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Brits 2026: 29 Photos That Sum Up What The Awards Show Looked Like 10 Years Ago

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Brits 2026: 29 Photos That Sum Up What The Awards Show Looked Like 10 Years Ago

As much as awards shows like the Brits are all about recognising the top achievements of the last year, for many of us, they also give the opportunity to look back at some truly iconic pop culture moments.

While the 2016 trend dominated social media earlier this year, it just so happens that 10 years ago was a stand-out year for the Brit Awards, too.

From jaw-dropping red carpet fashion and some seriously iconic performances we’re still obsessed with a decade later to more emotional scenes and surprise link-ups, the 2016 Brits had it all – and here are 29 pictures that sum up everything that went down that night…

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Let’s start as all good awards shows do – with the red carpet, where Jess Glynne sported this eye-catching look

The nation’s sweetheart – then still known as Cheryl Fernandez-Versini – brought the glamour with this ensemble

David Fisher/Shutterstock

Kylie Minogue walked the red carpet in this enormous black hat, with her then-fiancé Joshua Sasse in tow

And speaking of superfluous hats… here’s James Bay, who matched Adele and Years & Years with four nominations each

Charli XCX was a long way from the Brat era as she made one of her first Brits appearances

Similarly, Lana Del Rey’s 2016 Brits look was very different to what we’re used to from the music icon

All eyes were on Rihanna, who was still riding a huge of acclaim off the back of her recently-released Anti album

And shall we talk about this high-key serve from Sinitta?

Jack Garratt
Jack Garratt

Joanne Davidson/Shutterstock

The Brits were hosted by Ant and Dec for the second consecutive year in 2016

Richard Young/Shutterstock

Coldplay kicked off the night with a rendition of their then-recent hit Hymn For The Weekend (sadly without Beyoncé)

Richard Young/Shutterstock

The first win of the ceremony went to Adele, following the mammoth success of her album 25, and she took a moment to voice her solidarity with Kesha, who was at the height of her legal woes at that time

Meanwhile, at some point, Ant and Dec had a slight costume change resulting in this outfit, because hey, why not?

David Fisher/Shutterstock

Other performers on the night included Rihanna – with special appearances from a pre-Ctrl SZA

David Fisher/Shutterstock

David Fisher/Shutterstock

David Fisher/Shutterstock

A very blond Justin Bieber brought a lot of heat for his rendition of Sorry

He also welcomed man of the hour James Bay to the stage for a duet

James Bay and Justin Bieber
James Bay and Justin Bieber

Joanne Davidson/Shutterstock

The Weeknd brought his song The Hills to life on the Brits stage

David Fisher/Shutterstock

And Jess Glynne gave us a medley of hits from her shonkily-titled album I Laugh When I Cry

David Fisher/Shutterstock

Before Jess’ performance, Ant and Dec were caught somewhat off guard when their introduction was interrupted by the scantily-clad model Sadie Pinn

The Brits took place just weeks after the death of David Bowie, with Annie Lennox paying her respects with an emotional speech

Richard Young/Shutterstock

After that, Gary Oldman came out to accept the Icon Award on Bowie’s behalf, before introducing a tribute performance from Lorde, who he pointed out the music icon had once described as the future of music

Joanne Davidson/Shutterstock

Lorde’s stoic rendition of Life On Mars? remains one of our favourite ever Brits performance

Joanne Davidson/Shutterstock

Unsurprisingly, Adele was the big winner of the night, scooping five awards in total

One Direction’s Drag Me Down was awarded Video Of The Year, with Liam Payne and Louis Tomlinson representing the recently-disbanded group on the main stage

Richard Young/Shutterstock

Fleur East and Craig David teamed up to present an award to Björk (who, sadly, was not in attendance to accept it in person)

David Fisher/Shutterstock

To cap it all off, Adele closed the show with a rendition of When We Were Young, giving a special shout-out to the students at her old haunt, the Brit School, in the audience

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Holy Hell: Trump Rages At Pope!

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Holy Hell: Trump Rages At Pope!

!function(n){if(!window.cnx){window.cnx={},window.cnx.cmd=[];var t=n.createElement(‘iframe’);t.display=’none’,t.onload=function(){var n=t.contentWindow.document,c=n.createElement(‘script’);c.src=”//cd.connatix.com/connatix.player.js”,c.setAttribute(‘async’,’1′),c.setAttribute(‘type’,’text/javascript’),n.body.appendChild(c)},n.head.appendChild(t)}}(document);(new Image()).src=”https://capi.connatix.com/tr/si?token=19654b65-409c-4b38-90db-80cbdea02cf4″;cnx.cmd.push(function(){cnx({“playerId”:”19654b65-409c-4b38-90db-80cbdea02cf4″,”mediaId”:”d1367440-2011-4389-a28b-bb92f339da2a”}).render(“69dcfa8ce4b00247ba9c31dc”);});

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How To Find High-Street Furniture From M&S, OKA, And Soho Home In Seconds

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How To Find High-Street Furniture From M&S, OKA, And Soho Home In Seconds

We hope you love the products we recommend! All of them were independently selected by our editors. Just so you know, HuffPost UK may collect a share of sales or other compensation from the links on this page if you decide to shop from them. Oh, and FYI — prices are accurate and items in stock as of time of publication.

You know what it’s like when you’re shopping for furniture. You think you’ve found the best option out there, only to click onto another page and find five more contenders.

Then you click on to Instagram or Pinterest, and lo and behold: another thirty ads showing you another iteration of what you’ve been looking for. Thanks, cookies!

If you’re anything like me, plagued by decision paralysis, it takes months of open tabs, waiting for sales, and constant side-by-side comparison to actually make a purchase.

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That’s speaking as someone who does a lot of shopping (it’s kinda in the job description) and even then, if I can do anything to make the process of furniture shopping easier, that is as big a blessing as I can ask for.

Pinterest has been my saving grace up until now: I love making boards of what I want my space to look like and using its shopping feature to find products.

But even that is flawed: often, the pieces I fall for aren’t even available to ship to the UK, or they come from some dodgy website I’m not willing to risk losing my money to.

So when I came across ShopHomeStyles, I was completely smitten.

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Instead of having to guess what keywords would best describe the armchair I’m currently looking for in my room (I’m not exactly an interiors expert) the platform allows you to upload your inspo photos.

Sourcing from over 100 furniture and homeware brands like M&S, OKA, and Soho Home, the platform then matches the closest products to your inspo or keyword search in seconds.

So you don’t have to keep millions of tabs open, you can like the products you’re into and organise them into collections, making it easy to come back to them later.

Plus, if you’re not sure what style tickles your fancy, the website has its own inspiration page and breaks furniture and decor into easy to browse categories, so you can browse trends and shop by item, or look at what’s new in at your favourite stores, too.

Basically, if you want anything new for your house and want to save on scrolling through the sometimes hundreds of pages on every furniture site you come by, ShopHomeStyles seriously whittles your options down based on what you like.

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The result? Less wasted time scrolling, and a place to curate your own design style for your home.

If I had known about this platform sooner, it could have saved me oodles of time. That armchair I’ve been looking for has been the subject of probably a years’ worth of Pinterest searches.

You see, I’m after a very specific retro Scandi-inspired shape, preferably in pink, red, or baby blue.

At the time of writing this, I have 167 tabs open on Safari on my phone, with various iterations of said chair.

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But after simply uploading some Pinterest inspo photos to ShopHomeStyles, there’s one clear contender for my purchase: this Juno armchair from Graham and Green.

Don’t get me wrong, the price tag is definitely something to work towards. But at least now I can live in peace not having to go back and forth between this option and that.

I’m also shopping for a side table and magazine rack, so I’ve started building a separate collection to find the perfect ones.

While I’m sure I’ll spend as much time deliberating about what to go for in the end, at least my final decision will be based off results from 11 pages on ShopHomeStyle, rather than hundreds, or even thousands.

Honestly, all I can say is: phew.

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NHS privatisation is sky-rocketing under this government

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NHS privatisation is sky-rocketing under this government

The government has been continuing the Tory, Lib Dem and New Labour agenda of increased NHS privatisation. And after nearly two years in power, private providers of NHS services have made £1.6bn in profit.

The research

The Centre for Health and the Public Interest analysed £12bn worth of contracts, which it emphasised are not all of the NHS’ private provision.

The corporations that received those contracts extracted profit that could have been used for 9,178 doctors or 19,428 nurses over the two year period. Another ten thousand doctors for the NHS would also go some way in addressing the striking resident doctors’ concerns.

The new research takes forward a previous study by We Own It, which found the private sector made an average of £10m a week in profit from 2012-2024.

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The Centre for Health and the Public Interest also noted that 131 companies made more than 20% profit from the NHS. Between 8% and 9% are the usual profits for a company.

The study further found that the NHS spent around £2.5bn on companies registered outside the UK or in tax havens.

More and more healthcare privatisation

In January 2025, the prime minister announced he would increase private provision of helath services by 20%. After only his first year in power, NHS privatisation leapt by 10%. If that continues, there will be a 50% increase in privatised NHS services by the end of this parliament.

Some areas have seen much higher increases. In South East London, NHS private provision increased by 71% from July 2024 to July 2025. Other high increases were in Dorset at 51%, along with Cambridgeshire/ Peterborough and Suffolk/ NE Essex at 41% each.

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Successive governments know that making people pay outright for NHS services is very unpopular. So they have been gradually turning healthcare into a vehicle for profit through enabling corporations to provide the services with an NHS badge on them. Instead of making people pay at the point of use, it’s through profit from the healthcare budget and public purse.

Featured image via the Canary

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Sofa Club Review: Is This ‘Sofa In A Box’ Brand Worth The Hype?

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The fully assembled sofa

We hope you love the products we recommend! All of them were independently selected by our editors. Just so you know, HuffPost UK may collect a share of sales or other compensation from the links on this page if you decide to shop from them. Oh, and FYI — prices are accurate and items in stock as of time of publication.

There are many harsh realities we face as adults: cheese is actually really expensive; the worst person you know is probably being told by their therapist that they’re really reasonable; and that we are doomed to spend the rest of our lives forever trying to find the answer to ‘what’s for dinner?’.

But one I didn’t anticipate is just how difficult it is to buy a sofa.

I’ve spent the last six months renovating a 150 year old flat in Edinburgh and thanks to that being one endless stress, I officially only want to walk the path of least resistance where I can.

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Unfortunately the road to getting a sofa is full of potholes. First of all you’ve got the time element. I don’t have it in me to assemble anything after spending all day stripping walls, replastering and wielding a sledgehammer around my 9-5. Spending hours in a showroom testing out sofas? Not so bloody likely.

Then there’s the logistical nightmare of actually getting the sofa into your home once you’ve made a choice. Some companies have lead times of over six months (something I don’t have the emotional bandwidth for) and when you’ve got a twisty turny stairwell leading to your flat, there’s the worry that it won’t ever actually make it INTO THE HOUSE.

But it turns out there is an incredibly straightforward answer to my couch conundrum – enter one of the UK’s fastest-growing online sofa retailers, Sofa Club.

Offering next day delivery (!!!) on the majority of their sofas, Sofa Club sends you your new seating in boxes. Yup, quite literally, they send you a sofa in a box.

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The site offers over 400 different sofas to choose from but they’re all split into different shape and size categories – so you can get straight to the point without endless scrolling. Moreover, they all come in strictly neutral tones (think stones, greys, browns and sands), meaning there isn’t a living room out there your sofa won’t suit.

It almost sounds too good to be true, right? Well, the good folks at Sofa Club asked me to try out their service for myself to find out. It’s certainly a brave decision to let a frazzled, renovating-overloaded editor pass judgement on your furniture company, so team HuffPost were immediately impressed.

I opted for The Cloud Left Corner Sofa Bed with Chaise Storage – and it was an easy decision that took less than fifteen minutes. Sofa Club has a super interactive site (I was able to click and see what the sofa bed element looked like folded out, as well as the ottoman) with loads of images of each product and the option ‘to view the sofa in your space’ using your phone’s camera.

However, if you’re worried about what the fabric really looks like in person, you can get up to four free swatches delivered to your door the next day. Off white was a sensible choice as someone who at the time was yet to paint their walls, you can’t really go wrong with a neutral.

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Depending on where you are in the UK you can also opt to go to one of Sofa Club’s six showrooms – but I felt completely confident in my choice. Decision fatigue? Gone. Now just to see one, if it really matched the onsite images and two, if the deliverers could actually get it in my home.

Price wise The Cloud is normally £1699 (all three metres of it, she’s a big’un!) – which when you consider the fact that Loaf’s most similar model comes in at £3995, is a fair price point.

True to their word, just 24 hours later my buzzer went, announcing the arrival of my brand new sofa and with a little bit of effort (and impressive pivoting) the two boxes were through the door and plonked in my living room.

Had the room not been covered in a wet undercoat of white paint at the time, the delivery people would have taken the packaging away and assembled it for me.

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Now, despite the renovation I’m doing right now, if there’s one thing I’m categorically useless at, it’s assembling furniture. I am in fact so useless at it , IKEA fears me.

Fortunately The Cloud came in just two pieces (one for each box) and all I had to do was unwrap it, clip the two parts together and screw the feet on. If I can do it, anyone can.

The fully assembled sofa

Dayna McAlpine/HuffPost UK

The fully assembled sofa

The sofa was firm, but writing this three months on from its arrival (and with it having had many, many bottoms upon it), it’s softened into a delicious middle ground – not so soft I’m sinking, not so firm that I can’t lounge.

The sofa bed element has made me popular with all my guests (no sore backs in the morning here) and I love the fact I can whack all the bedding in the storage ottoman section.

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The verdict? There couldn’t be an easier option when it comes to sofa buying than Sofa Club’s service – if only the rest of the renovation as straightforward.

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‘The West is incapable of defending itself’, with Michael Oren

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‘The West is incapable of defending itself’, with Michael Oren

The post ‘The West is incapable of defending itself’, with Michael Oren appeared first on spiked.

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Politics Home | Wes Streeting Insists NHS England Abolition Is Still Right Thing To Do Despite “Astonishing” Opposition

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Wes Streeting Insists NHS England Abolition Is Still Right Thing To Do Despite 'Astonishing' Opposition
Wes Streeting Insists NHS England Abolition Is Still Right Thing To Do Despite 'Astonishing' Opposition

Wes Streeting spoke at an event hosted by the IPPR on Monday morning (Alamy)


4 min read

Wes Streeting has defended his decision to abolish NHS England, but admitted he can “understand why so many of my predecessors didn’t bother” given the scale of disruption and opposition.

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The Health Secretary insisted the overhaul was necessary to cut duplication and improve accountability in the NHS, despite critics warning that the reorganisation risks being distracted from efforts to improve patient care.

His comments come after the Institute for Public Policy Research (IPPR) think tank published a report which found that transforming the NHS funding model to a European-style insurance system would not improve performance across the healthcare system. The report highlighted the high risks of transitioning from one system to another, which could cost billions and take decades to complete.

Speaking at the report launch on Monday morning, Streeting agreed with the findings, saying that the government’s approach would instead be to “invest in the NHS, to modernise it and transform the way it delivers healthcare”.

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However, one of the biggest reforms Streeting has introduced so far has been the abolition of the arms-length body NHS England (NHSE). Prime Minister Keir Starmer announced in March 2025 that NHSE would be abolished and its responsibilities brought into the Department for Health and Social Care over a two-year transition period, as part of a wider bid to make the state more efficient and remove unnecessary red tape.

While Streeting’s allies argue the old structure was dysfunctional, with blurred accountability and internal gridlock frustrating ministers and stalling policy, NHS insiders say the transition has not been totally smooth up to now. At the same time, experts have described the move as risky.

Staff are due to reapply for roles in a merged organisation in early 2027, a timeline many insiders expect to slip, while others warn the upheaval could consume energy better spent on improving services.

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Asked by PoliticsHome whether the abolition of NHSE was also proving to be a distraction from improving care for patients, Streeting said: “We’re doing the right thing for the right reason, and in process terms, I don’t see how else we could have gone about this, because there wasn’t a way of engaging with the workforce of that size…”.

“I have to say I can understand why so many of my predecessors didn’t bother and just sat there with a totally unsatisfactory bureaucracy and loads of waste and duplication,” he continued.

“The level of opposition that you get when you try and do things like this is astonishing, and the weight and volume of vested interests is just extraordinary. 

“And I’m afraid this is why you do need strong political leadership. I’m not interested as a politician in meddling in clinical decisions.”

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He said that he thought it had been the right decision to keep the planning of the NHSE abolition “quite close with NHS leaders” before it was announced. 

Streeting acknowledged that the restructure was “hard on people who work in ICBs [Integrated Care Boards], and it’s hard on people who work in NHS England”: “I don’t treat that lightly or carelessly.”

However, he defended the decision and said that the idea that “democratically elected politicians shouldn’t keep an eye on how that money is spent and to make sure it’s used effectively is for the birds”.

“There are so many professional vested interests with a quiet, easy life who will always oppose these big changes, and I think ultimately, we will have done the right thing and the benefit will be to frontline patient services.”

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A source close to Streeting previously told The House that the health secretary has found the “invisible barriers” to getting things done in government “harder than most”. 

“He has struggled to get his priorities through,” they said. “He’s a very sharp guy. But when he came in, after getting his own way on policy in opposition, he was shocked about needing Treasury sign-off… It was a rude awakening.”

Commenting on the IPPR report findings, head of health at IPPR and report author Sebastian Rees said: “There is no structural silver bullet for the NHS. The idea that simply switching to a European-style insurance model would fix its problems is a pointless distraction and not supported by the evidence. 

“The NHS’s challenges are real – but they are the result of a decade of chronic underinvestment and choices on how money is spent, not the funding model itself. 

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“Policymakers should focus on what actually works: investing in infrastructure, strengthening primary care, and tackling the drivers of poor health.”

 

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Your Party Scotland leadership declares party is ‘over’ after committee’s mass resignation

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Your Party Scotland leadership declares party is 'over' after committee’s mass resignation

The leadership of Your Party Scotland (YPS) has resigned en masse, citing the consistent contempt shown towards members and the organisation north of the border.

All 12 members of the Interim Scottish Executive Committee have unanimously left their roles and pledged to help form a new party.

Your Party’s Interim Scottish Executive Committee (ISEC) was made up of volunteers who have overseen the running of the party – including the party’s Founding Conference in Dundee earlier this year – since December 2025.

But all 12 of the remaining members of the group have now resigned their posts, with their concerns about a dismissive attitude from the party’s UK leadership towards Scotland continuing to be ignored. Niall Christie, the sole Scotland rep on Your Party’s Central Executive Committee (CEC), has also resigned with immediate effect.

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Watch a video message on Facebook or on the Your Party Scotland website.

The decision comes after significant work from ISEC to fulfil the decisions taken by members in Dundee, including ensuring Your Party Scotland had candidates for the upcoming Holyrood elections. Attempts to run internal elections to replace the interim group with a democratically-selected SEC were also blocked by those in control of the party.

Your Party Scotland feeling ignored

Decisions taken at the Your Party CEC – now solely controlled by those aligned to the Jeremy Corbyn-led The Many faction – also underline the disdain shown towards Your Party Scotland and its members.

Proposals tabled by Scotland’s one CEC rep – compared to the 16 allocated to English regions – have repeatedly been ignored by the party’s chair. Your Party’s leadership has also ignored repeated requests for support and discussions.

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At a CEC meeting held yesterday, a proposal to provide support to YPS to hold meetings and contact its members – which they have been unable to do since the party’s creation last year – was not heard, nor was a motion affirming the party’s commitment to Scottish autonomy and respecting decisions taken in Scotland.

A proposal to remove thousands of party members due to their membership and affiliation with other socialist organisations – which contradicts the rules of Your Party Scotland – also passed at Sunday’s CEC meeting.

As a result, the ISEC has now released a statement outlining its decision, as well as its belief that the party – which has been haemorrhaging members in Scotland in recent weeks – has now collapsed.

However, the ISEC members – made up of former MSPs and prominent left-wing figures, as well as many of whom have never been involved in politics before – also underlined the need for a new party on the left in Scotland and their intention to continue working towards this.

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In a statement, the ISEC said:

As a result of this consistent denial of autonomy for Scotland, and a willingness by the UK leadership to sideline an entire nation by withholding funding and mailing lists and refusing to engage, we have, after careful thought and consideration, taken the collective decision to resign our positions on ISEC, having found ourselves completely blocked when we attempted to carry out the clear mandate set for us by members from across Scotland.

No serious attempt to unite the left can be done through purges of socialists or by disregarding entire nations and their representatives. It is clear that these are fatal blows to the Your Party project from which it cannot recover.

Despite this generational fumble of the left in Britain, the need for a new party on the left in Scotland couldn’t be more urgent, and it is our clear intention to continue working towards this. We call on others who share our vision to join us in doing so over the coming weeks and months, as the reality of a rising far-right and its representatives joining our national parliament set in.

Simply put, the best time for change has passed, but the next best time is now. In Scotland, we intend to continue building that change, but to do so outwith the constraints of the deeply flawed and dying Your Party.

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The decision comes after a meeting of nearly 200 Your Party Scotland members on 12 April, which showed overwhelming support for working towards a new left project in Scotland.

Scotland representative on Your Party CEC Christie said:

It has become clear the party has run out of road. This is in no small part down to the consistent disrespect shown to Scotland and Scottish members, with decisions about us being made without our input, and on our behalf.

I’ll be continuing the essential work needed to build the party we were all promised in summer 2025, but I will be doing so outside of Your Party. With an election on the horizon, it is time to take stock of the political landscape in Scotland and work to bring the left in Scotland together – truly – and move towards something new in the not-too-distant future.

My own main takeaway having been involved in Your Party is that whatever comes next must be built in Scotland, by Scotland, for Scotland. Anything else is doomed to fail.

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Featured image via the Canary

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genocidal commander forced to cancel Italy trip

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genocidal commander forced to cancel Italy trip

Legal action by the Hind Rajab Foundation (HRF) has forced an alleged Israel war criminal to cancel a planned trip to Italy.

Former Israeli Occupation Forces (IOF) commander Ofer Winter has abandoned his visit to Europe after the HRF applied for an arrest warrant for him over his alleged involvement in 2014 atrocities and his advocacy for Israel’s current and continuing genocide in Gaza.

Israel ‘Black Friday’ 2014

HRF’s application, accompanied by a “detailed investigative report”, details Winter’s in the 2014 ‘Black Friday’ massacre in Rafah on 1 August 2014. HRF says that:

Following the capture of an Israeli soldier, Winter ordered the activation of the Hannibal Directive, triggering a large-scale and indiscriminate assault on a densely populated civilian area…

…Thousands of artillery shells were fired across urban areas within hours;

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Airstrikes, drones, and tank fire targeted roads and civilian movement;

Civilians were indiscriminately—and in some cases deliberately—targeted, leading to up to 200 civilian deaths in three days;

Ambulances and medical teams were struck, preventing the evacuation of the wounded.

Ofer Winter, who was commander of the Givati Brigade and in charge of the Rafah area at the time of the attack, is specifically alleged to be responsible for the crimes committed during the attack, particularly:

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The attack on Abu Youssef Al-Najjar Hospital on 1 August 2014;

The attack on al-Birr wa’l-Taqwa Mosque and the ambulances retrieving the wounded therefrom on 1 August 2014;

The attack on UNRWA Boys’ Prep School ‘A’ on 3 August 2014.

Genocide incitement

HRF also lists examples of Winter’s statements inciting genocide, including:

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The end game needs to be no Palestinians in Gaza.

Victory will occur when there are no more Arabs in Gaza.

But the law in the State of Israel must draw its authority from the values of the Jewish people, not from the inventions and legal sophistry of the international court. The source of our values is not The Hague. (…) Likewise: ‘If someone comes to kill you, rise early and kill him first.’ And yes, it is necessary to devastate Gaza because destroying houses is essential for protecting our soldiers.

HRF’s application states that in this context, Winter’s planned visit to Italy was:

part of a broader effort to legitimize and disseminate narratives that incite the commission of genocide.

The group says that forcing him to cancel his propaganda visit is a “victory” but that arrest and prosecution remains its goal:

This is a concrete win for HRF and our allies in Italy. When suspected war criminals are forced to alter their movements that is a form of accountability. Full accountability, however, must lead to arrest and prosecution. We will continue pursuing that objective.

Like his genocide-state colleagues, Winter is said to have tried threats to HRF’s top official as a means of preventing action against him. HRF general director Dyab Abou Jahjah said:

When we filed the complaint in Italy against Mr. Winter, his immediate response was to issue threats directed at my address. His subsequent decision to cancel his visit to Italy underscores the tangible impact and seriousness of this legal action. He now faces an additional case in Belgium for those threats. The era of impunity is coming to an end.

Israeli agents have previously threatened both Abou Jahjah and his family. HRF’s campaign of legal action against Israeli war criminals wherever they go continues.

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Featured image via the Canary

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Victoria Beckham Reacts To Son Cruz’s Nude Instagram Post

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Victoria Beckham Reacts To Son Cruz's Nude Instagram Post

Victoria Beckham had a typical mum reaction to her youngest son Cruz’s imaginative approach to promoting his new music.

Last week, Cruz unveiled his latest song Waste Your Pain, marking the occasion with an Instagram post showing him posing nude behind the single’s vinyl artwork.

It wasn’t long before Victoria popped up in the comments, sharing a gif of herself looking rather stunned.

She also reposted this image on her Instagram story, alongside the caption: “Really Cruz…”

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True to form, though, her post was accompanied by a link for her followers to check out the track for themselves.

During the promo trail for his new single, Cruz recently unveiled the Waste Your Pain music video, in which he paid homage to Beckham family friend Tom Cruise’s iconic Risky Business sequence, dancing in an oversized shirt and underwear.

The video was directed by Jackie Apostel, who he’s been in a relationship with since 2024.

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Cruz also performed a headline show in London last month, attended by his famous parents Victoria and Sir David Beckham, as well as his brother Romeo Beckham and his mum’s former Spice Girls bandmate Geri Halliwell.

Of course, in recent history, the Beckham family has been at the centre of no end of headlines due to the fall-out between Cruz’s eldest brother Brooklyn Peltz Beckham and his parents.

After months of rumours, Brooklyn broke his silence in January, accusing his parents of “performative” and “controlling” behaviour, and claiming they have persistently tried to “ruin” his relationship with his wife, Nicola Peltz Beckham.

Sir David and Victoria have remained tight-lipped on their son’s remarks, but the family has repeatedly put on a united front in the months since, with the couple also posting sweet messages on Brooklyn’s birthday last month.

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Meanwhile, Victoria recently made headlines when she stuck up for so-called “nepo babies” in light of Cruz’s burgeoning music career.

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Inspire Festival marks a new chapter in COVID-conscious arts

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Inspire Festival marks a new chapter in COVID-conscious arts

Inspire: A Performing Arts Festival by and for the Airborne Aware, a free Zoom festival running 15–19 April 2026, will bring together music, theater and comedy made by COVID-conscious artists for COVID-conscious audiences.

It is the first known event of its kind to assemble these different genres of COVID-conscious performance into a single airborne-aware program. The five-day program includes music showcases, theater performances and comedy. All events will be presented in a virtual format.

In recent years, individual artists and groups have been producing COVID-conscious art and creating airborne-aware performance spaces. In major cities like Chicago, New York and London, live COVID safer arts events have become more numerous. Inspire festival, organized by COVID-conscious creatives, gathers these individual, local creative labors into one international event.

The COVID-conscious theater ecosystem

In theater, the early years of the ongoing COVID-19 pandemic briefly opened a wide field of digital and hybrid performances. However, with the removal of clean-air measures like masks and testing in live performance venues, the scaling back of online performances, and the widespread taboo of acknowledging the reality of the ongoing pandemic, it has fallen to COVID-conscious theater-makers to create their own spaces.

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Two widely documented COVID-conscious theater performances in this emerging ecosystem both took place on 24 April 2025 in New York.

Wake Up and Smell the C*VID by the anonymous collective HEPA (Holy Erotic Propaganda Arson) was a hybrid monologue performance about the impact of COVID and Long COVID on the arts.

Anna RG’s AIR CHANGE PER HOUR was a mask-required Brooklyn performance structured around airborne safety, including testimony from artists living with Long COVID and accessibility measures like rest breaks and HEPA air purifiers.

Wake Up and Smell the C*VID returns at Inspire in an encore presentation on 18 April.

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Another major COVID-conscious performance was comedian Guiness Pig’s A Covid Christmas Carol, an audio play performed in December 2025, which adapted the familiar Dickens story into a COVID-conscious satire. At Inspire, Guiness Pig returns with the reader’s theater piece How the Three Little Pigs Almost Learned to Live with the Big Bad Wolf, which reimagines the fairy tale through the normalization of mass infections. The play will be performed April 17.

Most recently was Serina Estrada’s A Pan***ic Play, first staged in January 2026 at The Art School in Glasgow as part of the Royal Conservatoire of Scotland’s Emergence Festival. It was presented as a 50-minute work inspired by verbatim theatre, speaking the lived experiences of people navigating the ongoing pandemic. Inspire will feature an encore performance of the play on April 16.

Inspire’s theater program will also include scenes from The Left by Caridad Svich, a choral play about those left behind ‘when all systems and people have failed one another.’ Svich, a playwright and educator affiliated with Rutgers and the Lortel Theater, is a 2024 Guggenheim Fellow in Drama and Performance Art and a 2012 Obie Award winner for Lifetime Achievement in the theatre. Selections from the play will be broadcast on April 19.

Inspire will also premiere the first two episodes of Wayside, an audio drama by Mo Mora and narrated by Benjamin Liberman, set in a near-future sanctuary community where people still mask.

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Airborne-aware musicians and performance spaces

The festival opens on 15 April with a music showcase featuring performances by COVID-conscious musicians.

Music venues, like theaters, have largely rolled back airborne illness-prevention measures, even as the effects of the ongoing pandemic continue to devastate the industry. Within the past few weeks, Lady Gaga canceled the final Montreal date of her tour because of a respiratory infection, and the Goo Goo Dolls canceled the remaining dates of their Canadian run after frontman John Rzeznik was diagnosed with pneumonia. At the same time, musicians like Dave Navarro have spoken publicly about managing Long COVID.

Against this backdrop, Inspire’s music lineup highlights artists who have helped create COVID-conscious performance spaces of their own. Among the featured acts is phytocene, a Paris-based ambient pop and ethereal artist whose work as moves through pop, trip-hop and electronica. She has become widely known in the airborne-aware community for organizing mask-required concerts in France.

Nina Wildflower, another performer in this ecology, is both a musician and a science teacher who advocates for clean air. He also hosts a weekly online open mic for COVID conscious performers.

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The final musical act will be the The Long Covid Choir, which was formed in March 2021 by people with Long COVID and designed to be accessible to people living with Long COVID, including people who are housebound or bedridden. The Long COVID Kids Choir, profiled by the World Health Organization, similarly gives children and teenagers in multiple countries an online place to sing and write songs about their own lived experience. Both choirs are under the musical direction of Dutch musician Merel van der Knoop.

A comedy counter-public

In comedy, the ongoing pandemic continues to disrupt live performance and the health of working comics. In September 2025, Steve Martin canceled two tour dates after testing positive for COVID-19. This followed earlier cancellations on the same tour when Martin Short tested positive for SARS-CoV-2. In December 2025, Chevy Chase postponed an appearance at a live screening after being diagnosed with pneumonia.

At the same time, some establishment comedians with large national audiences have used their platforms to ridicule or erase continued COVID prevention. On the 11 December 2025 episode of The Weekly Show with Jon Stewart, Stewart joked about people still wearing masks in workplaces. This prompted public criticism from comedian Judah Friedlander, who responded on Instagram by asking why Stewart was ‘punching down’ on disabled and immunocompromised people. The social media backlash around the exchange generated the hashtag #oneofthetwo and calls for Jon Stewart to interview a public health expert and correct the record.

In November 2025, after actor Tom Hanks was photographed wearing a mask on the New York City subway, in his appearance on The Late Show, Stephen Colbert promoted the moment in the interview and on social media as a ‘subway disguise.’ Even though Hanks himself had explained on the show that he wears a mask for ‘health reasons’ and that he had been infected with COVID multiple times and did not want to get it again.

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At the same time, COVID-conscious comedians have been building accessible alternatives. Judah Friedlander performs at recurring Zoom livestream stand-up shows, including a New Year’s Eve performance at the end of 2025.

Inspire’s comedy programming features two events. The festival’s Friday Night Open Mic will take place on 17 April, inviting artists to share original five-minute sets, including stand-up, music, poetry and theater, and will be hosted by writer and comedian Lauren Flans. On 18 April, the festival will present Ron Placone’s Anti-Fascist Pasta Night, a new one-hour stand-up special performed live with ASL interpretation. Placone is a comedian, writer and filmmaker who has toured across the United States, Canada and Australia and premiered a solo show at the Edinburgh Fringe Festival in 2023.

Art, advocacy and mutual aid

Inspire will run 15 April through 19 April 2016 as a free, fully virtual Zoom festival featuring music, theater and comedy and community programming by COVID-conscious artists for COVID-conscious audiences.

To attend, audience members are asked to RSVP through the festival form, selecting the events they want to join. Zoom links will be sent the day of each event. Because capacity is limited, some events may move to a waitlist if demand exceeds available space.

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Attendees only need a free Zoom account. Events are scheduled at multiple times across the day to accommodate different time zones. Except for the open mic, audience cameras and microphones will remain off during performances while the chat stays open for conversation. The costs for the festival were shared amongst the organizers, including licensing and subscription fees, so a tip jar will be circulated which will help cover the costs, with the rest distributed to COVID-conscious charities and mutual aid for the wider community.

The festival marks the point at which COVID-conscious arts has matured into its own counter-public with a networked multi-genre ecosystem, as well as relationships to airborne-aware mutual aid and advocacy.

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