Inspire: A Performing Arts Festival by and for the Airborne Aware, a free Zoom festival running 15–19 April 2026, will bring together music, theater and comedy made by COVID-conscious artists for COVID-conscious audiences.
It is the first known event of its kind to assemble these different genres of COVID-conscious performance into a single airborne-aware program. The five-day program includes music showcases, theater performances and comedy. All events will be presented in a virtual format.
In recent years, individual artists and groups have been producing COVID-conscious art and creating airborne-aware performance spaces. In major cities like Chicago, New York and London, live COVID safer arts events have become more numerous. Inspire festival, organized by COVID-conscious creatives, gathers these individual, local creative labors into one international event.
The COVID-conscious theater ecosystem
In theater, the early years of the ongoing COVID-19 pandemic briefly opened a wide field of digital and hybrid performances. However, with the removal of clean-air measures like masks and testing in live performance venues, the scaling back of online performances, and the widespread taboo of acknowledging the reality of the ongoing pandemic, it has fallen to COVID-conscious theater-makers to create their own spaces.
Two widely documented COVID-conscious theater performances in this emerging ecosystem both took place on 24 April 2025 in New York.
Wake Up and Smell the C*VID by the anonymous collective HEPA (Holy Erotic Propaganda Arson) was a hybrid monologue performance about the impact of COVID and Long COVID on the arts.
Anna RG’s AIR CHANGE PER HOUR was a mask-required Brooklyn performance structured around airborne safety, including testimony from artists living with Long COVID and accessibility measures like rest breaks and HEPA air purifiers.
Wake Up and Smell the C*VID returns at Inspire in an encore presentation on 18 April.
Another major COVID-conscious performance was comedian Guiness Pig’s A Covid Christmas Carol, an audio play performed in December 2025, which adapted the familiar Dickens story into a COVID-conscious satire. At Inspire, Guiness Pig returns with the reader’s theater piece How the Three Little Pigs Almost Learned to Live with the Big Bad Wolf, which reimagines the fairy tale through the normalization of mass infections. The play will be performed April 17.
Most recently was Serina Estrada’s A Pan***ic Play, first staged in January 2026 at The Art School in Glasgow as part of the Royal Conservatoire of Scotland’s Emergence Festival. It was presented as a 50-minute work inspired by verbatim theatre, speaking the lived experiences of people navigating the ongoing pandemic. Inspire will feature an encore performance of the play on April 16.
Inspire’s theater program will also include scenes from The Left by Caridad Svich, a choral play about those left behind ‘when all systems and people have failed one another.’ Svich, a playwright and educator affiliated with Rutgers and the Lortel Theater, is a 2024 Guggenheim Fellow in Drama and Performance Art and a 2012 Obie Award winner for Lifetime Achievement in the theatre. Selections from the play will be broadcast on April 19.
Inspire will also premiere the first two episodes of Wayside, an audio drama by Mo Mora and narrated by Benjamin Liberman, set in a near-future sanctuary community where people still mask.
Airborne-aware musicians and performance spaces
The festival opens on 15 April with a music showcase featuring performances by COVID-conscious musicians.
Music venues, like theaters, have largely rolled back airborne illness-prevention measures, even as the effects of the ongoing pandemic continue to devastate the industry. Within the past few weeks, Lady Gaga canceled the final Montreal date of her tour because of a respiratory infection, and the Goo Goo Dolls canceled the remaining dates of their Canadian run after frontman John Rzeznik was diagnosed with pneumonia. At the same time, musicians like Dave Navarro have spoken publicly about managing Long COVID.
Against this backdrop, Inspire’s music lineup highlights artists who have helped create COVID-conscious performance spaces of their own. Among the featured acts is phytocene, a Paris-based ambient pop and ethereal artist whose work as moves through pop, trip-hop and electronica. She has become widely known in the airborne-aware community for organizing mask-required concerts in France.
Nina Wildflower, another performer in this ecology, is both a musician and a science teacher who advocates for clean air. He also hosts a weekly online open mic for COVID conscious performers.
The final musical act will be the The Long Covid Choir, which was formed in March 2021 by people with Long COVID and designed to be accessible to people living with Long COVID, including people who are housebound or bedridden. The Long COVID Kids Choir, profiled by the World Health Organization, similarly gives children and teenagers in multiple countries an online place to sing and write songs about their own lived experience. Both choirs are under the musical direction of Dutch musician Merel van der Knoop.
A comedy counter-public
In comedy, the ongoing pandemic continues to disrupt live performance and the health of working comics. In September 2025, Steve Martin canceled two tour dates after testing positive for COVID-19. This followed earlier cancellations on the same tour when Martin Short tested positive for SARS-CoV-2. In December 2025, Chevy Chase postponed an appearance at a live screening after being diagnosed with pneumonia.
At the same time, some establishment comedians with large national audiences have used their platforms to ridicule or erase continued COVID prevention. On the 11 December 2025 episode of The Weekly Show with Jon Stewart, Stewart joked about people still wearing masks in workplaces. This prompted public criticism from comedian Judah Friedlander, who responded on Instagram by asking why Stewart was ‘punching down’ on disabled and immunocompromised people. The social media backlash around the exchange generated the hashtag #oneofthetwo and calls for Jon Stewart to interview a public health expert and correct the record.
In November 2025, after actor Tom Hanks was photographed wearing a mask on the New York City subway, in his appearance on The Late Show, Stephen Colbert promoted the moment in the interview and on social media as a ‘subway disguise.’ Even though Hanks himself had explained on the show that he wears a mask for ‘health reasons’ and that he had been infected with COVID multiple times and did not want to get it again.
At the same time, COVID-conscious comedians have been building accessible alternatives. Judah Friedlander performs at recurring Zoom livestream stand-up shows, including a New Year’s Eve performance at the end of 2025.
Inspire’s comedy programming features two events. The festival’s Friday Night Open Mic will take place on 17 April, inviting artists to share original five-minute sets, including stand-up, music, poetry and theater, and will be hosted by writer and comedian Lauren Flans. On 18 April, the festival will present Ron Placone’s Anti-Fascist Pasta Night, a new one-hour stand-up special performed live with ASL interpretation. Placone is a comedian, writer and filmmaker who has toured across the United States, Canada and Australia and premiered a solo show at the Edinburgh Fringe Festival in 2023.
Art, advocacy and mutual aid
Inspire will run 15 April through 19 April 2016 as a free, fully virtual Zoom festival featuring music, theater and comedy and community programming by COVID-conscious artists for COVID-conscious audiences.
To attend, audience members are asked to RSVP through the festival form, selecting the events they want to join. Zoom links will be sent the day of each event. Because capacity is limited, some events may move to a waitlist if demand exceeds available space.
Attendees only need a free Zoom account. Events are scheduled at multiple times across the day to accommodate different time zones. Except for the open mic, audience cameras and microphones will remain off during performances while the chat stays open for conversation. The costs for the festival were shared amongst the organizers, including licensing and subscription fees, so a tip jar will be circulated which will help cover the costs, with the rest distributed to COVID-conscious charities and mutual aid for the wider community.
The festival marks the point at which COVID-conscious arts has matured into its own counter-public with a networked multi-genre ecosystem, as well as relationships to airborne-aware mutual aid and advocacy.
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