancers or live band – are actually some of its strengths. Lily’s pivot to acting is what inspired the events of West End Girl, and in its live form, it feels like she’s taking everything she’s learned and playing a role with her latest live venture.

So, given she’s fully in character throughout, why would she break from that to talk to the audience? With the West End Girl album effectively being turned into a script, why would she want to dilute it with irrelevant songs just to keep more casual fans happy? And, indeed, why would she want to take away or distract from the jaw-dropping piece she and her team have created by sticking in a hits set before or after the main event?

Lily is also the only performer on stage for the entirety of her set, but still manages to re-enact the story of her latest album West End Girl flawlessly – which is no mean feat considering she’s made no secret of how painful and personal a story that it is. Far from the stage feeling bare or stark, the chart-topping singer holds your attention the entire time she’s on stage, leaving you feeling every ounce of the album’s paranoia, anxiety and, finally, catharsis along every step of the way.

Particular high points include Pussy Palace, already a cinematic experience thanks to Lily’s unfiltered and descriptive lyrics, but to which she manages to add even more while performing it live, and the double-punch of Tennis into Madeline, with every cry of “who’s Madeline?” from the crowd becoming more frenzied as our support for the show’s heroine grows.

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It’s not a perfect show, admittedly. West End Girl’s stand-out banger Nonmonogamummy sees Lily pretty much rooted to one spot delivering TikTok-friendly choreo with varying levels of conviction, when she probably could have sold better if she were able to just freestyle it and use the space more.

This was then followed by the heartbreaking ballad Just Enough, performed behind a beaded curtain in near-darkness with projections swirling around her. Unfortunately, this made Lily’s delivery a little difficult to see, which jarred given this is one of the album’s more vulnerable and raw moments.

Conversely, West End Girl’s other key ballads, including the desperate Beg For Me and the sobering Let You W/in, were staged much more effectively, before ending on a high with the somewhat optimistic Fruityloop.

After breaking character for the first and only time, taking a small bow before leaving the stage, she returned to the stage for a curtain call, taking out her in-ear monitors to allow her to soak up the rapturous reception from the Geordie crowd, which left her visibly touched.

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Last week, Lily made a point of shooting down journalists’ (including, indeed, my own) suggestions that West End Girl lasted just 45 minutes, the same length as the album that inspired it.

Taking the opening act out of the equation, Lily is actually on stage for closer to 55 minutes, which is, of course, still on the shorter side for a concert. But given everything that’s gone into West End Girl – the imaginative stage design, the elaborate sets and, most pressingly, what has to be an emotional performance from its central star night after night – no one who loves the album could leave feeling short-changed.

As for anyone else… well, what are you doing at a show called Lily Allen Performs West End Girl in the first place?

Quite how the night will translate to the arenas she’s scheduled to perform at later this year remains to be seen – at the moment, it seems perfectly suited to the smaller venues she’s playing on both sides of the Atlantic, but some tweaks might be required to help it fill bigger spaces.

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For now, though, the intimate and unflinching show is an ambitious high-point in Lily’s 20-year career. The show is frank, unapologetic and emotionally resonant, all while never losing its sense of humour – in other words, all of the qualities that have kept Lily at the top of her game.

Lily Allen Performs West End Girl continues on Tuesday night in Manchester, with shows scheduled at intimate venues around the UK for the rest of March, culminating in two nights at the iconic London Palladium. She’ll then take the show overseas, before returning in June for a string of arena shows across the UK and Ireland.

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Members of Iranian women’s football team seek refuge in Australia – report | World News

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The Iranian team during their national anthem before the match with the Philippines on Sunday. Pic: Dave Hunt/AAP Image via AP

Five members of the Iranian women’s football team have left the team’s training camp and successfully sought refuge in Australia, after fears they could “face dire consequences” on their return to the country.

The office of Iran’s exiled crown prince Reza Pahlavi said he has been told the players – Fatemeh Pasandideh, Zahra Ghanbari, Zahra Sarbali, Atefeh Ramazanzadeh, and Mona Hamoudi – are now in a “safe location”.

The Australian government had come under pressure to protect the team after they were knocked out of the Asian Cup.

The players were reportedly criticised in the Iranian media, with a commentator on Islamic Republic of Iran Broadcasting saying they had committed the “pinnacle of dishonour” for staying silent during the anthem before defeat in their match against South Korea a week ago.

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“Traitors during wartime must be dealt with more severely,” presenter Mohammad Reza Shahbazi said, reported the Reuters news agency.

Some believed the team’s silence was an act of resistance, while others saw it as a show of mourning following the initial US-Israel joint attacks on their country.

The team has not made any specific comment on their stance – but then sang and saluted their national anthem ahead of their defeats to Australia on Thursday and the Philippines on Sunday, raising concerns they had been ordered to do so.

Uncertainty surrounds the team after they failed to progress beyond the group stages of the tournament, while global players’ union FIFPRO said it was “really concerned” about the team’s welfare and had so far been unable to contact the players.

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Dozens of people were seen chanting “let them go” as they surrounded the team bus during its departure from the stadium on the Gold Coast, in Queensland, after Sunday’s match, according to the Australian Associated Press.

Police and security teams were also seen creating a safe passage for the bus to leave amid chants of “save our girls”.

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Supporters near the bus carrying the players after Sunday’s match. Pic: AAP/via Reuters

Supporters also said they could see at least three of the players on the bus making the international hand signal for help, reported CNN.

Mr Pahlavi, an Iranian dissident in exile in the US, had earlier said the team faces an “ongoing threat” following their “brave act” not to sing the anthem before the game with South Korea.

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On social media, he wrote: “As a result of their brave act of civil disobedience in refusing to sing the current regime’s national anthem, they face dire consequences should they return to Iran.

“I call on the Australian government to ensure their safety and give them any and all needed support.”

Iranian players on the bus after the defeat to the Philippines. Pic: AAP/via Reuters
Image:
Iranian players on the bus after the defeat to the Philippines. Pic: AAP/via Reuters

The Australian Iranian Council had previously contacted Australia’s government, urging it to protect the squad members during their time in the country.

It also launched an online petition urging the Australian authorities to “ensure that no member of Iran’s women’s national football team is to depart Australia while credible fears for their safety remain”.

Read more:
Iran war latest: Tehran responds to ceasefire suggestion
‘Panic’ as oil price sees biggest single-day spike in years

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Foreign Minister Penny Wong declined to comment on whether the Australian government had made contact with individuals.

But she told the Australian Broadcasting Corp: “It has been really moving for Australians to see them in Australia, and (Australia’s women’s team) swapping jerseys with them was a very evocative moment.

“We know this regime has brutally oppressed many Iranian women.”

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‘I’ve been pen pals with a dangerous killer on death row for decades. We finally met’

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'I've been pen pals with a dangerous killer on death row for decades. We finally met'

The killer claiming to be Welsh was looking for people from Wales to write to him in prison

For over 20 years Rhys Williams has been pen pals with a dangerous killer who sought out people from Wales to write to him whilst on death row. Rhys had never met his friend of over two decades, Roderick Michael Orme, until now.

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In 1993, Orme was sentenced to death for beating, raping and strangling nurse Lisa Redd to death at a motel in Panama City, Florida. He is still waiting for a date of execution. Cameraman Rhys Williams is going on a journey to the US to learn more about the killer he calls a friend in a new S4C documentary, Fy Ffrind ar Death Row (My Friend on Death Row).

Rhys said: “I don’t want to be friends with a murderer, but I’ve found myself as a friend with a murderer. Maybe at the end of this journey, I’ll re-think that idea. The letters date back 20 years, and then they became emails after some years, then in the last year or two he’s been able to phone me.” Stay in the know by making sure you’re receiving our daily newsletter.

The two became friends after Rhys read an article with the headline “Welshman on death row” which mentioned that Orme was looking for pen pals in Wales to connect him to his roots with his distant relatives being from Llandudno.

Orme’s plea for a Welsh pen-pal read: “As a so-called free person, I was a slave to pleasures of the flesh. Whether it was for booze, drugs or sex. Now as a death row prisoner I am totally physically locked down, but find myself mentally freer than I’ve ever been.”

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In the programme, Rhys and journalist Elen Wyn meet Carol, Lisa’s sister who says she will “never forgive” Orme for what he did.

Carol said: “She and I had gone out. He stopped us the whole time we were out because that Sunday, when he showed up at her house to see her, I told him, ‘Lose her number, she doesn’t want to see you’. He said, ‘If I can’t have her, no one can’ and I asked him, I said ‘What does that mean?’ He said, ‘Take it as you will’. She was dead two days later.”

Meeting his pen pal, Orme now aged 64 tells Rhys that he can’t remember killing Lisa as he was high on cocaine and on an alcohol binge.

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After his arrest, Orme denied first degree murder, robbery and sexual battery, but was found guilty. He has since made two unsuccessful attempts to appeal his deaths sentence.

The documentary airs on S4C at 9pm on March 10 and will be available on S4C Clic and BBC iPlayer with Welsh and English subtitles.

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Tickets on sale for Christmas Polar Express Wensleydale Railway ride

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Tickets on sale for Christmas Polar Express Wensleydale Railway ride

Tickets are now on sale for the immersive Christmas experience, which will run from November 27 to December 23.

Based on Chris Van Allsburg’s beloved children’s book and the 2004 animated film, The Polar Express Train Ride invites passengers to step into the story aboard a steam train bound for the North Pole.

Travellers are encouraged to wear pyjamas to fully immerse themselves in the experience, with many families choosing matching outfits to add to the festive fun.

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The hour-long journey features appearances by the hobo, the conductor punching golden tickets, and a visit from Santa who, with the help of his elf, gifts each passenger a silver sleigh bell as the “first gift of Christmas.”

The Polar Express Train Ride is part of a global experience spanning 54 locations and welcoming more than 1.5 million riders each year.

All guests receive a keepsake golden ticket and a sleigh bell as part of the experience.

Ticket prices range from £35.95 to £57.95 depending on the date and time of travel, and early booking is advised as popular dates typically sell out quickly.

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Tickets can be booked at yorkshiredalesthepolarexpressride.com.

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London Games Festival is back for 2026: here’s what to know

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London Games Festival is back for 2026: here’s what to know

Fans of gaming, listen up: London Games Festival has officially unveiled what’s happening for the festival’s latest iteration.

The festival, which runs every year, celebrates the best of gaming in the UK and beyond, culminating with the BAFTA Games Awards in April. It’s always popular – last year, 102,000 people visited the festival’s 26 different events – and while some of the fortnight revolves around industry meetings, there’s also more than enough for gaming fans to get stuck into as well.

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Foreign Office gives update on flights for Brits stranded in Middle East in Iran war

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Foreign Office gives update on flights for Brits stranded in Middle East in Iran war

It’s been more than a week since Iran launched revenge attacks on the Middle East

New travel advice has been released for Brits stuck in the Middle East as the war in Iran rages on.

On February 28, US-Israeli missiles rained down on Tehran as part of ‘Operation Epic Fury’, killing supreme leader Ali Khamenei. In response, Iran hit back, firing missiles across Dubai, Kuwait and Bahrain in a bid to target US air bases.

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Thousands of Brits have since been stranded in the Middle East as flights were ground to a halt amid the brewing conflict.

Now, the Foreign, Commonwealth and Development Office (FCDO) has issued an update in the escalating situation, revealing dozens of flights are due to start bringing people home.

In a post shared on X today (March 9), the FCDO said dozens of flights are due to depart from the region to bring back Brits who have remained stranded since the beginning of the US and Israeli joint operation.

The post reads: “On Sunday, 30 flights departed from across the region carrying more than 7,000 British nationals – the highest number of Brits arriving in the UK in a single day since the beginning of the crisis. More than 40 flights are scheduled to depart from the region today.”

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The FCDO added that “more than 37,000 British nationals have returned to the UK since March 1”.

“Three charter flights have now left Oman and landed in the UK. The third flight landed in the UK earlier this morning (Monday),” the post continued.

“The UK government has chartered a flight out of Dubai which, subject to the situation on the ground, will leave later today.

“More than 40 flights are scheduled to depart from the region today (Monday). British nationals in Bahrain, Israel, Kuwait, Lebanon, Palestine, Qatar and the UAE should ‘Register Your Presence’ with the FCDO.

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“British nationals should continue to follow FCDO Travel Advice and local instructions, as the situation is volatile and could escalate.”

Some 172,000 British nationals have registered their presence in the region. The Prime Minister’s official spokesman said: “The Foreign Secretary will continue to speak to airlines, travel companies and regional governments to find safe routes home.”

Meanwhile, thousands of UK families face disruption to Easter holiday plans because of the conflict, reports The Express. Dozens of flights to Cyprus were cancelled last week, amid airlines’ concerns about its proximity to the region and the presence of a UK air base, which was hit by a drone.

On Monday, 16 out of the 18 scheduled flights from the UK to Qatar were cancelled because of continued airspace closures, aviation analytics company Cirium said. Eleven out of 33 flights from the UK to the UAE, which includes both Dubai and Abu Dhabi, were also axed.

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About half a million passengers per day normally use airports in Dubai, Doha or Abu Dhabi. It is expected to take weeks to clear the backlog of stranded passengers caused by the conflict, which started on February 28.

Airspace closures are not just affecting holidaymakers who plan to visit the Middle East, as its airports are a vital hub for travel between Europe and the continents of Asia and Australia.

There has been a surge in demand for non-stop flights between the UK and Asia which avoid stopovers in the Middle East.

Julia Lo Bue-Said, chief executive of Advantage Travel Partnership, a network of independent travel agents, told the Press Association: “The situation across the Middle East continues to evolve rapidly, and our travel agent partners have been working around the clock this weekend to ensure customers receive the most up-to-date advice and guidance.

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“For holidays booked to Cyprus, it is very much business as usual.

“The Foreign, Commonwealth and Development Office is not currently advising against travel to Cyprus and as such, if you choose to cancel your holiday at this stage, standard cancellation charges will apply.

“For holidays or trips booked to the Middle East, or to Asia with a routing through the Middle East, standard cancellation terms will apply unless your airline has proactively rerouted or cancelled your flight.

“If you have booked a package holiday and your trip is cancelled by the provider as a direct result of the situation, you are entitled to a full refund or the option to amend your booking.”

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Woman in hospital after serious crash

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Woman in hospital after serious crash
Woman in hospital after serious crash | Wales Online