Netflix has every type of entertainment you could ever want, it seems. If you want a solid sci-fi series to dig into, there are so many good ones to choose from. In fact, the biggest issue you’ll probably face here is trying to decide which show to watch first.
I’ve curated a helpful guide to send you on your way to catching some awesome science fiction entertainment. Scroll on for the best Netflix sci-fi TV shows you should be watching. Check back regularly, as I’ll be updating this list monthly.
The Boroughs is executive-produced by The Duffer Brothers, but this isn’t Stranger Things. Well, there are some similarities, but instead of children banding together to fight monsters, this show follows old people who do it. The cast is stacked with genre legends, making clicking play on this a no-brainer. The series leans into that nostalgic Amblin vibe from the ’80s and takes place at a retirement village in the middle of the desert, where strange things are happening.
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Before Noah Wyle returned to the emergency room to lead HBO’s acclaimed drama The Pitt, he was fighting aliens. No, seriously. Falling Skies originally aired on TNT, so consider the source when evaluating the story’s quality throughout the seasons. That said, Falling Skies is a fun ride.
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Warner Bros. Television
11.22.63 premiered on Hulu a decade ago and it’s now resurfaced here. The series, based on an epic piece of historical fiction by Stephen King, posits the existence of a doorway that can transport you back in time. What would happen if someone went through it with the goal of saving JFK from being assassinated? That’s the question King tries to answer in the book and this show. Riveting stuff.
AMC Studios
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Pantheon premiered on AMC in 2022 and disappeared a year later, which is a shame because the show is solid sci-fi entertainment. The program takes place in a reality where human consciousness can be uploaded to the cloud. Netflix’s comedy Upload, which is also on this list, tackles similar subject matter. Pantheon is a lot darker and explores all sorts of hot-button issues like corporate responsibility, immortality and morality, all against a backdrop of an unraveling tech conspiracy.
BBC America
Discussing what Orphan Black is about would immediately put me in spoiler territory. All you really need to know is this is one of the most thought-provoking, engaging and original sci-fi programs to hit TV in the past decade. Tatiana Maslany is the highlight; she shows off her acting skills in playing a total of 17 clones here — each with their own mannerisms and accents.
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Time loop stories are nothing new in the sci-fi world but Russian Doll still manages to etch its own unique space in the genre. Natasha Lyonne stars as a woman who gets stuck in said loop on her 36th birthday and every time she dies, she restarts her day. Themes of grief, generational trauma and addiction permeate the show, making this more than a simple run-of-the-mill comedy.
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Resident Alien, like Orphan Black, is not a Netflix Original series. However, I believe both shows deserve to be included on this list — not just because they’re currently streaming on Netflix, but because their cult-like status tells me more people need to be introduced to them. Alan Tudyk stars as an alien residing among humans trying to follow through on a world domination mission. The only problem? He sorta likes being human. He’s just not that great at it.
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It’s one thing to be a teenager and navigate the awkward elements that high school life has to throw at you. But add some newfound superpowers into the mix, and the challenges become even more complicated. This is basically what I Am Not Okay With This is about. The series is based on Charles Forsman’s graphic novel and there is only one season. After being renewed, the show was ultimately canceled because of COVID restrictions and budgetary issues.
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Joko Anwar’s Nightmares and Daydreams
It’s sort of expected when a new genre anthology series premieres that someone will eventually compare it to The Twilight Zone. Well, that’s exactly what I’m going to do with Joko Anwar’s Nightmares and Daydreams. The new seven-episode anthology series leans heavily into horror territory and does so through an Indonesian lens.
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The popular video game series gets the anime treatment in Netflix’s Devil May Cry. The gist in a nutshell: Dante, a charismatic demon hunter, has to, well, hunt demons to save humanity. Power Rangers alum Johnny Yong Bosch supplies the voice for Dante in the action-packed series co-created by Castlevania and Dredd producer Adi Shankar.
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Netflix
Stranger Things caught on like wildfire when the genre series quietly premiered its first season on Netflix in 2016. What began as an homage to ’80s cinema, with callouts to E.T., Dungeons & Dragons, Goonies and the works of Stephen King, has blossomed into a layered and sweeping sci-fi adventure. The program follows a group of kids in Hawkins, Indiana, who, after meeting a mysterious girl they name Eleven, discover a sinister dimension hiding right under their feet. Government cover-ups, demonic hell-beasts and a cast full of beloved misfit characters make up this tour-de-force genre series.
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Netflix’s beautifully shot, post-apocalyptic series is the long-awaited adaptation of the beloved Argentine graphic novel, El Eternauta, which was first published in 1957. The story follows Juan Salvo and a group of survivors who make it through a lethal snowstorm (the snowflakes literally kill) only to discover the real threat against humanity isn’t a weather anomaly but an alien invasion.
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Emma Stone and Jonah Hill star in this mind-bending drama from Cary Joji Fukunaga (True Detective) and Patrick Somerville (The Leftovers). The 10-episode series follows Annie (Stone) and Owen (Hill) as they enter a drug trial for a medication that will allegedly cure all their problems. As you can probably guess, it doesn’t. Stone and Hill look like they’re having crazy fun throughout the program, as they get to try on a variety of different characters. The addition of Sonoya Mizuno, Justin Theroux and Sally Field to the cast make this an underappreciated gem worth your attention.
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Time travel is the name of the game in this sci-fi series that flew under the radar for many. Led by Will & Grace alum Eric McCormack, the program follows a group of people whose consciousnesses are sent back in time to inhabit other people’s bodies to make humanity better by changing the past. It sounds complicated but I assure you, it isn’t.
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3 Body Problem was created by Game of Thrones alums David Benioff and D.B. Weiss, along with The Terror showrunner Alexander Woo, and is based on the Hugo Award-winning novel by Liu Cixin. The high-concept sci-fi series connects a watershed moment in 1960s China to the present day, where a group of scientists must face an emerging global threat unlike anything humanity has ever seen.
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This sci-fi horror series, which was loosely inspired by the found footage podcast of the same name, follows a film archivist who restores documentary footage found on a bunch of videotapes from 1994. Through his work, he’s sucked into a terrifying mystery surrounding the stuff on the tapes. Netflix may have only given this series one season but it’s still a riveting watch.
Netflix
Inspired by the comic book created by Gerard Way and Gabriel Bá, the series follows a group of adopted superhero siblings who have been raised to save the world. From time travel to saving humanity from multiple apocalyptic events, the ongoing adventures of the dysfunctional Hargreeves flips expected genre tropes on their heads. It’s weird, off-beat, hilarious and poignant.
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Supacell takes the familiar superhero narrative and flips the script. The series follows four Black people living in South London who suddenly develop superpowers. What connects each of them to their newfound abilities are their families’ histories with sickle cell disorder — a common hereditary condition. Using the genre as its narrative foundation, the show delves into the human drama that plays out among these characters while highlighting relevant cultural themes like racism, human trafficking and predatory health-care practices.
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Charlie Brooker’s Black Mirror set the standard for what a modern-day genre anthology series can do. Each story featured throughout the series, which currently has six seasons and an interactive standalone movie worth visiting, takes place in a near future world where technology has affected humanity in wonderful, strange and terrifying ways. Uplifting to horrific, Black Mirror is a brain bug of a television show that’ll keep you thinking long after the credits roll.
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They broke the mold when they made The OA. The two-season series created by Brit Marling and Zal Batmanglij follows the story of Prairie Johnson (Marling), a young blind woman who, after being missing for seven years, returns to her family with her sight restored. Where was she all these years? How can she see? Parallel existence across multiple dimensions, that’s how. OK, that answer barely scratches the surface of this extremely unique and layered program. Come for the Quantum Physics, stay for the interpretive dance routines.
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Like Stranger Things, Dark kicks off with the inexplicable disappearance of a child. Instead of another version of the Upside Down plaguing the town, the German series dabbles with time travel to explore how a family and community can be affected by the event of a kid going missing. A noir slow burn that leans heavily on the horrors of generational trauma, Dark lasted three seasons on Netflix. It will definitely get under your skin.
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1899 was created by Jantje Friese and Baran bo Odar — the same duo who brought Dark to Netflix — and follows a group of passengers on a ship heading to New York during the turn of the century. This is more than a run-of-the-mill period piece. As soon as things kick off, the show throws time travel, multiple dimensions, reality simulations and other bits of sci-fi craziness at the screen. It may not have gotten a season 2 but there’s still a lot of genre goodness to mull over here.
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In Parasyte: The Grey, alien parasites land on Earth and begin turning people into shape-shifting monsters. To battle this growing Invasion of the Body Snatchers-style threat, survivors — otherwise known as “The Grey” — rise up to save humanity and the planet. Inspired by the manga by Hitoshi Iwaaki, this Korean series should please any horror and sci-fi fan.
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Matrix creators Lilly and Lana Wachowski teamed up with Babylon 5 creator J. Michael Straczynski to bring Sense8 to Netflix. The supernatural drama follows eight random people from around the world who learn they are emotionally and mentally linked. Labeled “sensates,” the group learns from each other as they literally are forced to walk in each others’ shoes and take on new and exciting skills. Things wouldn’t be complete without the inclusion of a shadowy organization who’s hunting them all down. Over two seasons, the program explored timely issues like gender, sexuality and identity, blending genres like telenovela, K-drama, Bollywood and Euro-noir as it hops around the globe.
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Based on the book by Richard K. Morgan, Altered Carbon exists in a future world where consciousness can be moved from one body to the other. Joel Kinnaman starred in the first season as ex-soldier Takeshi Kovacs. His mission to solve a murder evolves into a journey of self-discovery as he works to track down his lost love and answers regarding his previous life. Season 2 finds Anthony Mackie stepping into the role to further the cyberpunk noir tale.
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Mixing different animation styles with live-action, Love, Death + Robots is an anthology unlike many others. The series, which has drawn comparisons to Black Mirror, dips into a multitude of standalone stories that explore a world where sentient robots, creatures and other such beings have more humanity than humanity itself.
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Using the 1965 series as inspiration, Lost in Space follows the Robinson family on a space mission to colonize a planet as humanity teeters on the brink of collapse. The show is heavy on family drama, which can be off-putting at times. Thanks to the sociopolitical conflict, a cool alien robot friend and Parker Posey’s deliciously villainous Dr. Smith, the show holds up.
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For its first three seasons, Manifest was an NBC original. After it was canceled by the network, Netflix swooped in to revive the series. The story follows the passengers of Flight 828, who arrive at their destination five years after originally taking off. The survivors begin having premonitions and visions that help them save others from disasters that have yet to happen. It’s sorta like Lost and Final Destination had a baby, kinda.
Netflix
Alice in Borderland is based on the manga by Haro Aso and follows a group of characters in a parallel version of Tokyo forced to compete in a bunch of twisted games to stay alive. This battle royale-style thriller will appeal to fans of life-or-death competition titles like Squid Game, The Hunger Games and Battle Royale.
Now seems like a good time to revisit the recent Chess Records 75th Anniversary Series audiophile reissue of Chuck Berry’s 1959 one-LP masterpiece, Chuck Berry Is on Top. With one of Mr. Berry’s most famous musical progeny, the Rolling Stones, back on the charts with their very strong Foreign Tongues LP, newer fans discovering the glories of good old rock ’n’ roll would be wise to take a very enjoyable history lesson with Berry’s iconic third studio album.
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For those unfamiliar with the Stones’ deep repertoire, they covered numerous Chuck Berry songs over the years, and much of their musical style, especially early on, was influenced by his writing and overall sound. Their versions of “Carol,” “Little Queenie,” “Around and Around,” and “You Can’t Catch Me” made that debt rather difficult to miss.
Effectively a greatest-hits collection in all but name, most of the tracks on Chuck Berry Is on Top were originally issued as 45 rpm singles during the late 1950s. Many became Top 40 hits, including “Almost Grown” (No. 32 on the Billboard Hot 100, No. 3 on the R&B chart), “Carol” (No. 18 Hot 100, No. 12 R&B), “Maybellene” (No. 5 Hot 100, No. 1 R&B), “Sweet Little Rock and Roller,” “Johnny B. Goode” (No. 8 Hot 100, No. 2 R&B), “Little Queenie” (No. 80 Hot 100), “Jo Jo Gunne,” “Roll Over Beethoven” (No. 29 Hot 100, No. 2 R&B), and “Around and Around.”
In terms of sound quality, this new reissue of Chuck Berry Is on Top is exemplary. The project was supervised by Chad Kassem of Analogue Productions, a division of Acoustic Sounds. Disc mastering and lacquer cutting were handled by Matthew Lutthans at The Mastering Lab, located within Quality Record Pressings (QRP), where the albums were manufactured.
Much like an Acoustic Sounds or Blue Note Tone Poet Series reissue, Chuck Berry Is on Top is packaged in a deluxe, expanded, laminated gatefold cover, rather than the single-pocket, flat-matte design of the original. Each disc is housed in an audiophile-grade, plastic-lined inner sleeve. The iconic black Chess Records label design has also been reproduced. Some original pressings used a blue label, but it is still a very cool detail.
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For those dead set on finding an original 1959 copy of Chuck Berry Is on Top, tempered expectations may be in order, as copies in good condition remain quite rare. At the time of writing, only eight are listed on the vinyl marketplace Discogs, none graded higher than VG, with asking prices ranging from $35 to $185. It took me forever to find an original copy in playable condition out in the wild, so unless you are willing to pay collector prices, be prepared for a very long search.
That said, the prospect of buying a pristine new 180-gram pressing of Chuck Berry Is on Top, made from the original monaural master tapes and supervised by one of the most highly regarded vinyl production teams in the world, for $38.98 at Amazon seems like the logical choice for most fans.
Were the cover on my original copy not quite so nice, I might purge it entirely, knowing that this new Chess Records 75th Anniversary Series audiophile reissue will be my go-to listening copy for the foreseeable future. It sounds excellent and remains very much in keeping with the character of my original, minus the clicks and pops, of course. Perhaps it will become your go-to copy as well.
Our Ratings
★★★★★★★★★★ Music
★★★★★★★★★★ Sound Quality
★★★★★★★★★★ Pressing Quality
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Mark Smotroff is a deep music enthusiast / collector who has also worked in entertainment oriented marketing communications for decades supporting the likes of DTS, Sega and many others. He reviews vinyl for Analog Planet and has written for Audiophile Review, Sound+Vision, Mix, EQ, etc. You can learn more about him at LinkedIn.
IBM expects HRL’s technical breakthroughs will help drive its quantum programme for ‘decades to come’.
IBM is acquiring Boeing and General Motors’ jointly-owned research and development institute HRL Laboratories.
HRL’s expertise in silicon-spin qubit engineering is expected to help IBM in its long-term quantum plans. The lab was established in 1948 as Hughes Research Laboratories by the late prominent aviation expert Howard Hughes. Details of the transaction were not disclosed.
IBM has major ongoing quantum computing projects, including a roadmap to delivering Quantum Starling by 2029, expected to be fault-tolerant and 20,000-times more powerful than today’s quantum computers – capable of running 100m quantum operations.
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As per IBM’s plans, Starling will be followed up with an even more powerful quantum computer called Blue Jay, projected to be capable of 1bn quantum operations.
In May, the company pledged more than $10bn to quantum research over the next five years and announced ‘Anderon’, the world’s first pure-play quantum wafer foundry in the making, with support from the US government.
The acquisition gives IBM a boost in quantum research and allows the incoming team from HRL to partner closely with Anderon to scale quantum manufacturing and enable faster learning cycles. Quantum technology has the potential for commercial impact across industries, including in life sciences, defence and navigation, according to IBM.
HRL’s support could also allow IBM to innovate and industrialise new technologies such as quantum sensing, and conduct deeper research into the sensors detecting and capturing subtle measurements.
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Combined with additional technical capabilities in cryogenics, control electronics, qubit interconnects and packaging, IBM anticipates the acquisition will fuel its quantum programme for “decades to come” and help develop next-generation computing, communications and mission-critical systems.
HRL has also innovated in quantum materials that have the potential to unlock better semiconductors and more sensitive sensors.
“The HRL team will help IBM push even farther forward toward the frontiers of quantum innovation,” said Jay Gambetta, IBM’s director of research and an IBM fellow.
“This talented group of researchers brings a broad portfolio of technologies that will strengthen IBM’s long-term plans to deliver useful quantum computing to the world, bringing together advances across quantum computing, quantum sensing and quantum networking to enable the applications of the future.”
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The announcement comes after a disappointing quarter for IBM, which reported a 1pc revenue growth and a marginally lower net income compared to the same quarter last year. The company lowered its 2026 forecast as a result.
“Joining IBM is the natural next chapter for what we have built at HRL, where our team has dedicated years to exploring paths to how future quantum computers could be built at scales that today seem impossible,” said Rob Vasquez, the president and CEO at HRL.
“We now look forward to leveraging IBM’s industry leadership and working alongside their world-class talent on fundamental infrastructure to take this vision forward.
“Additionally, our cutting-edge physical and information science innovations will combine with their advanced research capabilities to deliver an unmatched suite of technology solutions for our commercial and government customers.”
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In a sign of the times, Firefox’s New Tab page could soon include a crossword puzzle from AI-powered news platform Particle. The blog OMG Ubuntu reports:
The mini crossword game is updated daily, with puzzles based around recent content Particle’s AI has ingested and summarised that day. [After solving the crossword, links appear to related news articles…] If you just want to try the crossword, you access it in any browser via a direct link.
While it may look like Mozilla is trying to capitalise on the Wordle craze several years too late, it’s part of its strategy to make the Firefox new tab page a discover destination in itself, not just a springboard for new searches. The ‘Daily Grind’ crossword widget (name subject to change) is just one of several widgets Firefox has (or will get). You’ll also find a to-do list, timer, stock checker, world clock, picture of the day, privacy report and new-look weather widget (bigger than the existing one). During the World Cup 2026, Firefox offered real-time match scores and fixture information too…
[T]hey aren’t mandatory. You can disable the ones you don’t want to use, or, if you don’t want any at all, turn them all off to hide the widget area itself. A button to ‘show fewer widgets’ frees up room to allow other distractions (sponsored stories) on the new tab page to show… [Presumably you can also still open new tabs to a blank page…]
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They’re rolling out to users in certain region and locales already. Plus, Mozilla routinely tests new features with a small set of users before they hit stable builds (i.e., the “Allow Firefox to run feature studies” setting). If you don’t have widgets in your Firefox build, but you want them, you can manually enable them in Firefox 153 and later from the about:config page. Search for the following master switch and set it to true to enable the widget area:
Then, enable the widgets you want to use by searching:
activity-stream.widgets.*.enabled
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However, the usual caveats about “trying things not enabled by default” still apply. Mozilla hasn’t set a firm rollout date, though the feature is already documented on its support site. With fortnightly Firefox releases about to start, and a big Nova redesign, chances are we’ll all be puzzling over these widgets sooner rather than later.
Nearly 400 4K Blu-ray users shared info about player problems
There’s a huge gap between the best and worst in the poll
Panasonic will be happy; Sony not so much
One of the things I like best about Reddit is the way people share their experiences of particular products: whether it’s a kitchen knife, a portable AC or a Gibson guitar I know I’ll be able to find sage advice on what to buy and what to watch out for. And now the good people of r/hometheater have come together to talk about the best 4K Blu-ray players and their reliability.
The poll was carried out by r/hometheater poster “requieminadream” and generated nearly 400 responses — almost double the number of previous poll respondents — from r/4KBluray, r/Bluray, r/PhysicalMediaMatters, the AVS Forums, and the Blu-ray.com forums. And there are some very clear differences between different firms’ Blu-ray devices.
Requieminadream very kindly summarized the results in a sentence: “The Sony UBP-X700 is still the problem child, the Panasonic DP-UB820 is still champ, and the pricey UB-9000 posted the cleanest numbers (small sample though).”
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But there were some interesting discoveries in the detail too, so it’s definitely worth looking at if you’re considering a pre-owned 4K Blu-ray player purchase, or just which one seems to make people the happiest long-term.
One of the reasons I like Reddit wisdom is because with few exceptions, reviewers can’t spend years with the products they test — so the reviews of my car don’t know about the software issues that drive me wild and sometimes require a reboot at traffic lights, and the reviews of my router don’t know about its tendency to misbehave every few weeks.
It’s the same with Blu-ray players: even the most in-depth review won’t be able to tell you if a player’s likely to pack up in year two or three. (Though one exception is our Panasonic DP-UB820 review, written by our TV Hardware senior writer James Davidson, because he wrote us a fresh review based on combining using it in our test room and having used it daily for several years beforehand.)
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But in general, polls like this are a brilliant resource.
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By a large margin, the Panasonic DP-UB820 is the community’s favored player: 43.4% of respondents have one, and its problem rate was around half that of the Sony UBP-X700. The rate of serious issues was very low, at just 8% — backing up what James had said, when he called it “the workhorse of the 4K Blu-ray player world”.
The “problem child” that emerged from this latest poll is the Sony UBP-X700. Of the 103 Sony users, some 77.7% reported some issues over time; recurring and/or serious issues were 23%. The number one complaint is freezing during triple-layer transitions, which is something that has long been discussed on Blu-ray forums.
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The poll shows another interesting pattern, which is problems over time. For the Sony, issues became more common over time — but for the Panasonic the pattern was of any failures showing up early, but better long-term reliability.
The other players in the survey came in between the two extremes, but some of the best results were from “other” players including games consoles and more niche Blu-ray products.
Satisfaction with those products was exceptionally high, with the PS5 getting a significantly higher rating than the Xbox. That’s all the more striking given the Sony X700’s performance: the PS5 is a more premium product and that seems to be reflected in its reliability — alas, we shouldn’t expect any more PlayStations to arrive with a disc player.
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I should make clear, as the original Redditor did, that in some cases the sample sizes for ownership in these polls is pretty low, so we should take the results with a pinch of salt. However, the Panasonic UB820 and the Sony X700 were the best-represented, and are the two most popular players, so their data is arguably the most useful anyway.
AI tools now record conversations without announcing themselves, and users are bringing them to dates and personal chats
A growing number of professionals have started using AI tools to record every conversation they have, and the people being recorded usually have no idea it is happening. The Wall Street Journal reported this week that apps like Granola, which transcribes meetings without deploying a visible bot or announcing its presence, have made ambient recording so frictionless that users are now bringing the technology out of conference rooms and into personal settings. The shift raises legal and ethical questions that neither the tools nor their users appear ready to answer.
Granola, which raised 125 million dollars earlier this year at a valuation of one and a half billion dollars, works by recording audio directly through the user’s device microphone rather than joining a call as a separate participant. That means no bot icon appears in the meeting and no automated message tells attendees they are being recorded. Michelle Lim, CEO of meeting software company Flint, told the Journal that she wishes Granola were running in every room she enters, a statement that captures both the appeal and the problem.
Some users have taken the concept well beyond the workplace, with Emmie Chang, founder of startup Yuzu Labs, telling the Journal she records first dates and sends the transcripts to Claude for feedback on how the conversation went. Others described recording therapy sessions, doctor visits, and casual dinners with friends, all without telling the other person. In the eleven US states that require all-party consent for recordings, including California, Florida, Illinois, and Pennsylvania, doing so without disclosure is a potential felony under state wiretapping laws.
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The workplace implications are already materialising. Amy Dufrane, CEO of the Human Resource Certification Institute, told the Associated Press that AI note-takers pose enormous organisational risk, arguing that companies should not use them at all. Reports have surfaced of AI notetakers remaining on video calls after employees have left, silently documenting informal conversation and gossip, and privacy law expert Alex Alben warned that automatic recording involving third parties creates liability that most users have not considered.
Researchers have raised a separate concern that goes beyond privacy, with studies on cognitive offloading finding a negative correlation between heavy AI use and critical thinking. The worry is not just that people are recording without consent, but that they are losing the ability to listen, remember, and process conversations on their own. As these tools become cheaper and more invisible, the question is no longer whether they will spread but whether anyone will bother to ask permission first.
Amazon’s weekend Apple sale is going strong, with price drops of up to $150 off Apple Watch, AirTag, and iPad devices.
Apple Watch Series 11 from $299
Save $100 on several Apple Watch Series 11 styles.
Apple Watch shoppers have plenty of reasons to take a look at Amazon, where several Series 11 styles are $100 off. The standout offer drops the 42mm GPS model to $299, within $20 of the lowest price on record.
42mm Apple Watch Series 11 deals
42mm Apple Watch Series 11 GPS (Aluminum Case, Sport Band): $299 ($100 off)
42mm Apple Watch Series 11 GPS + Cellular (Aluminum Case, Sport Band): $399 ($100 off)
42mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Milanese Loop): $649 ($100 off)
46mm Apple Watch Series 11 deals
46mm Apple Watch Series 11 GPS (Aluminum Case, Sport Band): $329 ($100 off)
46mm Apple Watch Series 11 GPS + Cellular (Aluminum Case, Sport Band): $429 ($100 off)
46mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Milanese Loop Band): $699 ($100 off)
Get 4 AirTags for just $89 at Amazon.
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Amazon’s weekend AirTag sale drops the 4-pack down to $89 after a 10% discount.
The second-generation AirTag tracker builds on the original design while adding hardware improvements aimed at helping users locate lost items from greater distances. And according to Amazon, the deal is selling fast.
Today’s AirTag 2 deals
iPads from $399
Get an iPad 11 for $399 with month-end deals.
Amazon is also running discounts across Apple’s iPad line, with month-end deals delivering prices as low as $399.
A new memory cartoon is waiting for me. When I open the app, I see a multipanel strip called Big Little Moments. It appears as soon as I plug the Looki AI device back in to recharge, after almost a month not wearing it. It shows moments of me at a bar with my friend in LA, watching a stage presentation, eating a meal, seeing a demo, two women sitting across from me and then just me, walking with a phone in my hand.
These moments are from two days in June, when I wore the Looki to the Augmented World Expo in Long Beach, California. I’d been wearing it almost nonstop since April. I wore it to Apple’s WWDC, to Google I/O. I wore it to my Princeton college reunion. I wore it at home and commuting. And then I stopped.
The Looki L1 is a little black pendant, sort of watch-sized, with a camera on the front and microphones hidden somewhere. It has a clip and a lanyard. It can be worn around the neck or left propped on a desk. It’s an AI wearable but, unlike smart glasses, it has a battery that can run a whole day while intermittently recording audio and video clips. My colleague Katie Collins tried it last year, but I never got to test one out until this spring and summer.
The Looki is a round-with-spiky-bits pendant with a magnetic back clasp. Buttons to trigger recordings are studded around the sides. There’s also a touchpad. (Scott Stein/CNET)
AI wearables of all shapes and forms are everywhere now. OpenAI may be next to offer one. Some of these devices come in glasses form. Some are pendants. Some are pins. Some are earbuds. As AI keeps spreading everywhere and trying to absorb more of our personal information that it can craft into patterns and narratives, wearables are the physical form of trying to give AI eyes, ears and, increasingly, memories of your own life.
The Looki device follows in a long line of lifelogging wearables that go back over a decade. In 2014, I reviewed an occasionally recording lifelogging camera called the Narrative Clip, which promised to capture our memories. I found its memory, in practice, to be full of holes. In 2026, that’s pretty much still the case.
The Looki L1 promises a fun way to remember and record life’s moments, to have a companion to travel with you and save moments without having to record them. To be an all-day wearable camera.
But when I wore one, it made me feel awkward, like I was being a jerk or a spy. At best, it’s odd; at worst, it feels like I’m a guy with, well, an always-on camera. Which, in 2026, isn’t nearly as “fun” as it was in 2014, it turns out. I tested the Looki because I was curious, and because I’m legitimately interested in the future of assisted memory tech.
What the Looki L1 is, and isn’t
Looki L1 is an odd duck product, as many AI wearables are. The $250 lifelogging camera has no subscription, although the product team I chatted with suggested that some services could be subscription-based down the road. It uses its own proprietary AI service, and can’t hook into any other platforms such as Google Gemini, ChatGPT or Anthropic’s Claude, although it borrows models from several sources.
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I do like the snap-on magnetic pendant strap that doubles as a charging dongle and can serve as a desktop stand if you want to perch it somewhere to take photos or video. The magnetic clasp works through clothing, too, so the pendant could look like a clip-on pin. But I don’t like that the Looki’s active recording LEDs are small. They’re less noticeable than those on Meta’s glasses by far.
There’s a phone app that the Looki pairs with, just as a smartwatch or pair of smart glasses would. That’s how the pendant gets its firmware updates and uploads its recorded clips to your phone and the cloud.
Looki’s highlight video compilations feel pretty random at the events I wore them at, and of course, no one really knew I was recording. (Scott Stein/CNET)
Looki has an “AI Mode” that stays on and intermittently records short video clips (no more than about 5 seconds each), apparently picking moments of interest. In my three months of use, it didn’t seem to have any pattern. There are dedicated buttons to trigger manual audio recordings, still photos or video recordings. There’s also a front touchpad, which I could hold down to summon a voice AI to chat with for feedback on what I’d recorded, or anything else. I rarely used it.
The Qualcomm chip on the Looki is an older watch-oriented model, but it still lasts a day on a charge. The future for pendants like these is likely even longer battery life, based on the specs of Qualcomm’s newest AI-optimized chips, released this year. These types of pendants are probably going to do even more on-device without relying on the cloud at all.
But, for the most part, the Looki is a repository. It sucks up images and videos, and then syncs them over to its companion phone app (which takes several minutes) and cloud-analyzes them later (which can take up to several hours). It’s like burying a time capsule and then digging it up later that day to see what you’ve got.
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And what did I get? Mostly a hot, sometimes fascinating, often awkward mess.
As a memory maker, full of holes
The best thing the Looki does is generate comic book-like generative AI images based on things it automatically captures. The results vary in style and structure, with absolutely no discrete controls to make anything turn into a comic if you’d like it to. You just have to get lucky, I guess.
A few images of people I met, comic-transformed, are fun. A few story panel-type comics tried to distill a day, or several days, into a narrative. Sometimes they were clever (one, a map of New York and New Jersey showing me commuting, seeing tech demos and going to a Princeton reunion) felt sharable. One, of my trip to WWDC, was weirdly focused on my pre-event breakfast with my colleague Bridget Carey rather than all the hours I wore it during Apple’s keynote, which was the whole point of the day.
Sometimes the Looki auto-inserted me into images, inventing a narrative. (Since I’m wearing the pendant, I was clearly not in the picture.) My comic portrait ranged from oddly accurate to something more like Marc Maron. One comic picture of me buying a coffee at a Hyatt was inexplicably done in Minecraft-style blocks.
As for the rest of the recorded memories? There are AI-made supercuts of videos, set to odd preselected music. The tone often felt generic, and the captured videos are frequently at bad angles. When I had coffee with friends, several of the clips were accidental crotch shots. Other times, faces were cut out of the picture. (Did I need to wear the pendant higher up?)
The Looki seems to take video clips but not photos automatically, which were harder to download and share with friends. Also, a lot of the captured clips were either too brief or the people in them were discussing things that nobody approved sharing in the first place. If you’re wearing a Looki, prepare to do a lot of warning, explaining and apologizing.
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Do I like having them to look over? Sort of, but so few are actually good. You can just take photos and videos when you want, rather than having the intermittently recording AI mode on. But then, if you do that, the device doesn’t feel like a true lifelog.
Sadly, a lot of the captured supercuts just showed me on my phone. Which, of course, just illustrated a sad state of my own life. I am on my phone a hell of a lot. Too much. And the comics, the autocaptures, they all tended to have at least one shot capturing me looking at my phone, since the pendant was around my neck, over and over and over.
Besides keeping these lifelog videos and autocaptures and creating comic strips, it weirdly tries to analyze meals I’ve eaten (not to any true success), and also pops occasional random notifications based on location, I think, and what the camera sees. These notifications are meant to be smart and context-aware. Sometimes they’re oddly on point (telling me I’m at AWE and reminding me of the start of the opening keynote, even though I never told it I was at AWE). Other times it just noted a store or maybe someone standing nearby. Again, like everything else the Looki does, these notifications can’t be customized at all.
As a public device, it’s embarrassing
My son has told me to take off the Looki pendant more times than I can count. My wife shamed me about my decision to wear it in a Japanese supermarket (I didn’t). People who saw it at public events, like WWDC or Google I/O, were either mildly curious or mildly offput. I awkwardly took it off a lot and stuck it in my pocket on trains, in bathrooms and, increasingly, many other places.
At a Whole Foods, someone next to me noticed it as I was shopping for chocolate bars and asked if it was recording. I explained it might be and that I test tech products for my job. They said they weren’t that upset, they knew that people are wearing cameras more and more. I didn’t believe they weren’t upset. And that reaction, too, has stuck with me. I wear smart glasses at least half the time now. Where does that put me on the socially acceptable spectrum? Don’t tell me.
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I still find smart glasses less personally embarrassing, because they look and function like actual glasses. And, in reality, Meta’s glasses very infrequently record anything. While Meta has an autocapture mode for the glasses now, running it would wear out the battery fast.
The Looki, meanwhile, does nothing at all except be a AI-enabled camera pendant on your neck. To remember to charge that up and wear it, like an odd necklace that nobody asked for… I just can’t justify it. I made myself wear it for more weeks than I thought I would. Now, it’s out of batteries and sitting in a bag somewhere. I gave up.
The Looki was really just my Memory Cartoon Generator, for the most part, as you can see from all the images I shared. They’re interesting, but I can’t choose when they happen, or how they happen. And they’re not enough to keep me wearing the Looki. As you can see above, sometimes it even captured when I went to my home bathroom. (I never kept it on in an actual public bathroom, but this is exactly the nightmare stuff that the Looki embodies.)
If devices like the Looki could be actual memory assistants, deeply aware and able to help see and guide you — Or, if they were better cameras, taking photos I’d actually use — Or, if it could hook into AI services I actually semi-trusted and recognized — well, maybe. Right now, the Looki is more like a harbinger. Of glasses that really and truly will have longer battery life, someday soon, and be able to record all day long, if intermittently. And more AI pendants.
When that day happens, then yes, maybe my glasses will truly be recording all the time. And yes, that’s concerning. But even more concerning is the lack of any tech company efforts to manage privacy and deeper control over these random AI wearables. Or to elevate them beyond just gimmicks.
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What I learned is I hit my limit. The Looki is not on me anymore. But the spirit of the Looki is everywhere else, coming fast.
Scott Stein
Editor at Large
I started with CNET reviewing laptops in 2009. Now I explore wearable tech, VR/AR, tablets, gaming and future/emerging trends in our changing world. Other obsessions include magic, immersive theater, puzzles, board games, cooking, improv and the New York Jets. My background includes an MFA in theater which I apply to thinking about immersive experiences of the future.
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The European Commission has accused TikTok of falling short on protecting minors, saying the platform’s current account settings don’t meet the child safety standards required under the Digital Services Act (DSA). The findings are preliminary, but if upheld, TikTok could face a fine of up to 6% of its global annual revenue.
Why the EU thinks TikTok isn’t doing enough
According to the Commission, TikTok allows minors to set their accounts to public, making their content visible to anyone — including people without a TikTok account. Regulators also say that content posted by older teenagers (aged 16 and 17) can still be recommended to other users through the For You feed, increasing the risk of unwanted contact, cyberbullying, or exploitation.
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The Commission argues that stronger privacy protections for children should be enabled by default, rather than relying on users to change their settings manually. It also wants content from minors’ public accounts to be visible only to approved TikTok followers instead of being accessible to a broader audience, while recommending that minors’ content should not appear in the For You feed for other users.
EU Executive Vice-President for Tech Sovereignty, Security and Democracy Henna Virkkunen said protecting minors online should never be optional, adding that platforms are expected to build child safety into their services by design rather than offering it as an opt-in feature.
What TikTok said
TikTok has pushed back against the findings, saying it shares the Commission’s goal of protecting young users and already offers more than 50 privacy and safety features for teens. As reported by Reuters, the company notes that accounts for users under 18 are private by default, while younger teens cannot use direct messaging and their content is not recommended in the For You feed. TikTok says it will review the Commission’s findings and continue working with regulators before a final decision is reached.
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Bryan M. Wolfe / Digital Trends
The Commission’s announcement represents preliminary findings, meaning TikTok now has the opportunity to formally respond before the EU decides whether the company has violated the DSA. If regulators remain unconvinced, they could issue a non-compliance decision along with financial penalties. The investigation is one of several ongoing DSA probes into TikTok as European regulators continue tightening oversight of how large social media platforms protect younger users online
Canon registered three new EOS R cameras. Rumours point to a retro-styled R8 II (digital AE-1), an R7 II with Canon’s first stacked APS-C sensor, and an R10 II. All expected H2 2026.
Canon has registered three new cameras with wireless certification agencies, a step that typically signals imminent announcements. Rumours point to updates across Canon’s mid-range mirrorless lineup: the EOS R8 II, EOS R7 II, and EOS R10 II. All three are expected in the second half of 2026. The most interesting is the R8 II, which may arrive in mid-September with retro styling inspired by the Canon AE-1, a legendary 1976 film SLR that turns 50 this year.
The AE-1 was one of the most popular cameras ever made, beloved by amateur photographers for its accessible design. Nikon already proved the retro-digital formula works with the Zf, and Canon has reportedly been working on a similar concept for years. The rumoured R8 II specs include a 32.5MP full-frame sensor, 40fps electronic shutter burst, in-body image stabilisation, oversampled 4K video, and two SD card slots, up from one on the original R8. Whether the retro styling is cosmetic or extends to film-style image processing modes remains unclear.
The EOS R7 II may be more significant technically. It is rumoured to feature Canon’s first stacked APS-C sensor, a design that moves circuitry behind the sensor for faster readout, enabling higher burst speeds and blackout-free viewfinder shooting. Currently, only Fujifilm’s X-H2S offers a stacked APS-C sensor. Resolution may increase from 32.5MP to 39MP. The EOS R10 II, Canon’s beginner model, is expected with improved autofocus and a deeper burst buffer but fewer dramatic changes.
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None of this is confirmed. Canon has not announced anything beyond the wireless certifications. The memory crisis has pushed component costs higher across consumer electronics, and Canon’s ability to price these cameras competitively will depend on how much the DRAM shortage has affected sensor and processing costs. Apple raised iPhone 17 prices 10% in Japan due to currency and component pressure, and camera manufacturers face the same headwinds. Three registrations in one batch suggests Canon is planning a coordinated launch, not a staggered rollout. The AE-1 anniversary gives them until the end of the year to make it count.
Electrolyte powders, dissolvable tablets, and trendy ready-to-drink waters have graduated from the pockets of athletes to one of wellness’s buzziest categories.
And it’s a crowded market, worth an estimated $39 billion globally in 2025 and forecast to double within the next decade. Much of the growth has been fueled by wellness trends and influencer-fronted hype cycles, like Prime Hydration, created by YouTubers Logan Paul and KSI, which the company claimed pushed past $1 billion in sales in a single year. In other internet corners, dozens of celebrity and podcaster-adjacent brands are all promising a means of optimizing your way to hydration.
These products are marketed as daily essentials for everyone—from office workers to gym regulars—promising to combat brain fog, improve skin, banish fatigue, and aid recovery. Here’s everything you need to know about the electrolyte obsession, and when these products are actually worth buying.
What Are Electrolytes?
Electrolytes are essential minerals, among them sodium, potassium, calcium, magnesium, and chloride, that carry an electrical charge once dissolved in fluid. That charge is what lets the body do much of its basic work, such as helping muscles and nerves work correctly. They work to ensure fluid stays balanced inside and outside every cell, as a serious imbalance can cause headaches, muscle cramps, dizziness, fatigue, and weakness. In more serious cases, severe electrolyte imbalances can interfere with heart function and require medical treatment.
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Who Needs Electrolytes?
For most healthy adults, the body has been regulating electrolyte levels perfectly well long before trendy, flavored hydration sticks landed on supermarket shelves. In fact, if you eat a reasonably balanced diet and drink water when you’re thirsty, there’s a good chance you’re already getting everything you need.
The sachet earns its place in roughly three situations. Studies from the American College of Sports Medicine suggest that water alone is sufficient for exercise lasting less than an hour, but electrolytes become increasingly useful during longer sessions of prolonged, sweat-heavy exercise, particularly in high temperatures or humidity. They’re also useful for illness involving heavy fluid loss, which is why oral rehydration salts are a recognized medical treatment rather than a wellness trend. And you should also consider them during long stretches of fasting, when the food that usually supplies these minerals is absent.
Are There Natural Electrolytes?
There are many sources of electrolytes in everyday foods. If you’re eating a reasonably varied diet (fruits, vegetables, lean protein, whole grains, nuts, seeds), your electrolyte stores are continually being topped up without the need for specialist drinks or powders.
Research by the Beverage Hydration Index shows that milk-based drinks can maintain hydration for longer than plain water. The combination of protein, natural electrolytes and small amounts of fat slows the rate at which fluid leaves the stomach, helping the body retain hydration for longer. Coconut water too can replenish potassium.
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The Nutrition Source from Harvard’s School of Public Health notes that, essentially, “any beverage containing electrolyte minerals may be labeled an electrolyte drink. Some are very costly yet only contain a small amount of these nutrients, while others may contain a high amount of only one nutrient such as potassium or sodium.”
Can You Have Too Many Electrolytes?
For healthy adults, an occasional electrolyte drink is unlikely to cause harm. Daily consumption, however, can sometimes be counterproductive.
Many electrolyte products contain significant amounts of sodium, despite the fact that most populations already consume considerably more salt than recommended. The World Health Organization estimates the global average of sodium intake a day is more than double its recommended limit and roughly 1.89 million deaths a year can be linked to excess intake. Regularly adding extra sodium may not be ideal for anyone managing high blood pressure or cardiovascular risk. Some formulations also contain substantial amounts of added sugar, making them nutritionally closer to soft drinks than health products.
Anyone recovering from illness or sweating through an August shift outdoors has a fair case for supplementing. For everyone else, the best approach to hydration remains an unremarkable one. Electrolytes themselves are nonnegotiable. Electrolyte products are mostly just a lifestyle purchase.
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