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Devialet Phantom Ultimate 108 dB Review: Unapologetically French, and Quite Possibly the Best Wireless Speaker You’ve Never Actually Heard

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Devialet does nothing by accident, and the Phantom Ultimate 108 dB wireless speaker under review here is a very deliberate statement. This is the same company that gave us the Mania, the Astra and Astra Opéra de Paris integrated amplifiers, and the Dione soundbar—products where engineering, design, and attitude are inseparable. Subtlety has never been part of the brief, and Devialet isn’t pretending otherwise.

The real question is whether the Phantom Ultimate 108 dB is all presentation and bravado; a galette with no fève inside—or whether, once you strip away the gloss and the French pretense, it’s one of the most genuinely satisfying wireless speaker experiences you can buy today.

The new Phantom Ultimate lineup doubles down on what Devialet does best: extreme performance wrapped in industrial art, powered by next-generation ADH amplification that treats subtlety like an unfashionable Louis Vuitton tote from two seasons ago. Offered in the flagship 108 dB model at $3,800 (each) and the more compact 98 dB version at $1,900, these speakers are loud, ambitious, and technically obsessive by design. the full-size 108 dB flagship and the more compact 98 dB, both clearly designed to be seen as much as heard.

Finish options include Deep Forest, a dark green paired with black chrome accents, and Light Pearl, an ultra-matte off-white that leans modern rather than flashy. Devialet supplied a pair in the Deep Forest finish, and my overall impression is that they integrate easily into a wide range of rooms.

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The darker green and black chrome accents work with both traditional and modern furniture, and they don’t clash with common flooring or carpeting choices, which makes placement less of a design headache than you might expect from something this distinctive.

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Devialet Phantom Ultimate: Fifteen Years of French Obsession, Precision Engineering, and a Taste for Gold

Devialet has been headquartered in Paris since 2007, and in that time they’ve made it very clear they are not interested in blending in or asking permission. The Phantom Ultimate is the result of more than fifteen years of focused engineering, design iteration, and a very French refusal to accept “good enough.” With hundreds of patents across acoustics, electronics, signal processing, and manufacturing, Devialet isn’t chasing novelty—they’re refining a very specific idea of what modern high end audio should look and sound like.

Every curve, finish, and yes, the gold detailing, is intentional. Call it excess if you want, but this is what happens when engineers land in Paris, drink the espresso, ignore the noise, and build exactly what they want—whether the rest of the world is ready or not.

At the core of the Phantom Ultimate collection are several proprietary technologies that shape how Devialet designs and controls its wireless speakers. The focus here is precision and system management rather than novelty, with each technology serving a clearly defined role.

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At the foundation of the Phantom Ultimate 108 dB is ADH New Gen (Analog Digital Hybrid) amplification, which pairs a Class A analog stage with Class D amplification for efficiency and control. In this latest iteration, Devialet has refined the control algorithms to extend high-frequency response up to 35 kHz while keeping thermal behavior and power delivery stable at higher listening levels. The goal here isn’t just output, but consistency when the speaker is pushed.

SAM (Speaker Active Matching) operates continuously in the background, monitoring the drivers in real time and adjusting phase and amplitude as needed. This allows the system to maintain accuracy while ensuring the drivers stay within safe operating limits, particularly during complex or high-energy passages where distortion or stress would otherwise creep in.

Low-frequency performance is handled by HBI (Heart Bass Implosion), which uses opposing woofers in a sealed enclosure to achieve bass extension down to 14 Hz. Instead of relying on a large cabinet, this approach focuses on control and symmetry, allowing the Phantom Ultimate to produce deep bass from a relatively compact enclosure without sounding loose or overblown.

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For everyday use, AVL (Adaptive Volume Level) helps smooth out level changes by automatically adjusting output based on the content being played. This keeps dialogue, music, and dynamic material balanced without constant volume adjustments, particularly when switching between different sources.

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All of this is managed by a new intelligent processor built around the NXP i.MX 8M Nano SoC, which handles signal processing more efficiently than previous generations. Its role is largely invisible, but critical, supporting the speaker’s real-time adjustments without adding unnecessary complexity to the user experience.

Together, these elements explain why the Phantom Ultimate behaves differently from many wireless speakers, emphasizing control and consistency over showmanship.

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Devialet Phantom Ultimate 108 dB: French Overkill or a Serious Wireless Speaker?

Devialet positions the Phantom Ultimate 108 dB as its most advanced Phantom yet, and on paper it’s a serious piece of work: new driver architecture, updated processing, and a feature set built around modern streaming and connectivity. The design brief is clear; high output, wide bandwidth, and tight control without turning the speaker into a complicated science project for the owner. Devialet also points to four newly registered patents tied to the Ultimate platform, which is their way of saying this isn’t just a cosmetic refresh with a new paint code.

The core hardware is a three-way layout built around a new-generation aluminum dome tweeter, a new-generation aluminum midrange dome, and two new-generation ABS-dome woofers. The bass system is engineered for low-frequency extension and control, the midrange is meant to reduce resonance so voices and instruments stay clean, and the tweeter redesign focuses on durability and refinement up top.

In practical terms, that translates to a claimed frequency response of 14 Hz to 35 kHz within plus or minus 6 dB, which is a very wide window for a single-box wireless speaker, and a maximum output rated at 108 dB SPL at 1 meter. Total amplification is listed at 1,100 watts, and Devialet is using 32-bit/96 kHz processing as the platform for all of the internal DSP and system management.

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Connectivity is current and straightforward. The Phantom Ultimate 108 dB supports Wi-Fi 6 and Bluetooth 5.3, and it runs on Devialet’s DOS 3 software platform. Streaming support includes AirPlay, Google Cast, Roon Ready, Spotify Connect (with lossless promised “coming soon”), TIDAL Connect, and UPnP.

The control center is the Devialet app, which adds practical listening presets like Music, Podcast, and Cinema modes, and handles updates so the system can evolve over time.

One important note from my time with the speakers: Qobuz Connect was not part of the deal during this review period. Based on how aggressively Devialet has been expanding protocol support, I wouldn’t be shocked if that changes, but I’m not treating it as a feature until it’s actually live.

Physically, the Devialet Phantom Ultimate 108 dB is deceptively compact-looking, but it’s not small once you measure it (or try to lift it like you’re still twenty five). The cabinet is 246 mm (9.7 in) wide, 342 mm (13.5 in) deep, and 255 mm (9.7 in) tall, and each speaker weighs 11.1 kg (24.5 lbs), and yes—this is the part where my doctor would have preferred I respected my post-surgery lifting limits. I didn’t. Moving them is a two-hands, pay-attention job, and once they’re in place you’ll understand why Devialet isn’t pretending these are “portable” in any meaningful sense.

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The build quality, however, is excellent. The finish work is clean, the fit is tight, and the overall product looks like nothing else in the category—whether you find that thrilling or slightly ridiculous is between you and your interior designer.

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Setup is refreshingly simple, because Devialet doesn’t give you a spaghetti bowl of inputs. You’ve got power, and you’ve got Ethernet to hardwire them for stability. That’s basically it. The top-mounted interface uses four touch controls, and day to day operation is mostly app-driven. If you’re the type who wants a wireless speaker that behaves like an appliance, this is closer to that than many “audiophile” lifestyle products that still manage to be fussy.

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So the Devialet Phantom Ultimate 108 dB is less about ticking spec-sheet boxes and more about how it behaves in real rooms. In the Deep Forest finish, it actually comes across as more restrained than you might expect—especially by Devialet standards. The dark green and black accents read as deliberate rather than flashy, and in lower light it can feel surprisingly understated for a product with this much output on tap.

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Devialet Phantom Ultimate 108 dB is available in Light Pearl, Deep Forest, and Gold Leaf (Opéra de Paris).

It’s also worth stressing that these are sold as individual speakers, not pairs, and setup matters. Even running a single unit, I had no trouble filling multiple spaces: my living room at 20 x× 13 x 9 feet, a den at 16 x 13 x 9 feet, and even a former basement office here in New Jersey measuring 33 x 13 x 8 feet. In all three, the Phantom Ultimate delivered real scale—solid low-end weight, strong presence, and more volume than anyone would reasonably need. Your ears will give up long before the speaker does.

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In larger, open-concept spaces, that sense of scale becomes even more obvious. Depending on the music and how hard you push it, the Phantom Ultimate can sound genuinely large and authoritative in a way most wireless speakers simply cannot manage. That ability to impose itself when asked—without falling apart or sounding strained—is still rare in this category, and it’s where the Phantom Ultimate 108 dB quietly separates itself from the pack.

Devialet Phantom Ultimate Accessories: Essentials, Options, and Real-World Proof

Devialet includes a two-year manufacturer warranty with all of its products, covering defects in materials, workmanship, and design. Coverage can be extended by an additional three years through Devialet Care for $120. The process is entirely digital; purchase the plan, receive an activation code by email, and you’re done. Clean, efficient, and very much on brand.

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Devialet Phantom Ultimate Remote

For control, there’s the Phantom Ultimate Remote priced at $199. One remote can operate a single speaker or a stereo pair, and multiple remotes automatically synchronize if you’re using more than one. It’s responsive, intuitive, and a welcome alternative to reaching for the app every time you want to adjust volume or switch content.

Placement matters with the Phantom Ultimate, and Devialet treats it that way. The Treepod Stand at $349 is available in Iconic White, Deep Forest, and Light Pearl. It measures 424 × 345 × 370 mm (16.7 × 13.6 × 14.6 inches) and positions the speaker precisely 345 mm (13.6 inches) above ground level. That height is intentional, placing the speaker where Devialet believes it performs best, while the solid construction keeps everything stable.

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The Tree Smart Stand, priced at $399, offers a more vertical, furniture-like presentation. Measuring 340 × 660 mm (13.4 × 26.0 inches), it’s also available in Iconic White, Deep Forest, and Light Pearl. Compared to the Treepod, it’s less about flexibility and more about committing to a specific visual and spatial statement in the room.

For wall mounting, the Gecko Wall Mount costs $299 and is designed to securely support the Phantom Ultimate 108 dB while maintaining proper acoustic orientation. It’s adjustable, relatively easy to install, and offered in Light Pearl, Deep Forest, and Opéra de Paris finishes so the speaker doesn’t look like an afterthought once it’s off the floor.

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I’ve seen the Gecko used effectively outside of a home setting as well; specifically at George Bush Intercontinental Airport in Houston. After spending a few days at the first Focal Powered by Naim location in the land of the trash-can beaters, I ended up in a restaurant near the terminal where a trio of Phantoms were mounted above the bar. Even with constant foot traffic, terminal noise, and a packed room, the sound was easy to follow and never got lost in the chaos.

None of these accessories are strictly required, but together they reinforce a consistent theme: with Devialet, placement is part of the product. How the Phantom Ultimate is supported, positioned, and integrated into a space isn’t an afterthought—it’s baked into the entire overall experience.

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Devialet Phantom Ultimate on Treepod Stands

Devialet Phantom Ultimate 108 dB Setup: What You Need to Know Before You Hit Play

Yes, the Devialet app is required to set up the Phantom Ultimate during first use. There’s no workaround here. Without completing the initial configuration in the app, the speaker won’t operate—not even over Bluetooth. Think of the app as the ignition key; once setup is complete, day-to-day use is simple, but you can’t skip that first step.

If you’re wondering about stereo pairing, the answer is equally straightforward: you can only pair two speakers of the same model. A Phantom Ultimate 108 dB must be paired with another 108 dB unit, and the same rule applies to the 98 dB version. You can’t mix Phantom I and Phantom Ultimate models in a stereo configuration.

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As for placement, Devialet’s recommendations are sensible and worth following, especially given how much output these speakers are capable of. Position the Phantom Ultimate between 45 and 90 cm (18 to 35 inches) off the ground to balance impact and clarity. Leave at least 30 cm (12 inches) between the rear of the speaker and the wall to allow low frequencies to develop properly, and keep the area in front of the speaker clear so sound isn’t obstructed.

Listening distance matters, too. Devialet suggests placing the speaker 1.5 to 2.5 meters (5 to 8.2 feet) from your seating position. In a stereo setup, space the speakers 1.5 to 2.5 meters apart and toe them in 25 to 30 degrees toward the listening position. Done right, this creates a stable, focused soundstage without forcing the speakers to work harder than they need to.

In my own setup, I took a more hardwired approach. I ran CAT6 directly from a new Verizon Fios fibre optic modem, which sits directly below the main floor. From there, I’ve terminated connections in seven rooms throughout the house, each either connected directly to the modem or through an ASUS Mesh WiFi 7 router. In every location I tested, the Phantom Ultimate speakers were seeing at least 700 Mbps of available bandwidth, regardless of where they were placed. Connectivity was never a limiting factor.

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Placement experiments went beyond the official recommendations as well. In one configuration, I set the speakers on our dining room credenza using IsoAcoustics isolation platforms, which raised the center of the driver to approximately 45 inches off the floor. In other setups, the speakers were spaced 6 to 7 feet apart and positioned 2 to 3 feet from the rear wall.

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Setup with the Devialet app was relatively easy and mostly uneventful, which is a good thing. The speaker was discovered quickly on the network, and the step-by-step process was clear enough that there was little guesswork involved. Since the app is required for initial setup and the speaker won’t function without it, it’s reassuring that the process doesn’t feel complicated or fragile.

The app version in use during my time with the Phantom Ultimate was 1.25.x, which added full support for the Ultimate platform. That update introduced additional audio settings for the Phantom Ultimate models, including three listening modes, a six-band equalizer, and other advanced controls, along with a revised layout and a smoother setup and stereo-pairing process.

Network discovery was consistent, and firmware updates completed without issues. The expanded Network Status section, which shows Wi-Fi strength and connection quality, was useful for confirming that everything was operating as expected.

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Streaming support is handled through integrated protocols rather than forcing you into a closed ecosystem. Bluetooth, AirPlay 2, Spotify Connect, Roon Ready, and UPnP were all available, and switching between services was straightforward. Volume control is precise, whether adjusting a single speaker or managing playback across rooms.

I also tested multi-room playback with one speaker in each room. Synchronization was generally solid, with only a slight delay when starting playback across rooms—small enough that you’d likely miss it unless you were listening for it. Once playing, everything stayed aligned, and the app allows different volume levels in each room, which makes the feature genuinely usable rather than decorative.

Devialet Phantom Ultimate 108 dB Green Pair on Tree Stands Lifestyle
Devialet Phantom Ultimate 108 dB Green Pair on Tree Stands

Listening Impressions: Attitude Française, Sans le Ridicule

The urge to see what kind of structural damage these could inflict was definitely there right out of the box, but I held back. From past experience with Devialet speakers, I already knew the low-end story—deep bass, serious impact, and plenty of definition were a given. My longer-term takeaway from earlier models, though, was that all that sub-bass and mid-bass muscle sometimes came at the expense of midrange presence. Call it a polite “V” if you want.

Before getting more critical, I let the speakers run for a few hours a day over several days, looping music from an older iPhone 14. Whether burn-in is real is always up for debate, but at the very least, no drivers were harmed in the process—and if there’s any downside to repeated sessions of Shostakovich followed by deadmau5, I haven’t found it yet.

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The Phantom Ultimate feels different, and in a way that mattered to me. There’s still weight and authority down low, but it no longer feels like the midrange is being asked to take a step back. That shift shows up quickly with something like Nick Cave’s “Avalanche.” His voice is there, front and center, but it’s the piano and string textures that really benefit—notes have body, tone, and decay, which are essential to how that track works. On better speakers, those elements carry as much emotional weight as the vocal, and here they finally do.

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Domestic realities (it’s been a long two years) meant I didn’t push the Phantom Ultimate 108 dB to the kind of levels that would have felt a little irresponsible, but I did get it loud enough to understand what it’s capable of. Even without going full send, there was plenty of mid-bass and lower midrange energy, and that weight carried well beyond the main listening position.

Moving around the room, the soundstage did lose some specificity, but there was no hollowing out of the sound or collapse in scale. The overall presentation stayed intact, with weight and presence remaining consistent even when listening well off-axis.

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That translated across all three rooms I used for testing, where the presence was obvious without needing to sit in a carefully defined sweet spot. At one point, I did catch myself wondering whether this was simply too much speaker for the space. That thought disappeared the moment I pulled the volume back to just above conversation level. Everything snapped into focus—timing felt right, dynamics were intact, and the speaker didn’t lose its grip. It’s a reminder that control matters more than brute force, even when a speaker clearly has plenty of it in reserve.

Switching over to Peter Gabriel—Been Undone (Dark-Side Mix), “In Your Eyes,” i/o (Bright Side Mix), Games Without Frontiers,” and Biko—it became clear that the Phantom Ultimate is very much tuned for listeners who gravitate toward electronic music, synth-driven rock, and rhythm-forward material. The presentation is propulsive and clean, with a lot of detail on tap; some might call it borderline “hi-fi”—and it delivers real slam without smearing bass lines or slowing things down. There’s texture and speed here, and the speaker has no trouble keeping complex mixes organized at higher levels.

Vocals on some of these tracks leaned slightly toward a polished, studio-lit presentation rather than a softer, more natural one, but the trade-off is scale. The Phantom Ultimate sounds big in a way that would make most of the passive speakers I own feel small, especially when it comes to low-end reach and overall presence.

Biko,” “So Much,” and In Your Eyes hit differently for me, and that had less to do with the speaker than the music itself. Those tracks carry their own weight; memories of not being at your best with someone, and the kind of longing that puts you back under a blanket on a beach in Cape Town. We own our successes and our failures. Gabriel just has a way of making both feel uncomfortably close.

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deadmau5, Boards of Canada, Talking Heads, and Tangerine Dream were a very different experience through these speakers. The sense of scale, presence, speed, and spaciousness brought out aspects of their music that few other speakers I’ve used over the years have managed to capture as convincingly. Rhythms had drive, layers stayed separated, and the overall presentation felt expansive without losing control.

If I had a larger home office and a dog who wouldn’t spend the entire day staring suspiciously at them—these would be very high on my list.

Listening to McCoy Tyner, Donald Byrd, Coltrane, Wes Montgomery, Miles Davis, Grant Green, and Lee Morgan highlighted both the strengths and the limits of these speakers. Rhythm, snap, and tonal weight are clear positives. The Phantom Ultimate locks into timing well, and it gives piano, bass, and drums real propulsion without sounding slow or bloated.

Texture was there, but it sometimes felt a little constructed—more grey than warm. Compared to my Wharfedale, Q Acoustics, or Triangle speakers, there was less richness in the upper bass and lower midrange. The Devialet brings power, thrust, and precision, but it doesn’t lean into the kind of imperfect coloration that, for me, makes jazz feel more human and less polished.

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Horns, to their credit, weren’t bright or edgy, but you can clearly hear the character of an aluminum dome tweeter versus a soft dome. One rolls off sooner and trades sparkle for ease; the other delivers more energy and extension up top. Neither approach is wrong, but which one is more pleasing comes down to taste—and with acoustic jazz, my preference still leans toward warmth over sparkle.

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The Bottom Line

The Phantom Ultimate 108 dB is a reminder of what happens when a wireless speaker is engineered like a serious loudspeaker rather than a lifestyle accessory. The technology matters here—ADH New Gen amplification, aggressive DSP control, serious processing power, and drivers that are designed to move air with authority. What it does best is scale, speed, and clarity. Few wireless speakers I’ve heard can project this kind of weight and presence into a room without falling apart, and even fewer maintain control when pushed. As a pair, the Phantom Ultimate delivers a level of output and composure that most wireless systems simply can’t approach.

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That said, it’s not perfect. While bass control, dynamics, and timing are excellent, the tonal balance leans toward precision over warmth. Acoustic textures, particularly in jazz—can sound a bit polished compared to the richer, more forgiving voicing of my Wharfedale, Q Acoustics, or Triangle speakers. And while the aluminum dome tweeter brings energy and extension, some listeners may prefer the softer roll-off and natural ease of a traditional soft dome design.

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This is a speaker for listeners who want maximum performance with minimal boxes, who value modern streaming, industrial design, and the ability to fill large or open spaces without resorting to separates, subwoofers, or complicated setups. At $3,800 per speaker, it’s unquestionably expensive, and it should be—this isn’t competing with mainstream wireless speakers on price. It’s competing on capability.

Even so, there’s no way around the conclusion: the Phantom Ultimate 108 dB earns an Editors’ Choice Award. In terms of sheer scale, power, speed, and clarity from a wireless speaker system, it’s the most convincing I’ve heard. Everything else I have at home from KEF, Triangle, Audioengine, and Q Acoustics sounds slightly broken by comparison—also far more affordable, and very much playing in a different league.

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Google Home update soups up Gemini and fixes frustrating papercuts

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Google is rolling out a fresh update for the Google Home app that makes Gemini a lot more useful in day-to-day use, while also addressing several small but frustrating issues that have been holding it back.

What’s new with Gemini for Home?

One of the biggest upgrades with this update is speed. Google says common smart home commands like turning lights on or off can now be up to 40 percent faster. That should make a noticeable difference for those who rely on voice controls throughout the day. Gemini’s Live Translation feature is also quicker and more responsive, and now supports Canadian French, taking the total number of supported languages to 30.

The update also focuses heavily on making responses less chatty. Instead of long confirmations, Gemini now keeps things short and direct. So a command like setting an alarm gets a simple “Alarm set for 9 AM” instead of a full sentence. It is a small change, but one that should make interactions feel smoother.

What else is changing with the latest update?

On the features front, Gemini is getting smarter with alarms and timers. Users can now set them based on real-world events, manage multiple actions in one go, and even ask about the original timer duration. Recurring alarms and proper snooze controls have also been fixed, addressing one of the main annoyances users had with Gemini for Home.

There are improvements beyond voice, too. Google is expanding Gemini for Home to more countries and introducing new automation options in the Google Home app. These include triggers tied to appliances like ovens and new lighting effects such as wake and sleep modes.

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Individually, these updates are minor, but together they should make Gemini feel faster, more responsive, and much more reliable than before. The new release follows an update from earlier this month that also brought performance improvements and bug fixes for Gemini’s smart home voice controls.

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Prime Video Ultra Launches at $4.99 Per Month as Amazon Rebrands Ad Free Tier and the Streaming Price Creep Continues

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The streaming wars never slow down. They just find new ways to charge admission.

Starting April 10, 2026, Amazon will rename its existing Prime Video Ad Free tier as Prime Video Ultra, priced at $4.99 per month in the United States. The new tier adds several upgrades that Amazon clearly hopes will justify the new branding and the monthly fee: up to five concurrent streams instead of three, as many as 100 downloads instead of 25, and exclusive access to 4K and UHD streaming.

Amazon frames the change as a necessary step to support the cost of premium streaming. According to the company, delivering ad free video with higher-end features requires significant investment, and the new structure brings Prime Video more in line with the pricing models used by other major streaming services. In other words, welcome to the club.

For Prime members, the baseline Prime Video benefit remains intact. Subscribers will still receive HD and HDR streaming as part of the standard Prime membership, and Amazon says Dolby Vision support will now be included at no additional cost. The new Ultra tier simply stacks additional perks on top of the existing service for viewers who want more streams, more downloads, and access to the highest video resolution.

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All of this arrives against a particularly chaotic backdrop in the streaming business. The recent bidding war involving Netflix and Paramount over the future of Warner Bros Discovery, CNN, and HBO MAX has already reshaped the landscape, with the Ellisons emerging victorious and the industry bracing for the fallout. One thing seems certain as the dust settles: none of these services are getting cheaper.

Amazon may have deeper pockets than most of its competitors, but it is not immune to the math. Producing blockbuster series and films at scale costs real money, and those glossy originals are not paying for themselves. Renaming the ad free tier Prime Video Ultra may sound like a cosmetic change, but the message behind it is clearer than ever.

The era of cheap streaming is over. The meter is running.

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Amazon’s new Prime Video Ultra tier doesn’t replace the core Prime Video benefit included with a Prime membership. Instead, it layers premium streaming features on top of the existing service for viewers who want ad free playback, higher video resolution, and more flexibility for downloads and concurrent streams.

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The chart below breaks down what stays included with Prime and what the new $4.99 per month Ultra tier adds starting April 10, 2026.

Feature / Option Prime Video Benefit (Included with Prime Membership) Prime Video Ultra Subscription
Content Library Thousands of premium movies, TV series, and live sports including NFL, NBA, NASCAR, and The Masters Same content library
HD (High Definition)
HDR (High Dynamic Range)
Dolby Vision ✔ Newly available
Offline Downloads Up to 50 downloads for offline viewing (increased from 25) Up to 100 downloads for offline viewing
Concurrent Streams Up to 4 simultaneous streams (increased from 3) Up to 5 simultaneous streams
Ad Free Viewing
4K UHD Video
Dolby Atmos Audio
Price Included with Prime membership ($14.99 per month or $139 per year) $4.99 per month starting April 10. Prime or Prime Video subscription required. Annual option $45.99 per year (about 23% savings vs monthly).

Access to Prime Originals, Movies, and Live Sports

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Whether you stick with the Prime Video benefit included with a Prime membership or upgrade to Prime Video Ultra, the underlying content library does not change. Both options provide access to Amazon’s full catalog of Amazon MGM Studios originals, licensed films and series, and exclusive live sports programming.

That lineup includes popular Prime Original series such as FalloutReacherThe Boys, The Lord of the Rings: The Rings of Power, and The Summer I Turned Pretty. Amazon’s growing slate of original films is also included, with titles such as Heads of StateRed OneRoad House, and The Accountant 2.

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Live sports remain a major draw for the platform as well. Prime Video carries exclusive coverage and events tied to the NFL, NBA, WNBA, NASCAR, NWSL, and The Masters, alongside additional licensed programming and films.

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In other words, Prime Video Ultra does not unlock additional content. The catalog remains the same. What the Ultra tier adds are premium viewing features such as ad free playback, higher video resolution, Dolby Atmos surround sound, and expanded streaming and download limits.

The Fine Print: What Prime Video Ultra Still Won’t Do

Before anyone assumes Prime Video Ultra is a magic “no ads, everything in 4K, watch it anywhere forever” button, there are a few realities worth noting.

First, Prime Video Ultra is currently limited to customers in the United States. If you’re outside the U.S., the “Ultra” experience will have to wait.

Second, ad free does not mean ad free everywhere. Live programming such as sports broadcasts, certain licensed content, and third party channel subscriptions may still contain advertising. That’s the nature of live television and licensing deals. Amazon can remove ads from its own playback environment, but it can’t rewrite every contract in the sports world.

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Third, the improved download and concurrent stream limits apply to your entire account, not to each individual profile. So if five people in the household are streaming at once or loading devices with downloads before a trip, those limits are shared across everyone using the account. There may also be additional restrictions depending on the specific title, device, or content provider.

Finally, the premium tech perks come with the usual fine print. 4K UHD video, Dolby Vision, and Dolby Atmos are only available on supported titles and require compatible devices and enough internet bandwidth to actually deliver them. Not every movie or show in the catalog is available in every format.

The Bottom Line

Amazon’s Prime Video Ultra tier is less about new content and more about unlocking the premium viewing and audio experience. For $4.99 per month extra, subscribers get ad free playback, expanded streaming and download limits, and access to higher resolution 4K UHD video, along with Dolby Vision and Dolby Atmos surround sound.

Prime members who stick with the included Prime Video benefit will still get the same catalog of movies, series, and live sports, but without the highest resolution formats or ad free viewing. However, this tier does get Dolby Vision added, which wasn’t included before, at no extra charge.

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In the bigger picture, this move reflects where the streaming business is heading. As studios spend billions on original content and compete for sports rights, subscription tiers are becoming more segmented and more expensive. Prime Video Ultra is simply Amazon’s latest reminder that the era of cheap streaming is over.

Sign-up for Amazon Prime.

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Today’s NYT Strands Hints, Answer and Help for March 18 #745

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Looking for the most recent Strands answer? Click here for our daily Strands hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle, Connections and Connections: Sports Edition puzzles.


Today’s NYT Strands puzzle is kind of bizarre. Even after I had found some of the answers, the theme didn’t click in my brain until I was almost done with the puzzle. And some of the answers are difficult to unscramble, so if you need hints and answers, read on.

I go into depth about the rules for Strands in this story

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If you’re looking for today’s Wordle, Connections and Mini Crossword answers, you can visit CNET’s NYT puzzle hints page.

Read more: NYT Connections Turns 1: These Are the 5 Toughest Puzzles So Far

Hint for today’s Strands puzzle

Today’s Strands theme is: It follows.

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If that doesn’t help you, here’s a clue: Not death…

Clue words to unlock in-game hints

Your goal is to find hidden words that fit the puzzle’s theme. If you’re stuck, find any words you can. Every time you find three words of four letters or more, Strands will reveal one of the theme words. These are the words I used to get those hints but any words of four or more letters that you find will work:

  • LEFT, COLE, HOLE, LACK, BILE, LEACH, SOLE, LOSE, LIFE, SEER, STEEL, STERN, FAIL

Answers for today’s Strands puzzle

These are the answers that tie into the theme. The goal of the puzzle is to find them all, including the spangram, a theme word that reaches from one side of the puzzle to the other. When you have all of them (I originally thought there were always eight but learned that the number can vary), every letter on the board will be used. Here are the nonspangram answers:

  • COACH, HACK, BLOOD, CYCLE, STYLE, LESSON, PRESERVER. (All words that can follow the word “LIFE.”)

Today’s Strands spangram

completed NYT Strands puzzle for March 18, 2026

The completed NYT Strands puzzle for March 18, 2026.

NYT/Screenshot by CNET

Today’s Strands spangram is AFTERLIFE. To find it, start with the A that is the furthest-left letter on the top row, and wind down.

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Toughest Strands puzzles

Here are some of the Strands topics I’ve found to be the toughest.

#1: Dated slang. Maybe you didn’t even use this lingo when it was cool. Toughest word: PHAT.

#2: Thar she blows! I guess marine biologists might ace this one. Toughest word: BALEEN or RIGHT. 

#3: Off the hook. Again, it helps to know a lot about sea creatures. Sorry, Charlie. Toughest word: BIGEYE or SKIPJACK.

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A Quantum Leap for the Turing Award

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Today it’s widely acknowledged that the future of computing will involve the quantum realm. Companies like Google, Microsoft, IBM, and a few well-funded startups are frantically building quantum computers and routinely claiming advances that seem to bring this exotic, world-changing technology within reach. In 1979 all of this was unthinkable. But that summer, two scientists met in the Atlantic Ocean off the coast of Puerto Rico, and their aquatic conversation led to a body of work that created quantum information theory. In a larger sense, their contributions helped bring computer science into the quantum age.

Those water-logged scientists, Charles Bennett and Gilles Brassard, are now the latest recipients of the ACM A.M. Turing Award, the Nobel Prize of the field.

Until that 1979 meeting, there had been a disconnect between information science and physics. The latter field had experienced a disruption in the early 20th century when physicists discovered quantum mechanics, a deeper explanation of how the universe operated that superseded the classical physics of Issac Newton. Computer science, however, didn’t account for the quantum world, except for having to deal with its effects on tiny chips, where the behavior of electrons were relevant.

“In the 1950s through the 1980s people thought of quantum effects as occurring in very small things and as a source of noise—you had to understand quantum theory to build transistors,” explains Bennett. “People thought of quantum mechanics as a nuisance.” He and Broussard discovered methods—like quantum coin-tossing and quantum entanglement—that turned the perceived handicaps of quantum reality into a powerful tool.

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At the time of their meeting, Bennett was at a career crossroads; he’d joined IBM in 1973, but had taken a years-long break from academic publishing. One source of continuing fascination was an idea shared by a college classmate, Steven Weisner—that using a quantum form of cryptography could enable digital money that could not be counterfeited. (Yep, Weisner envisioned cryptocurrency in the late 1960s!) At the 1979 conference, Bennett saw that a cryptographer named Brassard was in attendance—he had just completed a dissertation on public-key crypto—and located him offshore.

“So there I was swimming in the beach when a complete stranger came up to me and started telling me that a friend of his found that we can use quantum mechanics to make affordable banking notes out of nowhere,” Broussard tells me. “If I had been on firm ground, I would have run for my life, but I was trapped in the ocean, so I listened politely.” Though Brassard had no previous interest in physics, he was intrigued by the approach, and the pair eventually published a theory called BB84, essentially creating an alternative to classic public-key cryptography based on what would become quantum information theory. Suddenly, the world of the quantum became a source of solutions—if scientists could invent the mechanisms to make it happen. As Yannis Ioannidis—president of ACM, which bestows the Turing Award—put it in a statement, “Bennett and Brassard fundamentally changed our understanding of information itself.”

Both scientists take pains to say that their original work did not lead directly to the current scramble to build quantum computers. Bennett notes that in a 1981 conference at MIT, legendary physicist Richard Feynman “made the point that, since nature is quantum, probably some computational jobs would need to be done by a quantum computer.” He also credits physicist David Deutsch for key ideas about quantum computers. Bennett and Brassard became part of that effort.

“Quantum computing was invented independently from us, but then we jumped in,” says Brassard. “I was the first person to design a quantum circuit to do quantum teleportation.” Brassard and Bennett’s work on teleportation, while still in an experimental stage, is now part of the quantum lore. Brassard has said that “one day, it will fuel the quantum internet.”

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MSI plans to raise prices by up to 30% amid memory crunch

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MSI plans to increase the price of its PC products by 15 – 30%, company general manager Huang Jinqing recently said. Speaking with investors, Jinqing confirmed that the entire hardware industry is facing unprecedented market conditions. Memory manufacturers have almost entirely shifted their priorities, allocating the majority of their production…
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Rogue AI agents hack corporate systems on their own while completing routine tasks, and nobody even asked them to

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  • AI agents independently discovered vulnerabilities and exploited them while performing routine tasks
  • Multi-agent systems collaborated to bypass data-loss prevention and steal sensitive credentials
  • Backup server AI escalated privileges to disable endpoint protection and complete downloads

Routine tasks assigned to artificial intelligence agents can sometimes escalate into actions resembling cyberattacks, experts have warned.

Security laboratory Irregular examined how autonomous agents behaved inside a simulated corporate environment while performing ordinary assignments.

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‘This year is the most challenging year since the company was founded’: MSI exec makes it clear how bad the RAM crisis has got, despite some prices plateauing

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  • MSI’s general manager has called 2026 the “most challenging year since the company was founded”
  • The RAM crisis is hitting the laptop maker hard, and it’s cutting back on production of low-end notebooks by 30% as a result
  • There is brighter news elsewhere as DDR5 RAM prices are seemingly dropping in Europe – but not by that much

The RAM crisis is again exerting unwanted pressures on the broader PC market, even while some slightly more optimistic news has reached us on memory pricing over in Europe.

The dose of pessimism comes from MSI, which is going to jack up the prices of its ‘gaming products’ in the order of 15% to 30% this year. This is according to general manager Huang Jinqing on a recent earnings call, as per a report from Taiwan’s United Daily News (via Tom’s Hardware).

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How To Grow Large Sugar Crystals

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Many substances display crystallization, allowing them to keep adding to a basic shape to reach pretty humongous proportions. Although we usually tend to think of pretty stones that get fashioned into jewelry or put up for display, sugar also crystallizes and thus you can create pretty large sugar crystals. How to do this is demonstrated by [Chase] of Crystalverse fame in a recent video.

This is effectively a follow-up to a 2022 blog article in which [Chase] showed a few ways to create pretty table sugar (sucrose) based crystals. In that article the growth of single sucrose crystals was attempted, but a few additional crystals got stuck to the main crystal so that it technically wasn’t a single crystal any more.

With this new method coarse sugar is used both for seed crystals as well as for creating the syrupy liquid from mixing 100 mL of water with 225 grams of sugar. Starting a single crystal is attempted by using thin fishing wire in a small vessel with the syrup and some seed crystals, hoping that a crystal will lodge to said fishing wire.

After a few attempts this works and from there the crystals can be suspended in the large jar with syrup to let them continue growing. It’s important to cover the jar during this period, as more crystals will form in the syrup over time, requiring occasional removal of these stray ones.

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Naturally this process takes a while, with a solid week required to get a sizeable crystal as in the video. After this the crystal is effectively just a very large version of the sugar crystals in that 1 kg bag from the supermarket, ergo it will dissolve again just as easily. If you want a more durable crystal that’s equally easy to grow, you can toss some vinegar and scrap copper together to create very pretty, albeit toxic, copper(II) acetate crystals.

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Building An LC Meter With A Franklin Oscillator

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Although it dates back to the early days of the Marconi Company in the 1920s, the Franklin oscillator has remained a relatively obscure circuit, its memory mostly kept alive by ham radio operators who prize its high stability at higher frequencies. At the core of the circuit is an LC tank circuit, a fact which [nobcha] used to build quite a precise LC meter.

The meter is built around two parts: the Franklin oscillator, which resonates at a frequency defined by its inductance and capacitance, and an Arduino which counts the frequency of the signal. In operation, the Arduino measures the frequency of the original LC circuit, then measures again after another element (capacitor or inductor) has been added to the circuit. By measuring how much the resonant frequency changes, it’s possible to determine the value of the new element.

Before operation, the meter must be calibrated with a known reference capacitor to determine the values of the base LC circuit. In one iteration of the design, this was done automatically using a relay, while in a later version a manual switch connects the reference capacitor. Because the meter measures frequency differences and not absolute values, it minimizes parasitic effects. In testing, it was capable of measuring inductances as low as 0.1 µH.

We’ve seen a few homebrew LC meters here, some battery-powered and some rather professional.

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Tech Moves: Ex-Microsoft leader takes nonprofit CEO role; Google vet joins LinkedIn; Amazon leaders depart

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Steven VanRoekel. (ESP Photo)

Steven VanRoekel, a longtime former Microsoft leader and U.S. chief information officer under President Obama, is now CEO of Earth Species Project (ESP). The non-profit research lab is using artificial intelligence to better understand animal communication in creatures from carrion crows to beluga whales.

VanRoekel, who is based in Bend, Ore., said his career has focused on driving impact at scale, and that ESP is poised for big breakthroughs.

AI can “unlock the mysteries of our planet, especially around animal communication,” he said in an ESP blog. “Once we begin unlocking that mystery, we could see shifts on the scale of Copernican or Galilean moments in history: new science, new understanding, and perhaps most importantly, new relationships with our planet.”

Krzysztof Duleba. (LinkedIn Photo)

Krzysztof Duleba joined LinkedIn’s Bellevue, Wash., office as a distinguished engineer in its infrastructure program. Duleba has spent his career at Google, working there for 18 years in roles across search, ads, maps, AI and cloud. In separate posts on LinkedIn, Duleba shared his career journey.

“Eighteen years ago, a kid from rural Poland walked into Google with no idea what he was getting into. He walked out a very different engineer, a father of three, and — he hopes — a better person,” Duleba wrote in announcing his Google departure.

And regarding his new role: “LinkedIn is in the middle of a major infrastructure transformation, and the timing matters. I consider getting reliability economics right during this window, before agentic development fully hits, the difference between drowning in the AI wave and catching it.”

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Dennis Stansbury. (LinkedIn Photo)

— London-based Dennis Stansbury is resigning from Amazon after more than 18 years. He has held a variety of leadership roles in European offices, most recently serving as a principal product manager for Prime Video and Amazon MGM Studios in the United Kingdom.

“I started in Seattle in March 2008, shortly after Kindle launched but before Prime Video or Alexa were likely even ideas,” Stansbury said on LinkedIn, adding that he’s going “to take some time off and put more thought into what’s next.”

Miranda Chen. (LinkedIn Photo)

— After nearly 14 years at Amazon, Miranda Chen is leaving her role as a director and technical advisor for leaders in worldwide corporate and business development. Chen, who is based in the San Francisco Bay Area, did not indicate her next move.

“I first started working for Amazon at A9, a Bay Area subsidiary, where we could review the key metrics for our entire offsite advertising business in a single weekly meeting,” she said on LinkedIn. “Now we have Amazon offices worldwide and Amazon Ads is a meaningfully large business.”

Scott Lawson, Amazon director of Global Real Estate and Facilities (GREF) design and construction, is leaving his role. Seattle-based Lawson has been with Amazon for nearly nine years. He was previously with Clark Construction Group working on developments nationwide. Lawson hinted on LinkedIn that information on his “next chapter” would be coming soon.

Danielle Decatur. (LinkedIn Photo)

Danielle Decatur is vice president of community engagement and communications for Cloverleaf Infrastructure, a startup based in Seattle and Houston that’s coordinating between landowners and power providers to offer ready-to-build sites tailored for data centers.

“I’ll be dedicated to enabling data center infrastructure that works for and directly benefits communities,” Decatur said on LinkedIn. The sector is facing pushback over concerns about energy prices and environmental impacts of the facilities.

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Decatur was previously at Microsoft for more than 14 years, working most recently as director of energy and sustainability. Cloverleaf co-founder Brian Janous is Microsoft’s former vice president of energy. Earlier in her career, Decatur served with the U.S. Air Force and with FEMA.

Bradford Snow. (LinkedIn Photo)

Augmodo named Bradford Snow as chief technology officer. The Seattle startup is developing wearable tech for retail store employees and Snow will focus on Augmodo’s technical vision and innovation strategy.

Snow joined the company from Axon, which sells taser devices and body cameras. His career also includes leadership roles at multiple tech giants where he worked on a variety of virtual reality technologies such as AR and VR devices at Meta; Amazon’s Alexa AI and health and wellness wearable tech; and HoloLens initiatives at Microsoft.

Abhishek Mathur. (LinkedIn Photo)

Abhishek Mathur is now chief technology and product officer for ServiceTitan, a California software giant building an agentic operating system to serve trades such as plumbing, electrical and roofing by automating workflows and supporting technicians in the field.

“This sector remains one of the largest untapped opportunities for technology to drive meaningful impact,” Mathur said on LinkedIn.

Mathur, who is based in the Seattle area, has held engineering leadership roles at Meta and was at Microsoft for more than 11 years. He was most recently at Figma as senior VP of engineering.

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Anush Kumar. (LinkedIn Photo)

Anush Kumar is now founder and CEO of Intelligent Systems, a Bellevue, Wash.-based startup that aims to “transform operational workflows” with AI tools.

“We’re on a mission to help enterprises stop piloting and start producing,” Kumar said in a LinkedIn post that includes links to five articles explaining the team’s approach.

Kumar was previously head of product for agentic automation at Atlassian. Other past roles include VP of technology at Expedia Group, senior VP of product at Zendesk, and director roles at Oracle and Avanade. His first tech role was lead product manager at Microsoft.

Chris Cappello joined Provn as vice president of marketing. Cappello has worked in multiple marketing roles for companies including WE Communications, Marina Maher Communications and M-Squared. He and Provn CEO Nikesh Parekh both worked earlier in their careers at HouseValues, which rebranded as Market Leader.

Provn, a new Seattle startup, wants companies to scrap the traditional resume and replace it with portfolios of real work and challenge-based assessments.

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Fred Hutch Cancer Center appointed two new leaders. Dr. Mazyar Shadman and Vyshak Venur were named as deputy chief medical officers, effective April 1. Shadman will serve as deputy CMO for classical hematology, hematologic malignancies, transplant and immunotherapy, while Venur will serve as deputy CMO for solid tumor and acute care services.

And two Fred Hutch researchers received endowed chairs: Dr. Soheil Meshinchi, a global leader in treatments for acute myeloid leukemia, was awarded the Dylan Burke Endowed Chair in Immunotherapy; and Holly Harris received the inaugural Bus Family Endowed Chair in recognition for her work in prevention, early detection and precision oncology for uterine, ovarian and breast cancers.

— Seattle’s Marianne Bichsel, former VP of external affairs at Comcast, has launched Engaged Public Affairs, a PR and policy firm advising “leaders at the intersection of government, public trust, and corporate responsibility.” Bichsel’s co-founders are Julie Anderson, who has served in city and Washington state government, and Natasha Jones, a longtime leader in King County government.

Theodora, a Seattle-area wine recommendation app, appointed Lindsey Singhavi as its founding marketing lead.

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— In case you missed it, GeekWire took deeper dives into these recent notable tech moves (in no particular order, except maybe the first item):

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