CarGurus reportedly hit by ShinyHunters vishing attacks
Hackers claim to have stolen 1.7 million records
CarGurus is staying queit for now
Online car marketplace CarGurus is allegedly the latest company to fall prey to ShinyHunters’ vishing attacks.
The notorious hacking collective posted a new note on its data leak site warning CarGurus to act quickly or have their sensitive data posted on the dark web.
“This is a final warning to reach out by 20 Feb 2026 before we leak along with several annoying (digital) problems that’ll come your way,” ShinyHunters apparently wrote in its announcement. The group says it stole personally identifiable information (PII) and “other internal corporate data,” totaling 1.7 million records.
Yet another victim
CarGurus has not yet commented on the news, and its website says nothing about a potential breach.
If the claims are true, then CarGurus will be the 15th ShinyHunters victim breached in the same manner recently – with a phishing phone call leading to the compromise of an Okta, Entra, or Google SSO dashboard.
Experts from Google and Mandiant recently explained how ShinyHunters were able to breach so many organizations so quickly – by deploying a highly effective combination of vishing and customized infrastructure.
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It all starts with a phone call on which ShinyHunters impersonate IT staff and tech operatives. They call employees in different positions and tell them their MFA settings need updating.
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At the same time, they use customized infrastructure: they have created highly modular, customizable phishing landing pages that they can tweak in real time. Therefore, if the victim uses Google SSO, they will be given the appropriate landing page, which can then transform, depending on the type of MFA that particular employee uses.
When the attacker obtains the login credentials and MFA codes, they log into either Okta, Entra, or Google SSO dashboard, through which they can pick and choose what kind of data to steal: Salesforce, Microsoft 365, SharePoint, DocuSign, Dropbox, or a myriad of others. ShinyHunters, apparently, prefer Salesforce, although they won’t pass up on a different opportunity, too.
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Finally, after exfiltrating all of the stolen data, they will add a sample to their data leak page and reach out to the victim in an attempt to get them to pay.
Some of the companies that fell victim to this attack include Mercer Advisors, Beacon Pointe Advisors, Canada Goose, Figure Technology Solutions, Betterment, Match Group, Panera Bread, Carvana, and Edmunds.
Toy Story 5 will be the first Woody-Buzz CGI fable in the film series, where I’ll take a pass. I don’t need to see comedy ensue as the iconic characters run headfirst into the hard reality of tech and childhood.
Pixar and Disney released the first full-length Toy Story 5 trailer on Thursday (February 19), delivering the clearest picture yet of what to expect from this once-groundbreaking but now aging franchise. The movie hits theaters on June 19.
If you take issue with my use of the word “aging,” just take a look at Woody, the cowboy toy who now sports a bald patch. Sure, he’s losing paint, not hair, but the jokes surrounding the bright, reflective spot make the point clear; Woody, like the rest of the gang, is yesterday’s toy.
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Where it all started
For those living under a rock and wholly unfamiliar with the Toy Story films, Toy Story depicts the hidden life of a child’s toys. They talk, laugh, play, scheme, carry out missions, and more, all just out of view of adults and the children who own them. In the original, Woody is introduced to the spaceman toy, Buzz Lightyear, who believes he is real. You can kind of guess the rest, but their bond is what drives much of the subsequent three films. But by the end of Toy Story 4, Buzz and Woody went their separate ways.
Toy Story 5 reunites the pair in a fight for attention. Really, that’s what Toy Story 5 is about. Bonnie, who inherited the toy collection from the now grown-up Andy, gets a “Lillypad” tablet and basically slips into screen addiction. The toys quickly assess that this is a widespread problem: analog toys are being abandoned for digital ones.
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“Toys are for play, but tech is for everything,” says Woody, succintly stating the problem.
Toy Story 5 | Official Trailer | In Theaters June 19 – YouTube
The trailer depicts Bonnie becoming consumed by her screen, and the toys fight to save, well, not her, but themselves.
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The Lillipad, which comes in a frog-shaped case that includes eyes, also talks when out of view of Bonnie and the adults. When the toys confront it, it doesn’t appear to be paying attention (naturally), but it is in fact recording everything they say and then translating it into multiple languages.
While it’s not entirely clear that Lillypad is the villain here, I think the perspective on technology is obvious: It’s bad and ruining childhoods.
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There’s no Story without tech
(Image credit: Disney/Pixar)
Yes, it’s a disingenuous argument coming from a company that uses computers to design and animate Buzz, Woody, and the gang, and then banks of servers to generate every single frame of Toy Story in existence.
I’m sure Pixar and Disney will find a clever way to solve the conundrum in a way that doesn’t negate toys or technology, but I don’t know that I’ll buy it.
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The truth is, technology has changed society and play. Adults are handing children and even toddlers phones and tablets to keep them quiet. When I see a kid in a stroller, I no longer look to see if their preference is Bert, Ernie, Big Bird, or Velveteen Rabbit. They’re not squeezing a security blanket. Instead, I peer to see if they’re sporting an Amazon Fire Tablet, an iPad, the latest Android flagship, or an iPhone.
The glazed look Pixar recreates on Bonnie’s face is all too real, and no matter what those toys do, Bonnie’s probably not leaving technology behind. As Lillipad tells Woody in her slightly robotic voice, “Bonnie needs help from someone at least for the same century.”
The truth is, technology has changed society and play.
When Bonnie powers up Lillipad, one of the first things it says to her is, “Let’s play,” but it’s only offering the kind that engages eyes, ears, and fingers, leaving little room for Bonnie to explore with a toy dinosaur, fly with Buzz, or ride off into the sunset with Woody and Bullseye.
It’s not just that tech is the villain here. The stakes in the original Toy Story movies were so much higher: they dealt with love, rejection, anger, jealousy, loss, and hard truths. I know, it was all done with a light, deft touch that mixed comedy, sight gags, and pathos. Is it possible for Toy Story 5 and its digital villain to carry that same emotional weight? I doubt it.
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Maybe I’ll just rewatch the original Toy Story, released more than 30 years ago, when the Internet was young, cell phones were dumb, and the only screen really drawing out attention was the TV.
You can stream all the Toy Story and Pixar content (save this new film) on Disney+.
And of course, you can also follow TechRadar on YouTube and TikTok for news, reviews, unboxings in video form, and get regular updates from us on WhatsApp too.
Dyson has announced the PencilWash, a new ultra-slim wet floor cleaner designed to make everyday mopping easier and more hygienic.
Weighing just 2.2kg and built around a 38mm pencil-thin handle, it’s the company’s most compact wet cleaner to date.
The PencilWash is engineered to lie almost flat — up to 170 degrees, reaching as low as 15cm. This allows it to clean under sofas, cabinets and low furniture without sacrificing suction or hydration performance. Dyson says the reduced diameter handle improves in-hand comfort and natural steering. It makes it feel closer to using a broom, rather than a bulky floor washer.
Unlike conventional wet-and-dry cleaners, the PencilWash uses a filter-free system. This eliminates internal filters that can trap dirt, retain moisture and generate odours over time. Instead, it combines hydration, agitation and extraction technologies to continuously wash the roller with fresh water. Furthermore, it simultaneously extracts dirty water and debris.
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At the centre of the system is a high-density microfibre roller featuring 64,000 filaments per square centimetre. It spins rapidly to tackle both wet spills and stubborn stains. Meanwhile, an eight-point hydration system delivers controlled water flow across the roller. This ensures floors are cleaned using only fresh water. Dirty water is extracted on every rotation, helping maintain hygiene throughout the clean.
The 300ml clean water tank is rated to cover up to 100m² of flooring. It offers 30 minutes of runtime and includes a swappable battery option for extended sessions. Moreover, users can choose between two hydration modes to adjust water delivery depending on the surface or type of mess for a quicker-drying finish.
Dyson is also launching the 02 Probiotic hard-floor cleaning solution, a non-foaming formula designed to work alongside its wet-cleaning range including the PencilWash. The solution is described as safe for use around pets and children.
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The Dyson PencilWash will be available from 4 March, priced at £299.99, through Dyson Demo Stores and Dyson’s online store.
The Logitech G435, priced at $39.99 (was $79.99), the type of quiet disruption budget gaming headsets need, delivers incredible lightness combined with respectable wireless performance, all without breaking the wallet. Logitech prioritized comfort when creating the G435. The thing disappears on your head during marathon gaming sessions, weighing just 165 grams (or around 5.8 ounces).
The earcups are constructed of soft, breathable fabric that keeps the heat at bay, and the headband has a thin layer of the same material stretched over some really basic padding. Users may wear the item for hours without breaking a sweat, and the only time they’ll feel tired is when it’s time to take it off. A wonderful addition is the braille indicators on the sides, which help you determine left from right as quickly as possible, demonstrating that Logitech thought about regular use.
Versatile: Logitech G435 is the first headset with LIGHTSPEED wireless and low latency Bluetooth connectivity, providing more freedom of play on PC…
Lightweight: With a lightweight construction, this wireless gaming headset weighs only 5.8 oz (165 g), making it comfortable to wear all day long
Superior voice quality: Be heard loud and clear thanks to the built-in dual beamforming microphones that eliminate the need for a mic arm and reduce…
Connectivity is a major highlight here, with a USB dongle that supports LIGHTSPEED wifi for low-latency gaming on PC, Mac, PS consoles, and even Switch. Switch to Bluetooth for your phone or tablet, and it will handle music or calls without losing signal. Most configurations have a range of roughly 10 meters. The battery lasts about 18 hours per charge via USB-C, which is enough for a couple of nights of gaming without needing to recharge.
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The sound comes from 40mm speakers that have been adjusted for a balanced sound profile. The bass has a soft, relaxing touch that isn’t overpowering; the mids are crystal clear for voices and effects; and the highs gently roll off past 9kHz, so there’s no harshness. Many people find that the audio produces huge, full-bodied sound for both games and music, especially with a little EQ tweaking using Logitech’s PC software. Volume is limited to roughly 85 decibels in some versions for safety reasons, which is unfortunate if you enjoy cranking it up loud, but better safe than sorry.
The mics are hidden into the left earcup as dual beamformers, picking up speech as crisp as a bell while reducing background noise without the use of a cumbersome boom arm. Clarity is quite impressive for the price, yet it lacks the isolation and richness found in higher-end models.
As humanity looks to the moon for science and economic opportunity in the coming years, understanding potential dangers lurking on the lunar surface could become increasingly important.
Ridges on the moon that signify moonquakes are the subject of a recent research paper, which delves into tectonic activity across the lunar maria, a vast network of dark plains that arose from ancient volcanic activity.
A team of researchers analyzed lunar formations called small mare ridges to create a global moon map, which is the first of its kind. The paper was originally published Dec. 24 in the Planetary Science Journal.
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Cole Nypaver, a postdoctoral fellow at the National Air and Space Museum’s Center for Earth and Planetary Studies and one of the paper’s authors, told CNET that the ridges that were identified were formed by faults in the lunar subsurface, which are associated with moonquakes.
“While those moonquakes are potentially hazardous for long-term lunar exploration missions or permanent outposts, they also present fantastic opportunities to learn more about the interior of the moon and how the moon formed,” Nypaver said.
The moon is shrinking
Another of the paper’s authors is a scientist named Tom Watters. Back in 2010, Watters discovered that the moon is slowly shrinking because its core is cooling.
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The moon’s contraction causes disturbances on its surface. The crust gets compressed and forces material up along faults, which creates ridges, similar to how mountains form on Earth.
The most common of these ridges are called lobate scarps. They form on the lunar highlands, which are the bright spots we see when we look at the moon. But the small mare ridges only form in the lunar maria, which are the dark areas of the moon that contrast with the highlands.
This research is the first time scientists have documented the ridges throughout the lunar maria. In doing so, we now have a more complete understanding of the moon’s thermal and seismic history, which could give us a better idea of any potential moonquakes in the future.
“Our results represent the most globally complete understanding of recent lunar tectonism to date,” Nypaver said. “The presence of these additional tectonic features in the lunar maria suggests that the moon may have experienced more global contraction in the recent past than previously thought.”
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A small mare ridge in Northeast Mare Imbrium taken by the Lunar Reconnaissance Orbiter Camera.
NASA/GSFC/Arizona State University
Moon missions
Humans setting up permanent footholds on the lunar surface have moved from science fiction to real plans for the near future. NASA’s Artemis II mission is set to launch in March at the earliest. And while this mission will only send astronauts to orbit the moon, future Artemis missions plan to land people on the lunar surface and build permanent infrastructure there.
Schmerr said to CNET that this instrument will detect seismic activity in the lunar south polar region.
“We’ll get a whole new picture of lunar seismic activity both on the South Pole and lunar farside,” Schmerr said.
LEMS-A3 is a station designed to be self-sustaining, and Schmerr will act as the instrument’s deputy principal investigator for the mission. The LEMS-A3 will assess “tectonics-related seismicity of the region and any hazard the moonquakes (or, for that matter, impacts) could pose to future longer-lived infrastructure,” Schmerr said.
Setting up shop
NASA isn’t the only one that’s looking to sustain long-term lunar operations. A company called Interlune also wants to set up mining operations on the moon to excavate helium-3, a valuable isotope that could be used for clean energy and quantum computers.
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Elon Musk has been talking about building a moon base to launch AI satellites into orbit.
Getting up to speed on the areas of the moon that are more likely to experience moonquakes could influence where space agencies and private companies decide to build outposts in the future.
“There are several upcoming missions to the moon that will carry dedicated seismometers in hopes of detecting a moonquake from a small mare ridge or an asteroid impact on the moon,” Nypaver said. “By identifying a new population of tectonic features in the lunar maria, our work provides additional targets for those missions that seek to use moonquakes to better understand our closest celestial neighbor.”
For the past three months, Google’s Gemini 3 Pro has held its ground as one of the most capable frontier models available. But in the fast-moving world of AI, three months is a lifetime — and competitors have not been standing still.
Earlier today, Google released Gemini 3.1 Pro, an update that brings a key innovation to the company’s workhorse power model: three levels of adjustable thinking that effectively turn it into a lightweight version of Google’s specialized Deep Think reasoning system.
The release marks the first time Google has issued a “point one” update to a Gemini model, signaling a shift in the company’s release strategy from periodic full-version launches to more frequent incremental upgrades. More importantly for enterprise AI teams evaluating their model stack, 3.1 Pro’s new three-tier thinking system — low, medium, and high — gives developers and IT leaders a single model that can scale its reasoning effort dynamically, from quick responses for routine queries up to multi-minute deep reasoning sessions for complex problems.
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The model is rolling out now in preview across the Gemini API via Google AI Studio, Gemini CLI, Google’s agentic development platform Antigravity, Vertex AI, Gemini Enterprise, Android Studio, the consumer Gemini app, and NotebookLM.
The ‘Deep Think Mini’ effect: adjustable reasoning on demand
The most consequential feature in Gemini 3.1 Pro is not a single benchmark number — it is the introduction of a three-tier thinking level system that gives users fine-grained control over how much computational effort the model invests in each response.
Gemini 3 Pro offered only two thinking modes: low and high. The new 3.1 Pro adds a medium setting (similar to the previous high) and, critically, overhauls what “high” means. When set to high, 3.1 Pro behaves as a “mini version of Gemini Deep Think” — the company’s specialized reasoning model that was updated just last week.
The implication for enterprise deployment could be significant. Rather than routing requests to different specialized models based on task complexity — a common but operationally burdensome pattern — organizations can now use a single model endpoint and adjust reasoning depth based on the task at hand. Routine document summarization can run on low thinking with fast response times, while complex analytical tasks can be elevated to high thinking for Deep Think–caliber reasoning.
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Benchmark Performance: More Than Doubling Reasoning Over 3 Pro
Google’s published benchmarks tell a story of dramatic improvement, particularly in areas associated with reasoning and agentic capability.
Google Gemini 3.1 Pro benchmark chart. Credit: Google
On ARC-AGI-2, a benchmark that evaluates a model’s ability to solve novel abstract reasoning patterns, 3.1 Pro scored 77.1% — more than double the 31.1% achieved by Gemini 3 Pro and substantially ahead of Anthropic’s Sonnet 4.6 (58.3%) and Opus 4.6 (68.8%). This result also eclipses OpenAI’s GPT-5.2 (52.9%).
The gains extend across the board. On Humanity’s Last Exam, a rigorous academic reasoning benchmark, 3.1 Pro achieved 44.4% without tools, up from 37.5% for 3 Pro and ahead of both Claude Sonnet 4.6 (33.2%) and Opus 4.6 (40.0%). On GPQA Diamond, a scientific knowledge evaluation, 3.1 Pro reached 94.3%, outperforming all listed competitors.
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Where the results become particularly relevant for enterprise AI teams is in the agentic benchmarks — the evaluations that measure how well models perform when given tools and multi-step tasks, the kind of work that increasingly defines production AI deployments.
On Terminal-Bench 2.0, which evaluates agentic terminal coding, 3.1 Pro scored 68.5% compared to 56.9% for its predecessor. On MCP Atlas, a benchmark measuring multi-step workflows using the Model Context Protocol, 3.1 Pro reached 69.2% — a 15-point improvement over 3 Pro’s 54.1% and nearly 10 points ahead of both Claude and GPT-5.2. And on BrowseComp, which tests agentic web search capability, 3.1 Pro achieved 85.9%, surging past 3 Pro’s 59.2%.
Why Google chose a ‘0.1’ release — and what it signals
The versioning decision is itself noteworthy. Previous Gemini releases followed a pattern of dated previews — multiple 2.5 previews, for instance, before reaching general availability. The choice to designate this update as 3.1 rather than another 3 Pro preview suggests Google views the improvements as substantial enough to warrant a version increment, while the “point one” framing sets expectations that this is an evolution, not a revolution.
Google’s blog post states that 3.1 Pro builds directly on lessons from the Gemini Deep Think series, incorporating techniques from both earlier and more recent versions. The benchmarks strongly suggest that reinforcement learning has played a central role in the gains, particularly on tasks like ARC-AGI-2, coding benchmarks, and agentic evaluations — exactly the domains where RL-based training environments can provide clear reward signals.
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The model is being released in preview rather than as a general availability launch, with Google stating it will continue making advancements in areas such as agentic workflows before moving to full GA.
Competitive implications for your enterprise AI stack
For IT decision makers evaluating frontier model providers, Gemini 3.1 Pro’s release has to not only make them rethink which models to choose but also how to adapt to such a fast pace of change for their own products and services.
The question now is whether this release triggers a response from competitors. Gemini 3 Pro’s original launch last November set off a wave of model releases across both proprietary and open-weight ecosystems.
With 3.1 Pro reclaiming benchmark leadership in several critical categories, the pressure is on Anthropic, OpenAI, and the open-weight community to respond — and in the current AI landscape, that response is likely measured in weeks, not months.
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Availability
Gemini 3.1 Pro is available now in preview through the Gemini API in Google AI Studio, Gemini CLI, Google Antigravity, and Android Studio for developers. Enterprise customers can access it through Vertex AI and Gemini Enterprise. Consumers on Google AI Pro and Ultra plans can access it through the Gemini app and NotebookLM.
Everyone who loves mysteries secretly hopes that one day life will drop an intriguing puzzle into their lap for them to solve. Maybe not an Agatha Christie-type crime, but something that will send them on a real-world chase to connect the dots and land at a satisfying conclusion.
That’s exactly what happened to Katie Elkin, a retired teacher with a penchant for mysteries. “I’m 84 and I have lived a full, wonderful life,” she tells me over a video call from her home in Prescott, Arizona.
Until now, Elkin’s mysteries have largely been genealogy-based. She recounts an extraordinary story about making friends with a woman from California and discovering that their grandfathers had trained together in the Army and then shipped out to France in World War I on the same day. “That’s my whole life,” she says. “It’s coincidences.”
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On this Friday in February, we’re talking about another coincidence in Elkin’s life — one of finding a phone, lost for a decade in the desert, and Elkin’s attempt to reunite it with its owner.
Our phones are immensely personal items, serving both as memory banks that store our most precious data and as portals that connect us with every important person in our lives. These days, if we lose them, tracking technology means there’s every chance we could be quickly reunited with them, but that hasn’t always been the case.
Those disappearances can be high-stress moments for anyone — just ask Apple about the unreleased iPhones it lost back in 2010 and 2011, which, coincidentally, were around the same time it introduced the Find My iPhone feature. But even today, recovering a lost phone means relying to an extent on the goodwill and honesty of the person who found it. Many people will choose to do the right thing in this scenario, and some — like Elkin — will go above and beyond to help out a stranger.
On a sunny day just before Thanksgiving, Elkin and her husband drove about 10 minutes west of the city to spend some time outdoors. Prescott is surrounded by national parks and ponderosa pine forest, but on this day, Elkin was headed to the desert — not for a hike, she says, but an “amble.”
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Rather than taking the well-marked trail popular with hikers and ATVs, Elkin instead split off onto a lesser-known path “obliterated by the grasses and the weeds.”
It was Elkin’s dad who taught her that if she wanted to spot something, she should look for it — sage advice that’s served her well over the years. “He was always finding change,” she says. “And I can do that too. I always find animals. If we’re driving, I can see them in the woods … I’m always looking for something.”
The phone found by Katie Elkin.
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Katie Elkin/Jeffrey Hazelwood/CNET
Looking for a vague something can turn up the oddest of things, and on that particular day, the something Elkin found was a dusty, beaten 2012 Samsung Gusto 2 lying on its side, clamshell open in the scrub.
Elkin picked up the phone, thinking she would give it to a neighbor boy who liked to take electronics apart. But when she got it home, she was struck by another idea — what if she could get the phone to turn on?
Like many of us with a drawer full of mystery cables, Elkin has kept all the cords and wires that have come with the electronics she’s purchased over the years. She dug through her stash and found a charger that fit the Gusto (she still has no idea what it was used for previously).
When CNET reviewed the Gusto 2 — a simple flip phone that came out the same year as the iPhone 5 and the Samsung Galaxy S3 — we said: “the construction seems strong enough to withstand multiple drops and endless opening and closing.” Our instincts about its potential resilience were, it turns out, correct.
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“I couldn’t believe it when it came up charging,” Elkin says. It took a little while, but when the phone turned on, she was ecstatic. “I thought, ‘Oh my gosh, I wonder who this phone belongs to?’ And so that was when the mystery began.”
The quest for answers
Elkin went into the text messages and started to piece together the Gusto owner’s life, clue by clue. The owner worked in a cafe, she seemed to have family connections in Chicago, she was a renter and a keen hiker. Her name was Maddie.
The other thing Elkin noticed was that the last message was marked Saturday, May 16. It was the only evidence she had to indicate when exactly the phone might have been lost. She went to the internet and looked up which years May 16 had fallen on a Saturday. Two possible answers cropped up — 2020 and 2015.
Elkin’s internet research didn’t stop there. She took one of the commonly texted numbers in the phone and did a reverse lookup. “And bingo! I found a woman’s name that had that phone number,” she says. But when she called the number, it was disconnected.
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“I said to myself, who would know where she is?” says Elkin. “Her dad would know.” She found a number listed under “daddio,” performed another reverse lookup and found the name of a man living in Chicago. “I was so excited because I was getting close,” she says.
On Dec. 30, Elkin’s birthday, she called the number, but no one picked up. She had to leave a message. “I was really disappointed, because I wanted to talk to somebody,” she says.
Ten minutes later, her phone rang, but when she picked up, it wasn’t a man on the other end of the line. “It was Maddie, the owner of the phone,” she says. “She had come to Chicago to visit her dad for the holidays.”
Elkin and Maddie talked for around 10 minutes. “She was amazed,” says Elkin. “We were both amazed.” Maddie didn’t want her phone back, but it turns out she had lost it in 2015 after hiking in the exact spot that Elkin had found it.
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The little phone that could
For a decade, the little Gusto had been lying out in the desert. Unlike some parts of Arizona, Prescott has four seasons, with all the minus temperatures, scorching heat, snowfall and summer storms that come with them. The Gusto weathered every storm, and battered and bruised as it was, it still came back to life.
We have little expectation these days that our phones will last us a long time, and we rarely get all the life out of our devices that they’re capable of offering us. Rather than seeking to get them repaired, once they fail us in one respect, we tend to seek out replacements. Most Americans hang onto their phones for an average of 2.5 years, according to a Reviews.org survey.
It turns out, though, that some phones are built to last, and the Gusto was one of them. After Elkin had spoken with Maddie, she reached out to Samsung to let them know her story. “I said to myself, ‘Does Samsung require some kudos for having a product that lasted that long?’”
Any tech company would. My own first phone, a 2002 Sagem MW 3020, gave up the ghost simply by being exposed to the concept of water while wrapped up inside a backpack on a rainy day. In spite of the best efforts of phone-makers to increase display resiliency, many people are still walking around out there with cracked screens.
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For as long as we’ve had mobile phones, they’ve been vulnerable pieces of kit. But whatever secret sauce Samsung put inside the 2012 Gusto 2 shows that it was more robust than most — even though it was lying open with its main screen exposed when Elkin found it.
At the time we reviewed the Gusto 2, we gave it a score of 7 out of 10, with points knocked off for its subpar screen resolution and a smaller-than-usual headphone jack. It’s too late for us to go back and revise that score in light of what we know about how robust the phone is 14 years later, but it’s entirely possible that the “problems” we highlighted actually played into the Gusto’s long-term survival.
Elkin still doesn’t know what she’s going to do with Maddie’s Gusto, although a friend has suggested that Samsung clad it in gold and put it on a pole at headquarters. Samsung is clearly proud of the phone’s durability, having put me in touch with Elkin, but is also undecided about how to celebrate the life the Gusto 2 has lived. In spite of Elkin’s love for mysteries and my suggestion that the FBI recruit her, she isn’t about to start a detective agency to reunite other people with their lost possessions. “It’s just a hobby,” she laughs.
That’s a shame. As someone who’s lost more than one phone over the years, I would dearly love to be reunited with my missing technology, and I’m sure there’s a market for Elkin’s skills. Not every phone is as resilient as the Gusto. Most devices that have taken such a battering would likely refuse to even turn on.
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Perhaps there’s a longevity challenge for all phone-makers. I can’t promise CNET would be able to replicate this scenario in our reviews testing process, but in an age of disposable tech, it would be lovely to give extra points for truly hard-earned durability.
Later this year, Apple will open its first permanent Dublin office at 4/5 Park Place in Dublin, to complement its 6,000-strong Cork campus team which it continues to develop.
The new Dublin office will house 300 people, and will complement the main Apple Cork Campus, according to Cathy Kearney, Apple’s vice-president of European Operations, who has long led Apple operations in Ireland.
“The whole team is very excited, they’re really looking forward to it,” Kearney told SiliconRepublic.com. “We already have a temporary office in Dublin and we have already started hiring, so it is off to a great start. The new office is close to the Iveagh Gardens, and is a really exciting location.”
Kearney explained that the office will house a whole range of activities and a mix of different teams, just as with the 6,000-strong Cork team, and she stressed that the office will be very much part of the wider Ireland operations, rather than a separate entity.
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“Our focus to date with the team already there in Dublin is really building the Apple culture, making sure we’re starting that office as complementary to Cork,” said Kearney who has spent some 37 years at Apple. “But basically it’s one organisation, working for Apple, working for our customers, making sure we’re hiring the right talent, making sure we’re building the right culture with the team there, that they really get ingrained in Apple.”
To that end, the existing Dublin team already travels up and down to Cork regularly, meeting their colleagues and attending events, she says, and the management team spends time back and forth with them too.
Cork to the core
While the Dublin office is big news, the Cork campus continues to sit at the core of its European operations. Apple’s largest location outside the US, it has been more than 45 years since Apple opened its manufacturing facility in Cork with 135 team members. Today’s campus houses 6,000 people, with teams across the business – from operations, engineering and manufacturing to procurement, customer support and AppleCare.
Back in 2022 Apple further expanded its Hollyhill campus, opening a state-of-the-art test and engineering facility responsible for testing and analysing its products. Just today the state-of the art Hollyhill 5 building got its official launch by Taoiseach Micheál Martin, while the teams first began moving in back in June.
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“I’m delighted to open this state-of-the-art new facility in Hollyhill today and to see first-hand the major investment that Apple is making here,” he said. “The contribution Apple has made in Cork and Ireland over the last 45 years cannot be overstated – creating thousands of highly-skilled roles and continually investing in their Irish operations.”
Watch out for the next episode of The Leaders’ Room podcast, which features Cathy Kearney, Apple’s vice-president of European Operations and Kristina Raspe, Apple’s vice-president of Places.
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We are going to bet that as a kid, you had a View-Master. This toy has been around for decades and is, more or less, a handheld stereoscope. We never thought much about the device’s invention until we saw a recent video from [View Master Travels and Peter Dibble]. It turns out that the principle of the whole thing was created by the well-known [Charles Wheatstone]. However, it was piano repairman [William Gruber] who invented what we think of as the View-Master.
[Gruber] didn’t just work on normal pianos, but complex player pianos and, in particular, the pianos used to record player piano rolls. He was also, as you might expect, a stereo photography enthusiast. Many of the ideas used in automating pianos would show up in the View-Master and the machines that made the reels, too. In the 1930s, stereoscopes were not particularly popular and were cumbersome to use. Color film was also a new technology.
[Gruber] realized that a disk-like format would be easy to use and, more importantly, easy to mass produce. The reels had a few features to simplify their use. For example, if you show each image in sequence, you’d eventually see pictures upside down. [Gruber’s] solution? Use an odd number of pairs and advance the reel two positions for each jump forward. That way, you never show an image to the wrong eye.
The model “A” didn’t look much like the View-Master you probably remember. By 1940, the toy was a hit. But initially, it wasn’t really a toy so much as a way for adults to view distant sites. Of course, World War II could have stopped the enterprise dead, but instead, they shifted to producing training aids for the military. The War Department would buy 100,000 viewers and about 6 million reels to help train soldiers to identify aircraft and ships, as well as to estimate range.
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Training was always a key use of the View-Master technology, but the company eventually bought a competitor with rights to Disney films and exploded into a must-have toy. When the company was bought by GAF, the focus on the toy market grew. Despite some efforts to keep the company relevant in an era with virtual reality and other 3D technologies, View-Master is, sadly, a bit of nostalgia now, even though you can still buy them. But it is impressive that despite many changes to the viewer and the production methods, the View-Master reel remained virtually unchanged despite the production of about 1.5 billion of them. Sure, there were fancy viewers that had audio tracks, too, but the basic idea of an odd number of film frames mounted in a circle in a notched disk remained the same.
By now, it feels like a common observation that tech keeps getting more expensive without necessarily becoming more useful. While AI drives up hardware costs, many apps we once used for free now require subscriptions to access their most useful features. When we begrudgingly pay those increasingly exorbitant fees, we often receive a product that barely works.
But it doesn’t have to be this way. Some of the most frustrating and costly apps are the most well-known, but that’s only because they have a corporate marketing budget. There are often excellent alternatives available completely for free, many of which are even better than the expensive apps they’re meant to replace. The only reason you don’t know about them is that they rely mostly on word-of-mouth for marketing. So, we rounded up five of the best free apps that will make you forget all about their expensive competitors faster than you can say, “Cancel my subscription.”
When we say free, we mean you don’t spend a dime (unless you want to donate to the developer, which is always a welcome way to show your appreciation for their work). This list excludes any apps with hidden fees or “pro” subscriptions that lock important functionality behind a paywall. When you install these programs, they’re yours to configure as you wish, because that’s how software is supposed to work. So, here are five free apps that beat expensive alternatives in every way that matters to you.
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1. LibreOffice
Max Miller/SlashGear
If you’re someone who spends a lot of time writing, working in spreadsheets, or making slideshows, there’s a good chance you use Microsoft Office apps such as Word, Excel, or PowerPoint. Microsoft Office apps are an industry standard, with decades of support and nearly endless features that keep even the most demanding users satisfied. But they have become increasingly frustrating to use over the years. The company pushes its monthly Microsoft 365 subscription heavily as the main way to access the suite, and if you go digging for a one-time purchase, you’ll find yourself shelling out $180 at the time of this writing.
Moreover, Office apps are increasingly bloated with what many users call “AI slop” through Copilot integrations. They will even default to saving your files in OneDrive, which not only makes it difficult to find documents later but also risks exposing sensitive information you may not have wanted uploaded to the cloud.
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If you’re tired of Microsoft’s antics but need Office’s professional-grade features, look no further than LibreOffice. It’s a free, open-source way to get work done on your Mac or PC, making it a fantastic alternative to Redmond’s productivity suite, available for Windows, Mac, and Linux. Compared to Office, LibreOffice surpasses the big tech option in every way that matters. Because it’s open-source, anyone who sees room for improvement and knows how to code can contribute to the project. There is even a robust library of user-created extensions that can add functionality, such as an MLA formatting tool for academic papers.
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2. Jellyfin
Max Miller/SlashGear
Private media servers are the perfect solution for anyone who wants to stream the media they already own on multiple devices. Plex, which lets you legally stream your media, is the most recognizable brand in the space. Its sleek aesthetics and ease of use make it quick to get your media server up and running during a lunch break. But some of its most desirable features are locked behind a paywall, and the company raised prices significantly last year. If you want to stream your media on the go, download files to other devices, stream with multiple devices at once, or let other users access your server, you’ll need to pay a monthly subscription or cough up $250 for a lifetime membership.
Jellyfin is a popular alternative to Plex that works on Windows, Mac, Linux, iOS, Android, Roku, Amazon Fire TV, Xbox, and even LG webOS. It is both free and open source, with a large number of user-contributed clients available for download. This makes it far more flexible than Plex. There are versions of Jellyfin just for music, others for reading books and comics, and, of course, versions that let you watch your movies and TV shows, to name just a few. The only real downside compared to Plex is that it can be a bit tricky to figure out which configuration makes sense for your needs, and then to get all the kinks ironed out during setup. If you don’t think you can handle a bit of light network configuration, you may be better off with Plex. But in terms of relative feature sets, Plex is a shallow pool next to the deep well of Jellyfin.
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3. Open Broadcaster Software (OBS)
Max Miller/SlashGear
Over the past decade, live streamers have become a new kind of Internet celebrity. Whether playing games, commenting on politics, or a potentially irresponsible mix thereof, these people broadcast themselves on Twitch, YouTube, and similar platforms, sometimes garnering enormous audiences. For the largest streamers, it’s a multi-million dollar business. But regardless of income level, most streamers default to using a free program to run their streams.
OBS, short for Open Broadcaster Software, is a free and open-source software application for video recording and live streaming. It is the rare such software which not only provides more functionality compared to paid alternatives like StreamYards, but is more popular than those products. In fact, the popular paid streaming suite Logitech Streamlabs is actually built on top of OBS, and its paid tier simply charges for the additional features. In fact, since streaming is so lucrative for gaming and entertainment companies, OBS is also in the enviable position of being sponsored by Logitech and other large industry players, including Nvidia, AMD, Intel, and YouTube. In a world where many open-source developers work for free while shaking a digital tin can, OBS can continue development without similar financial pressure.
Like other open-source options on this list, OBS also has a dedicated community and a robust plugin library to fit the marginal needs of various creators. For instance, musicians who stream their production sessions can install the atkAudio Plugin, which interfaces directly with MIDI and audio hardware, while those making tutorial or news content can use Zoominator, a plugin that zooms in on the area of the screen around your mouse during broadcasts.
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4. HandBrake
Max Miller/SlashGear
If you’ve ever found yourself in the frustrating situation of having a video file that your computer or smartphone can’t play, you’ve likely found yourself searching for a reliable way to convert it to a compatible format. What you probably discovered next is that most of your options to do so are not very good. There’s Adobe Media Encoder, which offers an advantage for video editors who use Adobe Premiere, since it integrates with that workflow, but it feels like it was designed by someone who had never used a computer before and is bundled with a large software subscription. Wondershare UniConverter is a popular, standalone, paid option, but it has recently been flooded with AI features that many users will find dubiously useful and that video purists may find outright offensive.
The open-source, free alternative is HandBrake, available for Windows, macOS, and Linux. Known for its granular control over transcoding and excellent compression ratios, HandBrake may not use GPU-bound processes to the same extent as some paid competitors, but it hardly affects the final output. A corrupted, one-hour-long MP4 video in 1080p at 30fps transcoded in just under nine minutes on an AMD Ryzen 9 9950X3D system with an Nvidia GeForce RTX 4070 Ti Super GPU in light testing for this article.
HandBrake’s biggest benefit is that it works for you regardless of your familiarity with the ins and outs of digital video. You can simply drag and drop, then click a single button to start your encoding queue, trusting the software to select the appropriate settings. Alternatively, you can dial in the specific settings you want. Or, you can choose from HandBrake’s long list of presets.
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5. VLC Media Player
Max Miller/SlashGear
If you’ve got a large collection of digital media — movies, TV shows, or music — you know how difficult it can be to find software that plays nice with files of all types. The media player apps that come pre-installed on your Windows PC or Mac might be pretty to look at, but they fall short when faced with a file they don’t recognize. For those who are serious about their media consumption, one app rises above the rest: VLC Media Player by the non-profit VideoLAN Organization.
VLC is a completely free and open-source player with the most robust codec support on the market, meaning that, unless a file is corrupted beyond recovery, VLC can probably spin it up. The next time you get a video encoded in AV1, HEVC, or even MKV, it’s a job for VLC. But local video isn’t where the fun ends. VLC supports DVD, Blu-ray, and CD playback; receives and broadcasts network streams (a feature that makes it valuable for home server owners); streams Internet television; and displays live webcam feeds. It also uses hardware decoding and works great with NVIDIA graphics cards.
The VLC app itself is not very glamorous, to say the least, but that’s because the emphasis is on features and support. A built-in EQ and compressor let users tune the audio mix on any sound system, while audio desynchronization controls can compensate for latency or desynced audio tracks. Deinterlacing helps keep older videos looking their best, and those with NVIDIA RTX GPUs can take advantage of RTX Super Resolution to enhance low-quality videos with AI. And that’s only the tip of the iceberg. VLC is available on Windows, Mac, Linux, Android (including Google TV), and iOS.
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How these free apps were selected
Dragon Claws/Getty Images
Each of the apps recommended in this article was selected based on extensive knowledge of the software market for its category, in concert with hands-on testing and a preponderance of positive user sentiment. Testing of all recommended apps and the paid apps against which they were compared was performed on a high-end Windows PC and, where possible, on a mid-range Linux laptop. Given its broad platform reach, JellyFin was also tested on an Android smartphone, a Roku TV, and a Google Chromecast with Google TV.
According to unnamed sources cited by Reuters, officials developing the portal plan to route all incoming traffic through US-based VPN servers, ensuring that visitors cannot be personally identified. The sources added that user activity will not be tracked on the site. Read Entire Article Source link