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Devialet Phantom Ultimate 108 dB Review: Unapologetically French, and Quite Possibly the Best Wireless Speaker You’ve Never Actually Heard

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Devialet does nothing by accident, and the Phantom Ultimate 108 dB wireless speaker under review here is a very deliberate statement. This is the same company that gave us the Mania, the Astra and Astra Opéra de Paris integrated amplifiers, and the Dione soundbar—products where engineering, design, and attitude are inseparable. Subtlety has never been part of the brief, and Devialet isn’t pretending otherwise.

The real question is whether the Phantom Ultimate 108 dB is all presentation and bravado; a galette with no fève inside—or whether, once you strip away the gloss and the French pretense, it’s one of the most genuinely satisfying wireless speaker experiences you can buy today.

The new Phantom Ultimate lineup doubles down on what Devialet does best: extreme performance wrapped in industrial art, powered by next-generation ADH amplification that treats subtlety like an unfashionable Louis Vuitton tote from two seasons ago. Offered in the flagship 108 dB model at $3,800 (each) and the more compact 98 dB version at $1,900, these speakers are loud, ambitious, and technically obsessive by design. the full-size 108 dB flagship and the more compact 98 dB, both clearly designed to be seen as much as heard.

Finish options include Deep Forest, a dark green paired with black chrome accents, and Light Pearl, an ultra-matte off-white that leans modern rather than flashy. Devialet supplied a pair in the Deep Forest finish, and my overall impression is that they integrate easily into a wide range of rooms.

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The darker green and black chrome accents work with both traditional and modern furniture, and they don’t clash with common flooring or carpeting choices, which makes placement less of a design headache than you might expect from something this distinctive.

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Devialet Phantom Ultimate: Fifteen Years of French Obsession, Precision Engineering, and a Taste for Gold

Devialet has been headquartered in Paris since 2007, and in that time they’ve made it very clear they are not interested in blending in or asking permission. The Phantom Ultimate is the result of more than fifteen years of focused engineering, design iteration, and a very French refusal to accept “good enough.” With hundreds of patents across acoustics, electronics, signal processing, and manufacturing, Devialet isn’t chasing novelty—they’re refining a very specific idea of what modern high end audio should look and sound like.

Every curve, finish, and yes, the gold detailing, is intentional. Call it excess if you want, but this is what happens when engineers land in Paris, drink the espresso, ignore the noise, and build exactly what they want—whether the rest of the world is ready or not.

At the core of the Phantom Ultimate collection are several proprietary technologies that shape how Devialet designs and controls its wireless speakers. The focus here is precision and system management rather than novelty, with each technology serving a clearly defined role.

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At the foundation of the Phantom Ultimate 108 dB is ADH New Gen (Analog Digital Hybrid) amplification, which pairs a Class A analog stage with Class D amplification for efficiency and control. In this latest iteration, Devialet has refined the control algorithms to extend high-frequency response up to 35 kHz while keeping thermal behavior and power delivery stable at higher listening levels. The goal here isn’t just output, but consistency when the speaker is pushed.

SAM (Speaker Active Matching) operates continuously in the background, monitoring the drivers in real time and adjusting phase and amplitude as needed. This allows the system to maintain accuracy while ensuring the drivers stay within safe operating limits, particularly during complex or high-energy passages where distortion or stress would otherwise creep in.

Low-frequency performance is handled by HBI (Heart Bass Implosion), which uses opposing woofers in a sealed enclosure to achieve bass extension down to 14 Hz. Instead of relying on a large cabinet, this approach focuses on control and symmetry, allowing the Phantom Ultimate to produce deep bass from a relatively compact enclosure without sounding loose or overblown.

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For everyday use, AVL (Adaptive Volume Level) helps smooth out level changes by automatically adjusting output based on the content being played. This keeps dialogue, music, and dynamic material balanced without constant volume adjustments, particularly when switching between different sources.

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All of this is managed by a new intelligent processor built around the NXP i.MX 8M Nano SoC, which handles signal processing more efficiently than previous generations. Its role is largely invisible, but critical, supporting the speaker’s real-time adjustments without adding unnecessary complexity to the user experience.

Together, these elements explain why the Phantom Ultimate behaves differently from many wireless speakers, emphasizing control and consistency over showmanship.

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Devialet Phantom Ultimate 108 dB: French Overkill or a Serious Wireless Speaker?

Devialet positions the Phantom Ultimate 108 dB as its most advanced Phantom yet, and on paper it’s a serious piece of work: new driver architecture, updated processing, and a feature set built around modern streaming and connectivity. The design brief is clear; high output, wide bandwidth, and tight control without turning the speaker into a complicated science project for the owner. Devialet also points to four newly registered patents tied to the Ultimate platform, which is their way of saying this isn’t just a cosmetic refresh with a new paint code.

The core hardware is a three-way layout built around a new-generation aluminum dome tweeter, a new-generation aluminum midrange dome, and two new-generation ABS-dome woofers. The bass system is engineered for low-frequency extension and control, the midrange is meant to reduce resonance so voices and instruments stay clean, and the tweeter redesign focuses on durability and refinement up top.

In practical terms, that translates to a claimed frequency response of 14 Hz to 35 kHz within plus or minus 6 dB, which is a very wide window for a single-box wireless speaker, and a maximum output rated at 108 dB SPL at 1 meter. Total amplification is listed at 1,100 watts, and Devialet is using 32-bit/96 kHz processing as the platform for all of the internal DSP and system management.

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Connectivity is current and straightforward. The Phantom Ultimate 108 dB supports Wi-Fi 6 and Bluetooth 5.3, and it runs on Devialet’s DOS 3 software platform. Streaming support includes AirPlay, Google Cast, Roon Ready, Spotify Connect (with lossless promised “coming soon”), TIDAL Connect, and UPnP.

The control center is the Devialet app, which adds practical listening presets like Music, Podcast, and Cinema modes, and handles updates so the system can evolve over time.

One important note from my time with the speakers: Qobuz Connect was not part of the deal during this review period. Based on how aggressively Devialet has been expanding protocol support, I wouldn’t be shocked if that changes, but I’m not treating it as a feature until it’s actually live.

Physically, the Devialet Phantom Ultimate 108 dB is deceptively compact-looking, but it’s not small once you measure it (or try to lift it like you’re still twenty five). The cabinet is 246 mm (9.7 in) wide, 342 mm (13.5 in) deep, and 255 mm (9.7 in) tall, and each speaker weighs 11.1 kg (24.5 lbs), and yes—this is the part where my doctor would have preferred I respected my post-surgery lifting limits. I didn’t. Moving them is a two-hands, pay-attention job, and once they’re in place you’ll understand why Devialet isn’t pretending these are “portable” in any meaningful sense.

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The build quality, however, is excellent. The finish work is clean, the fit is tight, and the overall product looks like nothing else in the category—whether you find that thrilling or slightly ridiculous is between you and your interior designer.

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Setup is refreshingly simple, because Devialet doesn’t give you a spaghetti bowl of inputs. You’ve got power, and you’ve got Ethernet to hardwire them for stability. That’s basically it. The top-mounted interface uses four touch controls, and day to day operation is mostly app-driven. If you’re the type who wants a wireless speaker that behaves like an appliance, this is closer to that than many “audiophile” lifestyle products that still manage to be fussy.

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So the Devialet Phantom Ultimate 108 dB is less about ticking spec-sheet boxes and more about how it behaves in real rooms. In the Deep Forest finish, it actually comes across as more restrained than you might expect—especially by Devialet standards. The dark green and black accents read as deliberate rather than flashy, and in lower light it can feel surprisingly understated for a product with this much output on tap.

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Devialet Phantom Ultimate 108 dB is available in Light Pearl, Deep Forest, and Gold Leaf (Opéra de Paris).

It’s also worth stressing that these are sold as individual speakers, not pairs, and setup matters. Even running a single unit, I had no trouble filling multiple spaces: my living room at 20 x× 13 x 9 feet, a den at 16 x 13 x 9 feet, and even a former basement office here in New Jersey measuring 33 x 13 x 8 feet. In all three, the Phantom Ultimate delivered real scale—solid low-end weight, strong presence, and more volume than anyone would reasonably need. Your ears will give up long before the speaker does.

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In larger, open-concept spaces, that sense of scale becomes even more obvious. Depending on the music and how hard you push it, the Phantom Ultimate can sound genuinely large and authoritative in a way most wireless speakers simply cannot manage. That ability to impose itself when asked—without falling apart or sounding strained—is still rare in this category, and it’s where the Phantom Ultimate 108 dB quietly separates itself from the pack.

Devialet Phantom Ultimate Accessories: Essentials, Options, and Real-World Proof

Devialet includes a two-year manufacturer warranty with all of its products, covering defects in materials, workmanship, and design. Coverage can be extended by an additional three years through Devialet Care for $120. The process is entirely digital; purchase the plan, receive an activation code by email, and you’re done. Clean, efficient, and very much on brand.

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Devialet Phantom Ultimate Remote

For control, there’s the Phantom Ultimate Remote priced at $199. One remote can operate a single speaker or a stereo pair, and multiple remotes automatically synchronize if you’re using more than one. It’s responsive, intuitive, and a welcome alternative to reaching for the app every time you want to adjust volume or switch content.

Placement matters with the Phantom Ultimate, and Devialet treats it that way. The Treepod Stand at $349 is available in Iconic White, Deep Forest, and Light Pearl. It measures 424 × 345 × 370 mm (16.7 × 13.6 × 14.6 inches) and positions the speaker precisely 345 mm (13.6 inches) above ground level. That height is intentional, placing the speaker where Devialet believes it performs best, while the solid construction keeps everything stable.

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The Tree Smart Stand, priced at $399, offers a more vertical, furniture-like presentation. Measuring 340 × 660 mm (13.4 × 26.0 inches), it’s also available in Iconic White, Deep Forest, and Light Pearl. Compared to the Treepod, it’s less about flexibility and more about committing to a specific visual and spatial statement in the room.

For wall mounting, the Gecko Wall Mount costs $299 and is designed to securely support the Phantom Ultimate 108 dB while maintaining proper acoustic orientation. It’s adjustable, relatively easy to install, and offered in Light Pearl, Deep Forest, and Opéra de Paris finishes so the speaker doesn’t look like an afterthought once it’s off the floor.

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I’ve seen the Gecko used effectively outside of a home setting as well; specifically at George Bush Intercontinental Airport in Houston. After spending a few days at the first Focal Powered by Naim location in the land of the trash-can beaters, I ended up in a restaurant near the terminal where a trio of Phantoms were mounted above the bar. Even with constant foot traffic, terminal noise, and a packed room, the sound was easy to follow and never got lost in the chaos.

None of these accessories are strictly required, but together they reinforce a consistent theme: with Devialet, placement is part of the product. How the Phantom Ultimate is supported, positioned, and integrated into a space isn’t an afterthought—it’s baked into the entire overall experience.

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Devialet Phantom Ultimate on Treepod Stands

Devialet Phantom Ultimate 108 dB Setup: What You Need to Know Before You Hit Play

Yes, the Devialet app is required to set up the Phantom Ultimate during first use. There’s no workaround here. Without completing the initial configuration in the app, the speaker won’t operate—not even over Bluetooth. Think of the app as the ignition key; once setup is complete, day-to-day use is simple, but you can’t skip that first step.

If you’re wondering about stereo pairing, the answer is equally straightforward: you can only pair two speakers of the same model. A Phantom Ultimate 108 dB must be paired with another 108 dB unit, and the same rule applies to the 98 dB version. You can’t mix Phantom I and Phantom Ultimate models in a stereo configuration.

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As for placement, Devialet’s recommendations are sensible and worth following, especially given how much output these speakers are capable of. Position the Phantom Ultimate between 45 and 90 cm (18 to 35 inches) off the ground to balance impact and clarity. Leave at least 30 cm (12 inches) between the rear of the speaker and the wall to allow low frequencies to develop properly, and keep the area in front of the speaker clear so sound isn’t obstructed.

Listening distance matters, too. Devialet suggests placing the speaker 1.5 to 2.5 meters (5 to 8.2 feet) from your seating position. In a stereo setup, space the speakers 1.5 to 2.5 meters apart and toe them in 25 to 30 degrees toward the listening position. Done right, this creates a stable, focused soundstage without forcing the speakers to work harder than they need to.

In my own setup, I took a more hardwired approach. I ran CAT6 directly from a new Verizon Fios fibre optic modem, which sits directly below the main floor. From there, I’ve terminated connections in seven rooms throughout the house, each either connected directly to the modem or through an ASUS Mesh WiFi 7 router. In every location I tested, the Phantom Ultimate speakers were seeing at least 700 Mbps of available bandwidth, regardless of where they were placed. Connectivity was never a limiting factor.

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Placement experiments went beyond the official recommendations as well. In one configuration, I set the speakers on our dining room credenza using IsoAcoustics isolation platforms, which raised the center of the driver to approximately 45 inches off the floor. In other setups, the speakers were spaced 6 to 7 feet apart and positioned 2 to 3 feet from the rear wall.

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Setup with the Devialet app was relatively easy and mostly uneventful, which is a good thing. The speaker was discovered quickly on the network, and the step-by-step process was clear enough that there was little guesswork involved. Since the app is required for initial setup and the speaker won’t function without it, it’s reassuring that the process doesn’t feel complicated or fragile.

The app version in use during my time with the Phantom Ultimate was 1.25.x, which added full support for the Ultimate platform. That update introduced additional audio settings for the Phantom Ultimate models, including three listening modes, a six-band equalizer, and other advanced controls, along with a revised layout and a smoother setup and stereo-pairing process.

Network discovery was consistent, and firmware updates completed without issues. The expanded Network Status section, which shows Wi-Fi strength and connection quality, was useful for confirming that everything was operating as expected.

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Streaming support is handled through integrated protocols rather than forcing you into a closed ecosystem. Bluetooth, AirPlay 2, Spotify Connect, Roon Ready, and UPnP were all available, and switching between services was straightforward. Volume control is precise, whether adjusting a single speaker or managing playback across rooms.

I also tested multi-room playback with one speaker in each room. Synchronization was generally solid, with only a slight delay when starting playback across rooms—small enough that you’d likely miss it unless you were listening for it. Once playing, everything stayed aligned, and the app allows different volume levels in each room, which makes the feature genuinely usable rather than decorative.

Devialet Phantom Ultimate 108 dB Green Pair on Tree Stands Lifestyle
Devialet Phantom Ultimate 108 dB Green Pair on Tree Stands

Listening Impressions: Attitude Française, Sans le Ridicule

The urge to see what kind of structural damage these could inflict was definitely there right out of the box, but I held back. From past experience with Devialet speakers, I already knew the low-end story—deep bass, serious impact, and plenty of definition were a given. My longer-term takeaway from earlier models, though, was that all that sub-bass and mid-bass muscle sometimes came at the expense of midrange presence. Call it a polite “V” if you want.

Before getting more critical, I let the speakers run for a few hours a day over several days, looping music from an older iPhone 14. Whether burn-in is real is always up for debate, but at the very least, no drivers were harmed in the process—and if there’s any downside to repeated sessions of Shostakovich followed by deadmau5, I haven’t found it yet.

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The Phantom Ultimate feels different, and in a way that mattered to me. There’s still weight and authority down low, but it no longer feels like the midrange is being asked to take a step back. That shift shows up quickly with something like Nick Cave’s “Avalanche.” His voice is there, front and center, but it’s the piano and string textures that really benefit—notes have body, tone, and decay, which are essential to how that track works. On better speakers, those elements carry as much emotional weight as the vocal, and here they finally do.

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Domestic realities (it’s been a long two years) meant I didn’t push the Phantom Ultimate 108 dB to the kind of levels that would have felt a little irresponsible, but I did get it loud enough to understand what it’s capable of. Even without going full send, there was plenty of mid-bass and lower midrange energy, and that weight carried well beyond the main listening position.

Moving around the room, the soundstage did lose some specificity, but there was no hollowing out of the sound or collapse in scale. The overall presentation stayed intact, with weight and presence remaining consistent even when listening well off-axis.

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That translated across all three rooms I used for testing, where the presence was obvious without needing to sit in a carefully defined sweet spot. At one point, I did catch myself wondering whether this was simply too much speaker for the space. That thought disappeared the moment I pulled the volume back to just above conversation level. Everything snapped into focus—timing felt right, dynamics were intact, and the speaker didn’t lose its grip. It’s a reminder that control matters more than brute force, even when a speaker clearly has plenty of it in reserve.

Switching over to Peter Gabriel—Been Undone (Dark-Side Mix), “In Your Eyes,” i/o (Bright Side Mix), Games Without Frontiers,” and Biko—it became clear that the Phantom Ultimate is very much tuned for listeners who gravitate toward electronic music, synth-driven rock, and rhythm-forward material. The presentation is propulsive and clean, with a lot of detail on tap; some might call it borderline “hi-fi”—and it delivers real slam without smearing bass lines or slowing things down. There’s texture and speed here, and the speaker has no trouble keeping complex mixes organized at higher levels.

Vocals on some of these tracks leaned slightly toward a polished, studio-lit presentation rather than a softer, more natural one, but the trade-off is scale. The Phantom Ultimate sounds big in a way that would make most of the passive speakers I own feel small, especially when it comes to low-end reach and overall presence.

Biko,” “So Much,” and In Your Eyes hit differently for me, and that had less to do with the speaker than the music itself. Those tracks carry their own weight; memories of not being at your best with someone, and the kind of longing that puts you back under a blanket on a beach in Cape Town. We own our successes and our failures. Gabriel just has a way of making both feel uncomfortably close.

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deadmau5, Boards of Canada, Talking Heads, and Tangerine Dream were a very different experience through these speakers. The sense of scale, presence, speed, and spaciousness brought out aspects of their music that few other speakers I’ve used over the years have managed to capture as convincingly. Rhythms had drive, layers stayed separated, and the overall presentation felt expansive without losing control.

If I had a larger home office and a dog who wouldn’t spend the entire day staring suspiciously at them—these would be very high on my list.

Listening to McCoy Tyner, Donald Byrd, Coltrane, Wes Montgomery, Miles Davis, Grant Green, and Lee Morgan highlighted both the strengths and the limits of these speakers. Rhythm, snap, and tonal weight are clear positives. The Phantom Ultimate locks into timing well, and it gives piano, bass, and drums real propulsion without sounding slow or bloated.

Texture was there, but it sometimes felt a little constructed—more grey than warm. Compared to my Wharfedale, Q Acoustics, or Triangle speakers, there was less richness in the upper bass and lower midrange. The Devialet brings power, thrust, and precision, but it doesn’t lean into the kind of imperfect coloration that, for me, makes jazz feel more human and less polished.

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Horns, to their credit, weren’t bright or edgy, but you can clearly hear the character of an aluminum dome tweeter versus a soft dome. One rolls off sooner and trades sparkle for ease; the other delivers more energy and extension up top. Neither approach is wrong, but which one is more pleasing comes down to taste—and with acoustic jazz, my preference still leans toward warmth over sparkle.

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The Bottom Line

The Phantom Ultimate 108 dB is a reminder of what happens when a wireless speaker is engineered like a serious loudspeaker rather than a lifestyle accessory. The technology matters here—ADH New Gen amplification, aggressive DSP control, serious processing power, and drivers that are designed to move air with authority. What it does best is scale, speed, and clarity. Few wireless speakers I’ve heard can project this kind of weight and presence into a room without falling apart, and even fewer maintain control when pushed. As a pair, the Phantom Ultimate delivers a level of output and composure that most wireless systems simply can’t approach.

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That said, it’s not perfect. While bass control, dynamics, and timing are excellent, the tonal balance leans toward precision over warmth. Acoustic textures, particularly in jazz—can sound a bit polished compared to the richer, more forgiving voicing of my Wharfedale, Q Acoustics, or Triangle speakers. And while the aluminum dome tweeter brings energy and extension, some listeners may prefer the softer roll-off and natural ease of a traditional soft dome design.

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This is a speaker for listeners who want maximum performance with minimal boxes, who value modern streaming, industrial design, and the ability to fill large or open spaces without resorting to separates, subwoofers, or complicated setups. At $3,800 per speaker, it’s unquestionably expensive, and it should be—this isn’t competing with mainstream wireless speakers on price. It’s competing on capability.

Even so, there’s no way around the conclusion: the Phantom Ultimate 108 dB earns an Editors’ Choice Award. In terms of sheer scale, power, speed, and clarity from a wireless speaker system, it’s the most convincing I’ve heard. Everything else I have at home from KEF, Triangle, Audioengine, and Q Acoustics sounds slightly broken by comparison—also far more affordable, and very much playing in a different league.

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Durobo Krono e-reader: small on size, short on features

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The Durobo Krono strips the e-reader down to its pocketable essentials, but a lack of polish and questionable features keep it from challenging more refined rivals.

Black smartphone on a light pink surface, screen showing large digital clock, February calendar widget, and date 21, angled slightly with soft lighting and subtle shadow underneath
Durobo Krono e-ink e-reader

Reading on the go is always kind of a pain. Either you’re doing it on a smartphone, which isn’t great for your eyes, or you might try to lug around an iPad or a larger e-paper reader like a Kindle.
That’s why there’s a surprisingly large fanbase for pocket-sized e-eaders. I even consider myself a part of that fanbase, considering how much I’ve enjoyed using one myself.
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Amazon to move out of longtime office building near its main Seattle headquarters

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The front lobby of Kumo, an Amazon office building at 1915 Terry Ave. in Seattle. (GeekWire Photo / Taylor Soper)

Amazon plans to exit an office building near its Seattle headquarters, 12 years after taking over the space during the height of its growth in the city.

Amazon is not renewing its lease at 1915 Terry Ave. in the Denny Triangle area of downtown Seattle, the company confirmed to GeekWire on Tuesday. The tech giant, which has occupied the seven-story, 251,000-square-foot space owned by Seattle Children’s since 2014, will move out at the end of May and relocate employees to other offices.

The Puget Sound Business Journal first reported on the planned move.

The seven-story building in the Denny Triangle neighborhood is owned by Seattle Children’s. (GeekWire Photo / Taylor Soper)

Kumo, as Amazon calls it, is a 1950s-era building located just a few blocks from Amazon’s main office towers and the Spheres. Amazon did not say how many employees work from the building.

The company employs approximately 50,000 corporate and tech employees in Seattle. More than 1,400 workers in Seattle were impacted by company-wide layoffs of 16,000 people announced at the end of January.

PSBJ reported that since 2020, Amazon has given up more than 1 million square feet of office space in Seattle, most of it in the Denny Triangle.

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The company has been growing its footprint across Lake Washington in Bellevue, where it has opened new office buildings and said it plans to employ 25,000 people as part of its regional HQ.

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The US Had a Big Battery Boom Last Year

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The United States installed a record 57 gigawatt hours of new battery storage on its electric grids in 2025, a nearly 30% increase over the prior year that arrived even as the Trump administration cut tax credits for wind and solar in last summer’s One Big Beautiful Bill.

The figures come from a Solar Energy Industries Association report published Monday, which also projects the market will grow another 21% this year by adding 70 gigawatt hours in 2026 alone. Battery tax credits themselves survived the legislation largely intact, and the majority of last year’s new installations were stand-alone systems not tied to specific solar projects.

In Texas, solar met more than 15% of electricity demand throughout the summer and beat out coal for the first time, and the SEIA report predicts the state will overtake California this year in total deployed storage. Supply chain restrictions reinforced by the bill and project cancellations could slow the pipeline this year, the report cautions.

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S’pore’s Tap Space is sparking a craze for transport merch

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Tap Space’s founder started with just S$50 to kickstart his business

From keychains bearing the names of MRT stations to miniature bus models, transport merchandise is taking off in Singapore.

One business riding this wave is TapSpace, founded by 29-year-old Danial Sim—he started with just S$50, and now, he can sell thousands of items in a single day.

We spoke with Danial to find out more about how a holiday inspiration grew into a full-fledged business, with a store that regularly sees queues and can sell over a thousand products in a single day.

The idea for Tap Space struck him during a holiday in Korea

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(Left): Danial Sim in South Korea; (Right): Seoul’s transport keychains inspired by real-life stations./ Image Credit: Danial Sim/ KAvenyou via Facebook

The idea for TapSpace struck Danial during a holiday in Korea in August 2023. There, he noticed a vibrant public transport culture and a genuine appreciation for transit systems through collectible trinkets—something he realised was largely missing back home in Singapore.

At the time, Danial was working in engineering and laboratory roles, hardly the typical background for someone launching a creative merchandise business. Though the idea of making transport-themed collectibles had lingered in the back of his mind, he had put it on hold due to the demands of his job.

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Yet his love for public transport—and the nostalgia it evoked, from the sights and smells to the interiors—stuck with him throughout his daily travels around Singapore. Hence, a year later, in Aug 2024, he finally decided to give it a shot, starting with a S$50 investment to test the market.

That modest investment went towards sourcing local manufacturers for small-batch items like keychains. Danial’s breakthrough came when he found a Singapore supplier willing to work without minimum order quantities, a rare opportunity that let him test the market without a massive upfront commitment.

Starting from ground zero

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Image Credit: Kevin Chng via Google Reviews, Tap Space

Tap Space’s first merchandise line launched with just four MRT station keychain designs: Changi, Orchard, Punggol, and Sengkang, each priced at S$9.90.

To market his products, Danial started from scratch, launching a TikTok account with zero followers. Every single night, after dinner, Danial would religiously start a TikTok livestream to show what he’s come up with and engage with potential customers.

Beyond TikTok Shop, Danial expanded to Shopee after noticing that many Singaporeans prefer it for online purchases. Tap Space also regularly held pop-ups at hobby fairs to reach an even wider audience.

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Danial’s hard work paid off eventually. Every day, he would gain “a few hundred followers” on social media, which proved to him that there was an appetite for transport trinkets in Singapore.

Gradually, customers also began requesting additional stations—Choa Chu Kang, Jurong East, Woodlands—laying the foundation for new product lines. Danial continued expanding, and today he has over 250 MRT and LRT-inspired key chain designs.

Tap Space broke even in one year

Every brand has its watershed moment. For TapSpace, it arrived in Aug 2025 at Takashimaya during a two-week invitational pop-up event coinciding with Singapore’s SG60 National Day celebrations.

tap space pop up at takashimaya sg60 fair hobbiesfair 2025tap space pop up at takashimaya sg60 fair hobbiesfair 2025
Image Credit: Tap Space

The event marked a milestone for the business—it broke even, selling 1,500 pieces on the first day and completely selling out by day three.

It also showed Danial that Tap Space could grow beyond a hobby. After the pop-up, he took the leap from full-time employment into full-time entrepreneurship, recognising that the growing demand for his products required his full attention.

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Shortly afterwards, he even opened a physical retail space at Burlington Square, giving customers a place to browse his collectibles in person.

Expanding Tap Space’s product range

Tap Space’s store at Burlington Square./ Image Credit: Tap Space

Beyond MRT stations, Tap Space also offers other iconic transport symbols as keychains, such as the ‘May I have a seat’ and priority seating icons. The shop even sells MRT handles as keychains—initially sourced from local scrap yards, though Danial has since located the original supplier for these authentic pieces.

People thought the transport handles were 3D printed, like a fake thing. However, when they realised that it’s the actual thing, they buy them for funny uses, not just as keychains, but for the gym, or to walk their dogs.

Danial Sim

transport handles transport symbols tap space may i have a seat pleasetransport handles transport symbols tap space may i have a seat please
Tap Space turns transport handles and transport symbols commonly seen on Singapore’s public transport into functional merchandise./ Image Credit: Tap Space

Apart from keychains, Tap Space has expanded into stickers, miniature models of buses, trains and taxis from different eras, figurines, and desk mats. Some of these products are even sold in blind boxes.

To balance local support with efficiency, Danial works with local manufacturers for small-batch restocking, while larger production is handled by specialised suppliers across Asia—China, Malaysia, and Thailand—for faster turnaround times.

Ambitions to go beyond merchandise & expanding overseas

Today, Tap Space’s store sees steady demand. According to the founder, it requires restocking two to three times weekly, a frequency backed by the “daily” queues it sees every day.

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People just see public transport as something that you take; they don’t really think of it as a memory. When you turn it into something memorable and collectible, people be like, ‘Oh, I didn’t know that this can have so much memories in this one keychain or in this one design.’ That’s where it starts off.

Danial Sim

tap space buses trains tap space buses trains
Miniature trains and buses are also part of the key offerings at Tap Space./ Image Credit: Tap Space

The shop attracts a wide range of customers, from parents with children to groups of overseas tourists seeking authentic souvenirs beyond the usual Merlion keychains. Many visitors come just to browse the carefully curated, cosy space, which, according to Danial, has been described as a ‘museum for mini Singapore transport.’

The founder has also managed to secure consignment placements in major retailers, including Popular bookstores and Toys “R” Us.

Looking ahead, Tap Space’s ambitions go beyond merchandise into technology. Danial is exploring NFC-enabled keychains that link to LTA wayfinding and EZ-Link systems, aiming to merge physical collectibles with digital utility.

As part of his efforts of “expanding thoughtfully,” Danial is also in the midst of coming up with bilingual versions of station designs, such as Japanese and English, which may appeal better to international visitors.

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International expansion is also not off the table. Danial recently hosted a successful pop-up in Kuala Lumpur showcasing products inspired by Malaysian public transport, though he has not shared concrete plans for further expansion.

The transformation of mundane infrastructure—train handles, station signs, bus liveries—into coveted collectibles demonstrates that business opportunities often hide in plain sight, waiting for someone willing to see the extraordinary in the ordinary.

You don’t have to start with a lot of money. Can be like me: start with S$50. Use the money you have. You shouldn’t go all out; you should just try the small market first. If you go for small pop-ups around Singapore and there is interest, then why not?

Danial Sim

  • Find out more about Tap Space here.
  • Read other articles we’ve written on Singaporean businesses here.

Featured Image Credit: Tap Space

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Trump Administration Makes The Conscious Choice To Make America Less Prepared For The Next Pandemic

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from the hot-stove dept

Way back in the ancient days of the year 2020, the world went through this pandemic thing called COVID-19. For those of you not old enough to remember such ancient history, it was a fairly significant health issue that caused a few disruptions throughout the world, including in these here United States. Trump was president at the time of the wild spread of the pandemic. There were shutdowns. There was a supply chain shitstorm. People argued over masks and school closures while staring at shelves where toilet paper used to be available so we could wipe ourselves. The government displayed such an impressive failure of leadership that I myself questioned why we should have a government at all if this is how it was going to behave.

But, to be fair, there were also some impressive things from government to come out of the pandemic. Trump’s administration initiated Operation Warp Speed to develop and distribute COVID vaccines so we could all get back to our lives. While the first Trump administration didn’t do so great at the distribution part of the plan, and managed to coat the world in incredible amounts of misinformation around the pandemic and these vaccines, it was still an impressive feat to bring these vaccines to market in record time. One of the government agencies that powered Operation Warp Speed was the National Institute of Allergy and Infectious Disease (NIAID), which was responsible for collating research on previous pathogens similar to COVID-19 and for building out the trials for the vaccines that would eventually come to market. If it weren’t for NIAID, it’s unlikely the government’s response to the pandemic would have been as rapid, or successful.

And if you think I’m wrong about that, there’s a chance that the next pandemic will provide us with an answer. That’s because this second Trump administration is actively choosing to remove exactly this sort of pandemic work from NIAID’s proactive efforts.

NIH director Jay Bhattacharya explained the restructure at an event with other top agency officials on 30 January. “It’s a complete transformation of [the NIAID] away from this old model” that has historically prioritized research on HIV, biodefence and pandemic preparedness, he said. The institute will focus more on basic immunology and other infectious diseases currently affecting people in the United States, he added, rather than on predicting future diseases.

Nahid Bhadelia, director of Boston University’s Center on Emerging Infectious Diseases in Massachusetts, says the decision to deprioritize these areas will leave people in the United States more vulnerable to pathogens that are constantly evolving in wildlife around the world and spilling into human populations, sometimes sparking outbreaks. “Just because we say we’re going to stop caring about these issues doesn’t make the issues go away — it just makes us less prepared,” she says.

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This is one of the things I’ve found about Trump’s second term most perplexing. His reelection efforts were arguably chiefly torpedoed by the pandemic. There’s an old saying in parenting that even a child can learn a lesson from pain. If a child touches a hot stove, they will get burned and will not touch it again. By installing the likes of RFK Jr. and his cadre of conspiracy theorists to manage the health of Americans, and by keeping the very agency that allowed for his rapid response to COVID from doing likewise in the future, it appears Trump wants to keep touching the hot stove. I don’t get it.

And it’s not like we don’t have outbreaks of infectious disease happening right now. We absolutely do. The measles infection count that has gone on for 14 months in this country is insane. There’s no reason COVID can’t mutate and come right back into our lives as a major health issue. Or there could be another novel pathogen that grinds all of our lives back to a halt once more. For a man so concerned with building walls, he’s tearing down the virtual protection that is proactive research and knowledge.

“NIAID’s work clearly neither prevented the pandemic nor prevented Americans from experiencing among the highest levels of all-cause excess mortality in the developed world during that time,” [Bhattacharya and subordinates] wrote. “Given the increasing prevalence of allergic and autoimmune disorders and the burden of common infections in the population over the past few decades, the NIAID must focus research on these conditions with a greater sense of urgency.”

This is a wild fictionalization of what occurred at NIAID. The agency doesn’t make healthcare policy. It advises the Executive Branch on what is needed to prepare for new and existing diseases, performs research into detecting those diseases before they become pandemics, and provides research and planning into how to respond to them. When Anthony Fauci led NIAID in 2017, he warned the administration of all of this and asked for funding to prepare for it. Not only did he not get his funding, but the administration also made staff and budget cuts impacting our pandemic preparations.

“We do need a public-health emergency fund. It’s tough to get it … but we need it,” Fauci said. “Because what we had to go through for Zika — it was very, very painful when the president asked for the $1.9 billion in February and we didn’t get it until September.”

But the Trump administration did not create such a fund, and instead cut spending for federal agencies responsible for detecting and preparing for outbreaks. In May 2018, Trump’s national security advisor disbanded the National Security Council’s pandemic response team, while in October 2019, the administration declined to renew funding for a pandemic early warning system.

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This administration is doing it again, except worse. This time, it’s not removing some funding and some staff that were used to prepare us for the next pandemic. Instead, he’s just removing the mission of pandemic preparedness from NIAID entirely. And there are future plans to remove funding for research on novel pathogens, as well.

The instructions to agency staff members to rebrand the institute’s language are only the first step towards implementing this new vision, according to the NIAID employees. NIH principal deputy director Matthew Memoli has ordered more changes, including the review of the portfolio of grants funding biodefence and pandemic preparedness, in the coming weeks and months, they say.

This is crazy. It’s as though we’re all in the back seat of the family minivan, while mom and dad drive us somewhere… except we have no GPS, no maps, the steering wheel moves on its own, and the windshield is made of lead.

The stove is still hot. And, unfortunately, as Trump makes another attempt to touch it, it won’t be his fingers that are singed, but our own.

Filed Under: covid, donald trump, health, jay bhattacharya, niaid, operation warp speed, pandemics, vaccines

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Apple’s touchscreen MacBook will reportedly have a dynamic interface

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Apple’s plan to add touchscreens to its premium MacBook Pros is coming into focus. Bloomberg reports that when the new laptops launch this fall, they’ll feature a Dynamic Island, not unlike Apple’s iPhones, and an interface that changes depending on where you touch your Macbook’s screen.

This “dynamic interface” is reportedly designed to make the transition between mouse input and touch input smoother on Apple’s new laptops. Bloomberg says that if users touch an onscreen button, the version of macOS running on these new MacBook Pros will be able to pull up a contextual menu “that provides more relevant options for touch commands.” Parts of the interface, like macOS’ menu bar, will also be able to enlarge to make menu items easier to select with a finger. Those tweaks are on top of the expected features from touchscreen Apple products, like smooth scrolling and the ability to pinch and zoom into and out of images, files and web pages. The only thing missing from these increasingly iPad-like laptops, per Bloomberg, will be a touchscreen keyboard, because they’ll already have a more comfortable physical keyboard attached.

To make these new laptops extra enticing, both the 14-inch and 16-inch touchscreen MacBook Pros will feature OLED screens for the first time, likely the reason Apple will be able to include a Dynamic Island-style webcam in the first place. Up until now, the company has offered OLED screens on its iPhones, Apple Watches and more recently the iPad Pro, but it hasn’t brought the display technology to laptops. That could reportedly change with these new MacBook Pros.

Plenty of Windows laptops include touchscreens, and Microsoft and its partners have incorporated dynamic interface elements in the past to make these touchscreens more natural to use with Windows. Apple is late to the party in this respect, but it’s also potentially set up to succeed. Much of modern macOS already looks touch-friendly, and Apple’s has expended significant effort making it possible to port touch-based iPad apps to macOS and develop applications across platforms. That, paired with the right interface, could make the experience of using a touchscreen MacBook nicer out of the box, even if it doesn’t get rid of the awkwardness of reaching over your keyboard to touch a screen.

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Nvidia challenger AI chip startup MatX raised $500M

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MatX, a chip startup founded by two former Google hardware engineers, has raised a $500 million Series B led by Jane Street and Situational Awareness, an investment fund formed by former OpenAI researcher Leopold Aschenbrenner.

The company’s goal is to make its processors 10 times better at training LLMs and delivering results than Nvidia’s GPUs.  

Other investors in the round include Marvell Technology, NFDG, Spark Capital, and Stripe co-founders Patrick Collison and John Collison, the startup’s founder and CEO Reiner Pope announced Tuesday in a post on LinkedIn.

Although the company didn’t release its latest valuation, Etched, MatX’s closest competitor, raised a $500 million round at a $5 billion valuation, Bloomberg reported last month. Etched didn’t immediately respond to a request for comment.

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MatX’s latest round comes more than a year after its Series A of about $100 million, which was led by Spark Capital. TechCrunch earlier reported that the 2024 round valued the startup at more than $300 million.

Before co-founding MatX in 2023, Pope led AI software development for Google’s TPUs, the tech giant’s proprietary AI chips. His co-founder, Mike Gunter, was a lead designer of the TPU hardware before leaving to launch the startup.

The new funding will help MatX produce its chips with TSMC, with plans to start shipping them in 2027.

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Death Stranding 2 PC requirements are surprisingly pleasant

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Kojima Productions has officially revealed the PC system requirements for Death Stranding 2: On the Beach, and the good news is that they are far more approachable than many recent big-budget releases. According to Sony’s PlayStation Blog, the PC version launches March 19 and includes a wide range of graphics presets designed to scale from budget systems all the way to high-end rigs.

At the entry level, the game targets 1080p at 30 frames per second with hardware that many gamers already own. A GTX 1660 or Radeon RX 5500 XT paired with an Intel Core i3-10100 or Ryzen 3 3100 and 16GB of RAM is enough to get started. That alone makes the game feel refreshingly accessible in a landscape where minimum specs often demand much newer GPUs.

Moving up the preset scales is a predictable process. Medium settings aim for 1080p at 60fps with an RTX 3060 or RX 6600, while the recommended tier targets 1440p at 60fps with an RTX 3070 or RX 6800. The very high preset pushes into 4K at 60fps territory with an RTX 4080 or RX 9070 XT. Every preset requires 16GB of RAM and a 150GB SSD install, which is becoming standard for modern AAA titles.

Handheld gaming and modern upscaling take center stage

One of the most interesting additions is a dedicated Portable preset designed specifically for handheld gaming PCs. This mode targets devices such as the Steam Deck and ROG Ally, with full support for modern upscaling and frame-generation technologies, including NVIDIA DLSS 4, AMD FSR 4, and Intel XeSS 2. These tools allow players to push higher resolutions and frame rates without requiring top-tier hardware.

On top of that, the game includes Guerrilla’s in-house Pico upscaling technology from the Decima engine, which can be used alongside frame generation and works across different graphics cards. Ultrawide support is also included, with cutscenes designed for 21:9 displays and gameplay extending to 32:9 aspect ratios.

With the PC launch arriving on March 19, these requirements suggest that many players may already have the hardware needed to jump in on day one. If anything, this release feels like a reminder that not every blockbuster needs extreme specs to deliver a next-gen experience.

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How BYD is redefining automotive spaces in Singapore

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[This is a sponsored article with BYD by 1826.]

Singapore’s physical spaces are shifting from purely transactional retail to experience-led destinations.

Consumers, especially younger and urban audiences, increasingly seek places where they can linger without pressure, connect socially and experience a brand through food, design and culture.

Across industries, retail, food and lifestyle brands are rethinking how space functions—not just to sell, but to shape how they are experienced.

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From individual brands like Louis Vuitton x Takashi Murakami’s pop-up, where potential customers can pamper themselves with a cinema, cafe and carestation to creative precincts like New Bahru that feature retail brands in a design-led and cultural environment, physical environments are becoming strategic branding tools.

Now, the automotive industry is catching up. BYD by 1826, which claims to be Singapore’s first integrated automotive lifestyle brand, wants to lead the way in enhancing how car showrooms can appeal to customers.

BYD is transforming the car-buying experience

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BYD by 1826’s IMM hub features locally roasted specialty coffee in a tranquil setting./ Image Credit: BYD by 1826

While lifestyle-first spaces are common in fashion, food, and retail, automotive retail spaces have largely remained transactional. Traditional showrooms can feel intimidating or high-pressure, especially for first-time buyers.

As electric vehicle (EV) adoption grows and car ownership becomes a lifestyle choice rather than a status symbol, expectations around how people engage with car brands are shifting, alongside the global move towards experiential spaces. 

This is evident from how two-thirds of people globally expect the places and spaces where they live, work and play to provide more enjoyment, diverse activities, and add value to the time they spend there.

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As such, BYD has been experimenting with spaces that blend automotive retail with lifestyle experiences. Over the years, it has launched several of these spaces, including the first BYD-themed restaurant, BYD by 1826, which opened at Boat Quay in 2023. 

These outlets have helped the brand understand how Singaporeans interact with cars in relaxed, everyday settings and refine its automotive-lifestyle retail model.

Michelle Ho, Chief Brand Officer & Chief Culinary Officer, shared: “Each outlet sharpened our understanding of how different communities engage with us.”

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BYD by 1826 Zhongshan Park./ Image Credit: BYD by 1826

For instance, while BYD by 1826’s Zhongshan Park outlet demonstrated the strength of inclusive, pet-friendly environments that encourage longer stays, the Suntec and Tanjong Pagar outlets reinforced the need for accessibility and seamless integration into the routines of professionals. 

On the other hand, BYD by 1826 at Waterway Point highlighted the power of neighbourhood familiarity and repeat visits driven by coffee culture.

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Armed with these insights, its latest IMM outlet, located in the West, draws inspiration from local identity and daily routines. The outlet combines electric vehicles, a café, design elements, and community-focused activities.

Alongside its accessible EVs, BYD by 1826 at IMM also includes DENZA, a premium electric‑vehicle brand owned by the Chinese automaker. 

BYD by 1826’s IMM hub represents the evolution of the concept from hybrid showroom to experiential hub… [it] signals a deeper commitment to embedding BYD within the social fabric of the neighbourhood.

Michelle Ho, Chief Brand Officer & Chief Culinary Officer of BYD by 1826

What you can expect at BYD by 1826’s IMM hub

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BYD by 1826’s IMM outlet is pet-friendly and serves Singapore fusion dishes./ Image Credit: BYD by 1826

At the BYD by 1826 IMM hub, visitors can enjoy speciality coffee and Singaporean fusion fare, from Chilli Crab Shiok-shuka to Tiger Prawn Risotto Pao Fan, in a pet-friendly, family-oriented space designed for lingering.

While they enjoy the ambience and food, they can also browse cars from BYD and DENZA. 

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Together, these elements form a “café-first” environment where food, conversation, and community unfold alongside automobiles, according to the brand. 

This reinforces BYD by 1826’s vision of automotive-lifestyle integration, where they aim to position cars as part of a place of familiarity and belonging.

byd by 1826 performance local business artistes cafe imm hubbyd by 1826 performance local business artistes cafe imm hub
(Left): The cafe at BYD by 1826’s IMM hub; (Right): The space also hosts curated cultural programmes, spotlighting local musicians, creatives and small businesses./ Image Credit: BYD by 1826

The brand has noticed that because customers are not in a sales-driven environment, they feel comfortable asking questions at their own pace, which piques their curiosity. 

In several cases, repeat visits have led to spontaneous test drives and eventually to serious purchase considerations.

When people experience the brand in a relaxed, lifestyle setting, trust builds organically. That sustained engagement has proven far more impactful than a single transactional interaction.

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“Each location we open is not just about showcasing cars—it’s about creating experiences that belong to Singaporeans,” said Davin Ongsono, CEO of BYD by 1826. 

The future of automotive spaces

Image Credit: BYD by 1826

In Singapore, it’s clear that retail spaces are no longer just about transactions—they’re evolving into experience-driven destinations. 

BYD has embraced this trend by creating spaces that combine cars, cafés, and community activities, offering a more relaxed and engaging way for people to explore automotive options.

It’s a notable disruption in the automotive industry, which has long relied on traditional, transactional showrooms. 

From the West to the East, the brand wants Singaporeans to experience what the future of automotive spaces can look like. You can check out BYD by 1826 at IMM here, and discover its other lifestyle spaces across the city-state here.

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Featured Image Credit: BYD by 1826

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Linux 7.0 rc1 arrives with major hardware enablement and performance gains

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Linux 7.0 is officially taking shape with the release of the first release candidate. The new kernel lays the groundwork for upcoming distros like Ubuntu 26.04 LTS and Fedora 44, while delivering broad hardware enablement for Intel’s next-gen CPUs, AMD Zen 6 and new GPUs, and expanding support for Qualcomm Snapdragon platforms. Beyond hardware, Linux 7.0 brings meaningful file system and performance improvements, continued Rust integration, and a long list of under-the-hood optimizations.

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