This judge ain’t fucking around. Earlier this month, we covered New Jersey federal judge Zahid Qurashi’s response to the actions of Trump’s DOJ, which begins with lots of illegal appointments of prosecutors and runs right through these prosecutors’ inability to defend the administration’s actions.
To wit:
The Government’s handling of Petitioner’s detention is emblematic of its approach to immigration enforcement in this state. On the merits, its detentions are illegal. The Government knows this. Its reliance on Section 1225 has been roundly rejected.
And:
Sadly, the well-deserved credibility once attached to that distinguished Office is now a presumption that “has been sadly eroded.” The Government’s continued actions after being called to task can now only be deemed intentional.
Courts have been flooded with immigration cases and vindictive prosecutions targeting Trump’s enemies. They’re fighting back, but even a massive consensus seems incapable of slowing Trump’s roll.
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This case — brought to our attention by Owen Barcala — involves the sort of serious crimes the administration has put on the back burner so it can flood the immigration enforcement zone. While the administration focuses on ejecting all non-white foreigners from this country while claiming they’re simply seeking out the “worst of worst,” the (alleged) worst of the worst are pretty much being ignored.
Thanks to the massive amount of turnover at the DOJ, there are not a whole lot of qualified prosecutors left to do the government’s (increasingly) dirty work. In New Jersey, (illegal) appointee Alina Habba (a former Trump PAC spokesperson/advisor) has already voluntarily stepped down, proving she’s more capable of reading the writing on the wall than her former employer.
In her place, Mark Coyne (in a made-up position meant to shield him from being booted for being illegally appointed) has stepped up to wrap up a child pornography prosecution. It’s not going well for Coyne, as the New York Times reports:
A federal judge threw a top prosecutor from the New Jersey U.S. attorney’s office out of his courtroom during a sentencing hearing this week and demanded that the office’s leadership testify about who had authority over their actions, according to court documents.
The rapid sequence of events on Monday in the courtroom of Judge Zahid N. Quraishi was the latest indication of growing tensions between the Justice Department and the federal judiciary in New Jersey. It came during the scheduled sentencing of a man who last year agreed to plead guilty to possession of child pornography.
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The hearing did not go as prosecutors had planned. Judge Quraishi grew frustrated with the office’s head of appeals, Mark Coyne, who had not formally disclosed that he would appear, and fiercely interrogated a more junior prosecutor about whether the former interim U.S. attorney, Alina Habba, still had some role in operating the office.
Judge Qurashi referenced an order issued by federal judge Matthew Brann earlier this month, which declared the three-prosecutor hydra cobbled together by Pam Bondi to be a trio of unlawfully elevated prosecutors. That decision made the court’s displeasure explicit, using emphasis in the ruling to point out that the Trump administration cared more about who was running the New Jersey prosecutors’ office, rather than whether it was legally capable of running at all.
There are plenty of wonderfully quotable moments in the transcript of the hearing that ended with the government’s prosecutor being removed from the proceedings by the court.
It starts like this:
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THE COURT: Mr. Coyne, did you file a notice of appearance in this case? MR. COYNE: I did not. THE COURT: Are you here for moral support? Because you’re not going to speak. MR. COYNE: I would ask — THE COURT: No. MR. COYNE: — that the Court allow me to speak. THE COURT: Nope. That’s not the representation made by the Government.
And then the court continues to riddle his body with bullets:
THE COURT: I’m not going to hear from you, Mr. Coyne. If you want to sit there for moral support or hand Mr. Rosenblum Post-its or whisper in his ear, I’ll let you do that as supervisor.
You’d think a corpse would keep its mouth shut. But Mr. Coyne apparently didn’t realize he was already dead.
The judge asked whether or not the three people Judge Brann had ruled were appointed unlawfully were still running the NJ US Attorney’s office. Mr. Rosenblum claimed he only knew what he’d been told by Mark Coyne, which apparently was nothing more than to shut up and claim ignorance. Unsatisfied with these non-answers and dodgy quasi-denials, Judge Quraishi pressed Rosenblum hard enough that Coyne — who had been directly ordered to sit this one out — felt compelled to respond:
THE COURT: What role does Alina Habba have currently in operating your office? MR. ROSENBLUM: None that I’m aware of. THE COURT: None that you’re aware of. MR. ROSENBLUM: None. THE COURT: All right. So she could be operating the office. MR. COYNE: She is not. MR. ROSENBLUM: She’s not. MR. COYNE: She is not. THE COURT: Sit down, Mr. Coyne. If you speak again, I’m going to have you removed. I already told you not to speak. MR. COYNE: Your Honor — THE COURT: You didn’t file a notice of appearance. You don’t get to blindside the Court and do whatever it is you guys want to do. So if you continue to speak, you can leave. MR. COYNE: Your Honor — THE COURT: Sit down. MR. COYNE: — if — THE COURT: Sit down. MR. COYNE: If a notice of appeal– THE COURT: Sit down. MR. COYNE: -is entered– THE COURT: I’m directing the court security officers to remove Mr. Coyne.
And with that, Mr. Coyne exits the court. Voluntarily, according to the transcript, but only voluntarily in the sense that court officers didn’t have to physically restrain him and remove him from the court.
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But it’s not like the DOJ prosecutor left in the court room gets to skate by just by being less of an ass that Mark Coyne. Judge Quraishi refers to the order from Judge Brann from earlier in the month — one that specifically warned that if the DOJ kept the same “triumvirate” of illegally appointed US attorneys in that office, that it did so at its own peril.
The closing of the transcript says what so many federal judges think, but have also said in hearings and on the record in rulings and orders: the Trump DOJ has managed to completely destroy the reputation of the Department of Justice, despite having controlled it fully for barely over a year.
THE COURT: Here is your risk. This is your risk.
So your authority to operate is while [Judge Brann] has stayed the opinion, when he says literally on the last page, you don’t even have to go through all of this. All you have to do is turn to the back and it says “If the government chooses to leave the triumvirate in place, it does so at its own risk.”
What you’ve told me today, what your representation is, which I don’t believe by the way. I won’t believe it until you testify. That is what happened to the credibility of your office.Generations of U.S. Attorneys had built the goodwill of that office for your generation to destroy within a year.
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This damnation isn’t unique. The DOJ is painting itself into a corner all over the nation. Hundreds of judges are no longer willing to take the government at its word. And that gives the government a handful of choices, none of which could be considered “wins.” The DOJ is going to have to dump prosecutions. Or it’s going to have to send its top prosecutors to testify under oath in court (which is way different than simply submitting sworn declarations). Or it’s going to have to go back to respecting the law, starting with the ousting of every illegally appointed US attorney.
The final option, however, isn’t generally considered viable, but it’s the one the administration is most likely to put in motion: ignoring every entity that opposes it while simultaneously telling Americans whose rights it’s trampling that this is the only way to make America great again.
BGIS Grand Finals have just started, and it was exhilarating. We expected top performance from teams like Soul and GodLike, and we got them. On top of that, we also got GENS putting on an absolute show of domination in terms of finishes. Here’s everything that happened on the first day of BGIS Grand Finals 2026.
Match 2 & 3: Soul Flip the Script Against Team Tamilas
Team Tamilas looked like the clear favorites for most of the match. They had control, positioning, and momentum going their way until the final circles.
Getting into the playzone turned out to be their biggest problem, and that’s exactly where Team Soul stepped in and completely wiped them out.
Soul went on to take the chicken dinner in dominant fashion. Goblin led the charge with 5 finishes, while Nakul backed him up with 4. RGE tried to keep up and secured second place, but there was just no stopping Soul in this one.
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The third match kicked off with a bit of a shocker. Home team Tamilas took an unnecessary fight against LEFP—something that could’ve easily been avoided—and paid the price for it.
This match ended up being one for the underdogs. Nebula showed promise for a while, but their push into Pochinki didn’t go as planned, and things fell apart quickly.
Match 4: Slow Start, Explosive Finish
Match 4 started off slow, almost too quiet, with barely any action in the early zones. But once things picked up, chaos followed.
Ninz were the first to go after getting caught in a bridge camp by Reckoning. Nebula’s rough day continued as they were eliminated soon after. Then came the big surprises—table toppers Soul were knocked out early, followed by WF.
Genesis eSports, however, stole the spotlight. Even without winning, they racked up 17 points purely from finishes, including taking down GodLike. In the end, it came down to VE, WELT, and RGE. VE looked like the strongest team throughout the final moments, and it played out exactly that way as they secured the chicken dinner.
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Match 5 & 6: GodLike Enter the Chat
Match 5 saw Xspark being eliminated early, thanks to a quick play from Jonathan. K9 and OG continued their poor run, while even VE, the previous match winners, had a rough start, managing just 2 points.
Genesis eSports once again came in hot with over five early finishes, but this time they had serious competition—GodLike. The final circle featured GodLike, WF, and VS. What followed was an absolute thriller, with GodLike coming out on top and announcing itself as a serious contender.
The last match of the day was nothing short of madness. It started with early eliminations, including Ninz and even Genesis eSports. GodLike found themselves in a tricky position outside the zone and were eventually taken down by Soul, who were on a roll.
Soul also eliminated OG without losing a single player. The final zone was insane—five teams alive in a semi-urban, rocky area. K9 was the first to fall, followed by Soul. It all came down to VS, VE, and WF. In the end, VS held their nerve and secured the final chicken dinner of the day.
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Soul ended the day topping the standings, followed closely by Godlike. For the full standings, click here.
Cambridge Audio is giving its CX Series a darker look, but the bigger story sits behind the rack. The UK-based brand has introduced Black Edition versions of the CXA81 Mk II integrated amplifier and CXC CD transport, alongside the new CXN100 SE network streamer, which is the only actual addition to the lineup. All three arrive in a refined matte black finish, with no changes to the core circuitry or performance compared to the standard Lunar Grey models.
What matters more, however, is where Cambridge Audio is headed in North America. Distribution has shifted to Fidelity Imports in the U.S. and True North Distribution in Canada (a new joint venture with Playback Distribution), a move that could have far greater impact on availability, dealer support, and long-term brand visibility than a fresh coat of paint. The hardware may look different, but the strategy behind it is doing the real work.
CXA81 MKII Integrated Amplifier
The anchor of Cambridge Audio’s CX range, the CXA81 Mk II, released in 2024, is an integrated amplifier rated at 80 watts per channel. It’s designed to deliver a clean, controlled presentation across both digital and analog sources, whether you’re streaming high resolution audio or spinning vinyl through an external phono stage.
The CXA81 Mk II balances output and refinement with the neutral, open character the CX Series is known for, making it a flexible centerpiece for a wide range of two channel systems without leaning too warm or overly analytical.
CXA81 MK II Feature Highlights
Amplifier Type:Class A/B design for a balance of efficiency and linear performance
Power Output: 80 watts per channel, providing sufficient current for a wide range of loudspeakers
DAC: ESS ES9018K2M SABRE32 for high-resolution digital-to-analog conversion
Digital Inputs: TOSLINK (optical), coaxial, and USB Audio
Analog Inputs: Single-ended RCA and balanced XLR connections
Bluetooth: Version 4.2 with A2DP/AVRCP support, including aptX HD (up to 24-bit/48 kHz)
The current version of the CXC was released in 2023. It’s designed for listeners who still value their CD collections and want to extract the best possible performance from those 5-inch discs. By focusing strictly on digital transport duties, Cambridge Audio has stripped away anything that doesn’t serve accurate data retrieval and timing.
The result is a purpose-built CD transport engineered for precise disc reading and low-jitter digital output, delivering a cleaner, more consistent signal to an external DAC without unnecessary processing getting in the way.
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CXC Feature Highlights
Custom S3 Servo Drive: Designed for accurate disc tracking and data retrieval with reduced read errors.
Disc Compatibility: Supports Red Book CD (CD-DA), CD-R, and CD-RW formats.
Digital Outputs: Includes both coaxial and optical outputs for connection to an external DAC.
Gapless Playback: Enables seamless transitions between tracks, ideal for live recordings and continuous mixes without added silence.
Acoustically Dampened Chassis: Helps reduce vibration and isolate internal components for more consistent performance.
Completing the system is the new CXN100 SE, available in both the matching Limited Edition Black finish and standard Lunar Grey. An evolution of the CXN100, it runs on Cambridge Audio’s StreamMagic Gen 4 platform (iOS and Android) and adds HDMI eARC for direct TV integration.
The CXN100 SE is designed to handle both high resolution music streaming and TV audio within the same system, bringing broader connectivity into the CX ecosystem without changing the core signal path or overall sonic character.
CXN100 SE Feature Highlights
HDMI eARC (and ARC): Enables the CXN100 SE to receive digital audio directly from a TV, including sound from built-in apps and connected devices. Audio is then routed through the system just like any other source.
StreamMagic Platform: Uses Cambridge Audio’s 4th generation StreamMagic system for app control, settings, and access to streaming services on iOS and Android.
Streaming Support: Includes Spotify Connect, TIDAL Connect, Qobuz Connect, Amazon Music, Deezer, and internet radio. Also supports Roon Ready, AirPlay 2, Google Cast, Bluetooth, and MQA playback.
Wired Connectivity: Offers USB, coaxial, and TOSLINK digital inputs, along with balanced XLR and unbalanced RCA outputs, in addition to HDMI.
DAC:ESS ES9028Q2M SABRE32 Reference DAC for low distortion, wide dynamic range, and accurate timing.
Front Panel Display: 4.76-inch high-resolution color display showing album artwork, playback data, and optional VU-style meters for at-a-glance system feedback.
The CXA81 MK II and CXC arrive in a new matte black finish with no changes under the hood, while the CXN100 SE adds HDMI eARC and expands system flexibility for both music and TV audio. That’s the only real hardware development here.
The more meaningful shift is behind the scenes, with new North American distribution that could improve availability and dealer support. As for the hardware, it remains solid and unchanged—still no built-in phono stage, and still aimed at listeners who prefer a clean, modular system over an all-in-one solution. The black finish just makes it easier to justify leaving it out in the open.
Price & Availability
Cambridge Audio CX Black series will be available from April 2026, but can be ordered now at the following prices:
Apple is reportedly developing new tools to help third-party AI apps integrate with Siri.
Apple is moving away from ChatGPT exclusivity for its Siri voice assistant in an attempt to bolster its AI offerings, Bloomberg has reported. Earlier this week, it was reported that Apple is testing a new standalone app for Siri.
According to the publication, the changes are expected as part of a Siri overhaul in Apple’s upcoming iOS 27. A preview version of the new operating system is set to be shown in June, before being released in September alongside the company’s yearly launch of new Apple products.
The tech giant is developing new tools to allow AI chatbots installed via its App Store to integrate with Siri, sources told Bloomberg – potentially enabling Gemini, Claude and other ChatGPT competitors to take its place.
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It’s unclear whether Apple will allow any AI assistant to be integrated with Siri, or if there will be an approval process. Apple announced its exclusive partnership with OpenAI’s chatbot back in 2024.
Such an approach would also allow Apple to earn more from third-party AI subscriptions. However, these changes are separate from Apple’s plans to rebuild Siri with Gemini.
Compared to others in the Big Tech league, Apple has been cautious to pick up pace in the AI race. Despite that, the company recently posted “record” earnings, with iPhone quarterly revenue jumping 23pc, driven by “unprecedented demand”.
In January, Apple acquired an Israeli start-up that specialises in AI technology for audio. The acquisition, reportedly costing the company as much as $2bn, is expected to help Apple advance in the AI-powered wearables race to better compete with the likes of Meta and OpenAI.
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Meanwhile, last October, it was reported that the company paused work on a cheaper and lighter variant of Vision Pro headset, pivoting development efforts, instead, towards AI-powered smart glasses.
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From principal systems engineer and senior engineer to QA engineer and support engineer, there are plenty of opportunities open to skilled professionals in the engineering space.
Are you a student or professional with qualifications in engineering, who is also looking for a new job or career opportunity? If so, then you are in luck, as SiliconRepublic.com pays particular attention to the subject in March, leading us to compile an up to date list of some of the most interesting engineering job vacancies currently on offer in Ireland.
Aecom
US multinational infrastructure consulting firm Aecom has offices in Dublin, Cork and Galway. For Dublin-based professionals there are opportunities in project engineering, senior civil design engineering, associate director for mechanical engineering and manager for senior rail engineering. The team in Cork is looking to recruit a principal engineer for development infrastructure and a senior civil reservoir engineer. Out west, in Galway there are similar roles.
Amgen
Pharmaceutical company Amgen is looking to hire additional expertise to its Dun Laoghaire facility. Currently there is a role open for an associate tech engineer. The job will be on-site and the successful candidate will report to the utilities supervisor and to project managers. Responsibilities will include the execution and management of planned and unplanned works using the resources available. These responsibilities are primarily focused on the technical support of the site’s capital project portfolio.
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There are also vacancies for a senior engineer, system owner in inspection and packaging, a senior engineer for process and equipment and a senior automation engineer in filling.
BearingPoint
Multinational business and tech consulting company BearingPoint is looking for several engineers to join the Dublin-based team. Qualified professionals should consider such roles as senior software development engineer in test, Azure cloud engineer and technical lead in senior platform engineering. There is also a Microsoft 365 consultants role that requires skill in computer engineering.
BMS
Pharmaceutical giant Bristol Myers Squibb (BMS) has two open positions for professionals looking to work in an engineering capacity in the Dublin area. There are vacancies for a senior manager in engineering digital services and a vacancy for a manager in manufacturing support science for engineer and manufacturing projects. If you have a bachelors in engineering you would also be applicable for a senior manager role in EHSS Systems Implementation.
EXL
In August of last year, data analytics company EXL opened its new headquarters for international business in Dublin’s Docklands. The company also established a new AI Innovation Lab and announced plans for future hiring. For professionals with engineering expertise, EXL has availability in lead data engineering, senior engineering in applied AI, senior full-stack engineering and DevOps engineering, all in Dublin and in a hybrid capacity.
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Fidelity Investments
Multinational financial services firm Fidelity Investments has multiple opportunities open to engineering professionals. At the Galway location currently available titles include senior full-stack engineer, senior platform engineer, senior software engineer and principal full-stack engineer. For Dublin-based jobseekers there are also opportunities in principal site reliability engineering, senior portfolio engineering and principal systems engineering.
Gong
US artificial intelligence company Gong has its EMEA headquarters in Dublin and is currently looking to recruit an engineering manager to the team. The ideal candidate will have previous experience leading and developing a growing team, experience as a senior software engineer, a strong technical background focusing on large-scale, cloud-based web applications, proficiency in Java and related frameworks, experience with user-facing products and a degree in computer science or a similar field. Most importantly, Gong said they are looking for someone with a passion for motivating, mentoring and cultivating people.
Henkel
German multinational chemical and consumer goods company Henkel currently has two vacancies for engineers in Ireland. The Dublin facility is looking to hire a full-time manufacturing process engineer and there is also room for a full-time project engineer.
Integral Ad Science
Integral Ad Science (IAS), which makes tech for media platforms, advertisers and publishers for tracking and data optimisation, is looking to recruit two senior software engineers to its Dublin-based team. There is also room for a staff software engineer and a staff systems engineer.
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Johnson Controls
US and Irish tech and energy company Johnson Controls has several roles open to engineers. In Dublin, experts can apply for titles such as structural design engineer, senior building services engineer, mechanical design engineer, project engineer and senior mechanical design engineer, among others. In Cork there is also space for a QA engineer, as part of a 12 month contract.
Liberty IT
Liberty IT, the technology arm of the insurance company Liberty Mutual Insurance, has offices in Belfast, Dublin and Galway, all of which are looking to add to their engineering teams. There are career opportunities for professionals skilled to work as a senior software engineer, software engineer for python, senior software engineer for MLOPs and senior software engineer for Java and AWS.
MSD
Pharmaceutical multinational MSD is actively looking to recruit for several roles in engineering in Ireland. In Tipperary, there are roles open to people qualified in senior commercialisation engineering and maintenance support engineering. Also, in Meath there is a role in manufacturing shift engineering.
TCS
IT services, consulting and business solutions platform TCS has opportunities open to professionals based around a number of Irish locations. In Dublin, there are roles for a blockchain QA engineer and a Web3 blockchain infrastructure engineer. In Donegal, there are vacancies for an Amazon Connect implementation and support engineer, a mid or senior application support engineer and IT application support engineers with French or German language skills. In Cork, there is a job for a supplier quality engineer.
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Rent the Runway
US e-commerce platform Rent the Runway currently has one option suited to a qualified engineer at the Galway facility. The organisation is looking to recruit a software engineer III FS and FE.
Squarespace
Website building tool Squarespace has five opportunities on offer to job hunters with a background in engineering. Based out of the Dublin location, currently advertised roles include engineering team manager for website elements, engineering team manager for website fundamentals, software engineer for Java and CRM data, software engineering team manager for help experience and a backend staff software engineer.
Version 1
Having recently announced a new Dublin headquarters for its ‘state-of-the-art AI Studio’ and 250 local jobs, Version 1 is looking to recruit three engineers to its various teams. Open roles include senior Azure DevOps engineer, senior Microsoft Azure DevOps engineer and test engineer. All the roles are located out of the Dublin premises and are full-time.
Vertiv
Critical digital infrastructure company Vertiv has an opening for a CSA engineer and an electrical design engineer in Letterkenny, Donegal. In Burnfoot, Donegal there are also opportunities for a tech in mechanical engineering, an R&D engineer, a mechanical engineer and graduate opportunities, among others.
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Viatris
Healthcare company Viatris has room in its Dublin-based operations for a number of scientists/engineers, for device technical operations, on an 18 month fixed term contract. There are also scientist/engineer device technical operations analytical positions, also on an 18 month contract.
PwC
Professional services platform PwC is looking for five engineers to join its teams. Currently advertised positions include, AI engineer (agentic senior associate), Azure cloud engineer (AI manager, data and AI), DevOps engineer (manager), data and AI power platform engineer and a data bricks engineer (senior manager, data and AI). The roles will be part of PwC’s advisory operations and are available out of the Dublin location.
Workhuman
Irish human capital management firm Workhuman has two opportunities open to professionals looking for a new role in the engineering space. Interested applicants should consider the roles which are, systems engineer III and software engineer III. Both positions are at the Dublin location.
Yahoo
Technology company Yahoo is expanding the Yahoo and Yahoo Mail teams with vacancies for a senior software engineer, principal software apps engineer, senior software apps engineers, principal data engineer, senior backend engineer, a senior Salesforce engineer and a paranoid principles technical security engineer for product security.
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Opening Day doesn’t ask for permission. It just shows up with crisp air, misguided optimism, and 30 teams convincing themselves this is finally the year. Baseball still sells the lie better than anyone, and Hollywood has been riding shotgun on that con for decades; from Bull Durham to Moneyball, reminding us that the game is never just about the game. It’s about belief, failure, and the slow realization by mid-June that your bullpen is a crime scene.
Which brings us to audio, where this week’s more interesting question isn’t whether people are fooled by price tags and polished aluminum. It’s whether we actually hear differently with our eyes open or closed. A recent study raises that very question, and it’s a good one. Does shutting out visual input sharpen focus, improve spatial perception, or change the way we process music in a meaningful way?
Audiophiles have been treating that like gospel for years, but now science is at least poking around the edges instead of leaving the whole thing to late night forum theology. Turns out “close your eyes and listen” may not just be ritual. There might be something real going on there, which is both fascinating and mildly annoying for anyone who thought posture in the chair was the whole game.
Meanwhile, Sennheiser sits in limbo, waiting to see who picks up the tab and what kind of future they’re buying. We’ve seen this movie before; sometimes it ends with innovation, sometimes with accountants slowly draining the life out of something that used to matter. For a brand that helped define personal audio, the next move isn’t just business, it’s legacy. And those don’t always survive the handoff.
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Sennheiser HD600 Open-back Headphones
And then there’s Kaleidescape, quietly turning 25 while the rest of the industry chases streaming like it’s the only game in town. They’re still selling ownership in a world obsessed with access. Physical media without the fingerprints. No buffering, no licensing roulette, no “sorry, not available in your region.” It’s stubborn. It’s expensive. It also works.
Four stories. Same problem, different crime scenes. Opening Day is all sunshine and bad decisions waiting to happen. Sennheiser is stuck in a back room while someone else counts the money. Kaleidescape keeps selling ownership in a world hooked on rentals. And in audio, we’re finally asking whether something as simple as opening or closing your eyes changes what you actually hear.
Different games, same angle: perception isn’t clean. It’s messy, conditional, and easy to manipulate. Change the setup, change the outcome. And that gap between what you think is happening and what actually is? That’s where the bodies usually end up.
Opening Day Lies, Hollywood Truths, and the Long Season Ahead
Winter didn’t leave quietly; it got shoved out the door with a great deal of relief in 2026. One day you’re scraping ice off the windshield, the next you’re standing in sunlight that actually feels like something. Opening Day has that effect. It resets the mood whether you asked for it or not.
Up in Toronto, the Toronto Blue Jays aren’t pretending this is just another start. They’re carrying October with them; the kind of loss that sticks because it came down to feet, inches, and a stuck baseball against the Los Angeles Dodgers. That doesn’t fade over the winter. It sits there, waiting for the first pitch to give it somewhere to go.
Even if your head is still buried in the NHL standings, counting down to the Stanley Cup Playoffs, you can feel the shift. Fans of the New York Rangers, Toronto Maple Leafs, Florida Panthers, and New Jersey Devils already know how this ends—no parade, no miracle run, just a quiet exit and a long offseason.
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Which means it might be time to start pretending you always cared about the New York Yankees, New York Mets, Toronto Blue Jays, Philadelphia Phillies, or Florida Marlins. Baseball doesn’t ask questions. It just hands you a clean slate and lets you pencil in the score and avoid those texts from the boss.
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And when it does, it brings the details the other sports can’t fake. The smell of real grass. The way an open-air stadium breathes compared to an arena. I’ve played on astroturf; it’s faster, cleaner, and completely soulless. Give me dirt under my cleats and a bad hop off third any day. New hats are already here, Tigers and Blue Jays, because this is the one sport where you buy in before you know better.
It’s also the only game that Hollywood keeps coming back to. More movies than any other sport, and not by accident. Baseball understands something the others don’t: the season is long, the failure is constant, and the story always feels bigger than the box score.
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Five Baseball Movies That Still Get It Right (Even When the Game Doesn’t)
Bull Durham
This one never gets old because it doesn’t pretend baseball is clean or noble. It’s messy, repetitive, and full of people trying to hang on a little longer than they probably should. Crash Davis talking about “the church of baseball” still lands because every fan knows exactly what he means, even if they won’t admit it out loud. And “I believe in long, slow, deep, soft, wet kisses…” is a speech has nothing to do with baseball and somehow everything to do with it. It works because it understands the grind, the failure, and the weird romance of a game that doesn’t love you back sometimes.
The Natural
Total myth. Completely unrealistic. Still works every single time. Roy Hobbs stepping into the light with that bat feels like something bigger than the sport, and when he says, “I just want to say… I’m sorry,” you realize this isn’t about winning. It’s about redemption, or at least the illusion of it. The final swing, the sparks, the music, it’s over the top, but baseball has always had room for legends that don’t quite make sense. Long live the War Memorial and that ball that never came back down.
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The Sandlot
https://www.youtube.com/watch?v=D0a3jkcTAe4
This is the one that sneaks up on you. You think it’s a kids’ movie until you realize it’s about memory, time, and everything you don’t get back. “You’re killing me, Smalls” became a joke, but it stuck because everyone knew a Smalls. And “Heroes get remembered, but legends never die” hits differently once you’re not a kid anymore. It works because it reminds you why you fell in love with the game before stats, contracts, and $32 beers got in the way; yes, even in the bleachers at Camden Yards, where nostalgia now comes with a receipt. And not even a decent bratwurst.
42
No nostalgia here. Just pressure and consequences. “I’m looking for a ballplayer with guts enough not to fight back” isn’t just a line—it’s the entire weight of what Jackie Robinson had to carry. The film works because it doesn’t try to make it comfortable. It shows what the game looked like when it actually mattered beyond the scoreboard, and why some players had to be more than just players in order to completely change the sport.
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And shame on those of us who haven’t shown the same respect to the Negro Leagues Baseball Museum. We celebrate the story when Hollywood tells it, nod along when 42 reminds us what it cost, and then go right back to ignoring where that history actually lives. If you care about baseball, really care, not just box scores and nostalgia—you owe that place a visit in Kansas City, Missouri.
Moneyball
This one shouldn’t work as well as it does. It’s mostly conversations, spreadsheets, and people arguing in rooms. But “He gets on base” became a punchline for a reason. And when Billy Beane says, “If we win with this team, we’ll have changed the game,” you know it’s not just about baseball. It’s about control, or chasing it, in a system designed to remind you that you don’t have much. It works because it strips the game down to what wins and what doesn’t and then shows you how little that guarantees. Just ask the Blue Jays about that one.
Eyes Open or Closed? Science Just Complicated Your Listening Ritual
A new study reported by the American Institute of Physics and published in the Journal of the Acoustical Society of America takes a flamethrower to one of audio’s oldest habits: closing your eyes to “hear better.”
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Turns out, that instinct might be working against you.
Researchers at Shanghai Jiao Tong University tested how people detect faint sounds in noisy environments under different visual conditions—eyes closed, eyes open with nothing to look at, and then with images or video that matched the sound. The result? Closing your eyes didn’t sharpen hearing; it made it worse. Participants actually struggled more to detect faint sounds with their eyes closed, while relevant visual cues made it easier to hear what mattered.
Research participants listened for faint sounds over audio noise. They could hear those sounds much better when they could open their eyes and watch videos or even still photos matching the sounds they were trying to hear. Credit: Yu Huang
The why is where it gets interesting. Brain scans showed that closing your eyes pushes the brain into a state of aggressive filtering, which might be great for blocking noise, not so great when it also filters out the signal you’re trying to hear. In other words, your brain gets a little too confident and starts throwing out the good stuff with the bad.
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Even more telling: the biggest improvement didn’t come from just having your eyes open, it came from seeing something that matched the sound. A video synced to the audio gave the brain a target, anchoring what it should be paying attention to. That’s not just hearing—that’s multisensory teamwork.
There’s a catch, of course. In a quiet room, the old advice still holds; closing your eyes can help you focus on subtle sounds. But in the real world, where HVAC systems hum, traffic never stops, and someone is always talking, keeping your eyes open might actually give you the edge.
So now the uncomfortable part—the questions this raises:
If visual input improves hearing in noise, what exactly are we doing when we sit in a dark room trying to “critically listen”?
Are we training ourselves to hear differently…or just removing useful information?
Does a two channel system without visual cues put us at a disadvantage compared to live music or even video based playback?
And the big one—how much of what we think we hear is actually shaped by what we see, expect, or believe is happening?
For a hobby built on the idea of control and precision, this is the kind of study that messes with the narrative. Not destroys it—but definitely pokes a few holes in it.
How do you listen?
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Kaleidescape at 25: The Long Game Finally Pays Off
I’m not going to pretend this one is neutral. Seeing Kaleidescape hit 25 years actually makes me happy and a little relieved. Because there were plenty of moments where it felt like they weren’t going to make it. Wrong business model, wrong timing, too expensive, too stubborn. Pick your criticism. Meanwhile, the rest of the industry sprinted toward streaming like it was the only exit in a burning building.
And yet…here we are.
What Kaleidescape figured out early and refused to abandon, is something most people are just starting to realize: access isn’t ownership. Streaming is convenient, sure. Until your favorite film disappears. Until the bitrate collapses during the one scene that matters. Until the version you bought quietly changes because someone upstream decided it should. Kaleidescape doesn’t play that game. You get full-bitrate video, lossless audio, and a library that doesn’t vanish overnight because of licensing roulette. It’s not about convenience. It’s about control.
Kaleidescape Strato V is a 4K Movie Player
For someone like me with close to 3,800 physical films staring back at me like a second mortgage, that actually matters. The idea of consolidating even a portion of that into a system that actually respects the material? That’s not a luxury, it’s a solution. Yes, I’m fully aware I’ll have to pay again to build out a digital library on their platform. No, I’m not thrilled about it. But also…complaining about curating 1,000 of my favorite films into a system that preserves them properly feels like a first-world problem in the most literal sense. There are bigger things happening in the world than whether my copy of Double Indemnity streams in Dolby Vision at the right bitrate.
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Kaleidescape exists for people who care about movies as objects, not just content. People who want the best version, every time, without compromise or excuses. People who understand that “good enough” is usually neither.
People like “Leia” who is the real authority in the room and their logical target customer. My ultimate movie-watching partner from across the galaxy; equal parts film historian and ruthless critic. She doesn’t care about specs, marketing, or what some influencer said last week. She knows what holds up and what doesn’t. Her taste in cinema would embarrass most critics, and frankly, most of you. Also better taste in shoes, food, and furniture. Not even close. Golden hair that would make Michelle Pfeiffer reconsider everything, pack it in, stay in Montana, and quietly dunk her head in the Madison like she just lost an argument she didn’t know she was having with Kurt.
Kaleidescape makes sense for people like that. People who don’t want to hunt for a film across five apps or settle for whatever version happens to be available that night. It’s a system built for commitment—to the medium, to the experience, and to the idea that some things are worth doing right the first time.
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Twenty-five years later, that doesn’t look stubborn anymore. It looks like they were right.
Sennheiser’s Future Is for Sale and Nobody Should Feel Comfortable About That
Earlier this week, I wrote that this wasn’t a shutdown, it’s an exit. And that distinction matters. Sennheiser isn’t disappearing tomorrow, but its consumer division is officially back on the market as Sonova refocuses on what it actually understands: hearing aids and medical tech.
Sennheiser HD 414 Headphones (circa 1968)
This is the second ownership shakeup in just a few years, and that’s not exactly how you build confidence in a brand that’s supposed to represent stability, engineering, and long term thinking. Sonova bought the business in 2022, decided it didn’t fit, and now wants out. That’s not strategy, that’s a reset button with consequences.
And then there was CanJam NYC 2026. I’ve seen Sennheiser booths for decades. They’re usually tight, focused, and intentional. This one felt scattered. Disorganized. Like nobody was fully in charge of the narrative. For a legacy brand that helped define the category, that should never happen, especially not at the one show where personal audio is the entire conversation.
Looking at it now, Axel Grell walking away and launching his own thing feels less like a side project and more like the right move at exactly the right time. If you’ve been paying attention to how fast the headphone and IEM world is moving in 2026, new players, faster cycles, more aggressive pricing, Sennheiser hasn’t exactly been leading that charge. And in this category, standing still is just a slower way of falling behind.
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Axel Grell at CanJam SoCal 2023 previewing prototype OAE1 headphone.
If Sennheiser doesn’t survive this intact, it’s not just another brand disappearing. It’s one of the pillars. The HD 600 series alone carries more weight than entire product lines from other companies. Losing that kind of legacy would hit the industry harder than people want to admit.
But let’s be honest, this wouldn’t be the first time a legacy brand failed to adapt to a market that stopped waiting for it. And it won’t be the last.
So now we wait. Strategic buyer? Tech giant? Private equity with a spreadsheet and a stopwatch?
Or someone who actually understands why this brand mattered in the first place.
Because if this ends with the wrong owner, don’t call it evolution. Call it what it is: ordentlich vermasselt.
Netflix has quietly hiked its prices once again. The streaming giant’s most affordable, ad-supported tier now costs $8.99 per month, up from the previous $7.99 monthly subscription fee, Netflix confirmed to TechCrunch in an email.
The standard plan without ads also now costs $19.99 per month, a $2 increase from the previous $17.99 subscription fee, while the premium plan is also going up by $2 and will now cost $26.99 per month.
It’s also getting more expensive to add extra viewers outside of your household. To add a user to an ad-supported plan, it now costs $6.99 instead of $7.99. If you’re adding an extra viewer to an ad-free plan, it now costs $9.99 as opposed to $8.99.
The company told TechCrunch that the changes are designed to reflect improvements to its “wide range of entertainment” and the quality of its service.
Netflix says new members who sign up will see the new plan prices from March 26, while existing subscribers will see the updated prices roll out over the coming months. Existing members will be notified by email a month before the new prices are applied to them.
Netflix last raised prices in January 2025. Since then, the company has updated its platform with a series of new additions, including the rollout of video podcasts as well as more livestreaming content. The company also recently announced plans to revamp its mobile app and expand its short-form video feature.
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The new increases come as Netflix last month backed out of a bid for Warner Bros. Discovery.
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Warner Bros. Discovery had announced that Paramount Skydance’s offer of $31 a share was a “superior proposal” and had given Netflix four business days to counter. Netflix then said it would not raise its $82.7 billion all-cash bid for the studio, ultimately walking away from the deal.
Increasing prices across the board are becoming a plague now, fueled by everything from tariffs to wars to the AI industry’s devouring of hardware components. Sony’s PlayStation hardware is the latest to get an increase, according to a blog post from the company on Friday. It’s the second such hike, in fact, after 2025’s price bumps.
The price increases take effect on Thursday, April 2, so now’s the time to get one of Sony’s consoles before they go up. The increases are pretty significant:
My big question is, who would ever pay $900 for a game console? And who will even pay $600 for a console that’s now almost six years old? While the PlayStation 5 has had a lot of wonderful games, sales declined last holiday compared to the year before. Gaming hardware increasingly feels like a luxury now, and I wonder how many people will continue to indulge in it versus just using whatever hardware they already have instead.
Within a 6 mile radius of New York University’s (NYU) campus, there are more than 500 tech industry giants, banks, and hospitals. This isn’t just a fact about real estate, it’s the foundation for advancing quantum discovery and application.
While the world races to harness quantum technology, NYU is betting that the ultimate advantage lies not solely in a lab, but in the dense, demanding, and hyper-connected urban ecosystem that surrounds it. With the launch of its NYU Quantum Institute (NYUQI), NYU is positioning itself as the central node in this network; a “full stack” powerhouse built on the conviction that it has found the right place, and the right time, to turn quantum science into tangible reality.
Proximity advantage is essential because quantum science demands it. Globally, the quest for practical quantum solutions — whether for computing, sensing, or secure communications — has been stalled, in part, by fragmentation. Physicists and chemical engineers invent new materials, computer scientists develop new algorithms, and electrical engineers build new devices, but all three often work in isolated academic silos.
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Gregory Gabadadze, NYU’s dean for science, NYU physicist and Quantum Institute Director Javad Shabani, and Juan de Pablo, Anne and Joel Ehrenkranz Executive Vice President for Global Science and Technology and executive dean of the Tandon School of Engineering.Veselin Cuparić/NYU
NYUQI’s premise is that breakthroughs happen “at the interfaces between different domains,” according to Juan de Pablo, Executive Vice President for Global Science and Technology at NYU and Executive Dean of the NYU Tandon School of Engineering. The Institute is built to actively force those necessary collisions — to integrate the physicists, engineers, materials scientists, computer scientists, biologists, and chemists vital to quantum research into one holistic operation. This institutional design ensures that the hardware built by one team can be immediately tested by software developed by another, accelerating progress in a way that isolated departments never could.
NYUQI’s premise is that breakthroughs happen at the interfaces between different domains. —Juan de Pablo, NYU Tandon School of Engineering
NYUQI’s integrated vision is backed by a massive physical commitment to the city. The NYUQI is not just a theoretical concept; its collaborators will be housed in a renovated, million-square-foot facility in the heart of Manhattan’s West Village, backed by a state-of-the-art Nanofabrication Cleanroom in Brooklyn serving as a high-tech foundry. This is where the theoretical meets physical devices, allowing the Institute to test and refine the process from materials science to deployment.
NYUQI will be housed in a renovated, million-square-foot facility in the heart of Manhattan’s West Village.Tracey Friedman/NYU
Leading this effort is NYUQI Director Javad Shabani, who, along with the other members, is turning the Institute into a hub for collaboration with private and public sector partners with quantum challenges that need solving. As de Pablo explains, “Anybody who wants to work on quantum with NYU, you come in through that door, and we’ll send you to the right place.” For New York’s vast ecosystem of tech giants and financial institutions, the NYUQI offers a resource they can’t build on their own: a cohesive team of experts in quantum phenomena, quantum information theory, communication, computing, materials, and optics, and a structured path to applying theoretical discoveries to advanced quantum technologies.
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Solving the Challenge of Quantum Research
The NYUQI’s integrated structure is less about organizational management, and more about scientific requirement. The challenge of quantum is that the hardware, the software, and the programming are inherently interconnected — each must be designed to work with the other. To solve this, the Institute focuses on three applications of quantum science: Quantum Computing, Quantum Sensing, and Quantum Communications.
For Shabani, this means creating an integrated environment that bridges discovery with experimentation, starting with the physical components all the way to quantum algorithm centers. That will include a fabrication facility in the new building in Manhattan, as well as the NYU Nanofab in Brooklyn directed by Davood Shahjerdi. New York Senators Charles Schumer and Kirsten Gillibrand recently secured $1 million in congressionally-directed spending to bring Thermal Laser Epitaxy (TLE) technology — which allows for atomic-level purity, minimal defects, and streamlined application of a diverse range of quantum materials — to NYU, marking the first time the equipment will be used in the U.S.
NYU Nanofab manager Smiti Bhattacharya and Nanofab Director Davood Shahjerdi at the nanofab ribbon-cutting in 2023. The nanofab is the first academic cleanroom in Brooklyn, and serves as a prototyping facility for the NORDTECH Microelectronics Commons consortium.NYU WIRELESS
Tight control over fabrication, and can allow researchers to pivot quickly when a breakthrough in one area — say, finding a cheaper, more reliable material like silicon carbide — can be explored for use across all three applications, and offers unique access to academics and the private sector alike to sophisticated pieces of specialty equipment whose maintenance knowledge and costs make them all-but-impossible to maintain outside of the right staffing and environment.
The NYU Nanofab is Brooklyn’s first academic cleanroom, with a strategic focus on superconducting quantum technologies, advanced semiconductor electronics, and devices built from quantum heterostructures and other next-generation materials.NYU Nanofab
That speed and adaptability is the NYUQI’s competitive edge. It turns fragmented challenges into holistic solutions, positioning the Institute to solve real-world problems for its New York neighbors—from highly secure data transmission to next-generation drug discovery.
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The integrated approach also makes the NYUQI a testbed for the most critical near-term applications. Take Quantum Communications, which is essential for creating an “unhackable” quantum internet. In an industry first, NYU worked with the quantum start-up Qunnect to send quantum information through standard telecom fiber in New York City between Manhattan and Brooklyn through a 10-mile quantum networking link. Instead of simulating communication challenges in a lab, the NYUQI team is already leveraging NYU’s city-wide campus by utilizing existing infrastructure to test secure quantum transmission between Manhattan and Brooklyn.
The NYUQI team is already leveraging NYU’s city-wide campus by utilizing existing infrastructure to test secure quantum transmission between Manhattan and Brooklyn.
This isn’t just theory; it is building a functioning prototype in the most demanding, dense urban environment in the world. Real-time, real-world deployment is a critical component missing in other isolated institutions. When the NYUQI achieves results, the technology will be that much more readily available to the massive financial, tech, and communications organizations operating right outside their door.
NYUQI includes a state-of-the-art Nanofabrication Cleanroom in Brooklyn serving as a high-tech foundry.NYU Tandon
While the Institute has built the physical infrastructure and designed the necessary scientific architecture, its enduring contribution will be the specialized workforce it creates for the new quantum economy. This addresses the market’s greatest deficit: a lack of individuals trained not just in physics, but in the integrated, full-stack approach that quantum demands.
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By creating a pipeline of 100 to 200 graduate and doctoral students who are encouraged to collaborate across Computing, Sensing, and Communications, the NYUQI is narrowing the skills gap. These will be future leaders who can speak the language of the physicist, the materials scientist, and the engineer simultaneously. This commitment to interdisciplinary talent is also fueled by the launch of the new Master of Science in Quantum Science & Technology program at NYU Tandon, positioning the university among a select group worldwide offering such a specialized degree.
Interdisciplinary education creates the shared language and understanding poised to make graduates coming from collaborations in the NYUQI extremely valuable in the current landscape. Quantum challenges are not just technical; they are managerial and philosophical as well. An engineer working with the NYUQI will understand the requirements of the nanofabrication cleanroom and the foundations of superconducting qubits for quantum computing, just as a physicist will understand the application needs of an industry partner like a large financial institution. In a field where the entire team must be able to communicate seamlessly, these are professionals truly equipped to rapidly translate discovery into deployable technology. Creating a talent pipeline at scale will provide a missing link that converts New York’s vast commercial energy into genuine quantum advantage.
NYUQI: Building Talent, Technology, and Structure
The vision for the NYUQI is an act of strategic geography that plays directly into the sheer volume of opportunity and demand right outside their new facility. By building the talent, the technology, and the structure necessary to capitalize on this dense environment, NYU is not just participating in the quantum race, it is actively steering it.
Attendees of NYU’s 2025 Quantum Summit.Tracey Friedman/NYU
The initial hypothesis for the NYUQI was simple: the ultimate advantage lies in pursuing the science in the right place at the right time. Now, the institute will ensure that the next wave of scientific discovery, capable of solving previously intractable problems in finance, medicine, and security, will be conceived, built, and tested in the heart of New York City.
Love them or hate them, inkjets are still a very popular technology for putting text and images on paper, and with good reason. They work and are inexpensive, or would be, if not for the cartridge racket. There’s a bit of mystery about exactly what’s going on inside the humble inkjet that can be difficult to describe in words, though, which is why [Dennis Kuppens] recently released his Interactive Printing Simulator.
[Dennis] would likely object to that introduction, however, as the simulator targets functional inkjet printing, not graphical. Think traces of conductive ink, or light masks where even a single droplet out-of-place can lead to a non-functional result. If you’re just playing with this simulator to get an idea of what the different parameters are, and the effects of changing them, you might not care. There are some things you can get away with in graphics printing you really cannot with functional printing, however, so this simulator may seem a bit limited in its options to those coming from the artistic side of things.
You can edit parameters of the nozzle head manually, or select a number of industrial printers that come pre-configured. Likewise there are pre-prepared patterns, or you can try and draw the Jolly Wrencher as the author clearly failed to do. Then hit ‘start printing’ and watch the dots get laid down.
[Dennis] has released it under an AGPL-3.0 license, but notes that he doesn’t plan on developing the project further. If anyone else wants to run with this, they are apparently more than welcome to, and the license enables that.
Mastodon is making changes in the hopes of making its social networking service more appealing and easier to use, especially for more mainstream users looking for an alternative to X or Threads.
On Thursday, the decentralized social networking software maker said it’s redesigning a key part of its platform by giving people’s user profiles a new look, which it hopes will appeal to organizations, as well as individuals.
Built on the ActivityPub protocol, Mastodon became better known after Elon Musk acquired Twitter, now called X, which led some to seek alternatives. The platform’s appeal is its decentralized nature, meaning a single company doesn’t have control of the algorithm, and users can move their accounts if they don’t like how a particular server operates or moderates its community.
However, this system is also more complicated compared with signing up for a traditional social network like X. On Mastodon, users have to pick a server to join and have different timelines (local and federated), which can be confusing to newcomers. The process for following others on the service can be cumbersome, too.
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That’s left Mastodon struggling to pick up more users, numbers that now hover at around 800,000 monthly actives, down from a million at the height of the Twitter drama.
Mastodon has been working in more recent months to address various pain points that could alienate users. In February, it simplified the onboarding process and added other features users expect, like Quote Posts or “starter packs” called Collections.
Now it’s tackling user profiles. The revamped version makes several changes, many of which are visual in nature.
What’s changing
Instead of offering two views of a person’s posts (“posts” or “posts and replies”), similar to X, profiles feature just one “Activity” tab with a dropdown menu. This lets users configure other combinations of posts, by toggling on or off replies and boosts — the latter being Mastodon’s version of the repost.
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Hashtags also now appear at the top of this Activity tab, allowing users to filter the posts on that account by the tag they click on.
Image Credits:Mastodon
Mastodon also ditched the pinned posts carousel, which many users didn’t like. The feature was meant to balance the needs of those who wanted to pin several posts, with the needs of those visiting a profile to quickly get to the user’s recent posts. Now Mastodon users with multiple pinned posts will have one featured, while the rest can be revealed by clicking on a new “View all pinned posts” button.
Another change is designed to explain Mastodon handles to newcomers. Unlike on X or Threads, where users are just @username, Mastodon handles have two @’s in them — one referencing their account name and the other their server’s name. A new informational pop-up explains this.
Image Credits:Mastodon
Users have more control over how their profile appears, too, with options to hide the “Media” or “Featured” tabs, if desired, or hide replies from their “Media” tab if they want to showcase their work.
Custom fields on the profile, where users add things like links, pronouns, and other information, are displayed side by side, which means there’s more vertical space available on the screen. These fields can now be modified on iOS and Android, too, not just the web.
Image Credits:Mastodon
Other tweaks to the design make profiles seem less cluttered — like the removal of a “following you” badge and moving the optional “personal note” users add to their profiles to an overflow menu.
Profile edits can now all be done from one place in the account settings, allowing users to manage tasks like their featured hashtags (which Mastodon helpfully now suggests), links, and other profile information.
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Image Credits:Mastodon
Link verification — which is Mastodon’s tool to establish someone’s credibility without becoming a centralized authority (or requiring payment, as on X) — is no longer buried in settings. Users can crop and add alt text to their profile images and cover photos.
The changes will initially be available to the mastodon.social server and other servers that opt to run the nightly build. More servers will get the update when the Mastodon 4.6 software update arrives in a few weeks.
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