Devialet does nothing by accident, and the Phantom Ultimate 108 dB wireless speaker under review here is a very deliberate statement. This is the same company that gave us the Mania, the Astra and Astra Opéra de Paris integrated amplifiers, and the Dione soundbar—products where engineering, design, and attitude are inseparable. Subtlety has never been part of the brief, and Devialet isn’t pretending otherwise.
The real question is whether the Phantom Ultimate 108 dB is all presentation and bravado; a galette with no fève inside—or whether, once you strip away the gloss and the French pretense, it’s one of the most genuinely satisfying wireless speaker experiences you can buy today.
The new Phantom Ultimate lineup doubles down on what Devialet does best: extreme performance wrapped in industrial art, powered by next-generation ADH amplification that treats subtlety like an unfashionable Louis Vuitton tote from two seasons ago. Offered in the flagship 108 dB model at $3,800 (each) and the more compact 98 dB version at $1,900, these speakers are loud, ambitious, and technically obsessive by design. the full-size 108 dB flagship and the more compact 98 dB, both clearly designed to be seen as much as heard.
Finish options include Deep Forest, a dark green paired with black chrome accents, and Light Pearl, an ultra-matte off-white that leans modern rather than flashy. Devialet supplied a pair in the Deep Forest finish, and my overall impression is that they integrate easily into a wide range of rooms.
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The darker green and black chrome accents work with both traditional and modern furniture, and they don’t clash with common flooring or carpeting choices, which makes placement less of a design headache than you might expect from something this distinctive.
Devialet Phantom Ultimate: Fifteen Years of French Obsession, Precision Engineering, and a Taste for Gold
Devialet has been headquartered in Paris since 2007, and in that time they’ve made it very clear they are not interested in blending in or asking permission. The Phantom Ultimate is the result of more than fifteen years of focused engineering, design iteration, and a very French refusal to accept “good enough.” With hundreds of patents across acoustics, electronics, signal processing, and manufacturing, Devialet isn’t chasing novelty—they’re refining a very specific idea of what modern high end audio should look and sound like.
Every curve, finish, and yes, the gold detailing, is intentional. Call it excess if you want, but this is what happens when engineers land in Paris, drink the espresso, ignore the noise, and build exactly what they want—whether the rest of the world is ready or not.
At the core of the Phantom Ultimate collection are several proprietary technologies that shape how Devialet designs and controls its wireless speakers. The focus here is precision and system management rather than novelty, with each technology serving a clearly defined role.
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At the foundation of the Phantom Ultimate 108 dB is ADH New Gen (Analog Digital Hybrid) amplification, which pairs a Class A analog stage with Class D amplification for efficiency and control. In this latest iteration, Devialet has refined the control algorithms to extend high-frequency response up to 35 kHz while keeping thermal behavior and power delivery stable at higher listening levels. The goal here isn’t just output, but consistency when the speaker is pushed.
SAM (Speaker Active Matching) operates continuously in the background, monitoring the drivers in real time and adjusting phase and amplitude as needed. This allows the system to maintain accuracy while ensuring the drivers stay within safe operating limits, particularly during complex or high-energy passages where distortion or stress would otherwise creep in.
Low-frequency performance is handled by HBI (Heart Bass Implosion), which uses opposing woofers in a sealed enclosure to achieve bass extension down to 14 Hz. Instead of relying on a large cabinet, this approach focuses on control and symmetry, allowing the Phantom Ultimate to produce deep bass from a relatively compact enclosure without sounding loose or overblown.
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For everyday use, AVL (Adaptive Volume Level) helps smooth out level changes by automatically adjusting output based on the content being played. This keeps dialogue, music, and dynamic material balanced without constant volume adjustments, particularly when switching between different sources.
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All of this is managed by a new intelligent processor built around the NXP i.MX 8M Nano SoC, which handles signal processing more efficiently than previous generations. Its role is largely invisible, but critical, supporting the speaker’s real-time adjustments without adding unnecessary complexity to the user experience.
Together, these elements explain why the Phantom Ultimate behaves differently from many wireless speakers, emphasizing control and consistency over showmanship.
Devialet Phantom Ultimate 108 dB: French Overkill or a Serious Wireless Speaker?
Devialet positions the Phantom Ultimate 108 dB as its most advanced Phantom yet, and on paper it’s a serious piece of work: new driver architecture, updated processing, and a feature set built around modern streaming and connectivity. The design brief is clear; high output, wide bandwidth, and tight control without turning the speaker into a complicated science project for the owner. Devialet also points to four newly registered patents tied to the Ultimate platform, which is their way of saying this isn’t just a cosmetic refresh with a new paint code.
The core hardware is a three-way layout built around a new-generation aluminum dome tweeter, a new-generation aluminum midrange dome, and two new-generation ABS-dome woofers. The bass system is engineered for low-frequency extension and control, the midrange is meant to reduce resonance so voices and instruments stay clean, and the tweeter redesign focuses on durability and refinement up top.
In practical terms, that translates to a claimed frequency response of 14 Hz to 35 kHz within plus or minus 6 dB, which is a very wide window for a single-box wireless speaker, and a maximum output rated at 108 dB SPL at 1 meter. Total amplification is listed at 1,100 watts, and Devialet is using 32-bit/96 kHz processing as the platform for all of the internal DSP and system management.
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Connectivity is current and straightforward. The Phantom Ultimate 108 dB supports Wi-Fi 6 and Bluetooth 5.3, and it runs on Devialet’s DOS 3 software platform. Streaming support includes AirPlay, Google Cast, Roon Ready, Spotify Connect (with lossless promised “coming soon”), TIDAL Connect, and UPnP.
The control center is the Devialet app, which adds practical listening presets like Music, Podcast, and Cinema modes, and handles updates so the system can evolve over time.
One important note from my time with the speakers: Qobuz Connect was not part of the deal during this review period. Based on how aggressively Devialet has been expanding protocol support, I wouldn’t be shocked if that changes, but I’m not treating it as a feature until it’s actually live.
Physically, the Devialet Phantom Ultimate 108 dB is deceptively compact-looking, but it’s not small once you measure it (or try to lift it like you’re still twenty five). The cabinet is 246 mm (9.7 in) wide, 342 mm (13.5 in) deep, and 255 mm (9.7 in) tall, and each speaker weighs 11.1 kg (24.5 lbs), and yes—this is the part where my doctor would have preferred I respected my post-surgery lifting limits. I didn’t. Moving them is a two-hands, pay-attention job, and once they’re in place you’ll understand why Devialet isn’t pretending these are “portable” in any meaningful sense.
The build quality, however, is excellent. The finish work is clean, the fit is tight, and the overall product looks like nothing else in the category—whether you find that thrilling or slightly ridiculous is between you and your interior designer.
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Setup is refreshingly simple, because Devialet doesn’t give you a spaghetti bowl of inputs. You’ve got power, and you’ve got Ethernet to hardwire them for stability. That’s basically it. The top-mounted interface uses four touch controls, and day to day operation is mostly app-driven. If you’re the type who wants a wireless speaker that behaves like an appliance, this is closer to that than many “audiophile” lifestyle products that still manage to be fussy.
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So the Devialet Phantom Ultimate 108 dB is less about ticking spec-sheet boxes and more about how it behaves in real rooms. In the Deep Forest finish, it actually comes across as more restrained than you might expect—especially by Devialet standards. The dark green and black accents read as deliberate rather than flashy, and in lower light it can feel surprisingly understated for a product with this much output on tap.
Devialet Phantom Ultimate 108 dB is available in Light Pearl, Deep Forest, and Gold Leaf (Opéra de Paris).
It’s also worth stressing that these are sold as individual speakers, not pairs, and setup matters. Even running a single unit, I had no trouble filling multiple spaces: my living room at 20 x× 13 x 9 feet, a den at 16 x 13 x 9 feet, and even a former basement office here in New Jersey measuring 33 x 13 x 8 feet. In all three, the Phantom Ultimate delivered real scale—solid low-end weight, strong presence, and more volume than anyone would reasonably need. Your ears will give up long before the speaker does.
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In larger, open-concept spaces, that sense of scale becomes even more obvious. Depending on the music and how hard you push it, the Phantom Ultimate can sound genuinely large and authoritative in a way most wireless speakers simply cannot manage. That ability to impose itself when asked—without falling apart or sounding strained—is still rare in this category, and it’s where the Phantom Ultimate 108 dB quietly separates itself from the pack.
Devialet Phantom Ultimate Accessories: Essentials, Options, and Real-World Proof
Devialet includes a two-year manufacturer warranty with all of its products, covering defects in materials, workmanship, and design. Coverage can be extended by an additional three years through Devialet Care for $120. The process is entirely digital; purchase the plan, receive an activation code by email, and you’re done. Clean, efficient, and very much on brand.
Devialet Phantom Ultimate Remote
For control, there’s the Phantom Ultimate Remote priced at $199. One remote can operate a single speaker or a stereo pair, and multiple remotes automatically synchronize if you’re using more than one. It’s responsive, intuitive, and a welcome alternative to reaching for the app every time you want to adjust volume or switch content.
Placement matters with the Phantom Ultimate, and Devialet treats it that way. The Treepod Stand at $349 is available in Iconic White, Deep Forest, and Light Pearl. It measures 424 × 345 × 370 mm (16.7 × 13.6 × 14.6 inches) and positions the speaker precisely 345 mm (13.6 inches) above ground level. That height is intentional, placing the speaker where Devialet believes it performs best, while the solid construction keeps everything stable.
The Tree Smart Stand, priced at $399, offers a more vertical, furniture-like presentation. Measuring 340 × 660 mm (13.4 × 26.0 inches), it’s also available in Iconic White, Deep Forest, and Light Pearl. Compared to the Treepod, it’s less about flexibility and more about committing to a specific visual and spatial statement in the room.
For wall mounting, the Gecko Wall Mount costs $299 and is designed to securely support the Phantom Ultimate 108 dB while maintaining proper acoustic orientation. It’s adjustable, relatively easy to install, and offered in Light Pearl, Deep Forest, and Opéra de Paris finishes so the speaker doesn’t look like an afterthought once it’s off the floor.
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I’ve seen the Gecko used effectively outside of a home setting as well; specifically at George Bush Intercontinental Airport in Houston. After spending a few days at the first Focal Powered by Naim location in the land of the trash-can beaters, I ended up in a restaurant near the terminal where a trio of Phantoms were mounted above the bar. Even with constant foot traffic, terminal noise, and a packed room, the sound was easy to follow and never got lost in the chaos.
None of these accessories are strictly required, but together they reinforce a consistent theme: with Devialet, placement is part of the product. How the Phantom Ultimate is supported, positioned, and integrated into a space isn’t an afterthought—it’s baked into the entire overall experience.
Devialet Phantom Ultimate on Treepod Stands
Devialet Phantom Ultimate 108 dB Setup: What You Need to Know Before You Hit Play
Yes, the Devialet app is required to set up the Phantom Ultimate during first use. There’s no workaround here. Without completing the initial configuration in the app, the speaker won’t operate—not even over Bluetooth. Think of the app as the ignition key; once setup is complete, day-to-day use is simple, but you can’t skip that first step.
If you’re wondering about stereo pairing, the answer is equally straightforward: you can only pair two speakers of the same model. A Phantom Ultimate 108 dB must be paired with another 108 dB unit, and the same rule applies to the 98 dB version. You can’t mix Phantom I and Phantom Ultimate models in a stereo configuration.
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As for placement, Devialet’s recommendations are sensible and worth following, especially given how much output these speakers are capable of. Position the Phantom Ultimate between 45 and 90 cm (18 to 35 inches) off the ground to balance impact and clarity. Leave at least 30 cm (12 inches) between the rear of the speaker and the wall to allow low frequencies to develop properly, and keep the area in front of the speaker clear so sound isn’t obstructed.
Listening distance matters, too. Devialet suggests placing the speaker 1.5 to 2.5 meters (5 to 8.2 feet) from your seating position. In a stereo setup, space the speakers 1.5 to 2.5 meters apart and toe them in 25 to 30 degrees toward the listening position. Done right, this creates a stable, focused soundstage without forcing the speakers to work harder than they need to.
In my own setup, I took a more hardwired approach. I ran CAT6 directly from a new Verizon Fios fibre optic modem, which sits directly below the main floor. From there, I’ve terminated connections in seven rooms throughout the house, each either connected directly to the modem or through an ASUS Mesh WiFi 7 router. In every location I tested, the Phantom Ultimate speakers were seeing at least 700 Mbps of available bandwidth, regardless of where they were placed. Connectivity was never a limiting factor.
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Placement experiments went beyond the official recommendations as well. In one configuration, I set the speakers on our dining room credenza using IsoAcoustics isolation platforms, which raised the center of the driver to approximately 45 inches off the floor. In other setups, the speakers were spaced 6 to 7 feet apart and positioned 2 to 3 feet from the rear wall.
Setup with the Devialet app was relatively easy and mostly uneventful, which is a good thing. The speaker was discovered quickly on the network, and the step-by-step process was clear enough that there was little guesswork involved. Since the app is required for initial setup and the speaker won’t function without it, it’s reassuring that the process doesn’t feel complicated or fragile.
The app version in use during my time with the Phantom Ultimate was 1.25.x, which added full support for the Ultimate platform. That update introduced additional audio settings for the Phantom Ultimate models, including three listening modes, a six-band equalizer, and other advanced controls, along with a revised layout and a smoother setup and stereo-pairing process.
Network discovery was consistent, and firmware updates completed without issues. The expanded Network Status section, which shows Wi-Fi strength and connection quality, was useful for confirming that everything was operating as expected.
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Streaming support is handled through integrated protocols rather than forcing you into a closed ecosystem. Bluetooth, AirPlay 2, Spotify Connect, Roon Ready, and UPnP were all available, and switching between services was straightforward. Volume control is precise, whether adjusting a single speaker or managing playback across rooms.
I also tested multi-room playback with one speaker in each room. Synchronization was generally solid, with only a slight delay when starting playback across rooms—small enough that you’d likely miss it unless you were listening for it. Once playing, everything stayed aligned, and the app allows different volume levels in each room, which makes the feature genuinely usable rather than decorative.
Devialet Phantom Ultimate 108 dB Green Pair on Tree Stands
Listening Impressions: Attitude Française, Sans le Ridicule
The urge to see what kind of structural damage these could inflict was definitely there right out of the box, but I held back. From past experience with Devialet speakers, I already knew the low-end story—deep bass, serious impact, and plenty of definition were a given. My longer-term takeaway from earlier models, though, was that all that sub-bass and mid-bass muscle sometimes came at the expense of midrange presence. Call it a polite “V” if you want.
Before getting more critical, I let the speakers run for a few hours a day over several days, looping music from an older iPhone 14. Whether burn-in is real is always up for debate, but at the very least, no drivers were harmed in the process—and if there’s any downside to repeated sessions of Shostakovich followed by deadmau5, I haven’t found it yet.
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The Phantom Ultimate feels different, and in a way that mattered to me. There’s still weight and authority down low, but it no longer feels like the midrange is being asked to take a step back. That shift shows up quickly with something like Nick Cave’s “Avalanche.” His voice is there, front and center, but it’s the piano and string textures that really benefit—notes have body, tone, and decay, which are essential to how that track works. On better speakers, those elements carry as much emotional weight as the vocal, and here they finally do.
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Domestic realities (it’s been a long two years) meant I didn’t push the Phantom Ultimate 108 dB to the kind of levels that would have felt a little irresponsible, but I did get it loud enough to understand what it’s capable of. Even without going full send, there was plenty of mid-bass and lower midrange energy, and that weight carried well beyond the main listening position.
Moving around the room, the soundstage did lose some specificity, but there was no hollowing out of the sound or collapse in scale. The overall presentation stayed intact, with weight and presence remaining consistent even when listening well off-axis.
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That translated across all three rooms I used for testing, where the presence was obvious without needing to sit in a carefully defined sweet spot. At one point, I did catch myself wondering whether this was simply too much speaker for the space. That thought disappeared the moment I pulled the volume back to just above conversation level. Everything snapped into focus—timing felt right, dynamics were intact, and the speaker didn’t lose its grip. It’s a reminder that control matters more than brute force, even when a speaker clearly has plenty of it in reserve.
Switching over to Peter Gabriel—“Been Undone” (Dark-Side Mix), “In Your Eyes,”“i/o” (Bright Side Mix), “Games Without Frontiers,” and “Biko”—it became clear that the Phantom Ultimate is very much tuned for listeners who gravitate toward electronic music, synth-driven rock, and rhythm-forward material. The presentation is propulsive and clean, with a lot of detail on tap; some might call it borderline “hi-fi”—and it delivers real slam without smearing bass lines or slowing things down. There’s texture and speed here, and the speaker has no trouble keeping complex mixes organized at higher levels.
Vocals on some of these tracks leaned slightly toward a polished, studio-lit presentation rather than a softer, more natural one, but the trade-off is scale. The Phantom Ultimate sounds big in a way that would make most of the passive speakers I own feel small, especially when it comes to low-end reach and overall presence.
“Biko,” “So Much,” and “In Your Eyes” hit differently for me, and that had less to do with the speaker than the music itself. Those tracks carry their own weight; memories of not being at your best with someone, and the kind of longing that puts you back under a blanket on a beach in Cape Town. We own our successes and our failures. Gabriel just has a way of making both feel uncomfortably close.
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deadmau5, Boards of Canada, Talking Heads, and Tangerine Dream were a very different experience through these speakers. The sense of scale, presence, speed, and spaciousness brought out aspects of their music that few other speakers I’ve used over the years have managed to capture as convincingly. Rhythms had drive, layers stayed separated, and the overall presentation felt expansive without losing control.
If I had a larger home office and a dog who wouldn’t spend the entire day staring suspiciously at them—these would be very high on my list.
Listening to McCoy Tyner, Donald Byrd, Coltrane, Wes Montgomery, Miles Davis, Grant Green, and Lee Morgan highlighted both the strengths and the limits of these speakers. Rhythm, snap, and tonal weight are clear positives. The Phantom Ultimate locks into timing well, and it gives piano, bass, and drums real propulsion without sounding slow or bloated.
Texture was there, but it sometimes felt a little constructed—more grey than warm. Compared to my Wharfedale, Q Acoustics, or Triangle speakers, there was less richness in the upper bass and lower midrange. The Devialet brings power, thrust, and precision, but it doesn’t lean into the kind of imperfect coloration that, for me, makes jazz feel more human and less polished.
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Horns, to their credit, weren’t bright or edgy, but you can clearly hear the character of an aluminum dome tweeter versus a soft dome. One rolls off sooner and trades sparkle for ease; the other delivers more energy and extension up top. Neither approach is wrong, but which one is more pleasing comes down to taste—and with acoustic jazz, my preference still leans toward warmth over sparkle.
The Bottom Line
The Phantom Ultimate 108 dB is a reminder of what happens when a wireless speaker is engineered like a serious loudspeaker rather than a lifestyle accessory. The technology matters here—ADH New Gen amplification, aggressive DSP control, serious processing power, and drivers that are designed to move air with authority. What it does best is scale, speed, and clarity. Few wireless speakers I’ve heard can project this kind of weight and presence into a room without falling apart, and even fewer maintain control when pushed. As a pair, the Phantom Ultimate delivers a level of output and composure that most wireless systems simply can’t approach.
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That said, it’s not perfect. While bass control, dynamics, and timing are excellent, the tonal balance leans toward precision over warmth. Acoustic textures, particularly in jazz—can sound a bit polished compared to the richer, more forgiving voicing of my Wharfedale, Q Acoustics, or Triangle speakers. And while the aluminum dome tweeter brings energy and extension, some listeners may prefer the softer roll-off and natural ease of a traditional soft dome design.
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This is a speaker for listeners who want maximum performance with minimal boxes, who value modern streaming, industrial design, and the ability to fill large or open spaces without resorting to separates, subwoofers, or complicated setups. At $3,800 per speaker, it’s unquestionably expensive, and it should be—this isn’t competing with mainstream wireless speakers on price. It’s competing on capability.
Even so, there’s no way around the conclusion: the Phantom Ultimate 108 dB earns an Editors’ Choice Award. In terms of sheer scale, power, speed, and clarity from a wireless speaker system, it’s the most convincing I’ve heard. Everything else I have at home from KEF, Triangle, Audioengine, and Q Acoustics sounds slightly broken by comparison—also far more affordable, and very much playing in a different league.
A new malware called ZionSiphon, specifically designed for operational technology, is targeting water treatment and desalination environments to sabotage their operations.
The threat can adjust hydraulic pressures and raise chlorine levels to dangerous levels, researchers found during their analysis.
Based on its IP targeting and political messages embedded in its strings, ZionSiphon appears to focus on targets based in Israel.
Researchers at AI-powered cybersecurity company Darktrace found a flawed encryption logic error in the malware’s validation mechanism that makes it non-functional but warn that future ZionSiphon releases could fix the flaw to unleash its power in attacks.
Upon deployment, the malware checks whether the host IP falls within Israeli ranges and whether the system contains water/OT-related software or files, to ensure it is running in water treatment or desalination systems.
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Strings from the targets list Source: Darktrace
Darktrace notes that the logic for country verification is broken due to an XOR mismatch, causing the targeting to fail and triggering the self-destruct mechanism instead of executing the payload.
If ZionSiphon were to activate, it could cause significant damage by increasing chlorine levels and maximizing the flaw and pressure.
It does this via a function named “IncreaseChlorineLevel(),” which appends a text block on existing configuration files to maximize the chlorine dose and flow as much as it is physically supported by the plant’s mechanical systems.
“IncreaseChlorineLevel()” checks a hardcoded list of configuration files associated with desalination, reverse osmosis, chlorine control, and water treatment OT/Industrial Control Systems (ICS),” Darktrace says.
“As soon as it finds any one of these files present, it appends a fixed block of text to it and returns immediately.”
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“The appended block of text contains the following entries: “Chlorine_Dose=10”, “Chlorine_Pump=ON”, “Chlorine_Flow=MAX”, “Chlorine_Valve=OPEN”, and “RO_Pressure=80”.”
The intention to interact with industrial control systems (ICS) is obvious from scanning the local subnet for the Modbus, DNP3, and S7comm communication protocols.
However, Darktrace has found only partially functional code for Modbus, and merely placeholders for the other two, indicating that the malware is still in an early development phase.
ZionSiphon also has a USB propagation mechanism that copies itself to removable drives as a hidden ‘svchost.exe’ process and creates malicious shortcut files that execute the malware when clicked.
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Creating shortcuts on removable drives Source: Darktrace
USB propagation is key in critical infrastructure systems, where computers that manage security-critical functions are often “air-gapped,” meaning they are not directly connected to the internet.
While ZionSiphon isn’t operational in its current version, its intent and potential for damage are concerning, and all that’s needed to unlock both is to fix a minor verification error.
AI chained four zero-days into one exploit that bypassed both renderer and OS sandboxes. A wave of new exploits is coming.
At the Autonomous Validation Summit (May 12 & 14), see how autonomous, context-rich validation finds what’s exploitable, proves controls hold, and closes the remediation loop.
YouTube channel Moore’s Law Is Dead recently made new claims about the performance of upcoming next-generation consoles based on supposedly leaked internal documents from AMD. Although most analysts expect the PlayStation 6 to improve ray tracing performance over the PlayStation 5 significantly, its overall impact on game performance remains a… Read Entire Article Source link
23-year-old Kamerin Stokes of Memphis, Tennessee, was sentenced to 30 months in prison for selling access to tens of thousands of hacked DraftKings accounts.
According to court documents, the accounts were hijacked by Nathan Austad (aka Snoopy) with the help of Joseph Garrison (a third accomplice charged in May 2023) in a massive November 2022 credential-stuffing attack that compromised nearly 68,000 DraftKings accounts.
U.S. prosecutors said Austad and Garrison used a list of credentials stolen in multiple breaches to hack into DraftKings accounts, then sold access to others who stole around $635,000 from roughly 1,600 compromised accounts.
While they made over $2.1 million selling some of these hijacked DraftKings accounts (as well as FanDuel and Chick-fil-A accounts) through their own “shops,” they also sold many in bulk to Stokes (also known online as TheMFNPlug), who resold them through his own “shop.”
One month later, the sports betting giant said it had to refund hundreds of thousands of dollars stolen from hacked accounts, after all available funds were withdrawn following the addition of a new payment method and a $5 deposit to verify its validity.
After being arrested, pleading guilty, and released while awaiting trial, Stokes reopened his shop with a new “fraud is fun” tagline and continued selling access to compromised accounts for various retailers.
Prosecutors said he also admitted “he had been running these types of shops for three years” and that he relaunched the shop because he needed money to pay his attorney.
“Kamerin Stokes victimized thousands of users of an online betting website though [sic] a cyberattack,” U.S. Attorney Jay Clayton noted in a Thursday press release.
“After pleading guilty to federal crimes, Stokes audaciously reopened his criminal business, marketed using the tagline’ fraud is fun,’ and said that he opened the new Shop in part because ‘gotta pay my attorneys,’ referring to his prosecution in this case.”
After reopening his website, Stokes was again remanded into federal custody after being arrested for violating the conditions of his pretrial release.
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In addition to 30 months in prison, Stokes was given 3 years of supervised release and ordered to pay $1,327,061 in restitution and $125,965.53 in forfeiture.
AI chained four zero-days into one exploit that bypassed both renderer and OS sandboxes. A wave of new exploits is coming.
At the Autonomous Validation Summit (May 12 & 14), see how autonomous, context-rich validation finds what’s exploitable, proves controls hold, and closes the remediation loop.
A truck makes a historic trip around CERN’s facility on the France-Switzerland border, transporting the world’s most expensive material for the first time.
The antimatter inside is made by CERN’s enormous particle accelerator, and then antimatter particles are decelerated and captured for storage, shipment and study.
Antimatter is the mirror opposite of matter. The particular type of antimatter transported was 92 antiprotons, the negatively charged equivalent to the positively charged protons found in regular matter. This perplexing and precious material could hold the key to unlocking some of the largest looming mysteries remaining in physics, going back to the origins of our universe.
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Animation of the Penning Trap that holds antiprotons in place, preventing them from annihilating with the surrounding matter.
CERN
When matter and antimatter meet, they annihilate, turning most of their mass into pure energy. This reaction is the stuff of science fiction, powering spaceships and super weapons. However, with current technology, it would take billions of years to acquire enough antimatter to do any serious damage.
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Annihilation is routine at CERN’s antimatter factory, happening on a small scale with individual particles and showing up as a line on a graph (pictured below).
This is what it looks like to scientists when matter and antimatter annihilate.
BASE/CERN
One of the mysteries the study of antimatter could solve is the reason why there’s so much more matter than antimatter in the observable universe, a question with roots going all the way back to the big bang.
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So far, the science shows that matter and its antimatter equivalents are identical opposites in weight and magnetism. Stefan Ulmer, founder and spokesperson of the BASE experiment at CERN, believes more precise measurements could help find discrepancies which could hold the key.
The search for these discrepancies means that the antimatter particles must leave their birthplace at CERN because the same enormous magnets necessary to produce antimatter also make it difficult to study due to magnetic interference.
This may seem like a lot of work just to get more precise measurements of particles, but Ulmer says chasing answers to the biggest questions in science “makes you creative,” and this is his own version of heaven.
To see the truckload of antimatter make its historic trip, check out the video in this article.
Blue Origin’s New Glenn rocket rises from its Florida pad, sending an AST SpaceMobile satellite into orbit. (Blue Origin via YouTube)
Jeff Bezos’ Blue Origin space venture used a previously flown New Glenn rocket booster to send a satellite into orbit today, taking its competition with Elon Musk’s SpaceX to new heights.
And after it aced its second launch, the first-stage booster — nicknamed “Never Tell Me the Odds” — made yet another successful touchdown on a floating platform in the Atlantic Ocean.
The rocket lifted off from Launch Complex 36 at Cape Canaveral Space Force Station in Florida at 7:25 a.m. ET (4:25 a.m. PT), sending AST SpaceMobile’s BlueBird 7 telecom satellite into low Earth orbit.
The twice-used booster made its first flight last November when it launched NASA’s Escapade probes on a mission to Mars. Blue Origin’s Florida team recovered and refurbished the booster for today’s launch.
Blue Origin executed the same maneuver today. The webcast showed the booster settling down to a touchdown on the landing craft, which was christened Jacklyn as a tribute to Bezos’ mother. Team members could be heard cheering at Mission Control in Florida, at the company’s headquarters in Kent, Wash., and at other outposts in Texas and Alabama.
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“Welcome back once again, Never Tell Me the Odds,” launch commentator Tabitha Lipkin said. “It’s good to say that twice.”
This was the third launch for Blue Origin’s orbital-class New Glenn rocket. The first liftoff in January 2025 sent a payload into orbit to test the communication and control systems for Blue Origin’s Blue Ring space mobility platform. Blue Origin tried to recover the booster that was used for that mission, nicknamed “So You’re Telling Me There’s a Chance,” but the booster missed its chance and couldn’t be saved.
After today’s successful booster touchdown, the focus shifted to the mission’s primary objective: deploying BlueBird 7 from the rocket’s second stage in low Earth orbit. That was due to take place an hour and 15 minutes after liftoff.
If all goes well, BlueBird 7 is destined to join six other satellites in Texas-based AST SpaceMobile’s constellation. The BlueBird satellites are designed to deliver cellular broadband connectivity directly from space to standard smartphones.
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AST SpaceMobile aims to have up to 60 satellites in its constellation by the end of 2026. The company is aiming to start providing commercial satellite service in partnership with AT&T and Verizon later this year.
Last week, Amazon announced that it will acquire Globalstar, a Louisiana-based satellite operator, and will partner with Apple to beef up D2D services. That deal is expected to give a boost to the Amazon Leo satellite broadband network, a Starlink competitor that’s due to begin commercial service this year.
Rocket reusability is another technological realm where SpaceX has long been a leader but is now facing heightened competition. The ability to recover and reuse rocket boosters plays a huge part in SpaceX’s strategy to drive down launch costs — and today’s launch demonstrated that Blue Origin is able to leverage rocket reusability as well.
iPads are stolen from a Best Buy, G-Love is caught up in the fake Ledger app scam, and AirTags solve two thefts, all in this week’s Apple Crime Blotter.
Only a very lucky few people ever get to travel into space, but more than 5.6 million names just completed a journey around the Moon, stored on a microSD card carried aboard NASA’s Artemis II mission.
That flight sent four astronauts farther from Earth than humans have ever traveled, completing a roughly 10-day mission that orbited the Moon before safely returning to Earth.
The trip tested critical systems for future deep-space exploration and marked a major milestone for the Artemis program which will ultimately return humans to the surface of the Moon in 2028.
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Today’s top memory card deal
(Image credit: NASA)
The microSD card, carrying 5,647,889 submitted names, was zipped into Rise, the mission’s mascot, a cartoonish Moon wearing a cap covered in stars. The mascot itself was designed by a year three student from California, called Lucas Ye, whose artwork was selected from more than 2,600 entries from over 50 countries.
While the specific card zipped inside Rise was certified for spaceflight conditions, it traces its lineage to the SanDisk Ultra series used by people here on Earth inside cameras, handheld devices, and portable recording gear.
The consumer version of the SanDisk Ultra microSD series comes in 16 and 32GB capacities and supports both microSD and microSDHC formats, making it compatible with a wide range of devices used for everyday recording and storage tasks.
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Rated at Class 10 speeds, the card supports read speeds of up to 80MB/s, which suits Full HD video capture, burst photography, and quick file transfers.
It’s durable, with protection against water, temperature extremes, and X-ray exposure, and maybe (but we wouldn’t bet on it), trips around the Moon.
After splashdown, the mission mascot didn’t stay tucked away inside the spacecraft as it should have done according to NASA’s mission rules, Artemis II commander Reid Wiseman later revealed on X.
“I was supposed to leave Rise in Integrity….but that was not something I was going to do. I stuffed that little guy in a dry bag we had in our survival kit and hooked the bag onto my pressure suit,” he wrote.
If pet hair on the sofa or crumbs down the side of the car seat are the kind of daily irritants that a full-sized vacuum feels entirely too cumbersome to deal with, a compact handheld is the tool that actually gets used.
The Shark Handheld Cordless Vacuum is built for exactly that, and it is now down from £69.99 to £49.99, a 29% saving on a machine ranked fourth in handheld vacuums on Amazon barely a month after release.
Shark’s new handheld cordless vacuum is now almost a third cheaper, barely a month after launch
If pet hair on the sofa or crumbs down the side of the car seat are a daily occurance, a Shark Handheld Cordless Vacuum is the tool for you.
Dual cyclonic air streams separate the workload inside the machine, with one stream dedicated to suction power and a second separating large and small debris to keep the filter and motor running efficiently across repeated uses rather than degrading with each session.
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That filtering performance is maintained by a HEPA filter, which captures the fine particles that cheaper handheld vacuums push back into the air, and the washable design means ongoing running costs stay low without the need for replacement parts.
Weighing just over one kilogram, the Shark Handheld Cordless Vacuum is genuinely light enough to grab for a quick clean of stairs, upholstery, or car interiors without it feeling like a chore before you have even started.
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The ten-minute run time is the honest caveat here: it is enough for targeted spot cleaning across those kinds of surfaces, but buyers expecting to cover a whole floor in one pass will need to manage expectations or ensure the battery is fully charged before each session.
A CleanTouch dirt ejector handles emptying without requiring you to reach into the dust cup, which matters more than it sounds when you are cleaning up after pets or anything particularly unpleasant, and the 0.45-litre capacity holds a reasonable amount before that becomes necessary.
The included crevice tool and scrubbing brush extend reach and versatility for the kinds of narrow gaps and textured surfaces that the main nozzle alone cannot address, rounding out a kit that covers the realistic daily use cases for a machine of this type.
This is a well-specified grab-and-go option at £49.99, backed by a two-year manufacturer warranty, and it suits households that want something genuinely lightweight and instant-access for the messes a full-sized vacuum is too unwieldy to justify.
For those still deciding on a primary machine to pair it with, our best cordless vacuum cleaners 2026 guide rounds up every wire-free option our experts have put through its paces.
In short: The FAA is developing SMART (Strategic Management of Airspace Routing Trajectories), an AI system that would extend air traffic conflict prediction from 15 minutes to two hours, with Palantir, Thales, and Air Space Intelligence competing for the contract. The project follows the LaGuardia crash that exposed controller overwork and aging systems, and sits within a $32.5 billion modernisation programme as the agency replaces 612 outdated radar systems and recruits 1,200 new controllers in fiscal 2026.
The Federal Aviation Administration is building an AI system called SMART that would allow air traffic controllers to predict and resolve flight conflicts up to two hours before they happen, replacing a planning window that currently extends just 15 minutes. Three companies are competing for the contract: Palantir, Thales, and Air Space Intelligence. Transportation Secretary Sean Duffy confirmed the project and the three bidders on 17 April, with a press event scheduled for 21 April to provide further details.
SMART, which stands for Strategic Management of Airspace Routing Trajectories, uses high-fidelity 4D modelling to anticipate bottlenecks and schedule conflicts before aircraft leave the ground. The system would shift air traffic management from reactive to predictive, addressing the fundamental problem that the current infrastructure was designed for a lower volume of flights and relies on controllers making real-time decisions with limited forward visibility. The FAA has said the system could be operational in some form later this year.
The three bidders
Palantir Technologies brings the deepest government relationship of the three. The company’s revenue guidance for 2026 is approximately $7.2 billion, representing 61% growth, driven by a $10 billion ceiling-value Army contract signed in July 2025 and expanding partnerships with GE Aerospace and Airbus. Its government revenue grew 70% year over year in Q4 2025. Palantir’s pitch for aviation AI is an extension of its core business: ingesting vast quantities of operational data and presenting it in decision-support interfaces that government users can act on without needing to understand the underlying models.
Thales, the European aerospace and defence firm, has more than 85 years of supplying air traffic management systems to the FAA and the Department of Defense. More than 99% of instrument landing systems at US airports use Thales equipment. The company’s TopSky platform is already embedded in theaviation infrastructurethat SMART would need to integrate with, giving it an incumbent advantage that the other two bidders lack.
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Air Space Intelligence, a Boston-based startup backed by Andreessen Horowitz, is the smallest competitor but arguably the most relevant. Its Flyways AI platform already manages over 40% of all US air traffic through partnerships with major airlines, using the same kind of 4D modelling and optimisation that SMART requires. ASI recently announced a partnership withJoby Aviationto integrate electric air taxis into the national airspace, positioning the company at the intersection of current air traffic management and the next generation of aviation.
Why this matters now
The urgency behind SMART is not abstract. On 22 March, Air Canada Express Flight 8646 collided with a fire truck on the runway at LaGuardia Airport. The investigation found that the air traffic controller involved was simultaneously serving as tower controller and clearance delivery controller, and that the automated runway safety system failed to alert because it could not create a confident track when vehicles merged near the runway. The incident crystallised a problem that the aviation industry has been warning about for years: controllers are overworked, the technology they rely on is outdated, and the margin for error is shrinking as traffic volumes increase.
The FAA has received $12.5 billion from Congress for air traffic control modernisation and estimates it needs an additional $20 billion to complete the overhaul. The agency is replacing 612 outdated radar systems, migrating its NOTAM system to a cloud-based platform, and recruiting controllers at an accelerated pace, having hired nearly 1,200 new controllers in fiscal 2026 so far, roughly half its annual target. FAA Administrator Bryan Bedford, who was confirmed by Congress and sworn in last July, has made SMART a central pillar of the modernisation programme.
DOGE, Elon Musk’s Department of Government Efficiency, has also inserted itself into FAA operations. DOGE personnel have visited air traffic control facilities to evaluate operations, and Musk has said the initiative will make “rapid safety upgrades” to air traffic control systems. A separate initiative called Project Lift is directing FAA funds toward upgrading network communications. DOGE is scheduled to end operations on 4 July, though a successor entity will continue.
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The contract dynamics
The competition between Palantir, Thales, and Air Space Intelligence reflects three distinct approaches togovernment AIprocurement. Palantir offers a platform that can be configured for any government use case, backed by extensive security clearances and institutional relationships. Thales offers domain expertise and an installed base that no competitor can match. ASI offers a purpose-built aviation AI platform that is already handling a significant portion of the traffic the FAA is trying to manage.
The FAA’s history with technology modernisation is not encouraging. The agency’s last major technology overhaul, the NextGen programme, took more than a decade and cost billions more than originally projected. The air traffic control workforce has been resistant to automation that threatens to change established workflows, and procurement timelines in government aviation are measured in years, not months. SMART’s promise that it could be operational later this year suggests either a genuinely compressed timeline or a demonstration version that falls short of full deployment.
For Palantir, the FAA contract would extend its government portfolio into a critical civilian agency and support the revenue growth trajectory that has made it the most expensive stock in the S&P 500 at roughly 120 times sales. For Thales, it would modernise a relationship that has sustained its US aviation business for decades. For Air Space Intelligence, it would validate an approach that has already proven itself in the commercial aviation sector and position the company as a central piece of nationalairspace infrastructure.
The stakes are higher than any individual contract. The US air traffic control system manages roughly 45,000 flights per day across the most complex airspace in the world. The controllers who run it are stretched thin, the technology they use predates the smartphone, and the safety margins that have made commercial aviation extraordinarily safe are being tested by volume growth, staffing shortages, and the kind of cascading failures that the LaGuardia incident exposed. SMART is a bet that AI can close the gap between what the system was designed to handle and what it is being asked to do. The question is whether any of the three companies competing for it can deliver on that promise at the speed theFAAnow requires.
Ring is rolling out a new feature designed to make its doorbell alerts a lot more useful. It also makes them a bit more personal.
Called Familiar Faces, it replaces generic notifications like “Person detected” with named alerts such as “Mum at Front Door.” As a result, you know exactly who’s outside without opening the app.
The feature is launching for 2K, 4K and select HD Ring devices in the UK, and it’s entirely opt-in. Once enabled, your camera starts detecting faces. It lets you build a personal directory of up to 50 people, from family members to frequent visitors like dog walkers or babysitters. From there, notifications become more tailored including the option to mute alerts for people you see all the time.
It’s a small change on paper, but one that tackles a familiar annoyance. Standard motion alerts can quickly become noise, especially in busy households. However, by adding context, Familiar Faces aims to cut through that clutter and make alerts more meaningful. For example, you’ll know your child just got home from school or spot an unexpected visitor right away.
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Setup is fairly straightforward. You can label faces directly from your event history or within a dedicated library in the Ring app. The system automatically clears out unlabelled faces after 30 days to keep things tidy. Named faces will then appear across your timeline, notifications and shared accounts.
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As you’d expect, Ring is leaning heavily on privacy controls here. The feature is off by default, face data is encrypted and stored within your account. Moreover, the app includes prompts that remind users to obtain consent where required. You’re also in full control of your library, with options to edit, merge or delete profiles at any time.
Familiar Faces is available to users with a Ring Protect subscription, including Pro and Pro Intelligence plans. The feature will roll out via the app starting today.
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It’s not a huge hardware upgrade, but it’s the kind of smart, software-led tweak that could make everyday use of Ring cameras feel a lot less repetitive. Consequently, it should feel a bit more intuitive.
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