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ATC Launches Statement EL50 Anniversary Active 3-Way Tower Loudspeaker to Mark 50 Years

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ATC doesn’t do anniversaries for the sake of nostalgia. The launch of the EL50 Anniversary is a reminder of why the UK manufacturer has spent decades earning its reputation the hard way, building loudspeakers that dominate professional studios and quietly embarrass a lot of luxury home audio. Rooted in the original “50” design introduced in 1978, the EL50 Anniversary is a limited-production, fully active 3-way tower that distills nearly half a century of engineering, refinement, and real-world credibility into a single statement product.

Priced at £49,500 (USD pricing to follow), the EL50 Anniversary firmly positions itself in statement territory. That credibility, however, is not theoretical. ATC has collected dozens of industry awards over the years, including Editors’ Choice honors for studio-grade standouts like the SCM50ASLSCM20ASL, and SCM40A—models that have become benchmarks for accuracy, control, and long-term listenability. The EL50 Anniversary builds directly on that lineage, combining ATC’s in-house drive units with its discrete active tri-amplification architecture, a technology lineage that stretches back to the SCM70 of the 1990s and has been refined ever since.

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ATC EL150

Visually, the EL50 Anniversary takes its cues from the Billy Woodman-designed EL150, ATC’s first elliptical enclosure from 2006, blending functional engineering with a sense of restraint that feels intentional rather than indulgent. Napa leather detailing and carefully selected veneers underline the craftsmanship, but the message is clear: this is not a lifestyle speaker dressed up as high-end. It is a precision instrument designed to be the center of a serious system; one that looks refined, sounds uncompromising, and carries the weight of ATC’s studio-first legacy into the modern home.

ATC EL50 Anniversary Cabinet Design: Funny, You Don’t Look Italian

atc-el50-loudspeaker-views

Building a £49,500 loudspeaker means the cabinet cannot be an afterthought. With the EL50 Anniversary, ATC has revised and upgraded its enclosure construction using advanced in house manufacturing techniques aimed at increasing stiffness and improving internal damping. The goal is straightforward: reduce cabinet borne coloration, particularly through the upper bass and midrange where structural energy can blur detail and alter tonal balance.

The bass driver is mounted within a precision turned aluminium ring that bolts directly into the cabinet face, increasing mechanical integrity and creating a more rigid coupling between driver and enclosure. The curved front baffle and softened cabinet edges are not cosmetic flourishes. They are designed to smooth the transition of driver output into the room, reduce edge diffraction, and maintain a more uniform on and off axis frequency response. In practical terms, that means improved linearity and fewer audible artifacts caused by the box itself.

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Visually, ATC has taken a more expressive approach than in the past. Hand selected and carefully matched European walnut veneers wrap the curved cabinet elements, complemented by ebony inlays on the rear panel and finished in a high gloss polyester lacquer. Upholstered napa leather panels surrounding the midrange and tweeter, along with the lower front section, introduce texture and contrast.

Yes, the use of leather will raise eyebrows in Italy. Sonus faber practically turned leather baffles into a national design language decades ago. But at this level, expectations are high. Buyers are not just paying for measured accuracy; they expect a finish that feels deliberate and distinctive. In that respect, this may be the most visually compelling loudspeaker ATC has ever produced. The engineering remains unapologetically functional, but for once, the aesthetics are stepping confidently into the spotlight alongside it.

Discrete Active Amp Pack: 200W Tri Amplified Control from the Source Forward

atc-el50-front-rear-inputs-base

ATC has never treated amplification as an accessory, and the EL50 Anniversary makes that point clearly. At its core is an all new proprietary 3 channel discrete active amp pack delivering 200 watts to the bass driver, 100 watts to the midrange, and 50 watts to the high frequency unit. This is not a generic plate amp solution. It is a fully integrated tri amplified architecture built specifically around the drivers and crossover topology.

The signal path begins with a low noise balanced instrumentation input stage, followed by newly developed discrete gain blocks that implement a fourth order active crossover. The objective is lower noise, reduced distortion, and precise control over each frequency band before the signal ever reaches a power stage. By dividing and optimizing the signal at line level, ATC maintains tighter driver control and greater overall system coherence than a conventional passive network typically allows.

The power supply has been comprehensively redesigned. Each amplifier channel receives its own dedicated toroidal transformer, with an additional transformer serving the low voltage supply. The bass section benefits from a larger transformer for improved regulation under load. This topology increases available headroom and reduces intermodulation between channels, which in practical terms translates into cleaner dynamics and better separation when the music becomes demanding.

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Output stages use discrete MOSFET class A/B designs, supported by substantial heat sinking to maintain stable operating temperatures across a wide range of conditions. User selectable input sensitivity ensures proper source matching, while trigger input and link connections allow system wide power control. Live monitoring of DC offset and thermal conditions provides protection without intruding on performance.

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ATC invests an enormous amount of research and development into its amplification, and it shows. Having spent time with both passive and active versions of their loudspeakers, the advantages of going active are not subtle. The sound tends to be more controlled, more dynamic, and more transparent because the amplifiers are engineered specifically for the drivers they power. The system is modular and serviceable if required, and it eliminates the guesswork of pairing external amplifiers. With passive models, you could experiment with countless combinations and potentially spend more in the long run chasing synergy. With ATC’s active approach, the engineering decisions are already made and optimized at the factory.

Drive Units: In House Transducers Built for Control and Low Distortion

atc-el50-speaker-drivers

ATC’s reputation has always been tied to its in house drive units, and the EL50 Anniversary continues that philosophy without compromise. Every driver in this system is engineered to work within ATC’s active architecture, not as a catalog part dropped into a luxury cabinet.

The SH25 76S tweeter employs a high energy neodymium motor capable of generating a 2.0 tesla magnetic field, supporting extension beyond 25kHz while maintaining very low harmonic distortion. Its coil and dome assembly are supported by a dual suspension system engineered to minimize rocking modes and reduce intermodulation distortion. A coated fabric dome ensures controlled on and off axis behavior, allowing the high frequencies to integrate smoothly with the midrange rather than drawing attention to themselves with exaggerated sparkle.

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ATC’s SM75 150S midrange remains one of the company’s defining technologies. This 75mm or 3 inch soft dome driver features a large 75mm voice coil to increase power handling and reduce power compression under dynamic load. Its under hung motor structure, using a short coil in a long magnetic gap, delivers consistent drive force across its operating range and presents a stable load to the amplifier. The polymer coated fabric dome supports wide bandwidth and controlled dispersion, contributing to tonal consistency and accurate midband reproduction.

Handling low frequencies, the SB75 234SL bass driver measures 234mm or 9 inches and incorporates a 75mm voice coil for high power handling and reduced compression. ATC’s Super Linear magnet material is positioned adjacent to the voice coil to reduce third harmonic distortion in the upper bass and lower midrange by approximately 10 to 15dB. An optimized spider and roll surround allow for substantial linear excursion while maintaining control, supporting clean and dynamic low frequency output without compromising integration into the midrange.

ATC EL50 Anniversary Key Specifications:

  • Design: Fully active 3 way floorstanding loudspeaker
  • Drivers:
    • 234mm SB75 234SL Super Linear bass driver
    • 75mm SM75 150S soft dome midrange
    • SH25 76S soft dome tweeter
  • Frequency Response: 32Hz to 25kHz (-6dB, anechoic)
  • Crossover Points: 380Hz and 3.5kHz (4th order Linkwitz Riley active)
  • Matched Pair Tolerance: ±0.5dB
  • Maximum SPL: 112dB per pair at 1m (anechoic)
  • Built In Amplification (per speaker):
    • 200W bass (8 ohms)
    • 100W midrange (16 ohms)
    • 50W tweeter (6 ohms)
    • Discrete grounded source MOSFET Class A/B, fanless convection cooled
    • THD approximately 0.0015 percent (1kHz, 1dB below rated power)
  • Connectivity and Control:
    • Balanced XLR input (pin 2 hot)
    • Switchable input sensitivity
    • Bass shelf adjustment -2dB to +3dB
    • 12V trigger input and link
    • DC offset and thermal protection with active limiting
  • Dimensions (H x W x D): 1421 x 459 x 352mm (55.9 x 18.1 x 13.9 inches)
  • Weight: 63 kg / 139 lbs per speaker
  • Power Consumption: 77W idle, up to 600W at full output
atc-el50-angle-no-grille

The Bottom Line

The EL50 Anniversary is classic ATC: fully active, in house drivers, discrete tri amplification, and engineering driven priorities over theatrics. At £49,500, what makes it unique is the total system integration. The amplifiers, crossovers, and drive units are designed as one platform, eliminating amplifier matching guesswork and typically delivering tighter control and greater dynamic consistency than passive alternatives.

It does have limits. Extension to 32Hz (-6dB) is solid but not earth shaking at this price, and you will still need a quality preamplifier with balanced outputs. The cabinet footprint is manageable for a statement class tower, though at 63kg each, they are not exactly easy to move.

Compared to ultra luxury designs like the Børresen M8 Gold Signature, it is almost conservative, coming in roughly $1.1 million USD less expensive. If this is ATC’s new sub £50,000 statement and it pushes their trademark active performance even further, it is absolutely one to audition if you can afford the ticket.

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For more information: https://atc.audio

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What Is A Computer? | Hackaday

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On the podcast, [Tom] and I were talking about the new generation of smartphones which are, at least in terms of RAM and CPU speed, on par with a decent laptop computer. If so, why not just add on a screen, keyboard, and mouse and use it as your daily driver? That was the question posed by [ETA Prime] in a video essay and attempt to do so.

Our consensus was that it’s the Android operating system holding it back. Some of the applications you might want to run just aren’t there, and on the open side of the world, even more are missing. Is the platform usable if you can’t get the software you need to get your work done?

But that’s just the computer-as-a-tool side of the equation. The other thing a computer is, at least to many of our kind of folk, is a playground. It’s a machine for experimenting with, and for having fun just messing around. Android has become way too polished to have fun, and recent changes on the Google side of things actively prevent you from installing arbitrary software. The hardware is similarly too slimmed-down to allow for experimentation.

Looking back, these have been the same stumbling blocks for the last decade. In 2018, I was wondering aloud why we as a community don’t hack on cell phones, and the answer then was the same as it is now – the software is not friendly to our kind. You can write phone apps, and I have tried to do so, but it’s just not fun.

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The polar opposites of the smartphone-as-computer are no strangers in our community. I’m thinking of the Linux single-board computers, or even something like a Steam Deck, all of which are significantly less powerful spec-wise than a flagship cell phone, but which are in many ways much more suitable for hacking. Why? Because they make it easy to do the things that we like to do. They’re designed to be fun computers, and so we use them.

So for me, a smartphone isn’t a computer, but oddly enough it’s not because of the hardware. It’s because what I want out of a computer is more than Turing completeness. What I want is the fun and the freedom of computering.

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NYT Connections hints and answers for Sunday, March 15 (game #1008)

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Looking for a different day?

A new NYT Connections puzzle appears at midnight each day for your time zone – which means that some people are always playing ‘today’s game’ while others are playing ‘yesterday’s’. If you’re looking for Saturday’s puzzle instead then click here: NYT Connections hints and answers for Saturday, March 14 (game #1007).

Good morning! Let’s play Connections, the NYT’s clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

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Rise of model context protocol in the agentic era

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We have all heard about model context protocol (MCP) in the context of artificial intelligence. In this article, we will dive into what MCP is and why it is becoming more important by the day. When APIs are already available then why do we need MCP? Although we have seen a large rise in popularity of MCP, is there staying power in this new protocol? In the first section, we will look at the parallels between APIs and MCP and then start to explore what sets it apart.

From APIs to model context protocol

A single isolated computer is limited in the amount of data that it can access and that has a direct impact on its usability. APIs were created to enable data transfer between systems. Just like APIs, Model Context Protocol (MCP) is the protocol for communication between AI agents that are using large language models (LLMs). APIs are primarily written for developers while MCP servers are created for AI agents (Johnson, 2025). 

What is MCP?

MCP was introduced by Anthropic on November 25, 2024 as an open source standard to enable communication between AI assistants and external data sources. AI agents are constrained by the fragmentation of data in isolated systems (Anthropic, 2024). The protocol defines how agents can interact with external systems, elicit user input and enable automated agents.

At its core MCP utilizes the client server model and there are three main features for clients and servers.

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  • MCP servers: tools, resources, and prompts
  • MCP clients: elicitation, roots, and sampling

To keep this article concise, focus will be kept on the most important feature of both client and server. For MCP servers, tools are the primary way to perform complex tasks and clients utilize elicitation to enable a two way communication between the agent and the user.

Instead of explicitly calling APIs, agents select and use the appropriate tools (functions) based on the input they receive from the user. If a tool requires certain parameters the agent will use elicitation to get the data from the user. This allows for a more responsive workflow where two way communication between LLM and the user is possible.

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Why do we need MCP now?

A very valid question to ask is if APIs are already present then why is there a need for MCP? APIs are designed to connect fragmented data systems and SaaS applications already enable a two way communication with a user. So, why do we need MCP now?

The main need for MCP is that the user of external data has changed from developers to AI agents. A developer will usually program an application using APIs that behaves in a deterministic fashion. Whereas, AI agents will use the user prompt and make autonomous decisions to execute on the user request. By nature, the execution of a workflow by an AI agent is not deterministic.

APIs are a machine-executable contract which acts in a deterministic fashion. APIs work if the users of APIs know what action needs to be taken next (Posta, 2025). AI agents run on top of probabilistic LLMs which do not consistently deliver repeatable results across all tasks (Atil, 2024). Variance in a LLM’s response is expected and this poses a problem for autonomous execution.

MCP to the rescue

MCP solves the problem of variance in agent execution by providing high level abstraction that wraps functionality rather than API endpoints. Tools enable LLM models to perform actions like searching for a flight, booking a calendar and more (Understanding MCP Servers, 2026). 

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One common misconception for tools is that they are just an abstraction over existing API calls. Tools are not designed to be an abstraction over API calls but rather abstraction over functionality. If a lot of APIs are just exposed as tools it will increase the cost and context size for the agent which is not ideal (Johnson, 2025).

A tool may include multiple API calls in its implementation to achieve the desired outcome. An agent will review the list of available tools to automatically select the most appropriate tools and determine the appropriate order of execution.

MCP adoption boom

Since its release in 2024 MCP has seen a steady rise in popularity. The following chart from Google Trends showcases the relative interest in MCP since its launch.

A lot of companies have launched their own MCP servers to facilitate building autonomous agents. As of February 2026, the official MCP registry has over 6400 MCP servers already registered. This number of MCP servers is only expected to grow in the near future. The official registry for MCP servers is still in preview and the ecosystem has grown massively in less than a year.

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Other major players in the market have adopted MCP and added support to their clients. OpenAI added MCP support to ChatGPT in March and Google added support a few weeks later in April 2025. This showcases the staying power of the protocol and the fast pace of adoption.

What lies ahead?

MCP is still in the early stages of widespread adoption where a lot of applications need to mature and start hitting production. Leonardo Pineryo from Pento AI summarized it the best “MCP’s first year transformed how AI systems connect to the world. Its second year will transform what they can accomplish” (2025). 

Guardrails around tools is an area that will see further development as trust is one of the biggest concerns with AI agents. With better guardrails in the tools, an AI agent can be allowed to perform with more autonomy. Over the next year, MCP is certain to see continued growth, both in the sophistication of its capabilities and the volume of its application.

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NYT Strands hints and answers for Sunday, March 15 (game #742)

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Looking for a different day?

A new NYT Strands puzzle appears at midnight each day for your time zone – which means that some people are always playing ‘today’s game’ while others are playing ‘yesterday’s’. If you’re looking for Saturday’s puzzle instead then click here: NYT Strands hints and answers for Saturday, March 14 (game #741).

Strands is the NYT’s latest word game after the likes of Wordle, Spelling Bee and Connections – and it’s great fun. It can be difficult, though, so read on for my Strands hints.

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Don’t Get Used To Cheap AI

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AI services may not stay cheap for long, as companies like OpenAI and Anthropic are currently subsidizing usage to rapidly grow market share. As these companies move toward profitability and potential IPOs, Axios reports that investors will likely push them to increase prices and improve margins. An anonymous reader shares an excerpt from the report: Flashback: Silicon Valley has seen this movie before. The so-called “millennial lifestyle subsidy” meant VC money helped underwrite cheap Uber rides and DoorDash deliveries. Before that, Amazon built its base with low prices, free shipping and, for years, no sales tax in most states. Eventually, all of these companies had to charge enough to cover costs — and make a profit.

Follow the money: The current iteration of AI subsidies won’t last forever. Both OpenAI and Anthropic are widely expected to go public. Public investors will demand earnings growth and expanding margins. Even as chips get more efficient, total spending keeps rising. Labs need more capacity, more upgrades and more supply to meet demand.

The bottom line: The costs of AI will keep going down. But total spend from customers will need to keep going up if AI companies are going to become profitable and investors are ever going to get returns on their massive investments.

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Spotify launches Taste Profile editor

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The feature, announced at SXSW by co-CEO Gustav Söderström, lets Premium listeners see and shape the data model powering their recommendations, starting with a beta rollout in New Zealand


For a decade, Spotify’s recommendation engine has worked largely in silence. It watched what you played, noted what you skipped, inferred meaning from the time of day and the tempo of your commute, and it never told you what it had concluded. On Friday, at SXSW in Austin, the company decided to change that.

Gustav Söderström, Spotify’s co-CEO, announced Taste Profile: a new feature that surfaces the algorithmic model the platform has been building about each listener, and crucially lets users modify it directly. The beta will begin rolling out to Premium subscribers in New Zealand in the coming weeks.

The premise is straightforward enough. Taste Profile aggregates a listener’s behaviour across music, podcasts, and audiobooks into a single view: the genres explored recently, the artists listened to most, the patterns that define a listening day.

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Where a user notices the profile is wrong, too heavy on music they played years ago, or missing a phase they have been quietly working through, they can flag it. They can ask for more of a particular vibe, or less. They can describe a current context, training for an event, commuting on weekdays, and the system will factor that in when deciding what to surface on the Spotify homepage.

“This is the next step in our vision to make personalization more transparent, responsive, and truly yours,” Söderström told the SXSW audience.

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Spotify cited an internal figure that more than 80% of its listeners name personalisation as what they value most about the service. The claim, which the company has referenced in various forms since at least 2023, positions algorithmic curation not just as a feature but as the primary reason people stay.

The competitive logic behind Taste Profile follows directly from that: if personalisation is the product, giving users more control over it is a way to deepen their investment in it.

The announcement comes roughly two months after Spotify expanded Prompted Playlist, a separate but related feature that lets users generate playlists by describing what they want in natural language, from its initial New Zealand testing to Premium users in the US and Canada in late January 2026, and subsequently to subscribers in Australia, Ireland, Sweden, and the UK in February. The sequencing is deliberate.

Both features push the same underlying argument: that the future of streaming personalisation is collaborative, not passive.

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Where Prompted Playlist is generative,  it creates something new from a description, Taste Profile is corrective. It works with the model that already exists, giving users a chance to audit and adjust what years of listening have written about them.

Whether someone has been an accidental customer of the algorithm (playing whatever appeared on the homepage, not particularly caring) or has strong views about the direction their recommendations have taken, the feature is designed to accommodate both. “You can shape your Taste Profile as much as you’d like,” the company said in its announcement, “or leave it and enjoy Spotify as usual.”

The beta will start in New Zealand, a market Spotify has used repeatedly for early-stage testing of AI-adjacent features, including the initial Prompted Playlist launch. No timeline was given for a broader global rollout. Taste Profile will be available to Premium subscribers only; there was no indication of when, or whether, it might reach free-tier accounts.

Spotify is marking 2026 as its 20th anniversary year, and its SXSW presence this week has been calibrated accordingly, concerts, a headline session with Söderström, country artist Lainey Wilson, and podcast host David Friedberg.

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The Taste Profile announcement landed on the last day of the company’s main SXSW programming, providing a product note to accompany the celebration.

What the feature represents, beyond its functionality, is a shift in how Spotify frames its relationship with listeners. The algorithm has always existed; the company is now making the case that knowing it is there, and having some say in what it does, is a feature in itself.

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U.S. State Bans on Lab-Grown Meats Challenged in Court

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Last June Texas Agriculture Commissioner Sid Miller said in a statement that Texans “have a God-given right to know what’s on their plate, and for millions of Texans, it better come from a pasture, not a lab. It’s plain cowboy logic that we must safeguard our real, authentic meat industry from synthetic alternatives.”

But California company Wildtype sells lab-grown salmon — and is suing Texas over its ban on cell-cultivated meat, the Austin Chronicle reported this week. The company’s founder says lab-grown salmon eliminates the mercury, microplastic, and antibiotic contamination commonly found in seafood. And one chef in Austin, Texas says lab-grown salmon is “awesome” and “something new”– at the only Texas restaurant that was serving it last summer:

Just two months after the salmon hit the menu, Texas banned the sale of cell-cultivated meat…
A lawsuit from Wildtype and one other FDA-approved cultivated meat company [argues] it’s anti-capitalism and unconstitutional… This law “was not enacted to protect the health and safety of Texas consumers — indeed, it allows the continued distribution of cultivated meat to consumers so long as it is not sold. Instead, SB 261 was enacted to stifle the growth of the cultivated meat industry to protect Texas’ conventional agricultural industry from innovative competition that is exclusively based outside of Texas….” [according to the lawsuit]. It was filed in September, immediately after the ban took effect, and cell-cultivated companies are awaiting judgment.

That Texas ban would last two years, notes U.S. News and World Reports, adding that
Alabama, Florida, Indiana, Mississippi, Montana, and Nebraska have also passed bans, some temporary “on the manufacturing, sale or distribution of cell-cultured meat.” Meanwhile, a new five-year moratorium on lab-grown meat was signed this week by the governor of South Dakota “after rejecting a permanent ban last month,” reports South Dakota Searchlight:

The new law bars the sale, manufacture or distribution of “cell-cultured protein” products from July 1 this year through June 30, 2031. Violations are punishable by up to 30 days in jail, a fine of up to $500, or both.
“But supporters of lab-grown meat are not going down without a fight,” adds U.S. News and World Reports, with another lawsuit also filed challenging a ban in Florida:

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When Florida Gov. Ron DeSantis signed the ban in Florida, he described it as “fighting back against the global elite’s plan to force the world to eat meat grown in a petri dish or bugs to achieve their authoritarian goals.” He added that his administration “will save our beef.”

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Amazon's ad-free Prime Video tier gets a new name, and a new price

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Amazon’s streaming service is getting a significant upgrade as the company transitions its ad-free tier to the new “Prime Video Ultra” branding. And with that branding, comes a price hike.

Prime Video logo with the word prime in blue, video in dark gray, above the signature curved Amazon arrow in blue on a white background
Prime Video Ultra

Launching April 10, the Ultra tier expands existing features, making it ideal for larger households. Beyond removing ads, the updated plan increases the concurrent stream limit to five devices, doubles the offline download capacity to 100 items, and gives users the option to watch in 4K/UHD.
Amazon is also increasing the benefits for those who have the ad-supported video plan that comes gratis with a Prime membership. Those customers will be allowed to watch 4 concurrent streams, up from three, and download 50 items for offline viewing, up from 25.
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Proof over promises: a new doctrine for cybersecurity

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For years, third-party cybersecurity relationships between vendors and customers have relied on contracts and trust. That model is now showing its age. In the past year alone, 51% of UK organizations have reported a third party-related breach, while vendors have become ideal attack vectors for hostile actors.

Sam Kirkman

Director of EMEA Services at NetSPI.

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Peter Gabriel “Taking the Pulse” Blu-ray Review: Symphonic Concert in a Roman Amphitheater with DTS-HD Master Audio

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I’ll admit that when I first started watching the recently released Blu-ray Disc of Peter Gabriel’s Taking the Pulse, it all felt very familiar. If you saw his orchestral tour around the time of Scratch My Back, or already own New Blood: Live in London on Blu-ray, a sense of déjà vu might set in. Look a little closer, however, and the differences start to emerge. What initially feels like a continuation of the same orchestral concept reveals a number of subtle but meaningful changes that aren’t immediately obvious.

In fact, the Blu-ray Disc packaging and frankly most of the press materials I had read, don’t offer much reason why fans should rush to add this show to their Peter Gabriel collection. Fortunately, I found more clues on Mr. Gabriel’s website, where his daughter Anna, who directed the film, offers some insight into her approach:

eter Gabriel's Taking The Pulse concert video on Blu-ray Disc

“When I spoke to my dad about shooting one of his shows I jumped at the chance of shooting at the Roman amphitheatre in Verona, Italy. Italians have always been very enthusiastic audience and give a lot back to the performer and to the camera. I made this film with my friend Andrew Gaston who was truly my collaborator throughout the process. It is always fun for me to shoot my father as I know the material and his performances so well I feel that I can capture a side to him that feels more personal. I also wanted to shoot the orchestra in an exciting way and along with Andrew’s editing I think we really captured the energy of the entire performance. I look forward to sharing this film.”

Indeed, Taking the Pulse offers a fresh visual perspective on this remarkable music when compared to New Blood: Live in London. Happily, it also delivers a different sonic experience, with a more immersive 5.1 surround sound presentation that better envelops the listener.

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Presented in 24-bit/48 kHz resolution, the DTS-HD Master Audio soundtrack is generally quite rich. But my appreciation grew once I realized that the surround channels were being used for more than just crowd noise and venue ambience. One of my recurring complaints about many concert videos is that the surround mixes often feel lazy, failing to take full advantage of what the technology can actually deliver.

peter-gabriel-taking-pulse-blu-ray-screenshot

While most of the action resides in the front channels, the audio for Taking The Pulse nearly wraps around the listener.  I imagine this perspective is bit more like what I’d like to think the orchestra conductor was hearing on stage or — perhaps better still — Peter Gabriel himself!

The sometimes dark, moody lighting looks great (expect lots of blues and reds as well as bursts of light and sparkle). In general, I think I preferred the intercuts and perspective offered in Taking The Pulse over New Blood Live In London (which, mind you, I’ve long enjoyed!). 

All in all, Taking The Pulse is a winner Blu-ray video and for $18.29 on Amazon it seems to be an easy decision to pick this up if you are a fan.


Mark Smotroff is a deep music enthusiast / collector who has also worked in entertainment oriented marketing communications for decades supporting the likes of DTS, Sega and many others. He reviews vinyl for Analog Planet and has written for Audiophile Review, Sound+Vision, Mix, EQ, etc.  You can learn more about him at LinkedIn.

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