Astell&Kern’s PD20 arrives as the clearest signal yet that the Korean manufacturer still sets the standard in the high end DAP category. For more than a decade, Astell&Kern has defined what a reference portable player should look like, feel like, and most importantly, sound like. With the PD20, the company is not chasing trends. It is extending its lead.
What makes the PD20 different is its integrated Personal Sound system developed with Audiodo, allowing the player to create a listening profile based on the user’s individual hearing characteristics. Personalized audio is not new. Wireless headphones have offered hearing compensation for years. But bringing true left and right ear analysis and correction to a dedicated digital audio player is new territory. Instead of delivering a fixed house sound, the PD20 reshapes the presentation around the listener, raising the bar for what a flagship DAP can do.
Personal Sound System Brings True Hearing Calibration
The PD20 features a Personal Sound system developed in collaboration with Audiodo. The player analyzes the listener’s hearing characteristics and applies independent compensation for the left and right ears, creating a personalized listening profile based on measurable data rather than preset EQ curves.
To enable accurate calibration, Astell&Kern includes dedicated earphones with the PD20 that work in tandem with an integrated hearing test. The process evaluates sensitivity across frequencies and builds a correction profile tailored to the individual user. The result is a sound signature optimized specifically for that listener’s hearing response.
For additional control, the PD20 incorporates a Sound Master Wheel that provides 160 step adjustment from -8.0 dB to +8.0 dB across Bass, Mid, and Treble bands. This allows for precise real time tonal refinement without interrupting playback, giving users both automated personalization and manual tuning flexibility.
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Advanced Amplification Architecture
The PD20 features a Triple AMP architecture with real time switching between three distinct amplification modes Class A, Class A/B, and Hybrid, allowing users to select the presentation that best matches their headphones and listening preferences. Each mode alters bias operation and output behavior to prioritize tonal richness, efficiency, or a balance of both, as outlined in the accompanying image.
Class A Mode: Delivers a rich, high density presentation with minimal distortion, emphasizing tonal weight and a smooth, analog like character.
Class A/B Mode: Prioritizes balance and efficiency, offering strong dynamic stability with clean, articulate detail across the frequency range.
Hybrid Mode: Blends the tonal refinement of Class A with the efficiency and output capability of Class A/B, aiming for a balanced presentation that combines texture, control, and usable power.
Precision Bias Control for Class A and Hybrid Amplification Modes
A dedicated physical slide switch allows instant mode changes without diving into menus. In Class A and Hybrid modes, users can further adjust amplifier current across three selectable levels to better match headphone load and listening preference.
High: Maximizes output current for greater headroom and dynamic impact. This setting is designed to better control high impedance headphones, delivering a broader soundstage with strong drive and stability.
Mid: Strikes a balance between current output and efficiency, maintaining tonal density while preserving clarity and resolution. It is positioned as the most versatile setting for a wide range of full size headphones.
Low: Reduces output current to lower the noise floor and improve control with high sensitivity earphones. This setting is optimized for IEMs, helping reveal low level detail without introducing unwanted background noise.
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Sound Lab Control
The PD20 is conceived as a true sound lab. Built around what Astell&Kern calls Sound Lab Control, the player draws inspiration from professional studio gear in both layout and operation. Dual top mounted wheels separate sound tuning from volume control, while dedicated slide switches manage amplifier mode and current selection. LED lighting provides real time indication of track bit depth and active operating modes, offering clear visual feedback during playback.
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DAC: The PD20 is built around the ESS ES9027PRO in a Quad DAC configuration, with four DACs operating independently to reduce inter channel interference and improve signal separation. This architecture is designed to maximize channel balance, resolution, and overall dynamic performance. The PD20 can also function as a USB DAC when connected to a Mac or Windows based PC, extending its use beyond portable playback.
ESA Enhanced Signal Alignment: The PD20 incorporates Astell&Kern’s proprietary ESA technology, which focuses on minimizing group delay by precisely aligning frequency signals across the spectrum. The goal is lower distortion and improved clarity through more accurate time domain performance.
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Advanced DAR: Astell&Kern’s second-generation Digital Audio Remaster technology, first introduced on the flagship SP4000, is engineered to produce a more natural and refined presentation. Instead of routing the signal directly to the DAR engine, audio first passes through VSE (Virtual Sound Extender), where missing harmonics are algorithmically reconstructed to enhance tonal completeness. After this stage, DAR processing applies up-sampling for more comprehensive signal refinement. The combined process is designed to improve depth and immersion while preserving the integrity of the original recording.
Atmosphere Technology: The PD20 incorporates Atmosphere processing that expands beyond traditional 2-channel stereo. It creates a virtual 3-dimensional sound field from standard stereo content and offers four selectable presets: Subtle, Balanced, Immersive, and Echoic. Depending on the material and listener preference, users can tailor spatial presentation for music, orchestral works, or audio/video content.
Astell&Kern PD10 with optional dock
Memory and Networking: The PD20 includes 256GB of internal storage and supports microSD cards up to 2TB. Connectivity features include dual-band 2.4GHz/5GHz Wi-Fi (a/b/g/n/ac), DLNA networking, USB digital-audio output, and USB-C for data transfer and charging.
ReplayGain and AK File Drop: Replay Gain keeps playback levels consistent across tracks, while AK File Drop enables seamless, wireless file transfers from devices on the same network with no cables required.
Bluetooth Support: The PD20 incorporates Bluetooth with support for aptX HD, LDAC, and BT Sink mode. BT Sink allows the PD20 to receive audio from an external device over Bluetooth and operate as a Bluetooth DAC. This enables music streamed from a smartphone, tablet, or other source to benefit from the PD20’s internal DAC architecture and amplification stage.
Analog Outputs: The PD20 provides both 3.5mm single ended and 4.4mm balanced headphone outputs, ensuring compatibility with a wide range of headphones, earphones, and in-ear monitors.
Fast Charging: USB PD 3.0 fast-charging support allows the PD20 to reach a full charge in approximately 3.5 hours when used with its included charging cradle and a compatible USB-C power adapter.
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Crossfeed: In headphone listening, where left and right channels are fully isolated, long sessions can increase listening fatigue. The PD20’s Crossfeed function blends a controlled portion of each channel into the other with a slight time delay, helping to center the sound image and simulate a more speaker-like presentation. Adjustable parameters include Shelf Cutoff, Shelf Gain, and Mixer Level, allowing users to fine tune the degree of crossfeed to match their listening preferences.
Display: The PD20 features a 6-inch FHD+ display that presents playback status and operational controls with clear visibility and responsive touch interaction.
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Pro Tip: The PD20 will be Roon Ready, pending Roon testing and certification.
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The Bottom Line
The Astell&Kern PD20 strengthens the brand’s position at the top of the DAP category by introducing something genuinely new for dedicated players: integrated hearing based personalization. While custom sound profiles have existed in wireless headphones, bringing left and right ear analysis into a Quad DAC, multi mode amplification platform is a first for a reference grade DAP.
Add selectable Class A, Class A/B, and Hybrid amplification, adjustable bias current, second generation DAR processing, and extensive manual tuning, and the PD20 becomes a highly configurable portable source built for serious listening.
Priced just under $2000, it undercuts the SP4000 while offering a feature the flagship does not. The PD20 is for experienced headphone users who want reference performance with flexibility and control, and who understand that hearing is not universal. If the idea of a DAP that adapts to you makes sense, the PD20 is one of the most forward thinking players currently available.
For those wondering about the fate of the PD10, the PD20 is not a replacement. The PD10 remains a current model and continues in production alongside the new player.
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The key difference between the two centers on DAC architecture. The PD10 is built around dual AKM4191EQ modulators paired with four AKM4498EX DAC chips in a dual DAC configuration, reflecting AKM’s separated digital and analog design philosophy. The PD20, by contrast, adopts four ESS ES9027PRO DACs in a Quad DAC layout, representing a different technical approach within the lineup rather than a generational shift.
Price & Availability
The Astell&Kern PD20 DAP will be available in late March 2026 through Astell & Kern Authorized Dealers, with a suggested retail price of $1,970 (£1799).
An artist’s conception shows a constellation of satellites in orbit. (OneWeb Illustration)
Jeff Bezos’ Blue Origin space venture is asking the Federal Communications Commission for authority to send up to 51,600 data center satellites into low Earth orbit, signaling its entry into an increasingly crowded space race.
The proposed constellation, dubbed Project Sunrise, would complement Blue Origin’s previously announced plans for a 5,408-satellite TeraWave constellation. TeraWave would provide ultra-high-speed connectivity for Project Sunrise’s satellites — and for terrestrial data centers, large-scale enterprises and government customers as well.
Tech companies are becoming increasingly interested in fielding orbital data centers because such networks could bypass the power and cooling constraints facing Earth-based AI data centers. Last October, Bezos said at a tech conference in Italy that orbital data centers would be the “next step” in a transition from Earth-based to space-based industry. “We will be able to beat the cost of terrestrial data centers in space in the next couple of decades,” he said.
Blue Origin, SpaceX and Starcloud aren’t the only companies involved in the data center space race. Other ventures that have expressed interest include Google, Axiom Space, Aetherflux and Sophia Space.
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The competition to build and launch orbital data centers is distinct from the competition to provide high-speed internet access via satellites in low Earth orbit. SpaceX, which now has more than 10,000 satellites in its Starlink constellation, currently dominates that market.
In its 14-page application to the FCC, Blue Origin says Project Sunrise’s satellites would operate in circular, sun-synchronous orbits ranging from 500 to 1,800 kilometers (310 to 1,120 miles) in altitude. The satellites would be built in groupings with three different types of antennas to reflect a variety of coverage requirements. They’d transmit data primarily through laser links, and route traffic through TeraWave and other mesh networks to communicate with ground stations.
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Blue Origin is seeking waivers from some regulatory requirements — for example, the requirement for a processing round and a six-year deadline for deploying half of Project Sunrise’s satellites. The company says such requirements could be waived because its satellites will be designed to minimize interference with other satellites.
It didn’t take long for SpaceX to file an objection to Blue Origin’s application.
“SpaceX submits for the record Amazon’s petition to deny SpaceX’s orbital data center application and requests that the commission apply the substantive and procedural arguments in Amazon’s petition to Blue Origin’s application to facilitate equitable and consistent review and treatment across both applications,” the company said.
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Starcloud CEO Philip Johnston took note of SpaceX’s filing in a post to X, calling it “one of the funniest responses to an FCC filing of all time.”
“For background, Amazon opposed SpaceX’s filing, and then Blue Origin (both effectively controlled by Jeff Bezos) filed the exact same thing as SpaceX,” he wrote.
So, will Starcloud get involved in the dispute? “We’re staying out of it!” Johnston said.
GhostClaw, a macOS infostealer, is spreading through GitHub repositories and developer tools, and it works because routine install habits make running malware feel completely normal.
GhostClaw is spreading across GitHub
Jamf researchers tracked the campaign’s shift from npm packages to GitHub repositories and AI-assisted development environments. The payload, a macOS infostealer, blends into expected behavior rather than exploiting software. Developers regularly pull code from GitHub, follow README instructions, and run install commands without much hesitation. Familiar patterns build trust, and GhostClaw slips directly into that routine. Continue Reading on AppleInsider | Discuss on our Forums
Although Philips probably didn’t use any of those words, it has said goodbye to Google TV with the 2026 TV models, and brought Titan OS into the fold as the main UX partner.
This could be a very good arrangement for Philips.
The battle for customers’ attention in the TV space will, in my view, come down to the user interface. You can throw as many specs at the wall as you want, but at the end of the day, people like a TV that’s easy to use, and while Google TV is very good, in hindsight, perhaps it wasn’t the best partner for Philips.
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A smart change?
It’s a change that could end up being a smart move for Philips. Google TV is a big platform; it has all the global apps, it comes with integrated smarts and connectivity such as Google Assistant, Google Home and Google Cast. If you want a capable user experience, then Google TV offers that.
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But in the UK at least, it’s had and continues to have an issue with catch-up apps and services. I’ve heard a few voices give their opinion, and at least one issue was that catch-up and on-demand services such as BBC’s iPlayer and Channel 4 did not want to let go of non-negotiables – namely their position at the top of the EPG; whereas Google wanted to bring some flexibility and change to that.
I can’t say that’s the absolute truth on the matter but an opinion that’s been floated as to why Google TV and UK TV services haven’t really got on with each other. It’s likely the reason why Panasonic, released TiVo and Fire TV models in the UK while Europe got Google TV models instead.
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Image Credit (Trusted Reviews)
It’s likely the reason why iPlayer rarely appears on Google TV models in the UK, aside from Sony and TCL models, who seem to have gone through the trouble of negotiating their own deals (or using different TV platforms) to get these apps onboard.
Whether it’s a TV or a smart projector, Google TV is almost certainly leaving iPlayer off the list; while Channel 4’s level of support is sketchy. And let’s not beat about the bush – these are apps that many want to have included from the get-go. Not having them is a disadvantage in the minds of UK customers who want a TV that’s easy to use.
And therefore it’s a disadvantage to Philips. The Philips OLED910 is a great TV but I’ll have to highlight the fact that it doesn’t have iPlayer will annoy customers who simply want a TV packaged with everything they might need. Does anyone remember the kerfuffle customers brought up when LG TVs dropped Freeview Play? Is that important to many.
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A titan in waiting
But switching to Titan OS makes sense. Philips has practically incubated this user platform from birth, working with them on their less expensive TVs and gradually adding to across the line to the point where it’s available on the flagship level.
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It’s certainly not as big a brand name as Google is, but now Philips can weave a story that includes both them and Titan OS, rather than being eased out of the way by Google taking the limelight.
They can build a platform that works for Philips, with much closer collaboration. Titan themselves are looking to bring in some interesting new features, including a sports section that’s tailored to what the viewer wants to watch, rather than what the platform wants you to watch.
Image Credit (Trusted Reviews)
Say you prefer watching tennis? Based on what you’ve clicked, the platform will learn what you like, and rather than focus on shovelling association football to your eyeballs, you’ll instead be presented with tennis content instead.
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This is a long-term goal and not something that’s going to be launched in the next few months, but it’s a sign of what can be done on a smaller scale, rather than being a smaller voice next to a global player such as Google.
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Titan OS supports Freely, so you get all the catch-up apps and services included from the get-go. It might not have the flash or scale of Google TV, but it’s building up a base and growing in terms of recognition.
After all, what does Philips have to lose? If anything, it should be seen as what Philips can gain from such a move. I think there’s plenty of opportunity available for Philips and Titan to make their mark.
TfL introduces radar cameras that monitor five lanes without visible alerts
Half of London’s 2024 fatal collisions involved excessive speed
Cameras will be installed on 20mph and 30mph roads across ten boroughs
Transport for London (TfL) is moving ahead with trials of radar-based speed cameras which differ significantly from existing roadside systems in both design and operation.
The new devices combine 4D radar tracking with 4K imaging, removing the need for embedded road sensors, visible flashes, or painted markings that typically signal enforcement zones to drivers.
The absence of these cues suggests a system which operates continuously without alerting motorists in the traditional ways many have come to expect.
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Expanded coverage and enforcement rationale
The new cameras will be installed at up to 10 sites across London, including boroughs such as Haringey, Tower Hamlets, Havering, Croydon, Hammersmith and Fulham, Brent, Hackney, Ealing, and Sutton.
All sites are located on roads with either 20mph or 30mph limits, chosen on the basis of risk and suitability.
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Each of these cameras is expected to monitor up to five lanes of traffic simultaneously in both directions.
This is a notable increase compared with older spot cameras that are limited to fewer lanes and rely on physical infrastructure beneath the road surface.
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TfL states this expanded coverage allows each unit to survey 67% more traffic, which may alter how frequently drivers encounter enforcement across busy routes.
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Authorities continue to link excessive speed with severe road incidents across London’s transport network, with official figures indicating speed contributed to roughly half of fatal collisions recorded in London during 2024.
This statistic forms part of the justification for introducing updated enforcement tools, alongside a broader policy framework aimed at reducing casualties over the coming years.
“Speeding continues to be a major cause of the most devastating collisions on our roads,” said Siwan Hayward, TfL’s Director of Security, Policing and Enforcement.
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“This trial allows us to test new radar‑based camera technology to ensure it meets London’s future enforcement needs.”
The rollout also aligns with a wider plan involving expanded camera deployment and adjustments to speed limits across sections of the road network.
Authorities indicate that these measures are being implemented alongside efforts to reshape urban streets into environments with lower traffic speeds.
From an enforcement perspective, the improved image quality produced by the new cameras is expected to affect how offences are processed and verified.
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According to the Metropolitan Police, clearer imagery supports accountability by providing stronger evidence when pursuing violations.
“This trial will improve reliability and deliver better quality images, helping our officers hold offenders to account,” said Donna Smith, Detective Chief Superintendent of the Met’s Roads and Transport Policing Command.
This points to a system that may reduce ambiguity in enforcement, although it also raises questions about how drivers adapt when traditional warning signals are absent.
The decision to deploy these cameras across multiple boroughs indicates a targeted approach rather than a uniform rollout.
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Its long-term impact will depend on whether increased detection translates into sustained behavioural change among drivers.
A legal feud between the co-founders of Lux Optics, the developer behind the Halide camera app, revealed that Apple was close to acquiring the company. As first reported by The Information, Apple held acquisition talks for Lux Optics, which also developed the Kino, Spectre and Orion apps, in the summer of 2025.
According to The Information, the deal eventually fell through in September of that year, but the potential acquisition could’ve provided Apple with the third-party software to improve its own built-in camera app. Apple is already rumored to be introducing variable aperture to its upcoming iPhone 18 Pro models, so it’s not surprising that the iPhone maker was looking for software with advanced features to match its possibly upgraded camera hardware.
Despite Apple’s interest, Lux Optics’ co-founders, Ben Sandofsky and Sebastiaan de With concluded that future updates to Halide could increase the company’s valuation and ended the acquisition talks. According to the lawsuit between the co-founders, Sandofsky started investigating de With for the alleged misuse of company funds shortly after the talks with Apple ended. Afterwards, de With was fired from Lux Optics and later joined Apple’s design team. While Halide may remain third-party software for iPhones and iPads, users can still look forward to some software improvements to the built-in camera app, since that’s reportedly one of Apple’s priorities.
It sounds a bit redundant at first — you’re already in a designated turning lane, yet you must use your turning signal. However, in states like California, you may get a ticket if you don’t.
According to the California DMV’s Driver’s Handbook, there are certain steps drivers must take before taking a left or right turn. This includes entering a designated turn lane if one is available, looking out for pedestrians and bicyclists, and then turning on a turn signal about 100 feet ahead of the turn itself, usually before stopping behind the limit line.
While it’s not explicitly stated, this section of the Driver’s Handbook indicates that you’ll need to use the turn signal even if there’s a designated turning lane. This is emphasized in California Code, VEH 22108, which states: “Any signal of intention to turn right or left shall be given continuously during the last 100 feet traveled by the vehicle before turning.” No exceptions are mentioned.
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The United States generally wants you to use a turn signal in a turning lane
jpreat/Shutterstock
California isn’t alone in requiring a turn signal when you’re in a designated turning lane. It’s a pretty general traffic safety law throughout the United States.
Florida Statute 316.155 requires drivers to use a turn signal any time they turn a vehicle, turning it on 100 feet before the turn. Massachusetts General Laws Chapter 90, Section 14B also requires drivers to use a turn signal “before making any turning movement.” Nebraska Statute 60-6,161 also states that drivers must use a turning signal 100 feet ahead of any turn.
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While it may seem redundant or obvious to the driver, this law exists to keep drivers safe. A turn lane won’t necessarily tell other drivers your thoughts — although it can be assumed. The turn signal itself shows your actual thought process and intentions more clearly. It’s all about communication — to other drivers, to pedestrians, and everyone else around you.
You will also avoid fines: it’s $238 if you violate California Code 22108 — though some would argue not to pay it. It’s best to just follow the general turn signal rules, whether it’s a designated turning lane or a roundabout.
This week, a topic that has been boomeranging around Silicon Valley bounced into the spotlight: AI tokens as compensation. The idea is straightforward enough — rather than giving engineers only salary, equity, and bonuses, companies would also hand them a budget of AI tokens, the computational units that power tools like Claude, ChatGPT, and Gemini. Spend them to run agents, automate tasks, crank through code. The pitch is that access to more compute makes engineers more productive, and that more productive engineers are worth more. It’s an investment in the person holding them, is the idea.
Jensen Huang, the leather-jacket-wearing CEO of Nvidia, seemed to capture everyone’s imagination when he floated the notion at the company’s annual GTC event earlier this week that engineers should receive roughly half their base salary again — in tokens. His top people, by his math, might burn through $250,000 a year in AI compute. He called it a recruiting tool and predicted it would become standard across Silicon Valley.
It isn’t entirely clear where the idea was first, well, ideated. Tomasz Tunguz, a renowned VC in the Bay Area who runs Theory Ventures and focuses on AI, data, and SaaS startups — and whose writing on all things data has garnered a loyal following over the years — was talking about this in mid-February, writing that tech startups were already adding inference costs as a “fourth component to engineering compensation.” Using data from the compensation tracking site Levels.fyi, he put a top-quartile software engineer salary at $375,000. Add $100,000 in tokens and you’re at $475,000 fully loaded — meaning roughly one dollar in five is now compute.
That’s no coincidence. Agentic AI has been taking off, and the release of OpenClaw in late January accelerated the conversation considerably. OpenClaw is an open-source AI assistant designed to run continuously — churning through tasks, spawning sub-agents, and working through a to-do list while its user sleeps. It’s part of a broader shift toward “agentic” AI, meaning systems that don’t just respond to prompts but take sequences of actions autonomously over time.
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The practical consequence is that token consumption has exploded. Where someone writing an essay might use 10,000 tokens in an afternoon, an engineer running a swarm of agents can blow through millions in a day — automatically, in the background, without typing a word.
By this weekend, the New York Times had put together a smart look at the so-called tokenmaxxing trend, finding that engineers at companies including Meta and OpenAI are competing on internal leaderboards that track token consumption. Generous token budgets are quietly becoming a standard job perk, the paper reported, the way dental insurance or free lunch once was. One Ericsson engineer in Stockholm told the Times he probably spends more on Claude than he earns in salary, though his employer picks up the tab.
Maybe tokens really will become the fourth pillar of engineering compensation. But engineers might want to hold the line before embracing this as a straightforward win. More tokens may mean more power in the short term, but given how fast things are evolving, it doesn’t necessarily mean more job security. For one thing, a large token allotment comes with large expectations. If a company is effectively funding a second engineer’s worth of compute on your behalf, the implicit pressure is to produce at twice the rate (or more).
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And there’s a muddier problem underneath that: at the point where a company’s token spend per employee approaches or exceeds that employee’s salary, the financial logic of headcount starts to look different to its finance team. If the compute is doing the work, the question of how many humans need to be coordinating it becomes harder to avoid.
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Jamaal Glenn, an East Coast-based Stanford MBA and former VC turned financial services CFO, similarly points out that what may seem like a perk can be a clever way for companies to inflate the apparent value of a compensation package without increasing cash or equity — the things that actually compound for an employee over time. Your token budget doesn’t vest. It doesn’t appreciate. It doesn’t show up in your next offer negotiation the way a base salary or equity grant does. If companies successfully normalize tokens as pay, they may find it easier to keep cash comp flat while pointing to a growing compute allowance as evidence of investment in their people.
That’s a good deal for the company. Whether it’s a good deal for the engineer depends on questions most engineers don’t yet have enough information to answer.
The app also includes access to two scheduled operational modes for those who would like to leave the robot in the pool, including a calendar-based mode with three frequency levels—90 minutes x 2, 60 minutes x 3, or 45 minutes x 4. The other mode is a bit of a letdown: The so-called AI Navium mode sounds like it uses the AI camera to periodically survey the pool over the course of a week and perform a routine cleaning only when required—but in reality, this mode merely performs a quick analysis of your previous runs and then uses AI to create a schedule for the next few days, based on how you’ve used the robot in the past.
Hungry for Gunk
Video: Chris Null
The Scuba V3 made fairly quick work of debris in my pool during test runs, rarely needing more than a couple of hours to scoop up all visible detritus on the pool floor while also scrubbing the walls and waterline. The AI camera system does seem to work as advertised, even locating small pebbles I tossed into the pool and dutifully routing itself to collect them. With organic debris, the pool looked fully clean after each run (ending between 170 and 190 minutes each time), and with synthetic debris, the Scuba V3 achieved a 96 percent cleanliness rating, with just a few test leaves remaining in some difficult corners. That’s especially good performance given that three hours is not a lot of operating time. And note there’s no way to adjust the running time outside of the scheduled modes; on-demand modes always run the battery until it’s nearly dead. Fortunately, Aiper does seem to make the most of this time, formally specifying a maximum coverage area of a significant 1,600 square feet.
I unfortunately didn’t have much success with the AI schedule mode. After running the analyzer, the app suggested a baffling five-day schedule comprising two floor runs, two floor-plus-waterline runs, and a final floor run. It then ignored the schedule and promptly ran a three-hour floor run, which drained the battery completely. I tried again the next day, and the robot missed its schedule, then ran randomly late in the night. I wasn’t a big fan of leave-it-in-the-pool scheduling before testing the Scuba V3, and this showing didn’t improve that opinion.
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Video: Chris Null
When finished with a run, the Scuba climbs to the waterline and sends a push notification to the app, alerting you that it’s ready to be collected and cleaned. Note that you only have 10 minutes to reach it: The Scuba can’t float, so it has to use the last of its juice to run a motor to tread water and hold itself in place. After that 10 minutes is up, the spent Scuba sinks to the floor of the pool and must be retrieved with a pool and hook. My best advice is to set a 175-minute timer each time you launch a run to remind you to watch for the completion notification.
Cleanup can be somewhat involved. The filter basket design features a large lid that makes it easy to access the inner filter, and hosing down both of these filters clean is straightforward. The removable mesh on the interior basket is another story, though. While it’s very effective at capturing dirt and other very fine debris, it’s quite difficult to clean, and if you don’t remove it from the basket, lots of debris gets caught between the mesh and the basket itself. Removing and replacing the mesh is difficult, especially when it’s wet, so I usually just left it in place and cleaned it the best I could after each run, accepting that it would never be perfect. I expect most users will do the same.
Google has confirmed that Android will not retire app sideloading, but the company is implementing measures that make the process cumbersome – something only “power users” are likely to attempt. According to Matthew Forsythe, the newly introduced advanced flow is designed to protect users from potential coercion, scams, or malicious software. Read Entire Article Source link
If you thought Apple accessories were getting expensive, Hermès has just taken things to a completely different level.
The luxury fashion house is now selling a range of MagSafe-compatible chargers priced from $1250, with some models going well beyond that price.
At the entry point, the Paddock Solo Charger is a single-device magnetic charger priced at $1250. If you step up to the Paddock Duo at $1750, you can charge both an iPhone and an Apple Watch at the same time. Furthermore, there’s also the Paddock Yoyo, also $1750, which adds a wraparound USB-C cable designed for travel.
And if that somehow isn’t enough, Hermès is also bundling these chargers with its leather cases. This pushes prices anywhere between $3725 and $5150, firmly into top-end MacBook territory.
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The big sell here isn’t functionality – it’s craftsmanship. Each charger is wrapped in Swift calfskin leather with traditional saddle stitching. It is finished with a subtle “H” logo to help align your device on the magnetic pad. It’s classic Hermès: understated, premium, and unapologetically expensive.
That said, the actual charging experience doesn’t sound all that different from standard MagSafe gear. You’ll still need to bring your own 20W power adapter, as one isn’t included in the box. This is a move that mirrors Apple’s own decision to stop bundling chargers back in 2020. You do at least get a USB-C cable in the box.
Hermès and Apple have worked together for years, particularly on high-end Apple Watch models and bands. However, these chargers aren’t currently sold through Apple itself.
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For most people, this is clearly overkill. But for Hermès buyers, that’s kind of the point – it’s less about charging your phone, and more about how you do it.
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