Aside from Apple, everybody seems to be doing clip-on earbuds these days, including Sennheiser. The company just announced its Accentum Clip buds, set to ship on July 23 in black or white. But the only rub is they won’t be coming to the US on that date, and it’s unclear when they’ll hit US retailers. However, Sennheiser says Canadians will be able to pick them up for $270 Canadian (roughly $190). 

Read More: Best Wireless Earbuds of 2026

I am curious to hear how they sound compared to other leading clip-on buds, which are not only becoming more comfortable and better designed, but are delivering better performance compared to early clip-on models. The Sennheiser Clip are equipped with 12-millimeter drivers, Bluetooth 6.0, have support for the LDAC audio codec for Android users (along with AAC for Apple users) and are rated for 9 hours of battery life on a single charge with an additional 27 hours in the charging case. They’re splashproof and dust-resistant with an IP54 rating and weigh 6.8 grams per bud. 

Sennheiser says the Accentum Clip are “tuned for clarity and punchy bass with smooth treble” and the earbuds use dynamic EQ for “seamless compensation of tonal shifts” when playback volume is raised and lowered “to maintain balance while preventing unpleasant distortion.”

If the Canadian price is any indication, I suspect the Accentum Clip will cost around $200 when they final make it stateside. That’s toward the premium end of the clip-on earbuds spectrum, with Sony’s LinkBuds Clip and Shokz OpenDots One in a similar price range. Bose’s Ultra Open Buds, which list for $300, are currently being discounted to $200.  

If you’re looking for value clip-on options, Baseus sells its new Bowie MC2 buds for around $60 on Amazon. I like them a lot for what they cost. The Baseus Inspire XC1 buds, which feature Sound by Bose, are also a decent value at $110. 

Check out my list of the best clip-on earbuds for other options in this nascent earbuds subcategory. Maybe these new Sennheiser Accentum Clip buds make the list once I get a chance to test them. Hopefully, that’ll happen in the not-so-distant future and not require a trip abroad. 

As TVs and projectors have evolved over the years, detail or “native resolution” was one spec that drove the market forward. 480i analog CRT TVs were replaced by 720P and 1080i digital HDTVs, which soon were replaced by 1080p HDTVs as the standard in around 2005. Just under 10 years later, 4K TVs were introduced to the consumer market, leading to a new wave of upgrades. More pixels meant more detail, and more detail meant a sharper picture, particularly as screen sizes grew from 27 inches to 55 inches to 85 inches to over 100 inches. FOMO on the highest resolution TVs drove a lot of TV owners to upgrade to the latest, greatest, biggest, most pixel-packed new models.

Just How Many Ks Do You Need?

But a funny thing happened on the road to “more Ks.” As 4K TVs became more common, and increased competition lowered the profit margins, TV makers tried their hands at the resolution upgrade game again with the introduction of 8K TVs. To put things in perspective, 4K TVs (3840×2160 pixels) have four times the detail of 1080p TVs (1920×1080 pixels). And 8K TVs (7680×4320 pixels) have four times the detail of 4K TVs. But it turns out that consumers were quite happy with 4K resolution and most were not willing to pay the premium for an 8K TV, particularly with no native 8K content to play on them.

Consumers started to notice that other picture quality elements – like contrast, black levels, color saturation and color gamut – mattered more than resolution for overall picture quality, even on massive 100+ inch screens. So most TV and projector makers, pulled back on 8K support, focusing instead on other differentiating factors like Quantum Dots, Local Dimming, Micro LED backlighting and RGB backlighting for LCD TVs and, of course, OLED and QD-OLED technology for pixel perfect black levels. Projector makers mostly switched from lamp-based illumination to laser lighting engines, which not only improves peak brightness and contrast, but also lasts much longer than traditional bulbs.

Putting the HIGH in High Dynamic Range

With the introduction of 4K/UHD standards, another important element of picture quality was improved, called “Dynamic Range.” This is the difference between the darkest black and the brightest white or color that can be encoded into the movie or TV show. Standard Definition movies and High Definition movies, even those on physical media such as Blu-ray Disc, are significantly limited in their dynamic range, with most movies encoded and mastered for a a peak brightness of only 100 nits. This means the picture can only get so bright, limited by the content itself.

Meanwhile 4K/UHD content supports a much higher range of values between deepest black and peak brightness. This is known as HDR (High Dynamic Range) and it allows 4K movies and TV shows to be much more dynamic, with fine details visible on screen in both the dark shadows and in the brightest areas of the screen. 4K/HDR titles are frequently mastered for a peak brightness of 1,000 nits or 4,000 nits. There are even some HDR titles mastered for 10,000 nits of peak brightness.

Today, TV manufacturers’ support for 8K resolution has virtually disappeared, at least in North America. There are still some displays that support native 8K resolution but they’re few and far between. On the flat panel side, Samsung still has a few TVs that offer native 8K resolution. On the projector side, select home theater projectors from JVC also support native 8K video, displaying it in 8K resolution via pixel shifting technology on their native 4K projectors with 8K eShift.

But there is still apparently some support for 8K from within the industry itself, manifesting itself in the shape of an industry trade group, formed in 2019, known as the “8K Association.” The “8KA” is dedicated to establishing standards and increasing adoption of 8K resolution in all aspects of the video reproduction chain, from the software itself to media players to display devices including TVs and projectors.

Not Just 8K, But Better 4K

Today, Kaleidescape, provider of premium media players and its own digital movie ecosystem, has just announced its first 8K-capable media player, the Strato K ($4,995). The Strato K is not only the first Kaleidescape player to support native 8K movies and TV shows, but it also supports a new higher fidelity 4K media format, called “4K Cinematic.” 4K Cinematic mode offers full 4:4:4 chroma encoding, and much higher bitrates, even compared to Kaleidescape’s current 4K UHD offerings. 4:4:4 chroma encoding and higher bitrates lead to better color detail, crisper images and fewer of the egregious video artifacts that plague low quality streaming sources.

The new Kaleidescape Strato K is the first movie player certified by the 8K Association that meets the performance and interoperability requirements developed by the Association’s Technical Working Group. In addition to Kaleidescape, 8KA members include leading companies such as Panasonic, Samsung and Xperi, along with other contributors to the 8K ecosystem.

According to Kaleidescape, there are already over 150 titles available in the Kaleidescape movie store in 4K Cinematic format. 8K content licensing is also in the works, but 8K title selection is very limited at this time.

In Kaleidescape CEO Tayloe Stansbury’s words, “Kaleidescape’s Strato K is the world’s highest-fidelity movie player. It brings movie lovers closer to the filmmaker’s intent, with cleaner detail, true-to-life color, and a more natural presentation that dramatically improves the viewing experience of any display.”

Strato K is available now for pre-order, at $4,995 US MSRP. In addition, with Strato K’s release, the current flagship Strato V player’s price has been lowered from $4.495 to $3,995 (US MSRP).

The Strato K features a compact form factor, similar in size and general design to the Strato V, but not quite as compact as the Strato E and Strato M. Like the other recently introduced players, the Strato K can operate as a standalone player. Its internal one terabyte (1 TB) solid state drive can store a handful of movies in 4K, 4K Cinematic or 8K formats. For more dedicated movie lovers and collectors, Strato K can be grouped with one or more Kaleidescape Terra movie servers to add movie storage and provide whole-home entertainment.

Like the Strato V, the Strato K supports Dolby Vision dynamic HDR as well as HDR10. Movies and TV shows are available in the Kaleidescape movie store in 8K, 4K Cinematic, 4K, and 2K with lossless multichannel and object-based audio, including Dolby Atmos and DTS:X.

The Kaleidescape Strato K player will make its public debut later today (June 18, 2026) at a special event hosted by the SMPTE Hollywood Section and the 8K Association in the Amazon Culver Theater’s 8K screening room.

Comparison Highlights

The Bottom Line

While interest and excitement around 8K resolution has waned (perhaps for good reasons), we’re happy to see Kaleidescape pushing the quality of media toward to its current limits. With support for both 8K resolution and for higher quality “4K Cinematic” content, and with bit rates and color reproduction that exceed even the highest quality physical media, the Strato K looks like an impressive addition to the line. If you’re looking for a high quality movie player with an eye toward the future, the Strato K is worth checking out.

Where to buy

Related Reading:

Apple will allow developers to distribute apps via third-party marketplaces and process transactions outside its ecosystem.

Apple is opening up app distribution and payments processing in Brazil following an agreement with the country’s antitrust regulator.

These changes follow a three-year long investigation stemming from a complaint filed by Uruguayan e-commerce giant Mercado Libre, which accused Apple of abusing its monopoly in the distribution of apps for its devices.

The new updates will give developers additional options to distribute iOS apps to Brazilian users via alternative app marketplaces, Apple said. Third-party app stores will need to be approved by Apple first, and will need to meet “ongoing requirements to serve developers and users”.

Additionally, Apple will also allow developers to include alternative payment processing methods in their apps or guide consumers to external sites to complete transactions.

These new payment options will appear alongside Apple’s own in-app purchasing. However, purchase history and subscription management will not reflect payments made using third-party methods, the company clarified.

Apple said it will also not provide refunds for transactions conducted outside its ecosystem, and will have less ability to support customers encountering issues, scams or fraud.

The company introduced similar changes in Japan late last year.

In 2025, Brazil’s regulator, Conselho Administrativo de Defesa Econômica (CADE), found Apple to be guilty of anticompetitive conduct within its iOS ecosystem.

Its investigation revealed that Apple prohibited the sale of services from third parties, and required developers to exclusively use the iOS payment system for transactions with customers.

The watchdog found that these practices created “artificial entry barriers” for competitors selling apps and other tools to iOS users.

Later that year, Apple and CADE entered into an agreement to implement anticompetitive measures. The agreement’s requirements are set to last for three years from when Apple announces changes to iOS in Brazil.

The agreement also reduces the commission Apple charges to sell apps on the App Store from 30pc to 10pc for members of the Small Business programme, Video Partner programme, Mini Apps Partner programme, and for subscriptions following their first year – and 21pc for the rest. Apple says a “vast majority” of developers will pay the lower fee.

Some of the developers steering transactions to websites outside iOS will pay a commission of 15pc, while iOS apps being distributed outside the App Store in Brazil will be charged a 5pc commission.

Apple also highlighted a number of cybersecurity issues emerging from opening up iOS to third-party markets and payment platforms.

The company said that it has worked with CADE to introduce new protections against potential malware, fraud or scam threats from third-party services, including an authorisation process for app marketplaces and baseline reviews for all iOS apps.

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Apple TV has a treat for Formula 1 fans. The platform is streaming the Austrian Grand Prix, with all sessions available to watch. This includes practice rounds, qualifiers and the race itself. Even better? It’s free and I don’t mean “free for subscribers.” Anyone can pop open the app and watch, subscription or not.

Events start on June 26 at 7:30AM ET with the first practice round. There’s another practice round later that day at 11AM ET. The qualifying round begins on June 27 at 10AM ET and the race starts at 9AM ET on June 28.

REMINDER ‼️

Apple TV will make the entire Formula 1 Austrian Grand Prix race weekend available FREE to viewers in the U.S., with live coverage from June 26–28. pic.twitter.com/uJ4b1Xp4wP

— Vincenzo Landino (@vincenzolandino) June 18, 2026

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The platform has gone all-in with Formula 1. It recently secured broadcast rights in the US and the company says viewership is up when compared to last year. Despite signing a deal for exclusive streaming rights, Apple has allowed Netflix to air certain races. Others will be available to watch on IMAX screens.

The company is also dipping its toes into other sports. It streamed a Major League Soccer game captured entirely with iPhones and now airs Major League Baseball doubleheaders on Friday evenings.

Apple is bringing alternative app marketplaces and payment options to iPhone users in Brazil under an agreement with the country’s antitrust regulator, extending App Store changes that were previously limited to the European Union.

The changes reflect an agreement with Brazil’s competition regulator, the Conselho Administrativo de Defesa Economica, known as CADE, and will arrive as part of iOS 26.5. Developers can begin integrating the new capabilities immediately.

Developers in Brazil will be able to distribute iPhone apps through marketplaces outside the App Store. Marketplace operators must receive authorization from Apple and comply with ongoing requirements.

Apple will also require apps distributed through alternative marketplaces to pass a notarization process. The company said the review combines automated checks and human oversight designed to identify malware and other known security threats.

Apple is also introducing a revised business model for developers in Brazil. The new structure applies to App Store distribution, alternative payments, and app distribution outside the App Store.

Developers with iOS apps on the App Store in Brazil will pay a reduced commission of either 10% or 21% on sales of digital goods and services, depending on eligibility. Those who continue using Apple In-App Purchase will also pay an additional 5% payment processing fee.

Apple will charge a 15% Store Services Commission on purchases completed through developer websites linked from apps, with some developers qualifying for a reduced 10% rate. Apps distributed outside the App Store will face a 5% Core Technology Commission on sales of digital goods and services.

Developers who sell digital goods and services in Brazil will pay the same amount or less than they do today under the new business terms. Apple will require alternative payment options to appear alongside its own payment system.

The company said the requirement will help users distinguish between purchases processed by Apple and those handled by third parties.

Users who continue using Apple In-App Purchase will retain access to subscription management, refund requests, payment history, and fraud reporting tools. Purchases completed through alternative payment systems or external websites won’t receive the same support features.

Apple will have less ability to assist customers who encounter scams, fraud, or payment disputes involving third-party payment systems. Users may also need to share payment information with additional companies.

Brazil adopts changes similar to Apple’s European framework

Many of the changes mirror Apple’s response to the European Union’s Digital Markets Act. Alternative app marketplaces, app notarization, and external payment options already exist under the company’s EU rules.

Many of the changes mirror Apple’s response to the European Union’s Digital Markets Act

Apple first built much of the underlying framework to comply with European regulations. Brazil is the first major market outside Europe to receive a similar set of marketplace and payment changes.

The company also drew a sharp distinction between Brazil’s agreement and the European Union’s Digital Markets Act. CADE and Japan’s Mobile Software Competition Act allowed safeguards around parental controls, payment choices, and marketplace authorization to remain in place.

Those protections, Apple argued, weren’t possible under the EU framework. One example is Brazil’s requirement that app distribution flow through authorized marketplace operators.

Another is the decision to keep Apple In-App Purchase available alongside alternative payment systems. Together, those measures help address some of the security and fraud risks associated with alternative app distribution and payments, according to Apple.

The U.S. has taken a different approach. Litigation involving Epic Games focused largely on payment steering and restrictions on directing users to outside purchasing options.

The Justice Department’s antitrust case challenges broader questions about competition within the iPhone ecosystem. Neither effort has produced nationwide requirements for alternative app marketplaces.

Apple emphasizes security, child safety, and fees

Apple devoted much of its announcement to security, fraud, and child safety concerns tied to alternative app distribution and payment systems. Apps distributed outside the App Store don’t go through the same review process as App Store apps.

Alternative distribution and payment systems can increase exposure to scams, fraud, malware, and objectionable content. Apple also pointed to pornography apps that became available after similar regulatory changes in Europe and Japan.

Apple preserved several safeguards for younger users in Brazil. Apps in the Kids category can’t use external payment links, and alternative payment systems must include parental gates for users under 18.

Users under 18 also won’t be able to access web-based payment flows from App Store apps. Apple is developing APIs that would allow parents to monitor and approve purchases completed outside Apple In-App Purchase.

Apple is pairing the new marketplace and payment options with alternative fees and commissions. The company used a similar approach in Europe when it introduced marketplace distribution and external payment options.