When you’re livestreaming, it can be tempting to fire off all kinds of wacky sound effects like you’re a morning radio DJ back in the heady days of 1995. If that’s who you want to be, you might like this soundboard project from [Biker Glen].
The build is based around an RP2040 microcontroller. It’s paired with an I2S digital-to-analog converter for sound output, which in turn feeds a small amplifier hooked up to a speaker or a line output. The RP2040 is programmed to respond to MIDI commands by playing various sounds in response, which are loaded off a microSD card. It’s able to act as a USB MIDI host, which allows it to work seamlessly with all sorts of off-the-shelf MIDI controllers like the MIDI Fighter or the Novation Launchpad.
It’s an interesting hardware solution to a problem that you could probably also solve with software on your streaming machine, especially if you’ve already got a USB MIDI controller. However, there’s something to be said for lightening the load when your streaming computer is already doing lots of hard work to truck video up to the cloud already. Files are on Github if you’re eager to replicate the build.
Sennheiser isn’t chasing trends here. With the new CX 80U earphones and HD 400U headphones, the company is doing something far more practical: updating two of its most accessible wired models for a world that no longer has headphone jacks.
Both products replace the long-running CX 80S and HD 400S, swapping the 3.5mm plug for USB-C and adding integrated digital audio support. The result is a direct, low-latency signal path that works with modern phones, tablets, laptops, handheld gaming devices, and PCs—no dongles required. Both models support up to 24-bit / 96 kHz playback and are class-compliant for plug-and-play use across iOS, Android, Windows, macOS, ChromeOS, and SteamOS devices.
Sennheiser’s pitch is straightforward: wired still matters, especially for people who want consistent sound quality, zero pairing drama, and something that doesn’t need charging.
According to Christian Ern, Senior Product Manager at Sennheiser, the goal was simplicity without compromise. These are products designed to plug in, work immediately, and stay out of the way while you get on with your day—whether that’s calls, gaming, studying, or music listening.
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Sennheiser HD 400U Headphones
The Sennheiser HD 400U ($99.95 at Amazon) is a closed-back, over-ear design that sticks closely to the formula that made the HD 400S popular. It’s compact, folds flat, and leans toward a bass-forward tuning that works well for everyday listening. Passive isolation helps block out background noise in shared spaces, making it a sensible option for home offices, school environments, and travel.
Sennheiser includes a detachable USB-C cable and a storage pouch, which keeps things practical rather than precious. This is not a studio headphone and doesn’t pretend to be one—it’s built for portability, durability, and predictable performance across devices.
What the HD 400U Is Doing Under the Hood
At its core, the Sennheiser HD 400U is a closed-back, over-ear dynamic headphone built for everyday listening rather than studio theatrics. The closed design keeps sound in and outside noise out, which immediately makes it more useful for shared spaces, commuting, and work environments where open-back headphones would be a liability.
The 18-ohm impedance tells you this headphone is easy to drive. Phones, laptops, tablets, and handheld gaming devices don’t have to work hard to get it loud, and there’s no requirement for an external amplifier. Pair that with a 217-gram weight, and you get something that’s comfortable enough for long sessions without feeling flimsy or toy-like.
Sennheiser uses a 9.7mm dynamic driver, tuned to cover the full audible range from 18 Hz to 20 kHz. Translation: you’ll get usable low-end extension without exaggerated sub-bass theatrics, and clean enough treble to keep vocals and dialogue intelligible without fatigue. The low total harmonic distortion (<0.5% at 100 dB) means the sound stays composed even when you turn things up; no strident edges or obvious breakup at higher volumes.
Built for Calls, Meetings, and Everyday Use
The integrated microphone is tuned for practicality, not podcast stardom. With a 100 Hz to 10 kHz frequency range and an omnidirectional pickup pattern, it’s designed to capture your voice clearly during calls and meetings without requiring precise positioning. It won’t isolate your voice like a boom mic, but it does the job reliably for work, gaming chat, and video calls.
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CX 80U Earphones
For listeners who prefer something lighter and more discreet, the Sennheiser CX 80U ($39.95 at Amazon) takes the familiar CX 80S in-ear design and gives it the same USB-C digital treatment. The tuning is balanced with a touch of low-end weight, and passive isolation does most of the work when it comes to blocking outside noise.
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Three sizes of silicone ear tips are included to help with fit and comfort, whether the earphones are being used for music, calls, or gaming sessions. Like the HD 400U, the CX 80U includes an in-line remote with an integrated MEMS microphone for voice calls and meetings.
What the CX 80U Is Doing Under the Hood
The Sennheiser CX 80U is a wired, in-ear dynamic earphone designed for simplicity, isolation, and consistency across modern devices. Like its predecessor, the CX 80S, it focuses on balanced tuning with enough low-end presence to keep things engaging without smothering vocals or dialogue.
Because this is a USB-C digital earphone, traditional specs like impedance and sensitivity don’t apply in the same way they do with analog models. The digital signal is handled internally, which means volume behavior and power delivery are controlled by the source device rather than varying wildly depending on headphone jacks or dongles.
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The stated 17 Hz to 20 kHz frequency response covers the full audible range, delivering usable low-end weight and clean treble without pushing into exaggerated extremes. This tuning works well for music, video, podcasts, and gaming—especially in environments where background noise would otherwise get in the way.
There’s no active noise cancelling here, and that’s intentional. The CX 80U relies on its in-ear fit to passively block outside noise. Three sizes of ear tips are included to help achieve a proper seal, which is critical for both comfort and bass response. Get the fit right, and the earphones do a respectable job of keeping distractions out without introducing digital artifacts or battery requirements.
The Bottom Line
The Sennheiser CX 80U and HD 400U aren’t designed to compete with wireless headphones. They’re built for people who want affordable, wired audio that connects directly to modern USB-C devices without adapters, apps, or batteries. For students, commuters, gamers, and anyone tired of managing dongles, Sennheiser’s USB-C update is about reliability and convenience, not trends.
Formula 1 has been receiving star treatment from Apple for awhile, and now the racing series will literally be getting even bigger. Apple is partnering with IMAX to show five races from the 2026 season. The Miami Grand Prix on May 3, the Monaco Grand Prix on June 7, the British Grand Prix on July 5, the Italian Grand Prix on September 6 and the United States Grand Prix on October 25 will be aired live at select IMAX theaters in the US.
Apple landed a five-year deal for the US broadcast rights to Formula 1 last fall and there’s already a dedicated channel for the car races on Apple TV ahead of the season’s start. It also got the rights for a splashy feature film about the racing league, which amassed more than $630 million at the global box office, including with some IMAX screenings. It’s unclear if IMAX will be paying to host more live F1 races at its theaters in future years, but it should be a fun way for fans to get the most immersive experience possible short of actually attending the racetrack.
That means riders can simply tap their smartphones, digital watches, or physical cards against ORCA readers to pay for their fare.
“We know that people are very familiar with tapping credit cards and that contactless systems are just a part of our everyday life — and now that is part of public transit in the Puget Sound,” said ORCA Joint Board Chair Christina O’Claire.
GeekWire covered the news last month. A soft launch began earlier in February. ORCA and Sound Transit officials held a press conference Thursday to announce the launch date inside the downtown Seattle office of Init, the German tech company that helps power ORCA payment functionality.
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The rollout comes as Seattle prepares to host the FIFA World Cup this summer, when hundreds of thousands of visitors are expected to rely on public transit.
“We are ready to welcome soccer-loving, transit-loving fans from around the world,” said Dow Constantine, CEO of Sound Transit.
The technical upgrade is aimed at making transit easier for occasional riders, tourists, and anyone who doesn’t already carry an ORCA card — while modernizing fare payment across the region’s patchwork of transit agencies. By streamlining fare collection, agencies hope to speed up boarding during peak travel times and large events.
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ORCA’s operations team worked with Init to implement Visa’s Mass Transit Transaction (MTT) payment model, which allows ORCA fare readers to function as point-of-sale devices capable of securely processing contactless credit card payments in real time.
Nadia Anderson, vice chair of the ORCA Joint Board and chief strategy officer for Sound Transit, demos the new tap-to-pay function for ORCA card readers.
The feature will be available on buses and bus rapid transit, as well as Sound Transit light rail, Sounder trains and the Seattle Streetcar. It will soon expand to Kitsap Transit fast ferries and the King County Water Taxi.
Tap-to-pay will not initially work on Washington State Ferries, the Seattle Monorail, King Country Metro Access, King Country Metro Vanpool, King County Metro DART, Metro Flex, Community Transit DART, Community Transit Zip Shuttle, Everett Paratransit, and Pierce Transit Runner.
Some more details on how tap-to-pay works:
The tap-to-pay option charges the standard adult fare. Tap-to-pay riders will still receive the two-hour ORCA transfer benefit, meaning a rider who taps onto one service can transfer within two hours without paying twice.
Riders using discounted programs — including ORCA LIFT, senior, youth or employer-sponsored cards — should continue using their ORCA cards. Cash and physical tickets will still be accepted.
Each rider must use their own card or device. One credit card cannot be used to pay for multiple passengers. However, a rider with a physical credit card and the same card in their mobile wallet can use each for two separate fares. Youth aged 18 and under ride for free on Seattle-area transit.
Fare inspectors will not scan credit cards directly. Instead, riders may be asked to provide the last four digits of the card used to confirm payment. ORCA officials said they are working on a solution that allows fare inspectors to more quickly verify payment with their own devices.
Officials encouraged riders to take their credit cards or ORCA cards out of their wallet when they tap readers to avoid having the wrong card used.
For iPhone users looking to make their tap-to-pay experience even faster, Apple Wallet has a feature called Express Mode that lets transit riders pay for fares without waking or unlocking their device.
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Using an ORCA card inside Apple Wallet is a separate feature and not part of this launch. ORCA launched a Google Wallet feature for Android users in 2024.
For those who want to purchase tickets via an app, Transit GO allows iOS and Android users to pay fares on King County Metro buses, Sound Transit trains, and other regional transit services using in-app ticketing.
Toy Story 5 will be the first Woody-Buzz CGI fable in the film series, where I’ll take a pass. I don’t need to see comedy ensue as the iconic characters run headfirst into the hard reality of tech and childhood.
Pixar and Disney released the first full-length Toy Story 5 trailer on Thursday (February 19), delivering the clearest picture yet of what to expect from this once-groundbreaking but now aging franchise. The movie hits theaters on June 19.
If you take issue with my use of the word “aging,” just take a look at Woody, the cowboy toy who now sports a bald patch. Sure, he’s losing paint, not hair, but the jokes surrounding the bright, reflective spot make the point clear; Woody, like the rest of the gang, is yesterday’s toy.
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Where it all started
For those living under a rock and wholly unfamiliar with the Toy Story films, Toy Story depicts the hidden life of a child’s toys. They talk, laugh, play, scheme, carry out missions, and more, all just out of view of adults and the children who own them. In the original, Woody is introduced to the spaceman toy, Buzz Lightyear, who believes he is real. You can kind of guess the rest, but their bond is what drives much of the subsequent three films. But by the end of Toy Story 4, Buzz and Woody went their separate ways.
Toy Story 5 reunites the pair in a fight for attention. Really, that’s what Toy Story 5 is about. Bonnie, who inherited the toy collection from the now grown-up Andy, gets a “Lillypad” tablet and basically slips into screen addiction. The toys quickly assess that this is a widespread problem: analog toys are being abandoned for digital ones.
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“Toys are for play, but tech is for everything,” says Woody, succintly stating the problem.
Toy Story 5 | Official Trailer | In Theaters June 19 – YouTube
The trailer depicts Bonnie becoming consumed by her screen, and the toys fight to save, well, not her, but themselves.
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The Lillipad, which comes in a frog-shaped case that includes eyes, also talks when out of view of Bonnie and the adults. When the toys confront it, it doesn’t appear to be paying attention (naturally), but it is in fact recording everything they say and then translating it into multiple languages.
While it’s not entirely clear that Lillypad is the villain here, I think the perspective on technology is obvious: It’s bad and ruining childhoods.
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There’s no Story without tech
(Image credit: Disney/Pixar)
Yes, it’s a disingenuous argument coming from a company that uses computers to design and animate Buzz, Woody, and the gang, and then banks of servers to generate every single frame of Toy Story in existence.
I’m sure Pixar and Disney will find a clever way to solve the conundrum in a way that doesn’t negate toys or technology, but I don’t know that I’ll buy it.
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The truth is, technology has changed society and play. Adults are handing children and even toddlers phones and tablets to keep them quiet. When I see a kid in a stroller, I no longer look to see if their preference is Bert, Ernie, Big Bird, or Velveteen Rabbit. They’re not squeezing a security blanket. Instead, I peer to see if they’re sporting an Amazon Fire Tablet, an iPad, the latest Android flagship, or an iPhone.
The glazed look Pixar recreates on Bonnie’s face is all too real, and no matter what those toys do, Bonnie’s probably not leaving technology behind. As Lillipad tells Woody in her slightly robotic voice, “Bonnie needs help from someone at least for the same century.”
The truth is, technology has changed society and play.
When Bonnie powers up Lillipad, one of the first things it says to her is, “Let’s play,” but it’s only offering the kind that engages eyes, ears, and fingers, leaving little room for Bonnie to explore with a toy dinosaur, fly with Buzz, or ride off into the sunset with Woody and Bullseye.
It’s not just that tech is the villain here. The stakes in the original Toy Story movies were so much higher: they dealt with love, rejection, anger, jealousy, loss, and hard truths. I know, it was all done with a light, deft touch that mixed comedy, sight gags, and pathos. Is it possible for Toy Story 5 and its digital villain to carry that same emotional weight? I doubt it.
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Maybe I’ll just rewatch the original Toy Story, released more than 30 years ago, when the Internet was young, cell phones were dumb, and the only screen really drawing out attention was the TV.
You can stream all the Toy Story and Pixar content (save this new film) on Disney+.
And of course, you can also follow TechRadar on YouTube and TikTok for news, reviews, unboxings in video form, and get regular updates from us on WhatsApp too.
Dyson has announced the PencilWash, a new ultra-slim wet floor cleaner designed to make everyday mopping easier and more hygienic.
Weighing just 2.2kg and built around a 38mm pencil-thin handle, it’s the company’s most compact wet cleaner to date.
The PencilWash is engineered to lie almost flat — up to 170 degrees, reaching as low as 15cm. This allows it to clean under sofas, cabinets and low furniture without sacrificing suction or hydration performance. Dyson says the reduced diameter handle improves in-hand comfort and natural steering. It makes it feel closer to using a broom, rather than a bulky floor washer.
Unlike conventional wet-and-dry cleaners, the PencilWash uses a filter-free system. This eliminates internal filters that can trap dirt, retain moisture and generate odours over time. Instead, it combines hydration, agitation and extraction technologies to continuously wash the roller with fresh water. Furthermore, it simultaneously extracts dirty water and debris.
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At the centre of the system is a high-density microfibre roller featuring 64,000 filaments per square centimetre. It spins rapidly to tackle both wet spills and stubborn stains. Meanwhile, an eight-point hydration system delivers controlled water flow across the roller. This ensures floors are cleaned using only fresh water. Dirty water is extracted on every rotation, helping maintain hygiene throughout the clean.
The 300ml clean water tank is rated to cover up to 100m² of flooring. It offers 30 minutes of runtime and includes a swappable battery option for extended sessions. Moreover, users can choose between two hydration modes to adjust water delivery depending on the surface or type of mess for a quicker-drying finish.
Dyson is also launching the 02 Probiotic hard-floor cleaning solution, a non-foaming formula designed to work alongside its wet-cleaning range including the PencilWash. The solution is described as safe for use around pets and children.
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The Dyson PencilWash will be available from 4 March, priced at £299.99, through Dyson Demo Stores and Dyson’s online store.
The Logitech G435, priced at $39.99 (was $79.99), the type of quiet disruption budget gaming headsets need, delivers incredible lightness combined with respectable wireless performance, all without breaking the wallet. Logitech prioritized comfort when creating the G435. The thing disappears on your head during marathon gaming sessions, weighing just 165 grams (or around 5.8 ounces).
The earcups are constructed of soft, breathable fabric that keeps the heat at bay, and the headband has a thin layer of the same material stretched over some really basic padding. Users may wear the item for hours without breaking a sweat, and the only time they’ll feel tired is when it’s time to take it off. A wonderful addition is the braille indicators on the sides, which help you determine left from right as quickly as possible, demonstrating that Logitech thought about regular use.
Versatile: Logitech G435 is the first headset with LIGHTSPEED wireless and low latency Bluetooth connectivity, providing more freedom of play on PC…
Lightweight: With a lightweight construction, this wireless gaming headset weighs only 5.8 oz (165 g), making it comfortable to wear all day long
Superior voice quality: Be heard loud and clear thanks to the built-in dual beamforming microphones that eliminate the need for a mic arm and reduce…
Connectivity is a major highlight here, with a USB dongle that supports LIGHTSPEED wifi for low-latency gaming on PC, Mac, PS consoles, and even Switch. Switch to Bluetooth for your phone or tablet, and it will handle music or calls without losing signal. Most configurations have a range of roughly 10 meters. The battery lasts about 18 hours per charge via USB-C, which is enough for a couple of nights of gaming without needing to recharge.
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The sound comes from 40mm speakers that have been adjusted for a balanced sound profile. The bass has a soft, relaxing touch that isn’t overpowering; the mids are crystal clear for voices and effects; and the highs gently roll off past 9kHz, so there’s no harshness. Many people find that the audio produces huge, full-bodied sound for both games and music, especially with a little EQ tweaking using Logitech’s PC software. Volume is limited to roughly 85 decibels in some versions for safety reasons, which is unfortunate if you enjoy cranking it up loud, but better safe than sorry.
The mics are hidden into the left earcup as dual beamformers, picking up speech as crisp as a bell while reducing background noise without the use of a cumbersome boom arm. Clarity is quite impressive for the price, yet it lacks the isolation and richness found in higher-end models.
As humanity looks to the moon for science and economic opportunity in the coming years, understanding potential dangers lurking on the lunar surface could become increasingly important.
Ridges on the moon that signify moonquakes are the subject of a recent research paper, which delves into tectonic activity across the lunar maria, a vast network of dark plains that arose from ancient volcanic activity.
A team of researchers analyzed lunar formations called small mare ridges to create a global moon map, which is the first of its kind. The paper was originally published Dec. 24 in the Planetary Science Journal.
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Cole Nypaver, a postdoctoral fellow at the National Air and Space Museum’s Center for Earth and Planetary Studies and one of the paper’s authors, told CNET that the ridges that were identified were formed by faults in the lunar subsurface, which are associated with moonquakes.
“While those moonquakes are potentially hazardous for long-term lunar exploration missions or permanent outposts, they also present fantastic opportunities to learn more about the interior of the moon and how the moon formed,” Nypaver said.
The moon is shrinking
Another of the paper’s authors is a scientist named Tom Watters. Back in 2010, Watters discovered that the moon is slowly shrinking because its core is cooling.
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The moon’s contraction causes disturbances on its surface. The crust gets compressed and forces material up along faults, which creates ridges, similar to how mountains form on Earth.
The most common of these ridges are called lobate scarps. They form on the lunar highlands, which are the bright spots we see when we look at the moon. But the small mare ridges only form in the lunar maria, which are the dark areas of the moon that contrast with the highlands.
This research is the first time scientists have documented the ridges throughout the lunar maria. In doing so, we now have a more complete understanding of the moon’s thermal and seismic history, which could give us a better idea of any potential moonquakes in the future.
“Our results represent the most globally complete understanding of recent lunar tectonism to date,” Nypaver said. “The presence of these additional tectonic features in the lunar maria suggests that the moon may have experienced more global contraction in the recent past than previously thought.”
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A small mare ridge in Northeast Mare Imbrium taken by the Lunar Reconnaissance Orbiter Camera.
NASA/GSFC/Arizona State University
Moon missions
Humans setting up permanent footholds on the lunar surface have moved from science fiction to real plans for the near future. NASA’s Artemis II mission is set to launch in March at the earliest. And while this mission will only send astronauts to orbit the moon, future Artemis missions plan to land people on the lunar surface and build permanent infrastructure there.
Schmerr said to CNET that this instrument will detect seismic activity in the lunar south polar region.
“We’ll get a whole new picture of lunar seismic activity both on the South Pole and lunar farside,” Schmerr said.
LEMS-A3 is a station designed to be self-sustaining, and Schmerr will act as the instrument’s deputy principal investigator for the mission. The LEMS-A3 will assess “tectonics-related seismicity of the region and any hazard the moonquakes (or, for that matter, impacts) could pose to future longer-lived infrastructure,” Schmerr said.
Setting up shop
NASA isn’t the only one that’s looking to sustain long-term lunar operations. A company called Interlune also wants to set up mining operations on the moon to excavate helium-3, a valuable isotope that could be used for clean energy and quantum computers.
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Elon Musk has been talking about building a moon base to launch AI satellites into orbit.
Getting up to speed on the areas of the moon that are more likely to experience moonquakes could influence where space agencies and private companies decide to build outposts in the future.
“There are several upcoming missions to the moon that will carry dedicated seismometers in hopes of detecting a moonquake from a small mare ridge or an asteroid impact on the moon,” Nypaver said. “By identifying a new population of tectonic features in the lunar maria, our work provides additional targets for those missions that seek to use moonquakes to better understand our closest celestial neighbor.”
For the past three months, Google’s Gemini 3 Pro has held its ground as one of the most capable frontier models available. But in the fast-moving world of AI, three months is a lifetime — and competitors have not been standing still.
Earlier today, Google released Gemini 3.1 Pro, an update that brings a key innovation to the company’s workhorse power model: three levels of adjustable thinking that effectively turn it into a lightweight version of Google’s specialized Deep Think reasoning system.
The release marks the first time Google has issued a “point one” update to a Gemini model, signaling a shift in the company’s release strategy from periodic full-version launches to more frequent incremental upgrades. More importantly for enterprise AI teams evaluating their model stack, 3.1 Pro’s new three-tier thinking system — low, medium, and high — gives developers and IT leaders a single model that can scale its reasoning effort dynamically, from quick responses for routine queries up to multi-minute deep reasoning sessions for complex problems.
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The model is rolling out now in preview across the Gemini API via Google AI Studio, Gemini CLI, Google’s agentic development platform Antigravity, Vertex AI, Gemini Enterprise, Android Studio, the consumer Gemini app, and NotebookLM.
The ‘Deep Think Mini’ effect: adjustable reasoning on demand
The most consequential feature in Gemini 3.1 Pro is not a single benchmark number — it is the introduction of a three-tier thinking level system that gives users fine-grained control over how much computational effort the model invests in each response.
Gemini 3 Pro offered only two thinking modes: low and high. The new 3.1 Pro adds a medium setting (similar to the previous high) and, critically, overhauls what “high” means. When set to high, 3.1 Pro behaves as a “mini version of Gemini Deep Think” — the company’s specialized reasoning model that was updated just last week.
The implication for enterprise deployment could be significant. Rather than routing requests to different specialized models based on task complexity — a common but operationally burdensome pattern — organizations can now use a single model endpoint and adjust reasoning depth based on the task at hand. Routine document summarization can run on low thinking with fast response times, while complex analytical tasks can be elevated to high thinking for Deep Think–caliber reasoning.
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Benchmark Performance: More Than Doubling Reasoning Over 3 Pro
Google’s published benchmarks tell a story of dramatic improvement, particularly in areas associated with reasoning and agentic capability.
Google Gemini 3.1 Pro benchmark chart. Credit: Google
On ARC-AGI-2, a benchmark that evaluates a model’s ability to solve novel abstract reasoning patterns, 3.1 Pro scored 77.1% — more than double the 31.1% achieved by Gemini 3 Pro and substantially ahead of Anthropic’s Sonnet 4.6 (58.3%) and Opus 4.6 (68.8%). This result also eclipses OpenAI’s GPT-5.2 (52.9%).
The gains extend across the board. On Humanity’s Last Exam, a rigorous academic reasoning benchmark, 3.1 Pro achieved 44.4% without tools, up from 37.5% for 3 Pro and ahead of both Claude Sonnet 4.6 (33.2%) and Opus 4.6 (40.0%). On GPQA Diamond, a scientific knowledge evaluation, 3.1 Pro reached 94.3%, outperforming all listed competitors.
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Where the results become particularly relevant for enterprise AI teams is in the agentic benchmarks — the evaluations that measure how well models perform when given tools and multi-step tasks, the kind of work that increasingly defines production AI deployments.
On Terminal-Bench 2.0, which evaluates agentic terminal coding, 3.1 Pro scored 68.5% compared to 56.9% for its predecessor. On MCP Atlas, a benchmark measuring multi-step workflows using the Model Context Protocol, 3.1 Pro reached 69.2% — a 15-point improvement over 3 Pro’s 54.1% and nearly 10 points ahead of both Claude and GPT-5.2. And on BrowseComp, which tests agentic web search capability, 3.1 Pro achieved 85.9%, surging past 3 Pro’s 59.2%.
Why Google chose a ‘0.1’ release — and what it signals
The versioning decision is itself noteworthy. Previous Gemini releases followed a pattern of dated previews — multiple 2.5 previews, for instance, before reaching general availability. The choice to designate this update as 3.1 rather than another 3 Pro preview suggests Google views the improvements as substantial enough to warrant a version increment, while the “point one” framing sets expectations that this is an evolution, not a revolution.
Google’s blog post states that 3.1 Pro builds directly on lessons from the Gemini Deep Think series, incorporating techniques from both earlier and more recent versions. The benchmarks strongly suggest that reinforcement learning has played a central role in the gains, particularly on tasks like ARC-AGI-2, coding benchmarks, and agentic evaluations — exactly the domains where RL-based training environments can provide clear reward signals.
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The model is being released in preview rather than as a general availability launch, with Google stating it will continue making advancements in areas such as agentic workflows before moving to full GA.
Competitive implications for your enterprise AI stack
For IT decision makers evaluating frontier model providers, Gemini 3.1 Pro’s release has to not only make them rethink which models to choose but also how to adapt to such a fast pace of change for their own products and services.
The question now is whether this release triggers a response from competitors. Gemini 3 Pro’s original launch last November set off a wave of model releases across both proprietary and open-weight ecosystems.
With 3.1 Pro reclaiming benchmark leadership in several critical categories, the pressure is on Anthropic, OpenAI, and the open-weight community to respond — and in the current AI landscape, that response is likely measured in weeks, not months.
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Availability
Gemini 3.1 Pro is available now in preview through the Gemini API in Google AI Studio, Gemini CLI, Google Antigravity, and Android Studio for developers. Enterprise customers can access it through Vertex AI and Gemini Enterprise. Consumers on Google AI Pro and Ultra plans can access it through the Gemini app and NotebookLM.
CarGurus reportedly hit by ShinyHunters vishing attacks
Hackers claim to have stolen 1.7 million records
CarGurus is staying queit for now
Online car marketplace CarGurus is allegedly the latest company to fall prey to ShinyHunters’ vishing attacks.
The notorious hacking collective posted a new note on its data leak site warning CarGurus to act quickly or have their sensitive data posted on the dark web.
“This is a final warning to reach out by 20 Feb 2026 before we leak along with several annoying (digital) problems that’ll come your way,” ShinyHunters apparently wrote in its announcement. The group says it stole personally identifiable information (PII) and “other internal corporate data,” totaling 1.7 million records.
Yet another victim
CarGurus has not yet commented on the news, and its website says nothing about a potential breach.
If the claims are true, then CarGurus will be the 15th ShinyHunters victim breached in the same manner recently – with a phishing phone call leading to the compromise of an Okta, Entra, or Google SSO dashboard.
Experts from Google and Mandiant recently explained how ShinyHunters were able to breach so many organizations so quickly – by deploying a highly effective combination of vishing and customized infrastructure.
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It all starts with a phone call on which ShinyHunters impersonate IT staff and tech operatives. They call employees in different positions and tell them their MFA settings need updating.
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At the same time, they use customized infrastructure: they have created highly modular, customizable phishing landing pages that they can tweak in real time. Therefore, if the victim uses Google SSO, they will be given the appropriate landing page, which can then transform, depending on the type of MFA that particular employee uses.
When the attacker obtains the login credentials and MFA codes, they log into either Okta, Entra, or Google SSO dashboard, through which they can pick and choose what kind of data to steal: Salesforce, Microsoft 365, SharePoint, DocuSign, Dropbox, or a myriad of others. ShinyHunters, apparently, prefer Salesforce, although they won’t pass up on a different opportunity, too.
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Finally, after exfiltrating all of the stolen data, they will add a sample to their data leak page and reach out to the victim in an attempt to get them to pay.
Some of the companies that fell victim to this attack include Mercer Advisors, Beacon Pointe Advisors, Canada Goose, Figure Technology Solutions, Betterment, Match Group, Panera Bread, Carvana, and Edmunds.
Everyone who loves mysteries secretly hopes that one day life will drop an intriguing puzzle into their lap for them to solve. Maybe not an Agatha Christie-type crime, but something that will send them on a real-world chase to connect the dots and land at a satisfying conclusion.
That’s exactly what happened to Katie Elkin, a retired teacher with a penchant for mysteries. “I’m 84 and I have lived a full, wonderful life,” she tells me over a video call from her home in Prescott, Arizona.
Until now, Elkin’s mysteries have largely been genealogy-based. She recounts an extraordinary story about making friends with a woman from California and discovering that their grandfathers had trained together in the Army and then shipped out to France in World War I on the same day. “That’s my whole life,” she says. “It’s coincidences.”
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On this Friday in February, we’re talking about another coincidence in Elkin’s life — one of finding a phone, lost for a decade in the desert, and Elkin’s attempt to reunite it with its owner.
Our phones are immensely personal items, serving both as memory banks that store our most precious data and as portals that connect us with every important person in our lives. These days, if we lose them, tracking technology means there’s every chance we could be quickly reunited with them, but that hasn’t always been the case.
Those disappearances can be high-stress moments for anyone — just ask Apple about the unreleased iPhones it lost back in 2010 and 2011, which, coincidentally, were around the same time it introduced the Find My iPhone feature. But even today, recovering a lost phone means relying to an extent on the goodwill and honesty of the person who found it. Many people will choose to do the right thing in this scenario, and some — like Elkin — will go above and beyond to help out a stranger.
On a sunny day just before Thanksgiving, Elkin and her husband drove about 10 minutes west of the city to spend some time outdoors. Prescott is surrounded by national parks and ponderosa pine forest, but on this day, Elkin was headed to the desert — not for a hike, she says, but an “amble.”
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Rather than taking the well-marked trail popular with hikers and ATVs, Elkin instead split off onto a lesser-known path “obliterated by the grasses and the weeds.”
It was Elkin’s dad who taught her that if she wanted to spot something, she should look for it — sage advice that’s served her well over the years. “He was always finding change,” she says. “And I can do that too. I always find animals. If we’re driving, I can see them in the woods … I’m always looking for something.”
The phone found by Katie Elkin.
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Katie Elkin/Jeffrey Hazelwood/CNET
Looking for a vague something can turn up the oddest of things, and on that particular day, the something Elkin found was a dusty, beaten 2012 Samsung Gusto 2 lying on its side, clamshell open in the scrub.
Elkin picked up the phone, thinking she would give it to a neighbor boy who liked to take electronics apart. But when she got it home, she was struck by another idea — what if she could get the phone to turn on?
Like many of us with a drawer full of mystery cables, Elkin has kept all the cords and wires that have come with the electronics she’s purchased over the years. She dug through her stash and found a charger that fit the Gusto (she still has no idea what it was used for previously).
When CNET reviewed the Gusto 2 — a simple flip phone that came out the same year as the iPhone 5 and the Samsung Galaxy S3 — we said: “the construction seems strong enough to withstand multiple drops and endless opening and closing.” Our instincts about its potential resilience were, it turns out, correct.
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“I couldn’t believe it when it came up charging,” Elkin says. It took a little while, but when the phone turned on, she was ecstatic. “I thought, ‘Oh my gosh, I wonder who this phone belongs to?’ And so that was when the mystery began.”
The quest for answers
Elkin went into the text messages and started to piece together the Gusto owner’s life, clue by clue. The owner worked in a cafe, she seemed to have family connections in Chicago, she was a renter and a keen hiker. Her name was Maddie.
The other thing Elkin noticed was that the last message was marked Saturday, May 16. It was the only evidence she had to indicate when exactly the phone might have been lost. She went to the internet and looked up which years May 16 had fallen on a Saturday. Two possible answers cropped up — 2020 and 2015.
Elkin’s internet research didn’t stop there. She took one of the commonly texted numbers in the phone and did a reverse lookup. “And bingo! I found a woman’s name that had that phone number,” she says. But when she called the number, it was disconnected.
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“I said to myself, who would know where she is?” says Elkin. “Her dad would know.” She found a number listed under “daddio,” performed another reverse lookup and found the name of a man living in Chicago. “I was so excited because I was getting close,” she says.
On Dec. 30, Elkin’s birthday, she called the number, but no one picked up. She had to leave a message. “I was really disappointed, because I wanted to talk to somebody,” she says.
Ten minutes later, her phone rang, but when she picked up, it wasn’t a man on the other end of the line. “It was Maddie, the owner of the phone,” she says. “She had come to Chicago to visit her dad for the holidays.”
Elkin and Maddie talked for around 10 minutes. “She was amazed,” says Elkin. “We were both amazed.” Maddie didn’t want her phone back, but it turns out she had lost it in 2015 after hiking in the exact spot that Elkin had found it.
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The little phone that could
For a decade, the little Gusto had been lying out in the desert. Unlike some parts of Arizona, Prescott has four seasons, with all the minus temperatures, scorching heat, snowfall and summer storms that come with them. The Gusto weathered every storm, and battered and bruised as it was, it still came back to life.
We have little expectation these days that our phones will last us a long time, and we rarely get all the life out of our devices that they’re capable of offering us. Rather than seeking to get them repaired, once they fail us in one respect, we tend to seek out replacements. Most Americans hang onto their phones for an average of 2.5 years, according to a Reviews.org survey.
It turns out, though, that some phones are built to last, and the Gusto was one of them. After Elkin had spoken with Maddie, she reached out to Samsung to let them know her story. “I said to myself, ‘Does Samsung require some kudos for having a product that lasted that long?’”
Any tech company would. My own first phone, a 2002 Sagem MW 3020, gave up the ghost simply by being exposed to the concept of water while wrapped up inside a backpack on a rainy day. In spite of the best efforts of phone-makers to increase display resiliency, many people are still walking around out there with cracked screens.
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For as long as we’ve had mobile phones, they’ve been vulnerable pieces of kit. But whatever secret sauce Samsung put inside the 2012 Gusto 2 shows that it was more robust than most — even though it was lying open with its main screen exposed when Elkin found it.
At the time we reviewed the Gusto 2, we gave it a score of 7 out of 10, with points knocked off for its subpar screen resolution and a smaller-than-usual headphone jack. It’s too late for us to go back and revise that score in light of what we know about how robust the phone is 14 years later, but it’s entirely possible that the “problems” we highlighted actually played into the Gusto’s long-term survival.
Elkin still doesn’t know what she’s going to do with Maddie’s Gusto, although a friend has suggested that Samsung clad it in gold and put it on a pole at headquarters. Samsung is clearly proud of the phone’s durability, having put me in touch with Elkin, but is also undecided about how to celebrate the life the Gusto 2 has lived. In spite of Elkin’s love for mysteries and my suggestion that the FBI recruit her, she isn’t about to start a detective agency to reunite other people with their lost possessions. “It’s just a hobby,” she laughs.
That’s a shame. As someone who’s lost more than one phone over the years, I would dearly love to be reunited with my missing technology, and I’m sure there’s a market for Elkin’s skills. Not every phone is as resilient as the Gusto. Most devices that have taken such a battering would likely refuse to even turn on.
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Perhaps there’s a longevity challenge for all phone-makers. I can’t promise CNET would be able to replicate this scenario in our reviews testing process, but in an age of disposable tech, it would be lovely to give extra points for truly hard-earned durability.