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Building community is as important as building a career, finds engineer

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Rent the Runway’s Mark Kenny discusses his role in software engineering and his experiences of working abroad.

“I’m born and bred in Kilkenny and went to college in UL where I studied computer systems followed by a masters degree and I left Ireland in 2005 after finishing college and moved to London,” Mark Kenny told SiliconRepublic.com.

Having moved in his 20s, Kenny, who is a software engineer at Rent the Runway, explained initially the plan was only to stay for a few short years. However, he said he was drawn in by “everything the city had to offer” and ended up staying for a total of nine years.

“At the time, there simply weren’t any jobs in graduate roles,” he said. “I finished my initial undergraduate degree just as the dot-com bubble burst and no one was taking on graduate positions. In order to buy time, I did a master’s degree but the tech sector was still barely in recovery, especially in Ireland. 

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“Most of my classmates were either heading abroad or taking roles unrelated to what we had studied. For me, London was the obvious option since it was close to home, a diverse job market, and a chance to explore different career options.  It’s important to note that at the time, I didn’t think of it as emigrating, but just being a few years away from home before I came back.”

Here he discusses his return to Ireland and his current day to day.

What made you decide to come back?

My kids, mainly. My wife and I had our first child and spent a year in London and found it difficult. There was no safety net, no-one to pick up children in an emergency or help out in any other way.

Don’t get me wrong, London is a fantastic place to live, especially in your 20s, but we found it to be a different proposition once we were trying to put down roots and raise children. At the time renting, never mind purchasing a house in a decent area, was well beyond our means.

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We wanted our children to grow up around family and to be in an environment where they could stay kids for as long as possible.

How did your current role come about?

After several years of running my own business, I was ready for a new challenge when I joined Rent the Runway last year.

Moving from a start-up environment into a larger corporate company was a significant change, but I have to admit, the people at Rent the Runway made the transition very smooth. During the interview process, it was refreshing to meet a team that really understood my somewhat diverse background and experience.

What does your work involve on a day-to-day basis?

My day to day involves working as a full-stack engineer within a small Ireland-based team. It’s great having the entire team here in Ireland, as it helps foster strong collaboration and close working relationships.  I work as part of the larger growth pod that has teams both here in Galway as well as our head offices in Brooklyn, New York. 

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What do you like most about your job?

The role itself is very varied, which is something I really enjoy. On any given day I might be working on front-end user experiences, back-end services, integrations, or improving internal tooling and performance. A big part of the role also involves collaborating with product managers, designers and other engineers to plan features and refine requirements, which gives me valuable insight into different areas of the business and how other teams operate.  

Working in a smaller team also means there’s a strong sense of ownership. We’re involved throughout the full development life cycle from discussing ideas and technical approaches, to implementation, testing, deployment and monitoring after release. That level of involvement keeps the work interesting. What really stands out though is the people. 

How did your employer make it easier for you to move back?

My case is slightly unusual as by the time I joined Rent the Runway, I’d already been back in Ireland for a few years, running my own company. So the practical move home was something I’d organised for myself.

When I moved back I worked remotely so now having flexibility around hybrid working is amazing.  There are other nice perks of the job too like half-day Fridays during the summer.

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How did your time working abroad make you better suited for your job?

While living in London I had the opportunity to explore several different career paths.

I worked as a recording engineer, which involved dealing with some very interesting, and often complex personalities. I also worked as a lecturer and managed a college campus before eventually starting my own business, where I designed and built software systems from the ground up.

Each role brought its own unique challenges and learning experiences. During that time, I worked alongside some extraordinarily talented people and learned how to adapt to a wide range of environments and industries. That combination of hands-on engineering experience and real commercial exposure has been genuinely valuable in a role like this, where thinking beyond just the code itself is an important part of the role.

What is the best thing about being back in Ireland?

99s and curry chips.

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But beyond that, it’s definitely the lifestyle, without question. Raising children close to family and old friends, having more space, a sense of community, these are things you really notice once you’ve lived without them for a while.

The tech scene has also transformed beyond recognition since I left. Now Ireland has some of the best engineering opportunities in Europe, with major global companies based here and a thriving start-up ecosystem alongside them. With the rise of hybrid and remote work, you also have the freedom to live in some of the most beautiful parts of the country while still building a strong career.

What advice would you give to others thinking about moving back to their home country?

Don’t wait for the perfect moment, it doesn’t exist.

It’s also much easier to move home when you have fewer ties, so before kids start school or before you become more established in the housing market. If possible, keeping your existing job and negotiating remote work can make the transition much smoother too.

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It’s also important to understand the cost of living changes, when we moved back, USC was a completely new tax for us.

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Microsoft Says Its New Cybersecurity AI Beats Industry Leaders at Half the Cost

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Microsoft has a new AI cybersecurity model called MAI-Cyber-1-Flash, and when it’s combined with agentic security system MDASH and OpenAI’s GPT-5.4 model, it outscores Anthropic’s Claude Mythos 5 by 12 points on a key benchmark. The security product is designed for “using AI to defend against AI,” Microsoft says.

The combination of MAI-Cyber-1-Flash with MDASH — which launched in May — is called Project Perception, and it enters public preview on Aug. 3, built directly into Microsoft Defender. It will slowly roll out to all Microsoft Security products.

According to benchmarks posted by Microsoft on Monday, the combination scored 96% on CyberGym, compared with Mythos 5 at 84%.

A screenshot of the CyberGym evaluation of Microsoft's new AI cybersecurity product compared to Gemini, GPT and Mythos 5Microsoft

Pricing is consumption-based, measured by the number of security compute units you use. As AI agents run scenarios, they consume SCUs, so the more work performed, the more you pay — but Microsoft says cost savings are almost 50% of the current MDASH configuration on the market now.

Speaking at a Microsoft briefing on Monday morning, Mustafa Suleyman, CEO of Microsoft AI, explained the handover process between MAI-Cyber-1-Flash and GPT-5.4. 

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“MAI-Cyber-1-Flash handles about 90% of the queries. It detects the vulnerabilities, it patches them, ships them and then proves that it was actually a valid and correct solve. And then it basically defers about 10% of the queries to GPT-5.4, which is obviously a larger model, about 10x larger, and it solves those,” Suleyman said. “In conjunction, as the models hand off between each other, they’re actually not just able to deliver better performance than all of the other models combined — they do so at 50% of the cost.”

Suleyman called the CyberGym benchmark result “quite a remarkable result.”

It follows the launch of Anthropic’s Claude Fable 5 last month, the first publicly available model from the Mythos family. At the time, Anthropic said Mythos was so good at finding cybersecurity flaws that it could break the internet if used unchecked — and Anthropic was forced to walk back the Fable 5 and Mythos 5 launches within days because the US government said it was aware of a way to “jailbreak” the model and bypass limits. When Mythos was first announced, it was released only to select government agencies and tech professionals.

“Microsoft has long been the trusted steward of some of the most valuable, important government and enterprise data in the world over many decades. We’ve accrued a phenomenal amount of data in that time,” Suleyman said Monday. “It’s that data combined with the expertise that we have from the world-class cybersecurity experts in the company that we’ve been able to really drive this combined model.”

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AMD says the MI430X is the fastest FP64 GPU ever built, but you can’t buy one until 2027

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  • AMD’s MI400 press release publishes exactly one performance figure
  • 288 TFLOPS of hardware FP64 on the MI430X, a GPU it positions as its go-to for sovereign AI and HPC
  • Unlike the MI455X, which it launched alongside, the MI430X will have researchers and sovereign AI clients waiting longer, with AMD targeting early 2027 for its first shipments

AMD has launched its latest Instinct MI400 series, unveiling two new chips which bring performance gains, larger, faster HBM4 memory, and a continued promise to support its open-source ROCm stack.

While both chips come with 432GB of HBM4 memory, they both have very different use cases: the MI455X is AMD’s attempt to dominate AI data centers and run training and inference for frontier models, while the MI430 is positioned as a high-performance compute (HPC) alternative that offers superior precision thanks to it being tuned for superior FP64 performance at a hardware level.

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Shanling EC Zero T Max Gives Portable CDs 1.3 Watts Because the Original Was Apparently Too Polite

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Portable CD players are suddenly everywhere again, which is what happens when streaming fatigue collides with a physical format that costs less than vinyl and does not arrive warped. US CD sales jumped 16% to 16.3 million units during the first half of 2026, but many of the new portable players still force buyers to choose between mobility and enough power to drive demanding headphones.

The $629 Shanling EC Zero T Max addresses that problem with a revised battery-powered amplifier delivering up to 1,300mW into 32 ohms, while retaining the original model’s 24-bit R2R DAC, dual JAN6418 tubes, USB DAC, Bluetooth transmission and CD-ripping capabilities.

The CD revival has officially reached the stage where a Discman now requires resistor ladders, vacuum tubes and more output than some desktop amplifiers.

What Changed From the EC Zero T?

Shanling EC Zero T Portable CD Player
Shanling EC Zero T Portable CD Player

The Max is not a different finish wrapped around last year’s electronics.

Shanling replaced the original TPA6120-based headphone section with a revised amplifier built around the Analog Devices AD8397. The balanced 4.4mm output now produces as much as 1,300mW into 32 ohms in transistor mode and 1,162mW in tube mode while operating from the internal battery. The 3.5mm output reaches 361mW into the same load.

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The original EC Zero T delivered 551mW into 32 ohms from its balanced output on battery power and required external DC power to reach its maximum 1,220mW specification. Its single-ended output was limited to 158mW on battery. The Max therefore supplies more power away from the wall than the previous model could produce even when plugged into one.

That matters because a supposedly portable player that requires an external power supply to unlock its best amplifier performance is portable in much the same way that a countertop microwave is technically movable.

Shanling has also reduced output impedance from 4.7 ohms on the original 3.5mm output and 6.6 ohms on the balanced output to approximately 0.4 and 0.7 ohms, respectively. That change may be even more useful than the additional power for owners of sensitive multi-driver IEMs, which can react unpredictably when connected to a source with high output impedance.

ec-zero-t-max-portable-cd-player-top-closed
Shanling EC Zero T Max

The R2R DAC Gets Revised Power and Signal Circuits

The EC Zero T Max retains Shanling’s in-house 24-bit R2R DAC module, built around 192 precision resistors with 0.1% tolerance. Users can choose between oversampling and non-oversampling modes, depending on whether they prefer conventional digital filtering or a more direct NOS presentation.

Shanling says it revised the DAC’s power supply and portions of the analog signal path using experience gained during the development of its newer PRO R2R platform. The company claims the changes produce a wider and deeper soundstage with greater midrange and treble transparency. Those claims will require listening rather than obediently copying the brochure, but this appears to be circuit-level work rather than a new firmware filter wearing a party hat.

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The dual JAN6418 miniature vacuum tubes also return, with selectable tube and transistor output modes. Shanling isolates the tubes inside a damped mounting structure to reduce microphonic noise, which becomes especially important when two vacuum tubes are sharing a chassis with a spinning optical mechanism.

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Still a CD Player and Quite a Bit More

The EC Zero T Max uses a custom CD mechanism with an active magnetic clamp and anti-skip system. It supports gapless CD playback and can rip discs in real time to an attached USB storage device as uncompressed WAV files.

It can also operate as a USB DAC, supporting PCM up to 32-bit/768kHz and DSD512. Analog connectivity includes separate 3.5mm and balanced 4.4mm headphone and line outputs, while coaxial and optical connections allow the Shanling to feed an external DAC or full-size audio system.

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Bluetooth 5.3 transmission supports aptX Adaptive, aptX and SBC. The important word is transmission: the Shanling can send CD audio to compatible wireless headphones or speakers, but it is not advertised as a Bluetooth receiver for streaming music from a phone. LDAC is also absent.

The internal 5,500mAh battery is rated for up to eight hours through the single-ended output, approximately 7.5 hours through the balanced output and as much as 20 hours when the player is used as a Bluetooth transmitter.

ec-zero-t-max-portable-cd-player-top-open
Shanling EC Zero T Max

Shanling EC Zero T Max Specifications

  • Type: Portable CD player, USB DAC and headphone amplifier
  • DAC: Shanling 24-bit R2R module
  • Resistor network: 192 resistors with 0.1% tolerance
  • Digital modes: Oversampling and non-oversampling
  • Tube stage: Two JAN6418 miniature vacuum tubes
  • Amplifier: AD8397-based revised headphone stage
  • Output modes: Tube or transistor
  • Balanced output: Up to 1,300mW into 32 ohms in transistor mode
  • Balanced tube output: Up to 1,162mW into 32 ohms
  • Single-ended output: Up to 361mW into 32 ohms
  • Headphone outputs: 3.5mm and 4.4mm balanced
  • Line outputs: 3.5mm and 4.4mm balanced
  • Digital outputs: Coaxial and optical
  • USB DAC support: PCM up to 32-bit/768kHz and DSD512
  • Bluetooth: Version 5.3 transmitter
  • Bluetooth codecs: aptX Adaptive, aptX and SBC
  • CD ripping: Real-time WAV ripping to USB storage
  • Battery: 5,500mAh
  • Battery life: Up to 8 hours wired or 20 hours over Bluetooth
  • Display: 1.68-inch color LCD
  • Construction: Aluminum chassis with tempered-glass panels
  • Dimensions: 6.2 x 5.9 x 1.1 inches
  • Weight: 1.47 pounds
  • Finish: Titanium gray

What Makes the EC Zero T Max Unique?

Portable CD players with balanced headphone outputs are no longer especially unusual. The Max separates itself by combining a custom R2R DAC, selectable physical tube stage, CD ripping, high-resolution USB DAC support and a genuinely powerful battery-operated amplifier in one component.

The critical improvement is not that it reaches 1.3 watts. The original model could approach that figure when connected to external power. The difference is that the Max provides its full amplifier output from the internal battery while also lowering output impedance enough to work more predictably with sensitive IEMs.

That gives it a broader range than most portable disc players. It can drive efficient earphones, more demanding over-ear headphones, powered speakers or an external DAC without requiring the owner to construct a small equipment shrine beside the CD case.

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Three Alternatives

FiiO DM15 R2R

fiio-dm15-r2r-cd-player-silver-left
FiiO DM15 R2R

The $269.99 FiiO DM15 R2R is substantially less expensive and uses FiiO’s own 24-bit resistor-ladder DAC. It provides 3.5mm and balanced 4.4mm outputs, Bluetooth 5.4 transmission, USB DAC operation and digital outputs. Output reaches 812mW into 32 ohms on battery or 1,150mW in desktop mode.

The DM15 is lighter, cheaper and offers newer Bluetooth connectivity. The Shanling counters with substantially more battery-driven power, selectable tube and transistor stages, lower output impedance and a more elaborate analog section.

Cayin CP6

The $699 Cayin CP6 is the closest conceptual rival. It uses two JAN6418 tubes, offers classic tube, modern tube and solid-state sound modes, supports bidirectional Bluetooth 5.4 and includes USB DAC and CD-ripping functions. Its amplifier can produce as much as 1,300mW into 32 ohms when operating in DC power mode.

The Cayin offers more Bluetooth flexibility and three distinct output modes, but uses dual Cirrus Logic DACs rather than an R2R network. The Shanling also reaches its maximum balanced output on battery power rather than requiring external DC power.

Moondrop DiscDream 2 Ultra

The $349 Moondrop DiscDream 2 Ultra provides balanced and single-ended headphone outputs, an optical output, USB DAC operation and approximately eight hours of battery life. It is a simpler and much less expensive route into transportable CD playback.

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It does not offer Bluetooth, CD ripping, an R2R DAC or a tube stage. The Moondrop makes sense for listeners who primarily want a well-built portable CD transport and headphone source rather than an entire personal-audio laboratory.

Who Is It For?

The EC Zero T Max makes the most sense for CD collectors who use a mixture of sensitive IEMs and full-size headphones and want one component that can travel between portable and desktop systems.

It also suits listeners who prefer R2R conversion or want the option of switching between a tube and solid-state presentation without purchasing two separate headphone amplifiers.

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Who Should Avoid It?

Anyone who only wants to play CDs through efficient earbuds can spend substantially less on the FiiO DM15 R2R, Shanling EC Play or Moondrop DiscDream 2 Ultra.

The Max also lacks LDAC and Bluetooth reception, while its 1.47-pound weight stretches the meaning of “portable.” You can carry it, but nobody is clipping it to a tracksuit and running the Jersey Shore boardwalk unless their chiropractor has fallen behind on the boat payments.

ec-zero-t-max-portable-cd-player-top

The Bottom Line

The Shanling EC Zero T Max is the version the original EC Zero T probably should have been from the beginning.

It preserves the unusual combination of physical CD playback, R2R conversion and real vacuum tubes while addressing the original model’s most obvious weaknesses: limited battery-powered output and relatively high output impedance.

The result is not merely a louder EC Zero T. It is better suited to both demanding over-ear headphones and sensitive IEMs, while still functioning as a USB DAC, CD ripper, Bluetooth transmitter and digital transport.

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Portable CD playback in 2026 has become remarkably sophisticated. It has also become remarkably expensive, but at least Shanling remembered to improve the parts that matter.

Price & Availability

The Shanling EC Zero T Max is priced at $629 and is now shipping to distributors. Shanling lists European pricing at €689 and says the player will be offered in titanium gray. Final US dealer pricing and local availability may vary as inventory reaches regional distributors.

For more information: en.shanling.com

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Spotify Is Experiencing Another Major Outage

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A second gremlin is rolling through Spotify this evening.

It’s not just you. Spotify has been inoperable or bugged out for many users today, and while the original batch of issues appears to have been fixed, there’s currently another outage affecting the company’s web page and apps. At just past 3PM ET on Monday, July 27, the Spotify Status account shared on X, “We’re aware of some issues right now with our web page and are checking them out!”

The website problems followed an outage in the early morning of July 27. The Spotify Status account said that glitch was cleared up about an hour after reports started rolling in. Spotify hasn’t yet given the all-clear for the second round of problems today, and users are still reporting issues with the service on Downdetector. I can confirm that I am currently unable to listen to “Pookie’s Requiem” on Spotify, and this is a tragedy.

The initial outage was resolved quickly, so for the sake of your commute home, cooking tunes or evening chill time, let’s hope this one is, too.

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DHS Official Resigns, Citing ‘War on Immigrants’

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The Department of Homeland Security’s top numbers-cruncher has resigned, citing the Trump administration’s “war on immigrants” on his way out.

DHS has been a hub of controversy during the second Trump term: the ICE raids in American cities, the wild spending, the growing archipelago of detention centers, the attempts to hide data about it all. But vanishingly few officials have left the department and been openly critical of the direction it has taken. Marc Rosenblum, who served as executive director of the Office of Homeland Security Statistics and a deputy assistant secretary at the department, is one of the first.

“I’m thrilled to end my relationship with the current administration,” Rosenblum said in a LinkedIn post over the weekend. “Between the war on immigrants, the war on feds, and the war on facts (not to mention the crazy war in Iran and the brazen corruption), I just need a change.”

Rosenblum also served in the first Trump and Biden administrations, initially running DHS’s office of immigration statistics, and then overseeing stats for the entire department—collating numbers on everything from cybersecurity intrusions to trafficking investigations to deportations. His office peaked at 45 people in the Biden years, and started to shrink since.

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“He had one of the most interesting charges at DHS,” a former colleague tells WIRED of Rosenblum. “There’s 22 component agencies, and so there are 22 different ways of aggregating data that were just completely siloed.”

“So Marc’s charge was to consolidate all the data and put it in a way that internally, I at headquarters could know exactly how many Coast Guard interdictions happened off the Coast Guard station in Miami, and how many of those were Cuban, Haitian, Nicaragua, Venezuelan. And then kind of conceptualize that with the same population of people that were crossing the Southwest border,” the former colleague adds.

A domestic security agency like DHS is never going to be a model of transparency. But Rosenblum, a long-time immigration policy wonk and an immigration specialist for the Congressional Research Service, promised as much openness as possible when he took on his department-wide role in 2023. “We’ll begin releasing data more quickly, with greater granularity and covering a broader scope of DHS activities,” he told Federal News Network that November.

That data itself became controversial in Trump 2.0. The Office of Homeland Security Statistics’ website on ICE detentions, Border Patrol encounters, and DHS repatriations hasn’t been updated since February 11, 2025, just weeks into the second Trump term. What information has been pried from DHS since then, often through Freedom of Information Act lawsuits, has been at times spotty and unreliable, analysts say.

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“There’s no accountability, no way to assess, no public understanding about what’s really going on that is not curated by a press release from the agency,” David Bier, the Cato Institute’s director of immigration studies, told NOTUS in November.

DHS didn’t immediately respond to a request to comment for this story. Neither did Rosenblum. But he did allude to the difficulty of publishing quality data under this administration in his LinkedIn post. “My OHSS co-workers are outstanding career federal civil servants. They are smart, mission-focused experts who produce high quality results in a challenging and often hostile work environment,” he wrote.

“Marc was exactly what every American should want in a career public servant,” Luis Miranda, a top DHS spokesman during the Biden years, tells WIRED. “The Trump administration has governed by silencing or ignoring facts and information they believe doesn’t line up with their extreme rhetoric, and that has damaging implications, so it’s no surprise career officials whose job is transparency are unable to do those jobs.”

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What Is GPMI, And Is It Actually An Alternative To HDMI?

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Since its introduction over two decades ago, HDMI has slowly but surely replaced the old video cables such as VGA. Eventually, it became an industry standard, and basically any TV, monitor, gaming console, and media player now uses HDMI as its primary connection port. Even if you don’t know what HDMI stands for, you likely know its use — to send high-definition video signals to a screen. However, last year, a new challenger arrived that could give HDMI a run for its money.

Bearing a similar name, GPMI (General Purpose Media Interface) was introduced by Shenzhen 8K UHD Video Industry Cooperation Alliance. The group is a consortium of over 50 Chinese companies, including well-known TV manufacturers like Hisense and TCL. The most impressive thing about GPMI is probably the fact that it’s designed to handle everything at once, meaning you get video, audio, data, control signals, and power with just one cable. And, as you likely know, eliminating cable clutter and management is always a good thing.

Fewer cables isn’t the only notable feature, since GPMI has some pretty good specs. For starters, it has noticeably more bandwidth than HDMI 2.0 and can offer higher bandwidth than HDMI 2.2. GPMI comes in two different formats: one uses the familiar USB-C standard (which delivers 96 Gbps and 240 watts of power), and the other uses a special Type-B cable designed just for this system. The Type-B cable steps things up, as it provides 192 Gbps and 480 watts. For comparison, HDMI 2.2 can deliver up to a maximum of 96 Gbps of bandwidth, which only matches GPMI’s USB-C connector.

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Can GPMI replace HDMI?

Similarly to GPMI, HDMI 2.2 was released last year as the latest and best HDMI to date. From a technical viewpoint, the GPMI obviously has better specs, with the all-in-one cable being a big quality-of-life improvement. But HDMI is a better-known technology that numerous companies use. Due to this, new TVs in the coming years, maybe even 2027, will have an HDMI 2.2 port, which is a luxury GPMI doesn’t have.

Naturally, we’re talking about GPMI use outside of China. Considering the massive number of Chinese companies behind the new standard, it’s reasonable to expect it becoming prevalent throughout the country in the near future. Elsewhere, though, it would take massive support from other companies and manufacturers to adopt it across the industry. This isn’t just for TVs either, since other items (like graphics cards and gaming consoles) would need to support GPMI inclusion. While Chinese companies might be in favor of adoption, it’s hard to say whether Western ones will follow suit.

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Still, GPMI did put China on the map when it comes to connectivity standards, since that part of the industry has long been dominated by the West. It will be interesting to see how things will go from here, now that there’s one more contender. As it stands now, we’ll likely continue to use HDMI (despite several reasons why you might want to stop) for quite some time in our households.



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Apple sued after alleged App Store crypto scam cost users $1.8M

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Apple is being sued for alleged negligence regarding its App Store security measures. In a lawsuit filed on Friday in the U.S. District Court of Northern California, three plaintiffs claim they were tricked into downloading and installing a fraudulent crypto wallet app, leading them to collectively lose more than $1.8 million.

The lawsuit centers on Apple’s claim that it secures its App Store by reviewing apps before they go live to protect users from fraudulent and malicious apps. In this case, the plaintiffs downloaded an app called Sparrow Wallet, even though the official Sparrow Bitcoin wallet is not available on iOS.

The plaintiffs transferred their Bitcoin to the fraudulent app, losing large amounts of the virtual currency, according to the complaint. Plaintiff James Ramirez lost about $875,000; plaintiff Christopher Ellis lost around $840,000, and plaintiff Jalen Delgado lost roughly $120,000.

The complaint targets one of Apple’s longtime competitive arguments: that its tight control over its App Store makes its platform safer than those offered by its rivals. The company has used this claim to push back against deregulation of the app ecosystem, including third-party app stores and sideloading.

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“As part of a sustained marketing campaign, Apple has positioned itself, its products and services, as offering a level of security and trustworthiness superior to any competing technology company,” the new filing states. “This includes assurances about the safety of applications distributed through its App Store. By retaining exclusive control over which apps are permitted on Apple devices, Apple has structured its platform to ensure that consumers depend entirely on its promise of safety and reliability,” it reads.

The complaint also accuses Apple of knowingly hosting fraudulent apps, pointing to public criticism by Sparrow Bitcoin Wallet’s creator, Craig Raw, who said Apple had allowed fake Sparrow Wallet apps to remain on the App Store.

The three are asking for a trial by jury and seek to recoup their lost money and other damages. They also want Apple to provide warnings and disclosures about the App Store’s risks.

Apple declined to comment on the lawsuit. The company did stand behind its security measures, telling TechCrunch that apps impersonating others are a violation of its guidelines and it takes swift action to remove them. Apple added that there are currently no Sparrow Wallet copycats on the App Store.

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The company also pointed to its latest analysis of its ecosystem, which found that in 2025 it rejected more than 371,000 submissions that copied other apps, were spam, or otherwise misled users.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

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AI has changed data architecture, but storage hasn’t caught up

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Your GPU dashboard says 70% utilization. On paper, the cluster is busy. In practice, a large chunk of that time is spent with your $40,000 accelerators sitting idle, waiting on a file that lives three network hops away on a NAS box. The compute queue is empty, and the pipeline is fine. The problem is that data is just somewhere else.

This is the awkward truth underneath most stalled AI projects. The constraint in modern AI infrastructure stopped being storage capacity years ago. Now, it’s more about data placement and access. What matters is where files live and how they get to GPUs, along with how much copying happens in between. In that sense, AI infrastructure has become less of a storage capacity problem and more of an operational data problem. The Hammerspace Data Platform takes that as its starting point. It sits between your compute and the storage you already own, from NAS to object stores and even the NVMe drives bolted into your GPU servers. It makes all of that data addressable through a single global namespace. Instead of moving data to wherever the GPUs are, the architecture makes the compute aware of where the data already lives.

As a result, rather than treating each storage system as its own operational silo, Hammerspace separates the data layer from the underlying infrastructure, allowing heterogeneous storage, sites, and clouds to operate as part of the same coordinated data environment. Applications and AI pipelines access that data through standard protocols such as NFS, SMB, and S3, without proprietary clients or application rewrites.

Fragmentation is the bottleneck, not bandwidth

Data fragmentation is a big problem for enterprises embarking on an AI journey. Training sets are scattered across departments, sites and clouds.

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“The data is in disparate groups and disparate orgs and disparate silos within a company,” says Jonathan Flynn, director of applied systems at Hammerspace. “Having the data in a curated data set for you just to go train is rare. It has to be collected. It has to be moved around from system to system, and then the curation needs to happen in order to actually do the training on it.”

The fragmentation often leaves pipelines copying and staging files between systems that were never designed to talk to each other. None of this shows up on a storage IOPS chart, but it will visibly affect training velocity.

According to Gartner, 57% of organizations believe that their data isn’t AI ready. Alarmingly, two thirds of executives believe that no one in their organization understands all of the data they’ve collected and how to access it. That seems hard to swallow, until you recall that Facebook’s engineers have admitted the same thing. You can’t orchestrate what you can’t see.

Mike Bloom, who covers AR architecture at Hammerspace, says the default vendor response makes the problem worse. “They’ll go to a vendor that will promise them that if they sweep the floor and throw out all of their legacy storage arrays, their brand will solve the problem,” he says, adding that’s like throwing the baby out with the bath water. “Those data sets that are all over the place? They’re not sitting in a corner. They’re sitting on legacy storage arrays.”

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The NVMe you already paid for

There is also a less obvious idle resource in most AI environments: the NVMe inside the GPU servers themselves. A modern HGX or DGX box ships with eight to sixteen NVMe drives, each hanging off four lanes of PCIe. Almost every orchestration layer treats that capacity as local scratch space, used by one server and invisible to the rest of the cluster.

Hammerspace calls this “stranded” capacity, and it is now meaningful. It amounts to hundreds of terabytes per server, with two-petabyte GPU servers on the roadmap. Pull all of it into a shared namespace and you have a new layer that Hammerspace calls Tier 0. It uses storage you already paid for, attached to a network you already deployed.

Flynn argues this layer is structurally faster than anything sold as a separate appliance.

“Tier one is typically oriented around storage capacity. A 2U box, 24 NVMe, or 40 NVMe with some of the Dell systems in there,” he calculates. “That’s 96 lanes or 192 lanes of PCI Express, with maybe one or two 400 gigabit NICs, which gives you 16 or 32 lanes. So the over subscription just in the one box is massive.”

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His more provocative claim is that it is also the cheapest tier in the rack. The compute and the network are already there. The drives (at least in the case of customers buying GPU servers) are already in the bill of materials. Compared with racking and stacking a dedicated all-flash array, adding metadata servers and a few data movers to existing GPU nodes barely registers as a procurement event.

Assimilating what you already own

Ripping and replacing infrastructure takes time most teams don’t have. The Hammerspace approach is assimilation, which the company describes as a metadata-only operation: scan the existing NAS, ingest the directory tree into the global namespace, and redirect mounts. The bytes never move.

Hammerspace says that fast deployment is a key benefit of this approach. Data access is restored almost immediately, even while assimilation continues in the background.

Underneath this, the source-of-truth NetApp, Qumulo or VAST array keeps serving the bytes, while Hammerspace presents a unified view on top. That has practical consequences.

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If something tagged as a training input changes from being a tier-two archive file to a hot input, a policy (Hammerspace calls this an “objective”) can trigger an instance copy onto tier 0 without users having to do anything. “Nobody’s running a copy. Nobody’s running an rsync command,” Flynn says. “It’s all orchestrated based in the file system.”

That same orchestration layer can also support retrieval-augmented generation (RAG), inference, and agentic AI workflows, where distributed enterprise data needs to be continuously curated, governed, and made accessible without relying on large-scale data copying.

Once the training job finishes, that tier 0 copy is automatically vacated. The clean-up matters because the alternative (letting a hot tier fill up) creates a quality-of-service problem for everything else trying to land there.

“Other architectures that have a hot tier and a cold tier often have an issue where the hot tier becomes congested and that endangers the quality of service for the pipeline,” Bloom says. “Rather than requiring organizations to rebuild infrastructure around AI, the Hammerspace approach is designed to operationalize the storage, cloud, and compute environments enterprises already have in place.

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Standards-based, with some asterisks

Hammerspace’s positioning leans heavily on the word “standard”. The Samsung-Hammerspace submission that landed inside the top 10 of the IO500 10-Node Production benchmark in November 2025 used standard Linux, the upstream NFSv4.2 client, standard NVMe SSDs and IP-over-InfiniBand. There was no proprietary client, and no custom kernel modules. The company submitted its own results to MLPerf Storage v2.0 showing linear scaling out to 420.8 GB/s across 140 GPUs on five nodes with GPU utilisation above 96%.

That kind of performance is not achievable with traditional NFS architectures, which struggle with the parallel access patterns common in large-scale AI environments. Instead, Hammerspace runs on parallel NFS (pNFS). Instead of letting a single server handle file metadata transfer alongside data transfer, it creates a layout map that the client can then use to transfer data from multiple servers in parallel. That became the RFC 5661 standard in 2010. Hammerspace was also instrumental in extending pNFS in NFSv4.2 in 2018, introducing the Flex Files extension. This is what lets pNFS work with real-world hetergeneous storage across cloud tiers, legacy files, and multi-site deployments.

The larger implication is that open, standards-based infrastructure is no longer inherently at odds with AI-scale performance, challenging the assumption that enterprises must adopt proprietary storage stacks to support large-scale AI workloads.

“With the performance improvements that we contribute into the upstream, we’re actually seeing a decades-old file system transmute into a parallel access system that can rival WEKA, Lustre, and GPFS,” Flynn says.

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Multi-site and sovereign by default

Once a single global namespace spans on-prem arrays, cloud object stores and the NVMe inside GPU boxes, the next questions are jurisdictional. Where can a given file legally live? Who is allowed to copy it? The platform handles this through the same objectives mechanism used for performance tiering. Tag a dataset as EU-only and the orchestration layer will exclude it from North American volumes. Tag it as HIPAA-bound and write-once-read-many rules apply.

Because those policies operate at the data layer rather than within individual storage silos, governance persists even as data moves across clouds, sites, and performance tiers. That is becoming increasingly important as AI pipelines, inference workflows, and agentic systems operate across distributed infrastructure rather than within a single environment.

That matters more in 2026 than it did two years ago, since such operational flexibility also changes the economics of AI infrastructure expansion. The SSD supply situation has tightened. NAND and DRAM prices climbed through 2024 and into 2025, driven by AI build-out and hyperscaler hoarding. Buying your way out of a data-movement problem by adding another all-flash array is harder when the flash is harder to get. A control plane that understands workload, location and policy together is now a valuable procurement workaround.

Real-world usage

The most useful data point about whether any of this matters at scale is Meta. The company runs two 24,576-GPU clusters used to train Llama 3 and deploys Hammerspace specifically to enable live job debugging and real-time code propagation across the training pipelines.

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If a company with effectively unlimited engineering resources still hits a data-movement ceiling at that scale, the enterprises running a fraction of the workload are almost certainly hitting it too, and the standard answer of “buy more GPU” does not address a problem one layer below the compute plane.

Flynn put the underlying joke about NFS politely. “The joke I always heard was, NFS is not for speed.” That used to be true. The newer claim, that an open, standards-based file system can sit underneath an AI factory and feed it, casts the venerable file protocol in a new light.

ICustomers will likely want to see an independent benchmark of this system’s performance against the likes of VAST, WekaIO and NetApp in heterogeneous customer environments, using test systems not designed by the vendor. Nevertheless, it looks promising. In the meantime, the data placement architecture conversation is certainly the right one to be having.

Sponsored by Hammerspace.

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Cassette simulator rewinds digital audio to a more analog time in hiss-tory

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OFFBEAT

Is there a simulator for the wail when you realize your precious one-off bootleg has just been chewed up?

If you have wistful longings for the days when your songs carried the subtle hiss of the cassettes you listened to, we have some reel good news. A new project takes modern music back to the analog era.

The project, available on GitHub, is called “Audio Cassette Simulation” and uses FFmpeg to transcode audio files to get that “wish I’d bought some decent tapes instead of the superstore’s own-brand” sound.

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The repository includes simulations of BASF LH Extra C90, Maxell UD C90, Sony CHF60 Type I Normal, Sony CHF90, TDK D90, and even Soviet MK-60 tape. Navigate to the appropriate cassette folder using bash, then run the conversion code (or use it to convert a live stream).

The output is dumped into a ./out folder for a bit of retro enjoyment.

According to the README, “This project simulates cassette tape audio profiles using ffmpeg.

“It applies tape noise, wow and flutter pitch modulation, bandwidth limits, and equalizer adjustments.”

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There’s no special magic going on behind the scenes – a glance at the .sh files shows that the real effort has gone into working out the FFmpeg filters to recreate the effect of the required tape. Audiophiles might be horrified to see the output being saved as .mp3 files, but let’s face it: if you’re after that compact cassette sound, the potential audiophile downsides of .mp3 probably won’t be too high on the list of worries.

Compact cassettes first appeared in the 1960s and stored magnetic tape wound between two reels inside a plastic shell. The tape would be unwound from the first reel and wound onto a second reel during use, with the whole thing enclosed in a case (hence “cassette”). Data could be stored on it (indeed, we’re sure plenty of readers have fond memories of home computers that used the media for software) as well as audio, which brings us to the simulator.

Different brands of cassettes (and hardware) could impart differing levels of distortion and hiss to the audio, giving it a unique sound. As with vinyl, cassette sales dropped as customers turned to digital formats decades ago but, also like vinyl, the medium has enjoyed a resurgence in recent years.

The simulator is therefore a bit of a quarter-way house. It can’t recreate the feel of a cassette in the user’s hands. Nor can it replicate the heart-stopping noise of tape being chewed up in a misbehaving mechanism.

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But it can take some tediously pristine modern audio and make it sound like it’s the 1980s all over again. ®

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Is This Vevor Vinyl Cutter Worth The Money?

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The Vevor TT-450 and its bundled SignMaster Craft software are not the most intuitive pieces of tech I’ve ever handled. Compared to the relatively simple systems delivered with some of the bigger (more expensive) names in DIY tech here in 2026, this vinyl cutter’s software and hardware feel like they were designed in the distant past. It feels clear that Vevor’s strength is not in start-to-finish “made for any skill level” user experience.

Instead, what we’ve got here is a piece of powerful hardware that does what it needs to do — so long as you can figure out how to tell it what needs to be done. If you’ve only ever used creative/DIY/maker devices from Glowforge, xTool, Silhouette, or Cricut, and you had trouble getting the hang of them, you’re going to want to throw your computer through a window before you figure out what you’re doing with Vevor’s software of choice. You want simple solutions? Get a pair of scissors and a label printer.

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But don’t let that scare you! This device is not quite as simple to use as some of the other creative-aimed brands because of its lack of guardrails for the end user. This system allows plentiful granular control. This system’s hardware capabilities create a value that far outweighs the price (once you’ve gotten past the software’s not-insignificant learning curve).

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Capabilities and basic considerations

The Vevor TT-450 is one of a collection of vinyl cutters available from the brand’s own-named store. This model has 14 inches of cutting space (and 18 inches of paper feed space) — and a roller system with no max dimension for paper — assuming you’ve got an endless roll to work with. This cutting machine is made to cut paper-thin materials using a metal blade. You want to cut thicker materials, you might want to consider a tiny laser cutter.

The machine has an alignment camera and a plug-and-play (or tighten-and-play) head system for replacing blades. The alignment camera is the key if you’re looking at this machine as a way to cut around the edges of pre-printed papers and vinyl.

You’ll need to calibrate the system before you start any of this, but once you do, it’s just a matter of importing artwork, telling the software to create an outline, printing (on your laser printer, this one just cuts), then telling the Vevor machine where to start cutting.

This device also has a simple ball-point-pen piece for calibration, testing, and marking. You will absolutely want to keep track of this pen if you want to use this device’s camera system for contour cutting.

Finding the right settings for cutting any design in any material requires a bit of trial and error. Once you find the settings you need, you’ll be pleased at the consistency with which this machine cuts. Just remember: It does what you tell it to do, no more, no less.

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Software and the simple stuff you take for granted

I’ve gotten used to software that gets in your way before you can use it. By that I mean it’ll say, “hey, if you want to be able to use this feature properly, you need to take these simple steps first.” This device does not include software that takes care of you in that way.

You could potentially jump from pressing the power button to cutting big important sheets of material before you realize you need to calibrate the machine for it to cut properly. This machine can cut before it knows the ins and outs of the machine it’s controlling.

This isn’t a “it just works” type of setup. Once you’ve calibrated (and told the software everything it needs to know about the machine), you’ll be ready to move forward with accurate cuts — but not before.

You’ll need a Windows PC to do any/all of this, along with one of Vevor’s recommended pieces of software to control the machine. That includes Artcut, Graph-Cut, Signcut, Signmaster, Flexi, and/or Coreldraw. This device comes with a unique product serial number for you to activate a copy of the software SignMaster Craft Home Edition.

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Value proposition

This Vevor vinyl cutter is inexpensive for its size (14-inch-wide cutting space) and capabilities. Right this minute you’ll find a price of approximately $326 (or less if you register with the store and/or use a coupon) for the Vevor TT-450 listed in the brand’s online shop. 

The closest machine Cricut has at the moment is the Cricut Maker 4 (with 11.7-inch-wide cutting space) that’s on sale for around $350 — and it normally costs around $400. From Silhouette the closest device is a Silhouette Cameo5α Plus (with a 14.5-inch-wide cutting space) for $400.

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The Vevor TT-450 is well worth the money you’ll pay to own it. The hardware is solid and the device comes pre-constructed (except for the blade, which you’ll need to insert, but that’s easy). You’ll also get extra blades and a few rolls of basic-quality adhesive-backed color vinyl for practice. Just make sure you have a Windows computer to run the software you’ll need to control this vinyl cutter from the get-go. And don’t forget to have an inkjet printer ready so you can print the one-sheet calibration pages necessary for this cutter to work properly. 

The hardware quality is good, and the software makes the hardware do what it’s mean to do. If you’re ready to trade simplicity for a very reasonable price, there’s little reason to buy any other brand. If you’re the sort of person that knows the software already, or you’re not one to let a bit of a learning curve turn you away from an enticing bit of hardware value — Vevor’s got what you’re looking for.

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