TL;DR
China fines Trip.com $765 million for forcing hotel partners into exclusive deals and controlling their pricing
LG’s best OLED yet? The OLED65G6 delivers an excellent picture performance across a range of sources. There are a few flaws and aspects I’m not fond of, but this is a strong start to LG’s 2026 TV line-up
Bright, colourful, accurate-looking HDR picture
Impressive upscaling
Anti-reflection panel
Robust gaming performance
Wealth of entertainment options
Sound system is just ‘fine’
Apps ringfenced webOS sign-up
Dolby Vision x Filmmaker mode doesn’t seem to ‘adapt’
Anti-glare panel produces purple colour
Game mode is a little too bright and sounds a too sharp
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Hyper Radiant Colour Tech
2nd Gen panel of the Primary RGB OLED panel
LG Shield Security
Secures data, offers multi-year updates
Dolby Atmos FlexConnect
Supports wireless immersive sound
Another year, another G-series OLED from LG. But don’t assume that this is another rehash because there have been changes under the hood.
LG has bet big on OLED with only Samsung as its main challenger, while others have placed their chips on alternatives such as Mini LED and RGB TVs.
The reasoning behind Mini LED/RGB is that they offer higher brightness, wider colour range and better performance in bright rooms. LG disagrees.
And with the OLED G6, it’s taking on the naysayers to disprove the notion that OLED may be inferior.
This is LG’s brightest OLED yet, and more than a decade after it launched its first OLED, it wants customers to know that OLED is still the best in the business.
So the gloves are off (again). Can LG’s G6 OLED knock its RGB rivals out, or is this going to go the distance?
There haven’t really been any significant changes to LG’s design of the G6-series in years – ‘if it ain’t broke, don’t fix it’.
The stand takes about four minutes to assemble, but it seems to be the same as the G5 and G4 stands. Of course, if you buy the wall-mounted version, you just deal with hanging it up on your preferred surface. Connections are side- and downward-facing for feeding sources to the TV.


The stand is adjustable. You can hang it in its low orientation, or if you want to put a soundbar below, put the stand into its high position.
The OLED65G6 features LG’s Vanta Black Anti-Reflective coating to reduce reflections and maintain black levels in a bright room. Black levels remain strong, but I don’t find the G6 necessarily as good as Samsung’s glare-free OLEDs at mitigating glare and reflections. That said, the S95H does raise blacks slightly in a dark room but the OLED G6’s panel does create a purple tinge to reflections.
Wide angles are very strong, and while brightness and colour saturation do tail off, you’d have to be very wide and far to notice this.


LG’s webOS interface still fundamentally looks like the webOS it’s been for the last few years. There’s no room for Freely but all the UK catch-up and on-demand apps are provided, side-by-side with the big global apps such as Disney+, Netflix and Apple TV.
Accessing these apps requires an LG account. In previous years, this was ring-fenced to some but not all apps; now it’s required for all apps. It’s not a change most will like unless they already have an LG account.


You get five years of updates with LG’s Re:New program that guarantees four major software updates.
The interface itself is swift and responsive. Scrolling down to the bottom doesn’t take long, the interface free from clutter or meaningless diversions. There are ads, of course, but I don’t find them intrusive. Flick to the left and you’ll be received by LG’s Information Board, which offers weather updates, Google Calendar and any smart tech in your Home Hub.


Given this is the G-Series TV (which once upon a time stood for Gallery), there is LG’s Gallery+ app, where you turn the G6 into a picture painting (not to be confused with LG’s Gallery TV, which can also do the same thing). A subscription is required, but there’s free content alongside AI-generated… things.
With the LG Sports app, you can keep track of your favourite teams across a range of sports, as well as access content via Prime Video, YouTube, Apple TV, and DAZN. Currently, there’s a spotlight on the World Soccer Festival (you can guess what that is).


LG still pushes the G-Series as a gaming TV despite its more lifestyle focus, and I measured input lag remains quick at 12.9ms. All four HDMI 2.1 inputs support ALLM, VRR and 4K/120Hz.
PC gamers get a boosted 165Hz refresh rate with both AMD FreeSync Premium and Nvidia G-Sync included. There’s also Dolby Vision Gaming (4K/120Hz) and the HGIG standard, which covers off most of the gaming HDR formats aside from HDR10+ Gaming.


For further tweaking, press the Settings button when the TV is in its game mode, and the Game Optimiser pop-up allows for deeper customisation, including adjusting black levels or switching the Game Genre setting to optimise for specific game types.
Head to LG’s gaming portal and that has cloud gaming options in GeForce NOW (which supports 4K/120Hz in the cloud), Amazon Luna, Xbox app, Utomik, and Blacknut, while Twitch broadcasting is built in too.
If this feels like Déjà vu, then that’s because nothing much has changed on the connectivity front. There are four HDMI 2.1 inputs, one of which supports eARC for a sound system. Other HDMI 2.1 features include QFT to reduce latency during gaming and QMS, which eliminates black screens when switching to other HDMI sources.
The rest covers a headphone output, digital optical output, two RF aerials for broadcasts, Ethernet, three USB 2.0 inputs, and a CI+ 1.4 common interface slot.


That’s virtually the same as it’s been for the last few years, which is fine, though the Hisense UR9 drops a HDMI input for a DisplayPort, which is different from the accepted norm.
Wi-Fi 6E support has Google Cast, AirPlay 2, and WiSA (for audio) under its umbrella, while there’s also Bluetooth 5.3 streaming.
This is the second year of LG Display’s Primary RGB Tandem panels, and the G6 is upping brightness further.
This year, it boasts what LG calls its Hyper Radiant Colour Tech, and along with the Alpha 11 AI Processor Gen3, it says it can boost peak brightness by 3.9 times.
That sounds like the usual marketing mumbo jumbo that doesn’t mean much to most people. I wasn’t able to record the figures of the OLED65G5 as I didn’t have the necessary equipment, but now I do and the OLED65G6 is one of the brightest OLEDs I’ve tested. In its Standard mode it registers the following:
| HDR Window (%) | Nits |
| 2 | 2668 |
| 5 | 2499 |
| 10 | 2458 |
| 100 | 400 |
The OLED65G6 can go even brighter, registering above 3000 nits in Filmmaker and Vivid modes, while very briefly reaching 4000 nits in the latter. If you’re of the opinion that OLEDs aren’t bright enough to watch during the day, the OLED G6 rebuffs that. And I suspect that when the G7 turns up, it’ll be even brighter.
HDR support covers HDR10, HLG, and Dolby Vision, and LG says there’s Dolby Vision x ambient Filmmaker mode, though as I’ll get to later, I’m not entirely convinced this is the case.
The 4.2-channel system has 60W of power at its disposal. On paper, it’s the same as the OLED65G5 model, but LG has re-tuned it to sound warmer and offer more bass. As always, we’ll hear whether that’s the case.


LG’s α11 AI Sound Pro feature claims to up-mix Dolby Atmos sound to 11.1.2 virtual channels, and I’d recommend using it – it’s a much more expansive sound when enabled.
WOW Orchestra combines the TV’s speakers with an LG soundbar to create a bigger sound, but the OLED65G6 also supports Dolby Atmos FlexConnect and will work with the Sound Suite speaker system LG launched in 2026.
The G6 features AI experiences powered by Google Gemini and Microsoft Copilot, which you can mostly (if not completely) avoid. LG’s Shield security system protects your data through the cloud and in real-time.
There’s been a lot of kerfuffle surrounding the launch of LG’s new 2026 TVs. Reviewers have mentioned different issues, different firmware updates – it’s all been a slightly messy rollout.
On my part, the G6 OLED I received seemed to have firmware dating back to 2024, which I couldn’t believe and thought I’d misread, but I updated the TV anyway. I’ve not experienced the issues some have, but there is one issue I’d like to point out.
I don’t think the Dolby Vision x Filmmaker mode is working properly.
On its website, LG notes it is the ‘ambient’ version of Filmmaker mode, but this is either not true, or it’s not working. Dolby Vision x Filmmaker mode is dark – and it’s meant to be like that as it’s tuned for watching with the lights off. The problem is that when the TV asks you to watch in this mode, it doesn’t compensate for ambient light. In a bright room, it’s so dark that detail is missing. I’ve turned on the AI Brightness mode in the settings, and that’s had zero effect.
Dolby x Filmmaker
Dolby Vision Home Cinema
Whether it was night-time scenes in Civil War, Dune or Sinners; detail is lost to the darkness in a bright room. Switching to Dolby Vision Home Cinema fixed this, but every time the LG G6 OLED receives a Dolby Vision signal, it’ll ask to watch in Filmmaker mode. My advice is to decline unless you’re watching in a dark room.
Aside from that, the LG OLED65G6 looks terrific in virtually all its picture modes. It’s not a massive increase in a real-world sense from the G5, but it is better.
Colours are rich, punchy, varied, but also seem accurate out of the box. Compared to a Hisense UR9 sat alongside it for the majority of testing, colours, shades and tones always seem to strike a better expression on the LG, with a more convincing performance.
Sharpness and detail are excellent; the OLED65G6 wrings every last bit of detail from the dank corridors and rusty surfaces of the Romulus station in Alien: Romulus; better than the Hisense UR9, which is softer, not as sharp and not as defined.


Where the LG loses points is with dark detail, which, while good across the films I demo on the OLED65G6, there are instances where black levels are a little impenetrable. But overall, black levels are rich and rock solid. There’s not a raised black in sight, even in a brightly lit test room. The pixel-perfect control of black levels means OLED TVs still reign over backlit LCD TVs.
In Disney’s Soul when Joe falls into The Great Beyond, highlights are rendered brightly, the sense of contrast from the TV is greater than the Hisense UR9, the pixel-perfect dimming also means it’s more precise with the starfield, picking out the varying brightness of the stars clearly and sharply.


It’s even more notable with Interstellar as they travel through the wormhole into another galaxy. As the camera pans past stars, the LG picks up more stars – and therefore more detail – than is visible on the Hisense.
With HDR10 content, the LG can feature white tones that are a little less bright – especially the ‘Construct’ scene in The Matrix Resurrections where Neo wakes up in a white room. Full-screen brightness is an area where Mini LEDs still have the advantage.
The Vivid mode features colours that are punchy, pure and rich – a boost in colour volume over the Home Cinema mode with a wider range of colours, and a performance that’s more balanced than it has been in recent years.


Brightness is excellent, contrast is terrific, detail levels are excellent and motion is handled with few issues. The Vivid mode boosts brightness and colours in all the right places, and it does so without adding distracting noise or garish colours. There are moments where it is oversaturated, but this the best Vivid mode I’ve seen on an LG TV.
A brief note on the Game Optimiser mode. It’s a little too bright to my eyes, and seems to introduce some clipping (loss of detail) with bright sources.
While the LG G6 OLED handles HDR content impressively well, most tend to watch in HD rather than 4K. It’s a good thing the OLED65G6 continues its excellent performance in this area.
With a Blu-ray of Mad Max: Fury Road, colours strike the right look (the red-orange of the ‘wasteland’, the blue skies, the white tones of the clouds). The LG uncovers more detail than the Hisense UR9 with a clearer sense of sharpness and finer detail visible. The LG retrieves more detail in the characters’ clothing, revealing more of the wear and tear they’ve been through.


The same is true with a Blu-ray of Pacific Rim – colours are consistently better on the LG than on the Hisense, complexions feature more colour and life, and the dark detail performance is the opposite of its HDR picture, offering more insight into dark scenes than the Hisense.
Colours have more punch, solidity and range. It’s a very pleasing HD image.
With a DVD of There Will Be Blood, the LG handles noise well, although it doesn’t eliminate all of it; it balances noise reduction without affecting film grain better than the Hisense.


Sharpness and detail are good enough for a DVD source, and I noticed the LG picked out more detail with Plainview’s beard than the Hisense UR9 did. There’s a touch more definition on the LG, colours – again – seem more accurate, with a richer and punchier feel for colours.
LG’s taken the G6 OLED in a different direction with its sound, responding to customer feedback.
The issues ‘fixed’ with the G6 aren’t the ones I’d have gone for. While the G5 sported a thinner sound, it was clear and sharp, especially with the highs. The G6 carries more bass and a warmer tone, but the highs have dulled and it’s not as detailed.
The built-in system isn’t very loud at my usual listening levels, and has to be pushed to close to 80 to have an impact. You won’t want to listen to stereo programming with AI Sound Pro as the processing can make it sound harsh. If it’s a Dolby Atmos soundtrack, enable AI Sound Pro; otherwise, use Standard mode for everything else.


For stereo content, the Standard mode is a good choice. Watching The Capture on iPlayer, and it’s clear, with a big, broad soundstage, good bass, and decent dynamism.
Switch to Atmos in AI Sound Pro, and there’s a warmer tone with richer bass and a smoother performance. Despite the emphasis on more bass, the LG can sound a bit tubby at times –in Blade Runner 2049, the lows can sound muddled and soft, and the highs aren’t the sharpest.


With Civil War, the LG isn’t the most energetic, coming across as tepid and quiet at half volume. Pump the volume up and there’s slight distortion but regardless the action scenes sound sluggish. It’s fine but not exciting.
Dialogue is clear and, for the most part, natural, though there have been times when the warmth of the sound renders male voices a little bassy. Watching series two of Daredevil: Born Again, and there are moments where the tone of voices isn’t quite right.
Nevertheless, sound is spread across the screen, and at times you can hear effects pushed out from the frame, widening the soundstage even further.
When playing games on the PS5, the sound system goes for a sharper response, and I find it too crisp and sharp in Game Optimiser mode.
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It’s too soon to say whether this is the best OLED of 2026, but the LG G6 OLED delivers impressive picture across a range of sources
If the Filmmaker mode is meant to be adaptive, changing its performance with regards to the amount of light in a room, then it’s not working properly.
The G6 OLED is another excellent effort from LG. The picture quality is brighter, slightly more colourful, punchier, and feels like it’s more accurate.
The Dolby Vision x Filmmaker mode isn’t working as advertised in terms of its ambient function. It’s preferable to play in Dolby Vision Home Cinema in a room with lots of ambient light (if you’re in a dark room, Filmmaker mode is preferred).
Even though LG has given the sound system a retune, it still struggles with volume and is not the most exciting delivery. I also wish LG hadn’t locked all apps behind an account sign-up, either.
But the LG remains great for gaming, and there’s a wealth of entertainment options (if you get past the sign-up). RGB Mini LEDs are brighter, but they don’t offer the same level of contrast and control as far as black levels go. At least not yet.
Is it the best OLED? It depends on what you want. In terms of respecting the source, I’d say it’s the Sony Bravia 8 II. For sheer spectacle and mitigating reflections, it’s the Samsung S95H.
The LG G6 OLED finds itself in between those two, delivering accurate but great-looking HDR images without the slightly raised blacks of Samsung’s S95H.
LG’s best OLED yet? Absolutely, and a contender for one of 2026’s best TVs.
The 65-inch LG G6 OLED TV was tested over a month with real-world use and benchmark tests that included measuring brightness, input lag and using the Spears and Munsil Benchmark UHD disc to test viewing angles and colour accuracy.
At the time of review, the LG G6 OLED is only available in 48, 55, 65, and 77-inch models.
| LG OLED65G6 | |
|---|---|
| Contrast ratio | Infnity |
| Input lag (ms) | 12.9 ms |
| Peak brightness (nits) 5% | 2499 nits |
| Peak brightness (nits) 2% | 2668 nits |
| Peak brightness (nits) 10% | 2458 nits |
| Peak brightness (nits) 100% | 400 nits |
| Set up TV (timed) | 240 Seconds |
| LG OLED65G6 Review | |
|---|---|
| UK RRP | £3099 |
| Manufacturer | LG |
| Screen Size | 65.4 inches |
| Size (Dimensions) | 1441 x 263 x 910 MM |
| Size (Dimensions without stand) | 826 x 1441 x 24.3 MM |
| Weight | 27.3 KG |
| Operating System | webOS |
| Release Date | 2026 |
| Model Number | OLED65G62LW |
| Model Variants | OLED65G66LS |
| Resolution | 3840 x 2160 |
| HDR | Yes |
| Types of HDR | HDR10, HLG, Dolby Vision, Dolby Vision x Filmmaker |
| Refresh Rate TVs | 48 – 165 Hz |
| Ports | Four HDMI 2.1, three USB, ethernet, optical digital out, CI+, two RF tuners |
| HDMI (2.1) | eARC, ALLM, VRR, 4K/165Hz, QFT, QMF |
| Audio (Power output) | 60 W |
| Connectivity | Wi-Fi, Google Cast, AirPlay 2, WiSA, Bluetooth 5.3 |
| Colours | Black |
| Display Technology | OLED |
A new, adult T’Challa is joining the Marvel Cinematic Universe. Kevin Feige hit the stage for Marvel’s Hall H Comic-Con showing on Saturday and, toward the end, gave the audience an update on Black Panther 3. Director Ryan Coogler and actors Winston Duke and Letitia Wright were on hand to welcome David Jonsson to the MCU, who will play T’Challa’s son, T’Challa Jr.
Jonsson has appeared in films such as Alien: Romulus and The Long Walk. While no official title has been shared, Feige revealed that Black Panther 3 is due to hit theaters Dec. 15, 2028.
Coogler, who’s writing and directing the next installment of the series, has reportedly begun production. He helmed the first two Black Panther movies, which brought the late Chadwick Boseman to the screen as the royal hero. T’Challa Jr. appeared as a child at the end of Black Panther 2, and the character will clearly be aged up for the new movie.
It’s rumored that X-Men character Storm will be in the mix, who has a history with Wakanda (and Black Panther) in the comic books. With a standalone X-Men movie in the works and renewed enthusiasm for the mutants since the release of the animated X-Men ‘97 series, an interconnected storyline would make sense for the MCU. Also rumored to appear in the superhero film is Brother Voodoo, a sorcerer-superhero (like Doctor Strange) who also works with the dead.
Black Panther: Wakanda Forever (aka Black Panther 2) introduced Tenoch Huerta’s Namor and his underwater kingdom into the MCU, and he’s slated to surface in this year’s Avengers: Doomsday, along with the new Black Panther, Shuri (played by Wright).
China fines Trip.com $765 million for forcing hotel partners into exclusive deals and controlling their pricing
China’s market regulator fined Trip.com Group $765 million on Saturday after concluding that the country’s largest online travel platform abused its dominant market position. The State Administration for Market Regulation said Trip.com used its traffic allocation algorithms, platform rules and technology to restrict hotel operators from listing on competing services and to control the prices they could charge. The penalty, totaling roughly five billion yuan, includes confiscated gains, a separate fine and an order to refund hotel security deposits.
SAMR launched the investigation in January after receiving complaints that Trip.com was forcing hotel partners into exclusive arrangements and demanding they offer their lowest online rates only on its platform. The regulator found the company had engaged in these practices since 2020, leveraging its control of about 56 percent of China’s online travel market to pressure operators who depended on it for visibility and bookings. Trip.com said in a statement on its official WeChat account that it accepts the decision and will implement rectification measures.
The fine is the largest antitrust penalty SAMR has imposed on a single Chinese tech company since it fined Alibaba 18 billion yuan in 2021 for similar abuse of market dominance. That case, which forced Alibaba to abandon exclusive dealing arrangements with merchants, set the template for Beijing’s broader crackdown on platform monopolies. The Trip.com penalty signals that the regulator’s appetite for enforcement has not waned, even as Beijing has shifted its messaging toward calibrated oversight rather than blanket crackdowns.
The case also reflects regulators’ concern that fierce competition among online travel platforms has been squeezing hotel operators’ margins and contributing to deflationary pressure in parts of the Chinese economy. Beijing has been rewriting its e-commerce law to bring platform companies under tighter domestic oversight, with draft amendments published earlier this month proposing expanded regulatory tools for overseeing algorithms, traffic rules and pricing practices. Trip.com’s penalty lands squarely within that framework.
Founded in 1999, Trip.com operates through brands including Ctrip and Skyscanner and has grown into the world’s largest online booking platform by transaction volume. Its dominance in China gave it leverage to dictate terms to hotel partners, but that same market power made it a regulatory target as Beijing moved to curb what it views as monopolistic behaviour across its technology sector. The company has been ordered to undertake a comprehensive rectification plan, though the specifics of those changes have not yet been disclosed.
The US semiconductor and computing giant declared a revenue of $16.1bn for the period.
Intel has published markedly strong financial results for the second quarter of 2026 that exceeded financial analysts’ expectations.
The US semiconductor and computing giant declared a revenue of $16.1bn for the period, up by 25pc from $12.9bn in Q2 2025 and more than the anticipated ceiling of $14.8bn declared at the end of the first quarter of 2026.
“AI is driving unprecedented demand for compute, and as we continue to execute, Intel is well-positioned to capture sustainable growth across our CPU franchise, ASICs, advanced packaging and vast wafer foundry network,” said Lip-Bu Tan, Intel’s CEO.
“Our Q2 results represent our strongest revenue growth in more than 15 years, enabled by greater speed, accountability and customer focus.”
Gross margin grew to around 40pc from around 28pc year-on-year, while Intel generated $7bn in cash from operations during the recent quarter, it said.
Intel’s Foundry revenue for Q2 was up 31pc year-on-year to $5.8bn; its Client Computing and Physical AI Group grew by 13pc to $8.9bn; and the division for data centres and AI was up 59pc to $6.3bn.
“AI-driven compute continues to strengthen, and to support expected growth this year and next across products and foundry, we are meaningfully increasing our investments in equipment, clean room space and substrates,” said Dave Zinsner, Intel’s CFO.
The company anticipates revenue in the third quarter of 2026 to hit between $15.8bn and $16.8bn, and projects a gross margin of 41pc.
The company’s share price increased by up to 4pc during trading hours yesterday following publication of its financial results.
Intel is estimated to have reduced its headcount by more than 35,000 employees since 2024, with major cuts announced in both 2024 and 2025.
Earlier this month, the company announced a major investment in its Kildare, Ireland facility, where Intel intends to spend €5bn on the Leixlip campus.
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Mojave Air and Space Port sits in the high desert where the air stays dry and the runways stretch long enough for machines that refuse ordinary limits. On a recent morning there, a prototype Porsche Cayenne Turbo Electric rolled into position under the shadow of Stratolaunch’s Roc. Six jet engines sat silent for the moment. The SUV waited between the twin fuselages of an aircraft whose wings span 385 feet.
Roc is designed to carry enormous payloads into the sky for hypersonic experiments and spacecraft launches. Even when empty, with its six Pratt & Whitney engines cranking out a staggering 340,500 pounds of thrust, the plane can take off at a maximum weight of 1.3 million pounds, which is enormous when compared to modern airliners. Porsche’s new Cayenne has just arrived with a pair of electric motors that provide 1,139 horsepower and 1,500 Nm of torque, an outstanding spec sheet. It takes 2.4 seconds to accelerate from 0 to 60 mph, which is incredible. When things get hairy, the Cayenne has active aerodynamics and, as an option, very heavy-duty carbon-ceramic brakes ready to bail it out.
Sale
Stratolaunch’s engineers had been monitoring the airflow near Roc. During takeoff and landing, a strange small pocket of still air emerges directly behind the main landing gear and just ahead of the tail, and this bubble follows the plane. In principle, a car that was both fast and stable enough could simply sit in the center of this bubble and remain there. That concept evolved into a hunch, which led to a strategy. Straotlaunch had a volunteer driver lined up, none other than former Porsche factory driver Patrick Long. He was joined by crew chiefs Shauntel Williams and John McKinney, who were keeping radio contact with the flight deck crew, as well as Orlando Bloom and a lucky automotive journalist Mat Watson.

The first run began with Long carefully positioning the Cayenne in just the perfect area, applying almost little throttle at all. Roc’s engines burst into life. At roughly 100 mph, he put the Cayenne into boost mode and flew after the plane, matching its stride for stride. The SUV remained right beneath the plane’s gear as it pulled away, and it was apparent as day that the vehicle had the stability to endure the turbulence when the engines lowered. Long later described how, when the engines began to descend after takeoff, he felt a great jolt and the car continued to go as if nothing had happened. He glanced down at the speedometer, and holy moly, the needle was over 170 before he yanked his foot off the throttle and slapped on the carbon-ceramic brakes to reduce the speed before the runway ended.

Landing, on the other hand, is a completely other story since time is everything. Roc is massive, making visual cues scarce, so Long had to merge onto the runway at precisely the exact moment, skillfully maneuvering between the plane’s fuselage such that the automobile appeared under the gear just as the plane touched down. The Stratolaunch crew commanders were right there in the cabin, keeping Long on track with continuous radio calls. The pattern repeated itself over two takeoffs and landings, with all four landings going off as planned. The Cayenne utilized only 13 percent of its battery charge the entire time.

Patrick Long described it as one of the most focused moments he’d ever had in a car. He trusted the data, the automobile, and the pilots. And it appears that the trust paid off, since Jonathan Bearce, the plane’s principal test pilot, was also impressed. From the cockpit, all he could see was a Cayenne-sized black hole, but the footage subsequently revealed it was spot on. Bearce even got to drive the thing himself later on, and he stated it accelerated so quickly that it surprised him. Overall, it was an eye-opening exercise in demonstrating the importance of precision over raw speed.
The idea that cancer could behave like a contagious disease may seem absurd; in humans, cancer cannot be transmitted from one person to another. Yet nature is still full of surprises. In exceptional cases, cancer cells themselves can pass from one individual to another and continue to multiply in a new host. This rare phenomenon has been detected in animals such as dogs, Tasmanian devils, and some species of mollusks, and it seems we can add one more to that exclusive club: catfish.
An international team of researchers has identified a transmissible melanoma in the brown catfish (Ameiurus nebulosus)—the first documented case in fish and also the first recorded in a freshwater ecosystem. Their findings were reported this month in the journal Nature.
The story began in 2012, when fishermen and biologists detected an unusually high number of catfish with black lesions in Lake Memphremagog, a body of water straddling Vermont and Quebec. Previous studies revealed that these spots were malignant melanomas, and that between 23 percent and 37 percent of the specimens examined had these tumors—an unusually high incidence for this species.
“That was surprising,” said Julie Dragon, a researcher at the University of Vermont and co-lead author of the study. “We wanted to know how a bottom-dwelling fish was getting a cancer we associate with exposure to too much sunlight.”
Initially, it was thought that the cause might be some toxic substance or a pathogen linked to pollution. One suspicion was that the flooding caused by Tropical Storm Irene in 2011 had degraded water quality by washing environmental pollutants into the lake. There were also concerns about the health of the lake, which supplies drinking water to more than 175,000 people. However, initial genetic analyses began to point in an unexpected direction.
It was then that the researchers wondered whether the tumors were descended from a single original cancer that had learned to spread among individual fish, rather than arising independently in each fish.
To test this unusual hypothesis, the team sequenced the complete genomes of tumors and healthy tissues from affected fish, and compared the data with that from healthy specimens from different populations.
The results indicated that the tumor cells from different fish were much more closely related to one another than to the animals in which they developed. In other words, the tumors shared their own genetic identity, distinct from that of their hosts. Furthermore, hundreds of thousands of genetic variants appeared repeatedly in the tumors but were absent from the healthy tissues of the same fish.
Such a pattern would be virtually impossible if each melanoma had arisen independently. By way of comparison, the researchers analyzed hundreds of human melanomas and found that nearly all of their mutations were unique to each patient. In contrast, most of the mutations present in the tumors of these fish were shared by numerous individuals—a hallmark of a transmissible clonal cancer.
The big picture: AMD had a busy week, announcing the Ryzen 7 7700X3D CPU for gaming PCs and the Epyc Venice lineup for agentic AI workloads in data centers and high-end workstations. The company also launched the Helios rack-scale AI system at its Advancing AI 2026 event in San Francisco and previewed its next-generation Zen 7 and Zen 8 CPU architectures.
In her keynote speech, AMD CEO Lisa Su revealed that Zen 7 will debut in 2028 with the 7th-generation Epyc “Florence” processors for enterprise and AI data centers. The new core architecture will be divided into classic (Zen 7) and compute-optimized (Zen 7c) versions, with both expected to be manufactured on TSMC’s cutting-edge A16 or A14 process node.
AMD did not reveal any architectural details about Zen 7, but confirmed that Epyc Florence will include both Zen 7 and Zen 7c cores. The Florence processors will also be the first processors in AMD’s portfolio to support the next iterations of MRDIMM and LPDDR memory standards, as well as ACE AI Compute Extensions to accelerate matrix multiplication and AI workloads across the x86 ecosystem.
Epyc Florence will cover the existing SP7 and SP8 platforms, with the SP7 chips delivering high-core-count and flagship performance, while the SP8 versions will offer optimized performance with a focus on value. Both versions will power AMD’s next-gen AI rack solution, “Ferrara,” which will be optimized for high-performance AI host nodes.
Moving beyond Zen 7, AMD added that it has started work on its Zen 8 core architecture, which will debut in 2030 with the company’s 8th-generation Epyc chips, codenamed “Ravenna.” The company did not reveal anything else about either Zen 8 or Epyc Ravenna, including architectural details, process node, core count, or memory support.
Team Red also unveiled the Instinct MI455X AI accelerator with CDNA 5 compute architecture and confirmed that the CDNA 6-based MI500 will debut in 2027, followed by the MI600 in 2028. The company has yet to confirm the CDNA generation, memory configurations, and compute specifications for the MI600.
Moving to the Helios AI rack roadmap, the first-generation models are set to launch this year, powered by Epyc Venice CPUs and the new MI455X accelerator. Helios 500 is slated to arrive in 2027 with Epyc Verano CPUs and Instinct MI500 GPUs, followed by Helios 600 in 2028, powered by Epyc Ferrara and Instinct MI600.
Earlier this week, AMD launched its latest 3D V-Cache CPU, the Ryzen 7 7700X3D. Aimed at gamers on a budget, the new processor comes with 8 Zen 4 cores, 16 threads, and 96MB of L3 cache. The company also unveiled the Zen 6-based Epyc Venice CPUs and revealed key details about its Arm-based Vera CPU, designed specifically for agentic AI workloads in data centers.
The big picture: AMD had a busy week, announcing the Ryzen 7 7700X3D CPU for gaming PCs and the Epyc Venice lineup for agentic AI workloads in data centers and high-end workstations. The company also launched the Helios rack-scale AI system at its Advancing AI 2026 event in San Francisco and previewed its next-generation Zen 7 and Zen 8 CPU architectures.
In her keynote speech, AMD CEO Lisa Su revealed that Zen 7 will debut in 2028 with the 7th-generation Epyc “Florence” processors for enterprise and AI data centers. The new core architecture will be divided into classic (Zen 7) and compute-optimized (Zen 7c) versions, with both expected to be manufactured on TSMC’s cutting-edge A16 or A14 process node.
AMD did not reveal any architectural details about Zen 7, but confirmed that Epyc Florence will include both Zen 7 and Zen 7c cores. The Florence processors will also be the first processors in AMD’s portfolio to support the next iterations of MRDIMM and LPDDR memory standards, as well as ACE AI Compute Extensions to accelerate matrix multiplication and AI workloads across the x86 ecosystem.
Epyc Florence will cover the existing SP7 and SP8 platforms, with the SP7 chips delivering high-core-count and flagship performance, while the SP8 versions will offer optimized performance with a focus on value. Both versions will power AMD’s next-gen AI rack solution, “Ferrara,” which will be optimized for high-performance AI host nodes.
Moving beyond Zen 7, AMD added that it has started work on its Zen 8 core architecture, which will debut in 2030 with the company’s 8th-generation Epyc chips, codenamed “Ravenna.” The company did not reveal anything else about either Zen 8 or Epyc Ravenna, including architectural details, process node, core count, or memory support.
Team Red also unveiled the Instinct MI455X AI accelerator with CDNA 5 compute architecture and confirmed that the CDNA 6-based MI500 will debut in 2027, followed by the MI600 in 2028. The company has yet to confirm the CDNA generation, memory configurations, and compute specifications for the MI600.
Moving to the Helios AI rack roadmap, the first-generation models are set to launch this year, powered by Epyc Venice CPUs and the new MI455X accelerator. Helios 500 is slated to arrive in 2027 with Epyc Verano CPUs and Instinct MI500 GPUs, followed by Helios 600 in 2028, powered by Epyc Ferrara and Instinct MI600.
Earlier this week, AMD launched its latest 3D V-Cache CPU, the Ryzen 7 7700X3D. Aimed at gamers on a budget, the new processor comes with 8 Zen 4 cores, 16 threads, and 96MB of L3 cache. The company also unveiled the Zen 6-based Epyc Venice CPUs and revealed key details about its Arm-based Vera CPU, designed specifically for agentic AI workloads in data centers.
Building your system with some extra capacity makes managing it a bit easier.
If you own a solar system, there’s a good chance you’ll have heard of the 20 percent rule. And if you haven’t, it can be explained easily enough. “n essence, it means estimating how much electricity your house needs, then sizing your solar panel system so that it produces roughly 20 percent more energy than your home uses. Think of it this way: if your home uses 40kWh per day, your panels should be producing 48kWh. But what are the benefits of having this extra energy at your disposal?
It really boils down to savings and guarding against less than optimal solar conditions. Having a system that produces 20 percent more energy should ensure your house has all the power it needs, even during dimmer winter months. There’s also a cost benefit, whereby any excess energy you don’t use can be sent back to the grid resulting in potential banked up credit from your energy supplier. Incentive programs also exist that provide certain discounts the more energy that your home produces. So yes, the 20 percent rule of solar panels can definitely save you money, but it’s not a guarantee of instant savings.
One of the main benefits to the 20 percent rule is offering you extra power for those times when your household’s electricity output is higher than normal. Seasonal variations are a big reason you should consider installing additional panels. The summer months are when you should most feel the benefits. In an era of skyrocketing temperatures where heat records are regularly being broken, it’s only natural people are going to run air conditioning systems frequently during summer. In baking conditions, many folks will appreciate that extra solar cover.
Conversely, having more power to tap into can also come in handy during winter. On especially cold days, that additional energy capacity is going to be appreciated if you’re regularly running your heat for hours on end. More generally, owners of solar panel systems that adhere to the 20 percent rule will find it easier to power their homes on dimmer days when the sun’s rays may be obscured. And in case you’re wondering, here’s what happens when solar panels die.
It’s best to think of the upsides of the 20 percent rule in the long term. While your current panelling may service your energy needs perfectly well today, that’s not to say needs won’t change over the lifespan of your system. Lifestyle changes could easily impact your electricity usage going forward and extra panels could well prove worthwhile if you, say, suddenly start working from home more often. Equally, extra solar cover will be appreciated if you install an air conditioning system in your home or buy an EV.
We now live in a world where scientists at Oxford have created a new light-absorbing material that can turn everyday objects into solar panels. That’s great, but such advances probably won’t save you money anytime soon. What could bag you some savings is the 20 percent rule. Depending on your energy provider, any excess power your system produces that your home doesn’t use can be sent back to the grid, netting you credit from your supplier. In turn, this can help lower future bills, and over the longer term could provide serious savings. Just bear in mind that solar buyback rates can vary wildly from state to state in the US, so big discounts aren’t guaranteed.
That would be a yes… with caveats. The main benefit to owning a solar panel system that provides 20 percent more power than your household normally consumes is that you’re safeguarding against potential real-world solar losses. It’s been a great time to buy a solar generator for a while now, no question, but there are definitely instances where your generator can do with additional help. If you’re reading this in a particularly rainy part of the US or the UK — where near constant cloud cover in all but summer months is very much a thing — the 20% rule is definitely worth considering, and could net you real savings in the long run. That extra percentage of solar capacity can also help the power losses that naturally occur from less than ideal roofing angles and high panel temperatures.
It’s important to note though, that the 20 percent solar panel rule isn’t going to magically save you 20 percent off your energy bill. Ultimately, it’s best to think of it as a buffer against poor weather conditions or periods where your home’s electricity output is higher than normal.
Nvidia is investing $1 billion in Naver and building a $500 billion commercial partnership with SK Group spanning data centers and memory chips
Nvidia will invest $1 billion in South Korean internet company Naver to help finance an AI data center under construction in South Korea, the chipmaker announced late Friday. The funding will allow Naver to more than triple the size of the facility from 55 megawatts to 200 megawatts, with US private equity firm Brookfield agreeing to a nonbinding term sheet to fund up to $9 billion for the project. The site will run on Nvidia’s AI computing hardware.
Separately, Nvidia announced a long-term commercial partnership with SK Group that it described as worth more than $500 billion. The figure includes money Nvidia will spend buying memory chips from SK Hynix, the world’s largest supplier of high-bandwidth memory, as well as purchases by SK Group of Nvidia’s supercomputers. SK Telecom will build more than 2 gigawatts of AI data centers on the Korean Peninsula, with the first facility due to open next year.
The announcements coincide with a visit to Silicon Valley by South Korean President Lee Jae Myung, and additional tech deals between Korean and American companies are reportedly in the works. Nvidia CEO Jensen Huang told Bloomberg Television that South Korea is in a “golden age,” pointing to the country’s booming semiconductor and industrial businesses as reasons to invest. Nvidia will also help SK Hynix design future high-bandwidth memory chips, an effort to guarantee access to the component that remains in short supply because of the global buildout of AI data centers.
The Korea deals are the latest in a year-long investment spree in which Nvidia has committed more than $40 billion to AI equity positions, including $30 billion in OpenAI. Earlier this week the chipmaker signed a separate agreement with Amkor Technology to bolster chip packaging, and it recently completed a trip to Japan that included deals with Toyota and Japanese robotics firms. Critics have described the pattern as circular financing, in which Nvidia invests in companies that then buy its hardware, a structure the chipmaker has replicated with data center operators, neoclouds, and now sovereign AI partners.
For South Korea, the deals represent a bet that its semiconductor industry can remain central to the AI buildout even as geopolitical tensions reshape chip supply chains. Samsung and SK Hynix are the only two companies in the world capable of producing the advanced memory chips that Nvidia’s processors require, and locking in a design partnership with Nvidia gives SK Hynix a structural advantage over its rival. Huang has argued that every country should create its own sovereign AI capability, and South Korea, with its chipmaking expertise and abundant engineering talent, is among the best positioned to do so.
Steam discussion forums are being abused in ClickFix attacks that pretend to be fixes for game and computer problems but actually infect devices with cryptominers.
BleepingComputer learned of the campaign from a reader, who told us threat actors are creating random Steam accounts to post what appears to be helpful fixes for people’s posts about games crashing, lost inventory items, and other technical issues.
The threat actors reply to posts, telling other members to open PowerShell as an administrator and run a command to fix the issue. However, when executing the command, it quietly downloads an XMRig miner executable and launches it on the computer.

These types of attacks are known as ClickFix, a social engineering tactic that displays fake errors, verification prompts, or troubleshooting instructions to trick victims into manually executing malicious commands.
Although ClickFix attacks require interaction from the victim, they are effective because they present users with what appears to be both a legitimate solution for a problem they are having.
Since the victim manually launches the command, the attack can also bypass some security protections that would otherwise automatically block executed malicious code.
The PowerShell script distributed in the Steam campaign masquerades as a Windows optimization utility named “msf utility \ PC Opt.”
When launched, it displays messages claiming to perform numerous maintenance tasks, including cleaning temporary files, flushing the DNS cache, updating drivers, checking the disk, turning off unnecessary startup items, scanning for malware, repairing the Windows image, and running System File Checker.

However, most of these functions do not perform the tasks they claim. Instead, they display fake progress messages and pause for a random period between 1.5 and 8 seconds to make the utility appear legitimate.

The actual malicious activity is hidden in a function named ‘Advanced-Optimization’, which first disables TLS certificate validation and checks that it is running with administrator privileges. If it is not, the script displays an error stating that administrator rights are required and exits.
Once running with elevated privileges, the script creates the ‘C:\Windows\Background’ directory and adds it as an exclusion to Microsoft Defender’s scanning functions.
It also attempts to stop an existing scheduled task named ‘XMRig-[computer name]’ and terminates matching processes named ‘xmrig’ or ‘system’ that are running from the installation directory. It also attempts to delete any XMRig configuration files stored as C:\Windows\Background\config.json.
It is unclear whether this cleanup is intended to remove leftovers from an earlier install of the same malware or another miner already present on the device.
The malware then creates a temporary outbound Windows Firewall rule allowing connections to ‘msfconfig[.]icu‘ over TCP port 443 and downloads the XMRig miner payload from https://msfconfig[.]icu:443/tmp/system.txt into a randomly named temporary file.
Before installing it, the script verifies that the downloaded file is not empty and is a valid executable. If so, it moves the file to C:\Windows\Background\system.exe.
So it launches every time Windows starts, it will create a new scheduled task named “XMRig-[computer name],” that launches the system.exe executable with SYSTEM privileges.
As a general rule, users should never run PowerShell commands provided by unknown users in discussion forums, even when the commands are presented as fixes for a problem they are currently experiencing.
Those who executed the command should check for the ‘C:\Windows\Background’ directory, a Microsoft Defender exclusion for that path, and a scheduled task beginning with ‘XMRig-‘.
If these signs of compromise are detected, you should immediately run an antivirus program to scan for malware and remove anything it finds.
If it does not detect the miner, you should manually stop and remove the XMRig-[computer name] scheduled task, remove the Microsoft Defender exclusion for C:\Windows\Background, and delete the folder and its contents.
Ultimately, it may be safer to reinstall the operating system, as there is no way to know whether the downloaded payload performed additional malicious actions while it was running.
Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
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