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Devialet Phantom Ultimate 108 dB Review: Unapologetically French, and Quite Possibly the Best Wireless Speaker You’ve Never Actually Heard

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Devialet does nothing by accident, and the Phantom Ultimate 108 dB wireless speaker under review here is a very deliberate statement. This is the same company that gave us the Mania, the Astra and Astra Opéra de Paris integrated amplifiers, and the Dione soundbar—products where engineering, design, and attitude are inseparable. Subtlety has never been part of the brief, and Devialet isn’t pretending otherwise.

The real question is whether the Phantom Ultimate 108 dB is all presentation and bravado; a galette with no fève inside—or whether, once you strip away the gloss and the French pretense, it’s one of the most genuinely satisfying wireless speaker experiences you can buy today.

The new Phantom Ultimate lineup doubles down on what Devialet does best: extreme performance wrapped in industrial art, powered by next-generation ADH amplification that treats subtlety like an unfashionable Louis Vuitton tote from two seasons ago. Offered in the flagship 108 dB model at $3,800 (each) and the more compact 98 dB version at $1,900, these speakers are loud, ambitious, and technically obsessive by design. the full-size 108 dB flagship and the more compact 98 dB, both clearly designed to be seen as much as heard.

Finish options include Deep Forest, a dark green paired with black chrome accents, and Light Pearl, an ultra-matte off-white that leans modern rather than flashy. Devialet supplied a pair in the Deep Forest finish, and my overall impression is that they integrate easily into a wide range of rooms.

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The darker green and black chrome accents work with both traditional and modern furniture, and they don’t clash with common flooring or carpeting choices, which makes placement less of a design headache than you might expect from something this distinctive.

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Devialet Phantom Ultimate: Fifteen Years of French Obsession, Precision Engineering, and a Taste for Gold

Devialet has been headquartered in Paris since 2007, and in that time they’ve made it very clear they are not interested in blending in or asking permission. The Phantom Ultimate is the result of more than fifteen years of focused engineering, design iteration, and a very French refusal to accept “good enough.” With hundreds of patents across acoustics, electronics, signal processing, and manufacturing, Devialet isn’t chasing novelty—they’re refining a very specific idea of what modern high end audio should look and sound like.

Every curve, finish, and yes, the gold detailing, is intentional. Call it excess if you want, but this is what happens when engineers land in Paris, drink the espresso, ignore the noise, and build exactly what they want—whether the rest of the world is ready or not.

At the core of the Phantom Ultimate collection are several proprietary technologies that shape how Devialet designs and controls its wireless speakers. The focus here is precision and system management rather than novelty, with each technology serving a clearly defined role.

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At the foundation of the Phantom Ultimate 108 dB is ADH New Gen (Analog Digital Hybrid) amplification, which pairs a Class A analog stage with Class D amplification for efficiency and control. In this latest iteration, Devialet has refined the control algorithms to extend high-frequency response up to 35 kHz while keeping thermal behavior and power delivery stable at higher listening levels. The goal here isn’t just output, but consistency when the speaker is pushed.

SAM (Speaker Active Matching) operates continuously in the background, monitoring the drivers in real time and adjusting phase and amplitude as needed. This allows the system to maintain accuracy while ensuring the drivers stay within safe operating limits, particularly during complex or high-energy passages where distortion or stress would otherwise creep in.

Low-frequency performance is handled by HBI (Heart Bass Implosion), which uses opposing woofers in a sealed enclosure to achieve bass extension down to 14 Hz. Instead of relying on a large cabinet, this approach focuses on control and symmetry, allowing the Phantom Ultimate to produce deep bass from a relatively compact enclosure without sounding loose or overblown.

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For everyday use, AVL (Adaptive Volume Level) helps smooth out level changes by automatically adjusting output based on the content being played. This keeps dialogue, music, and dynamic material balanced without constant volume adjustments, particularly when switching between different sources.

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All of this is managed by a new intelligent processor built around the NXP i.MX 8M Nano SoC, which handles signal processing more efficiently than previous generations. Its role is largely invisible, but critical, supporting the speaker’s real-time adjustments without adding unnecessary complexity to the user experience.

Together, these elements explain why the Phantom Ultimate behaves differently from many wireless speakers, emphasizing control and consistency over showmanship.

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Devialet Phantom Ultimate 108 dB: French Overkill or a Serious Wireless Speaker?

Devialet positions the Phantom Ultimate 108 dB as its most advanced Phantom yet, and on paper it’s a serious piece of work: new driver architecture, updated processing, and a feature set built around modern streaming and connectivity. The design brief is clear; high output, wide bandwidth, and tight control without turning the speaker into a complicated science project for the owner. Devialet also points to four newly registered patents tied to the Ultimate platform, which is their way of saying this isn’t just a cosmetic refresh with a new paint code.

The core hardware is a three-way layout built around a new-generation aluminum dome tweeter, a new-generation aluminum midrange dome, and two new-generation ABS-dome woofers. The bass system is engineered for low-frequency extension and control, the midrange is meant to reduce resonance so voices and instruments stay clean, and the tweeter redesign focuses on durability and refinement up top.

In practical terms, that translates to a claimed frequency response of 14 Hz to 35 kHz within plus or minus 6 dB, which is a very wide window for a single-box wireless speaker, and a maximum output rated at 108 dB SPL at 1 meter. Total amplification is listed at 1,100 watts, and Devialet is using 32-bit/96 kHz processing as the platform for all of the internal DSP and system management.

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Connectivity is current and straightforward. The Phantom Ultimate 108 dB supports Wi-Fi 6 and Bluetooth 5.3, and it runs on Devialet’s DOS 3 software platform. Streaming support includes AirPlay, Google Cast, Roon Ready, Spotify Connect (with lossless promised “coming soon”), TIDAL Connect, and UPnP.

The control center is the Devialet app, which adds practical listening presets like Music, Podcast, and Cinema modes, and handles updates so the system can evolve over time.

One important note from my time with the speakers: Qobuz Connect was not part of the deal during this review period. Based on how aggressively Devialet has been expanding protocol support, I wouldn’t be shocked if that changes, but I’m not treating it as a feature until it’s actually live.

Physically, the Devialet Phantom Ultimate 108 dB is deceptively compact-looking, but it’s not small once you measure it (or try to lift it like you’re still twenty five). The cabinet is 246 mm (9.7 in) wide, 342 mm (13.5 in) deep, and 255 mm (9.7 in) tall, and each speaker weighs 11.1 kg (24.5 lbs), and yes—this is the part where my doctor would have preferred I respected my post-surgery lifting limits. I didn’t. Moving them is a two-hands, pay-attention job, and once they’re in place you’ll understand why Devialet isn’t pretending these are “portable” in any meaningful sense.

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The build quality, however, is excellent. The finish work is clean, the fit is tight, and the overall product looks like nothing else in the category—whether you find that thrilling or slightly ridiculous is between you and your interior designer.

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Setup is refreshingly simple, because Devialet doesn’t give you a spaghetti bowl of inputs. You’ve got power, and you’ve got Ethernet to hardwire them for stability. That’s basically it. The top-mounted interface uses four touch controls, and day to day operation is mostly app-driven. If you’re the type who wants a wireless speaker that behaves like an appliance, this is closer to that than many “audiophile” lifestyle products that still manage to be fussy.

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So the Devialet Phantom Ultimate 108 dB is less about ticking spec-sheet boxes and more about how it behaves in real rooms. In the Deep Forest finish, it actually comes across as more restrained than you might expect—especially by Devialet standards. The dark green and black accents read as deliberate rather than flashy, and in lower light it can feel surprisingly understated for a product with this much output on tap.

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Devialet Phantom Ultimate 108 dB is available in Light Pearl, Deep Forest, and Gold Leaf (Opéra de Paris).

It’s also worth stressing that these are sold as individual speakers, not pairs, and setup matters. Even running a single unit, I had no trouble filling multiple spaces: my living room at 20 x× 13 x 9 feet, a den at 16 x 13 x 9 feet, and even a former basement office here in New Jersey measuring 33 x 13 x 8 feet. In all three, the Phantom Ultimate delivered real scale—solid low-end weight, strong presence, and more volume than anyone would reasonably need. Your ears will give up long before the speaker does.

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In larger, open-concept spaces, that sense of scale becomes even more obvious. Depending on the music and how hard you push it, the Phantom Ultimate can sound genuinely large and authoritative in a way most wireless speakers simply cannot manage. That ability to impose itself when asked—without falling apart or sounding strained—is still rare in this category, and it’s where the Phantom Ultimate 108 dB quietly separates itself from the pack.

Devialet Phantom Ultimate Accessories: Essentials, Options, and Real-World Proof

Devialet includes a two-year manufacturer warranty with all of its products, covering defects in materials, workmanship, and design. Coverage can be extended by an additional three years through Devialet Care for $120. The process is entirely digital; purchase the plan, receive an activation code by email, and you’re done. Clean, efficient, and very much on brand.

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Devialet Phantom Ultimate Remote

For control, there’s the Phantom Ultimate Remote priced at $199. One remote can operate a single speaker or a stereo pair, and multiple remotes automatically synchronize if you’re using more than one. It’s responsive, intuitive, and a welcome alternative to reaching for the app every time you want to adjust volume or switch content.

Placement matters with the Phantom Ultimate, and Devialet treats it that way. The Treepod Stand at $349 is available in Iconic White, Deep Forest, and Light Pearl. It measures 424 × 345 × 370 mm (16.7 × 13.6 × 14.6 inches) and positions the speaker precisely 345 mm (13.6 inches) above ground level. That height is intentional, placing the speaker where Devialet believes it performs best, while the solid construction keeps everything stable.

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The Tree Smart Stand, priced at $399, offers a more vertical, furniture-like presentation. Measuring 340 × 660 mm (13.4 × 26.0 inches), it’s also available in Iconic White, Deep Forest, and Light Pearl. Compared to the Treepod, it’s less about flexibility and more about committing to a specific visual and spatial statement in the room.

For wall mounting, the Gecko Wall Mount costs $299 and is designed to securely support the Phantom Ultimate 108 dB while maintaining proper acoustic orientation. It’s adjustable, relatively easy to install, and offered in Light Pearl, Deep Forest, and Opéra de Paris finishes so the speaker doesn’t look like an afterthought once it’s off the floor.

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I’ve seen the Gecko used effectively outside of a home setting as well; specifically at George Bush Intercontinental Airport in Houston. After spending a few days at the first Focal Powered by Naim location in the land of the trash-can beaters, I ended up in a restaurant near the terminal where a trio of Phantoms were mounted above the bar. Even with constant foot traffic, terminal noise, and a packed room, the sound was easy to follow and never got lost in the chaos.

None of these accessories are strictly required, but together they reinforce a consistent theme: with Devialet, placement is part of the product. How the Phantom Ultimate is supported, positioned, and integrated into a space isn’t an afterthought—it’s baked into the entire overall experience.

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Devialet Phantom Ultimate on Treepod Stands

Devialet Phantom Ultimate 108 dB Setup: What You Need to Know Before You Hit Play

Yes, the Devialet app is required to set up the Phantom Ultimate during first use. There’s no workaround here. Without completing the initial configuration in the app, the speaker won’t operate—not even over Bluetooth. Think of the app as the ignition key; once setup is complete, day-to-day use is simple, but you can’t skip that first step.

If you’re wondering about stereo pairing, the answer is equally straightforward: you can only pair two speakers of the same model. A Phantom Ultimate 108 dB must be paired with another 108 dB unit, and the same rule applies to the 98 dB version. You can’t mix Phantom I and Phantom Ultimate models in a stereo configuration.

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As for placement, Devialet’s recommendations are sensible and worth following, especially given how much output these speakers are capable of. Position the Phantom Ultimate between 45 and 90 cm (18 to 35 inches) off the ground to balance impact and clarity. Leave at least 30 cm (12 inches) between the rear of the speaker and the wall to allow low frequencies to develop properly, and keep the area in front of the speaker clear so sound isn’t obstructed.

Listening distance matters, too. Devialet suggests placing the speaker 1.5 to 2.5 meters (5 to 8.2 feet) from your seating position. In a stereo setup, space the speakers 1.5 to 2.5 meters apart and toe them in 25 to 30 degrees toward the listening position. Done right, this creates a stable, focused soundstage without forcing the speakers to work harder than they need to.

In my own setup, I took a more hardwired approach. I ran CAT6 directly from a new Verizon Fios fibre optic modem, which sits directly below the main floor. From there, I’ve terminated connections in seven rooms throughout the house, each either connected directly to the modem or through an ASUS Mesh WiFi 7 router. In every location I tested, the Phantom Ultimate speakers were seeing at least 700 Mbps of available bandwidth, regardless of where they were placed. Connectivity was never a limiting factor.

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Placement experiments went beyond the official recommendations as well. In one configuration, I set the speakers on our dining room credenza using IsoAcoustics isolation platforms, which raised the center of the driver to approximately 45 inches off the floor. In other setups, the speakers were spaced 6 to 7 feet apart and positioned 2 to 3 feet from the rear wall.

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Setup with the Devialet app was relatively easy and mostly uneventful, which is a good thing. The speaker was discovered quickly on the network, and the step-by-step process was clear enough that there was little guesswork involved. Since the app is required for initial setup and the speaker won’t function without it, it’s reassuring that the process doesn’t feel complicated or fragile.

The app version in use during my time with the Phantom Ultimate was 1.25.x, which added full support for the Ultimate platform. That update introduced additional audio settings for the Phantom Ultimate models, including three listening modes, a six-band equalizer, and other advanced controls, along with a revised layout and a smoother setup and stereo-pairing process.

Network discovery was consistent, and firmware updates completed without issues. The expanded Network Status section, which shows Wi-Fi strength and connection quality, was useful for confirming that everything was operating as expected.

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Streaming support is handled through integrated protocols rather than forcing you into a closed ecosystem. Bluetooth, AirPlay 2, Spotify Connect, Roon Ready, and UPnP were all available, and switching between services was straightforward. Volume control is precise, whether adjusting a single speaker or managing playback across rooms.

I also tested multi-room playback with one speaker in each room. Synchronization was generally solid, with only a slight delay when starting playback across rooms—small enough that you’d likely miss it unless you were listening for it. Once playing, everything stayed aligned, and the app allows different volume levels in each room, which makes the feature genuinely usable rather than decorative.

Devialet Phantom Ultimate 108 dB Green Pair on Tree Stands Lifestyle
Devialet Phantom Ultimate 108 dB Green Pair on Tree Stands

Listening Impressions: Attitude Française, Sans le Ridicule

The urge to see what kind of structural damage these could inflict was definitely there right out of the box, but I held back. From past experience with Devialet speakers, I already knew the low-end story—deep bass, serious impact, and plenty of definition were a given. My longer-term takeaway from earlier models, though, was that all that sub-bass and mid-bass muscle sometimes came at the expense of midrange presence. Call it a polite “V” if you want.

Before getting more critical, I let the speakers run for a few hours a day over several days, looping music from an older iPhone 14. Whether burn-in is real is always up for debate, but at the very least, no drivers were harmed in the process—and if there’s any downside to repeated sessions of Shostakovich followed by deadmau5, I haven’t found it yet.

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The Phantom Ultimate feels different, and in a way that mattered to me. There’s still weight and authority down low, but it no longer feels like the midrange is being asked to take a step back. That shift shows up quickly with something like Nick Cave’s “Avalanche.” His voice is there, front and center, but it’s the piano and string textures that really benefit—notes have body, tone, and decay, which are essential to how that track works. On better speakers, those elements carry as much emotional weight as the vocal, and here they finally do.

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Domestic realities (it’s been a long two years) meant I didn’t push the Phantom Ultimate 108 dB to the kind of levels that would have felt a little irresponsible, but I did get it loud enough to understand what it’s capable of. Even without going full send, there was plenty of mid-bass and lower midrange energy, and that weight carried well beyond the main listening position.

Moving around the room, the soundstage did lose some specificity, but there was no hollowing out of the sound or collapse in scale. The overall presentation stayed intact, with weight and presence remaining consistent even when listening well off-axis.

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That translated across all three rooms I used for testing, where the presence was obvious without needing to sit in a carefully defined sweet spot. At one point, I did catch myself wondering whether this was simply too much speaker for the space. That thought disappeared the moment I pulled the volume back to just above conversation level. Everything snapped into focus—timing felt right, dynamics were intact, and the speaker didn’t lose its grip. It’s a reminder that control matters more than brute force, even when a speaker clearly has plenty of it in reserve.

Switching over to Peter Gabriel—Been Undone (Dark-Side Mix), “In Your Eyes,” i/o (Bright Side Mix), Games Without Frontiers,” and Biko—it became clear that the Phantom Ultimate is very much tuned for listeners who gravitate toward electronic music, synth-driven rock, and rhythm-forward material. The presentation is propulsive and clean, with a lot of detail on tap; some might call it borderline “hi-fi”—and it delivers real slam without smearing bass lines or slowing things down. There’s texture and speed here, and the speaker has no trouble keeping complex mixes organized at higher levels.

Vocals on some of these tracks leaned slightly toward a polished, studio-lit presentation rather than a softer, more natural one, but the trade-off is scale. The Phantom Ultimate sounds big in a way that would make most of the passive speakers I own feel small, especially when it comes to low-end reach and overall presence.

Biko,” “So Much,” and In Your Eyes hit differently for me, and that had less to do with the speaker than the music itself. Those tracks carry their own weight; memories of not being at your best with someone, and the kind of longing that puts you back under a blanket on a beach in Cape Town. We own our successes and our failures. Gabriel just has a way of making both feel uncomfortably close.

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deadmau5, Boards of Canada, Talking Heads, and Tangerine Dream were a very different experience through these speakers. The sense of scale, presence, speed, and spaciousness brought out aspects of their music that few other speakers I’ve used over the years have managed to capture as convincingly. Rhythms had drive, layers stayed separated, and the overall presentation felt expansive without losing control.

If I had a larger home office and a dog who wouldn’t spend the entire day staring suspiciously at them—these would be very high on my list.

Listening to McCoy Tyner, Donald Byrd, Coltrane, Wes Montgomery, Miles Davis, Grant Green, and Lee Morgan highlighted both the strengths and the limits of these speakers. Rhythm, snap, and tonal weight are clear positives. The Phantom Ultimate locks into timing well, and it gives piano, bass, and drums real propulsion without sounding slow or bloated.

Texture was there, but it sometimes felt a little constructed—more grey than warm. Compared to my Wharfedale, Q Acoustics, or Triangle speakers, there was less richness in the upper bass and lower midrange. The Devialet brings power, thrust, and precision, but it doesn’t lean into the kind of imperfect coloration that, for me, makes jazz feel more human and less polished.

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Horns, to their credit, weren’t bright or edgy, but you can clearly hear the character of an aluminum dome tweeter versus a soft dome. One rolls off sooner and trades sparkle for ease; the other delivers more energy and extension up top. Neither approach is wrong, but which one is more pleasing comes down to taste—and with acoustic jazz, my preference still leans toward warmth over sparkle.

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The Bottom Line

The Phantom Ultimate 108 dB is a reminder of what happens when a wireless speaker is engineered like a serious loudspeaker rather than a lifestyle accessory. The technology matters here—ADH New Gen amplification, aggressive DSP control, serious processing power, and drivers that are designed to move air with authority. What it does best is scale, speed, and clarity. Few wireless speakers I’ve heard can project this kind of weight and presence into a room without falling apart, and even fewer maintain control when pushed. As a pair, the Phantom Ultimate delivers a level of output and composure that most wireless systems simply can’t approach.

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That said, it’s not perfect. While bass control, dynamics, and timing are excellent, the tonal balance leans toward precision over warmth. Acoustic textures, particularly in jazz—can sound a bit polished compared to the richer, more forgiving voicing of my Wharfedale, Q Acoustics, or Triangle speakers. And while the aluminum dome tweeter brings energy and extension, some listeners may prefer the softer roll-off and natural ease of a traditional soft dome design.

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This is a speaker for listeners who want maximum performance with minimal boxes, who value modern streaming, industrial design, and the ability to fill large or open spaces without resorting to separates, subwoofers, or complicated setups. At $3,800 per speaker, it’s unquestionably expensive, and it should be—this isn’t competing with mainstream wireless speakers on price. It’s competing on capability.

Even so, there’s no way around the conclusion: the Phantom Ultimate 108 dB earns an Editors’ Choice Award. In terms of sheer scale, power, speed, and clarity from a wireless speaker system, it’s the most convincing I’ve heard. Everything else I have at home from KEF, Triangle, Audioengine, and Q Acoustics sounds slightly broken by comparison—also far more affordable, and very much playing in a different league.

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VMware ESXi flaw now exploited in ransomware attacks

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VMware

CISA confirmed on Wednesday that ransomware gangs have begun exploiting a high-severity VMware ESXi sandbox escape vulnerability that was previously used in zero-day attacks.

Broadcom patched this ESXi arbitrary-write vulnerability (tracked as CVE-2025-22225) in March 2025 alongside a memory leak (CVE-2025-22226) and a TOCTOU flaw (CVE-2025-22224), and tagged them all as actively exploited zero-days.

“A malicious actor with privileges within the VMX process may trigger an arbitrary kernel write leading to an escape of the sandbox,” Broadcom said about the CVE-2025-22225 flaw.

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At the time, the company said that the three vulnerabilities affect VMware ESX products, including VMware ESXi, Fusion, Cloud Foundation, vSphere, Workstation, and Telco Cloud Platform, and that attackers with privileged administrator or root access can chain them to escape the virtual machine’s sandbox.

According to a report published last month by cybersecurity company Huntress, Chinese-speaking threat actors have likely been chaining these flaws in sophisticated zero-day attacks since at least February 2024.

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Flagged as exploited in ransomware attacks

In a Wednesday update to its list of vulnerabilities exploited in the wild, the U.S. Cybersecurity and Infrastructure Security Agency (CISA) said CVE-2025-22225 is now known to be used in ransomware campaigns but didn’t provide more details about these ongoing attacks.

CISA first added the flaw to its Known Exploited Vulnerabilities (KEV) catalog in March 2025 and ordered federal agencies to secure their systems by March 25, 2025, as mandated by Binding Operational Directive (BOD) 22-01.

“Apply mitigations per vendor instructions, follow applicable BOD 22-01 guidance for cloud services, or discontinue use of the product if mitigations are unavailable,” the cybersecurity agency says.

Ransomware gangs and state-sponsored hacking groups often target VMware vulnerabilities because VMware products are widely deployed on enterprise systems that commonly store sensitive corporate data.

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For instance, in October, CISA ordered government agencies to patch a high-severity vulnerability (CVE-2025-41244) in Broadcom’s VMware Aria Operations and VMware Tools software, which Chinese hackers have exploited in zero-day attacks since October 2024.

More recently, CISA has also tagged a critical VMware vCenter Server vulnerability (CVE-2024-37079) as actively exploited in January and ordered federal agencies to secure their servers by February 13.

In related news, this week, cybersecurity company GreyNoise reported that CISA has “silently” tagged 59 security flaws as known to be used in ransomware campaigns last year alone.

Modern IT infrastructure moves faster than manual workflows can handle.

In this new Tines guide, learn how your team can reduce hidden manual delays, improve reliability through automated response, and build and scale intelligent workflows on top of tools you already use.

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Survival horror classic 'Alone in the Dark' trilogy is free on GOG for a limited time

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The package, available for free until Thursday morning, includes Alone in the Dark 1, 2, and 3 – all emulated through DOSBox. Like most titles sold on GOG, the DRM-free downloads come with digital manuals, soundtracks, and other supplementary materials. Because the trilogy is part of GOG’s preservation program, the…
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HP CEO Enrique Lores steps down to join PayPal as new chief

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Lores, who served decades at HP, was also PayPal’s board chair since 2024.

HP was apparently caught off guard, according to reports, after PayPal snatched the company’s CEO Enrique Lores to replace Alex Chriss.

In a statement, PayPal said that the switch-up had to come because the “pace of change and execution [under Chriss] was not in line with the board’s expectations”. Lores is expected to overhaul the payments company and ensure it maintains its leading position in the industry in the long-run, the company said.

Chief financial and operating officer Jamie Miller will serve as interim CEO at the company until Lores assumes the role of president and CEO. Meanwhile, David Dorman has been appointed as independent board chair.

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“We will further strengthen the culture of innovation necessary to deliver long-term transformation and balance this with near-term delivery”, commented Lores.

“The payments industry is changing faster than ever, driven by new technologies, evolving regulations, an increasingly competitive landscape and the rapid acceleration of AI that is reshaping commerce daily.”

Chriss was appointed as PayPal’s CEO and president in 2023, a challenging post-pandemic period when trading volumes were low, but large tech companies and newer fintech rivals were adding competitive pressure on PayPal’s core businesses.

At the time of his appointment, PayPal described him as a “next generation leader” capable of driving growth across the company, but less than three years later, that seems to not have worked out. Lores, meanwhile, is familiar to PayPal, serving on the company’s board for nearly five years, and as board chairperson since July 2024.

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However, the executive switch-up did not sway investor confidence after the company missed revenue expectations in the quarter past. In its fourth quarter results for 2025, PayPal posted $8.68bn in revenue, lower than London Stock Exchange Group analysts’ average estimates, but marginally higher than this quarter last year.

The dim quarter and change of leadership sent share prices at PayPal plummeting by 20pc. Company shares have dropped more than 80pc over the last five years.

Lores had come into HP as an intern nearly four decades ago. He orchestrated the split from HP Enterprise and took on the role of CEO in 2019. Semafor reported that Lores’ sudden move sent HP executives scurrying for a replacement.

In a statement yesterday (3 February), HP said that Lores stepped down as both board president and CEO to “pursue another professional opportunity”.

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Bruce Broussard, a HP board member since 2021, has been appointed as interim CEO until a search committee identifies a successor. Broussard most recently served as the president and CEO of healthcare company Humana.

Don’t miss out on the knowledge you need to succeed. Sign up for the Daily Brief, Silicon Republic’s digest of need-to-know sci-tech news.

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How Teaching Saved My Life

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This story was published by a Voices of Change fellow. Learn more about the fellowship here.

Teaching is many things. It’s a profession and a passion, tedious and rewarding, infuriating and full of joy. For some, mental health issues like anxiety and depression become worse when teaching. This has led to many teachers and educators leaving the profession, with plenty of news and opinion coverage on the mental health crisis in education.

But my story is a bit different. Not only has teaching improved my mental health, but it quite literally saved my life.

Against a Sea of Troubles

In February of 2017, I was working in retail management, and had been doing so since graduating college back in 2002. I was OK at sales, a pretty good manager and especially great at training new sales associates. At the same time, I was also struggling with severe depression and anxiety. I didn’t really know why. I didn’t think I hated my job; I loved my wife and family. On paper, I had good friends and a pretty good life. But there were some days I just could not face. I felt alone, empty and frankly, lost. Was this all that my life would have to offer? Would this be all I was ever known for? Would anyone miss me when I’m gone?

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This led to the evening of Feb. 24. I was driving home from another dull day of work when the desire to drive my car off an overpass became stark, real and terrifyingly close to reality. I simply had had enough and thought this would make people remember me, even for a little while. But I didn’t do it. The experience and its closeness shook me. When I got home, I broke down to my wife and we decided I needed help and I needed it now. She took me to a hospital where I spent the next few days reading, reflecting and most importantly, talking to mental health professionals.

Over the next few weeks, I learned two life-altering things. First, my brain needed medicine. Second, I wanted to become a teacher. That may sound a little strange, but in the course of my reflections and therapy on why I felt so empty, one thing became clear: I had an innate desire to make a positive impact on the world. When I started broaching the topic of what that might look like for me, friends and family all floated the same idea, “Maybe you should think about teaching?!”

Plan B

Growing up, I wanted to be one of two things: a professional wrestler or a rock star. By my mid-20s, after forgoing college norms and diving into both of these dreams, I realized that maybe those weren’t the most practical vocations. So, without much thought, I started working retail. I never stopped to think about what I wanted to do; I just did what I needed to do to get by.

But even in my long career in retail sales and management, a trend started to emerge. I liked teaching people. I took on training roles and attended classes to learn as much as I could about the product I was selling. My favorite accomplishments over the years were never the big sales I made, but the people I developed and guided to success. So when my family and friends started telling me to look into teaching, I thought, “Well, why not? It can’t be too different from teaching people to sell guitars and mattresses.”

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I am also very much a kid at heart. I play video games, watch streamers on Twitch, love cartoons and comics and have always worn the title of “goofball” as a badge of honor. I could fit in with literal kids; they might relate to me more than my actual peers! I am also a self-described nerd who loves learning new things and researching anything and everything. Sharing my enthusiasm for learning made teaching seem like a strong fit.

More importantly to my mental health, the idea of being a teacher hit home in that missing part of my life. Would teaching the next generation make me feel like I’m leaving my mark? Will it help me feel fulfilled? Is it OK to place so much of my personal value on a career?
Without much to lose and the hope that a change in vocation could bring what I felt was missing, I applied to an online university to begin my journey toward becoming an educator.

A New Hope

Fast forward through a few years with a lot of college work and a stint as a district substitute teacher in an urban school district. I got my first full-time job as a teacher, teaching fourth grade math, science and social studies at a wonderful little school that was walking distance from my home. In that first year, even though I was in my late 30s, I experienced all the anxiety, fatigue and headspinning experiences of any first-year teacher. I also began to see a change in myself. Even though I had never been so tired and so challenged, I also finally felt like I mattered. Like I was doing what I was supposed to do.

Before going into teaching, my belief was that the difference I would be able to make in a kid’s life would be impactful, but only insofar as education. I had no idea how much teaching actually revolved around two things I am particularly good at that really fill my emotional bucket: performing and building relationships.

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I love being on stage and in the spotlight. It’s why I wanted to be a wrestler or a rock star. What I wish I had known all those years ago was that teaching is just a big performance every day that can elicit the same emotional highs (and lows) as a fun rock show. I’m not being hyperbolic when I say that I sometimes have the same sense of accomplishment and “high” when I feel like I gave a great lesson — or the students really get into the groove of a good debate — as I do when I step off stage after thrashing punk music with my band. The idea that I could do something positive for the world and still feel this way afterward cemented my belief that teaching is where I belong.

In my first year of teaching, I also began to see how this new vocation could help others besides the kids and me. One day, partway through my first year, a parent came in to request a conference. She felt overwhelmed and frustrated that her amazingly bright child just could not get into math and was actively pushing back against the very idea of it. As I sat with the mom and we brainstormed how we could work to present learning in a new and novel way for her child, I saw her relax, smile and realize that it would be OK. I had hard proof that what I’m doing made someone’s life better, even for just a few moments. By the end of the year, her child was doing much better in math and, more importantly, really enjoyed learning and working with her mom to build resilience and a growth mindset.

Solidarity

Mental health among teachers is a tough and very personal subject. My hope in sharing my story is not to say that teachers should all be happy all the time, or that the struggle with depression and anxiety amongst teachers isn’t a real problem that needs solving. I am simply reflecting on what it is that teaching gives me each day. The opportunity to perform. The opportunity to make connections with students, families and fellow teachers. The opportunity to teach skills and subjects that will make my students better learners. And crucially, the opportunity to make a real difference in the lives of my students and their families.

Today, I have the pleasure of teaching my favorite subject, history and social studies, to seventh and eighth grade students. One goal I have every day is to remember that being allowed to influence these students’ lives is an honor and a privilege. My words, no matter how much they try not to listen, have real power and influence on their growth and the decisions they will make.

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By choosing to be a teacher, not only did I save my own life, but I am also improving the lives of my students, and they may just save the world.


If you or someone you know is in immediate distress or is thinking about hurting themselves, call the 988 Suicide & Crisis Lifeline. You also can text the Crisis Text Line (HELLO to 741741) or use the Lifeline Chat on the 988 Suicide & Crisis Lifeline website.

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BMW Commits To Subscriptions Even After Heated Seat Debacle

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BMW may have retreated from its controversial plan to charge monthly fees for heated seats, but the German automaker is pressing ahead with subscription-based vehicle features through its ConnectedDrive platform.

A company spokesperson told The Drive that BMW “remains fully committed” to ConnectedDrive as part of its global aftersales strategy. Features requiring data connectivity will likely carry recurring fees.

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The Best Super Bowl TV Deals (2026)

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Upgrade your viewing setup before inviting your friends over to watch the big game.

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Google & Apple CEOs offer seemingly contradictory statements regarding AI partnership

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Apple will be using Google technologies to level up Apple Foundation Models, but the details of exactly how are still vague. While speculation is still wild, a true answer is emerging from the noise.

An iPhone with a dark wallpaper shows a colorful waveform around the edge, indicating a Siri summon. A rainbow star next to the device representing Google Gemini
Apple Intelligence will get a boost after training with Google Gemini

There is one concrete fact that we have about the Apple and Google partnership on artificial intelligence development, and it is that we’re not going to be told more publicly. Apple CEO Tim Cook did say that Apple won’t change its privacy stance while working with Google and indicated that Apple Intelligence and Siri will work on-device and via Private Cloud Compute (PCC).
That statement seems cut and dry on its own, but Google CEO Sundar Pichai and CBO Philipp Schindler shared seemingly contradictory statements during the Google earnings call. They both used the phrase “preferred cloud provider” when discussing Google’s relationship with Apple.
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Anthropic’s new Cowork plugins prompt sell-off in software shares

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Anthropic’s new plug-ins for Cowork announced on Friday are sparking jitters in the markets with software, professional services and analytics companies seeing the largest sell-offs.

Last month, Anthropic launched its Cowork model, a “simpler version of Claude Code” prompting concerns among those heavily invested in software companies. Friday’s (30 January) launch of new plug-ins seems to have accelerated the concerns.

This week has seen a strong sell-off in US and European software, professional services and data analytics companies, with the trend continuing yesterday (3 February) and contagion in Asian markets. Commentators are blaming the release of Anthropic’s plugins for Cowork which the AI player says will automate tasks across legal, sales, marketing and data analysis.

The legal space is where organisations like Thomson Reuters makes much of its revenue, so it was one of the players to see an 18pc slump in its share price yesterday, according to Reuters itself, which added that its shares are now down 33pc just this year, having dropped by 22pc in 2025, as fears rise around AI disruption in the legal sector.

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Other providers of legal analytics also dropped with the UK’s RELX falling 14pc and Dutch company Wolters Kluwer seeing a drop of 13pc.

And the contagion spread to other software companies and the broader market as AI fuels concerns among investors who are struggling to figure out who the winners and losers will be in the current AI-fuelled economy. According to Bloomberg, a Goldman Sachs basket of US software stocks fell 6pc yesterday – its sharpest one-day drop since the sell-off that followed the initial US tariffs announcements in April.

When Anthropic launched Cowork on 12 January, it described it as a simpler version of Claude Code for non-coding related tasks. It said this new model has more agency – it can read, edit and re-organise files, taking on many of same tasks Claude Code can, but in a more “approachable” form.

Cowork seems firmly targeted at the enterprise market with its promise to make using Claude “for work” easier. Now, the new sector-specific plugins are seen as a particular threat to existing analytics players.

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Microsoft releases urgent Office patch. Russian-state hackers pounce.

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Russian-state hackers wasted no time exploiting a critical Microsoft Office vulnerability that allowed them to compromise the devices inside diplomatic, maritime, and transport organizations in more than half a dozen countries, researchers said Wednesday.

The threat group, tracked under names including APT28, Fancy Bear, Sednit, Forest Blizzard, and Sofacy, pounced on the vulnerability, tracked as CVE-2026-21509, less than 48 hours after Microsoft released an urgent, unscheduled security update late last month, the researchers said. After reverse-engineering the patch, group members wrote an advanced exploit that installed one of two never-before-seen backdoor implants.

Stealth, speed, and precision

The entire campaign was designed to make the compromise undetectable to endpoint protection. Besides being novel, the exploits and payloads were encrypted and ran in memory, making their malice hard to spot. The initial infection vector came from previously compromised government accounts from multiple countries and were likely familiar to the targeted email holders. Command and control channels were hosted in legitimate cloud services that are typically allow-listed inside sensitive networks.

“The use of CVE-2026-21509 demonstrates how quickly state-aligned actors can weaponize new vulnerabilities, shrinking the window for defenders to patch critical systems,” the researchers, with security firm Trellix, wrote. “The campaign’s modular infection chain—from initial phish to in-memory backdoor to secondary implants was carefully designed to leverage trusted channels (HTTPS to cloud services, legitimate email flows) and fileless techniques to hide in plain sight.”

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The 72-hour spear phishing campaign began January 28 and delivered at least 29 distinct email lures to organizations in nine countries, primarily in Eastern Europe. Trellix named eight of them: Poland, Slovenia, Turkey, Greece, the UAE, Ukraine, Romania, and Bolivia. Organizations targeted were defense ministries (40 percent), transportation/logistics operators (35 percent), and diplomatic entities (25 percent).

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Netflix Says if the HBO Merger Makes It Too Expensive, You Can Always Cancel

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There is concern that subscribers might be negatively affected if Netflix acquires Warner Bros. Discovery’s streaming and movie studios businesses. One of the biggest fears is that the merger would lead to higher prices due to less competition for Netflix.

During a US Senate hearing Tuesday, Netflix co-CEO Ted Sarandos suggested that the merger would have an opposite effect.

Sarandos was speaking at a hearing held by the US Senate Judiciary Committee’s Subcommittee on Antitrust, Competition Policy, and Consumer Rights, “Examining the Competitive Impact of the Proposed Netflix-Warner Brothers Transaction.”

Sarandos aimed to convince the subcommittee that Netflix wouldn’t become a monopoly in streaming or in movie and TV production if regulators allowed its acquisition to close. Netflix is the largest subscription video-on-demand provider by subscribers (301.63 million as of January 2025), and Warner Bros. Discovery is the third (128 million streaming subscribers, including users of HBO Max and, to a smaller degree, Discovery+).

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Speaking at the hearing, Sarandos said: “Netflix and Warner Bros. both have streaming services, but they are very complementary. In fact, 80 percent of HBO Max subscribers also subscribe to Netflix. We will give consumers more content for less.”

During the hearing, Democratic senator Amy Klobuchar of Minnesota asked Sarandos how Netflix can ensure that streaming remains “affordable” after a merger, especially after Netflix issued a price hike in January 2025 despite adding more subscribers.

Sarandos said the streaming industry is still competitive. The executive claimed that previous Netflix price hikes have come with “a lot more value” for subscribers.

“We are a one-click cancel, so if the consumer says, ‘That’s too much for what I’m getting,’ they can cancel with one click,” Sarandos said.

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When pressed further on pricing, the executive argued that the merger doesn’t pose “any concentration risk” and that Netflix is working with the US Department of Justice on potential guardrails against more price hikes.

Sarandos claimed that the merger would “create more value for consumers.” However, his idea of value isn’t just about how much subscribers pay to stream but about content quality. By his calculations, which he provided without further details, Netflix subscribers spend an average of 35 cents per hour of content watched, compared to 90 cents for Paramount+.

The Netflix stat is similar to one provided by MoffettNathanson in January 2025, finding that in the prior quarter, on average, Netflix generated 34 cents in subscription fees per hour of content viewed per subscriber. At the time, the research firm said Paramount+ made an average of 76 cents per hour of content viewed per subscriber.

Downplaying Monopoly Concerns

Netflix views Warner as “both a competitor and a supplier,” Sarandos said when subcommittee chair Republican senator Mike Lee of Utah asked why Netflix wants to buy WB’s film studios, per Variety. The streaming executive claimed that Netflix’s “history is about adding more and more” content and choice.

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During the hearing, Sarandos argued that streaming is a competitive business and pointed to Google, Apple, and Amazon as “deep-pocketed tech companies trying to run away with the TV business.” He tried to downplay concerns that Netflix could become a monopoly by emphasizing YouTube’s high TV viewership. Nielsen’s The Gauge tracker shows which platforms Americans use most when using their TVs (as opposed to laptops, tablets, or other devices). In December, it said that YouTube, not including YouTube TV, had more TV viewership (12.7 percent) than any other streaming video-on-demand service, including second-place Netflix (9 percent). Sarandos claimed that Netflix would have 21 percent of the streaming market if it merged with HBO Max.

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